Amelia’s Magazine | Ghost Forest: Trafalgar Square au natural

Yesterday a group of activists joined representatives from Canada’s First Nation communities to protest against RBS’s continued funding into Tar Sands.

ts1
 
Tar sands is a particularly oily soil which is extracted by using huge open pit mining, price leaving huge 75 meter scars in the wake or by ‘In Situ mining’ which requires huge amounts of natural gas to operate.

Tar Sands extraction is also the dirtiest forms of oil, sildenafil producing 3 to 5 times as much Co2 per barrel as conventional oil, ambulance which shows a desperate attempt by corporations and governments to profit from oil no matter the cost to the environment.

These ‘oil sands’ are found predominately in Canada, which means the US can look to have less reliance on oil from conflict regions such as the middle East. However it doesn’t stop them trampling over Indigenous communities in Canada, polluting the soil, water, turning forests and ecosystems into desolate wastelands and pushing groups of people that have lived sustainably for hundreds of years into extinction.

ts6

Eriel Tchekwie Deranger, of the Athabasca Chipewyan First Nation of Northern Alberta, noted: “The tar sands is the world’s largest and most destructive industrial development. “It is destroying an area of ancient forest larger than England. Millions of litres a day of toxic waste are seeping into our groundwater and we are seeing terrifyingly high levels of cancer in our communities.”

ts2

The three women also from the First Nation communities had previously attended a meeting in Parliament to deliver an open letter to the Chancellor, Alistar Darling outlining the threat to their homes and were later planning to deliver the letter to an RBS representative.
Shouting and using megaphones they got their messages across and thanked all the people for coming down and showing solidarity with the movement.

ts3

Role-playing, shouting and mass dying everyone else on the protest organised by People and Planet, aimed to get their message across on the busy street, plenty of leaflets were also handed out even a fair few press turned up as well as the bankers themselves coming out for their lunch.

RBS is one of the big payers investing into Tar Sands, which they plan to expand production on over the next few decades. What is worse is that RBS is public owned since the banks bailout in 2008. We are effectively funding human rights abuses from Tar Sands extraction through our taxes and our treasury.

The protest yesterday was calling for RBS to shift investments away from projects like the tar sands as well as investment into things like the controversial new coal power plants planned by e-on.

ts4

 A few of the bankers obviously found it really funny that people would choose to lie on the street and not, instead wear a suit and tie and play with peoples money in the stock market, but hopefully with the continued presence outside the bank hopefully something might start getting into their heads.
Ghost Forest in Trafalgar Square is a well-timed art-installation taking place ahead of the UN conference on Climate Change from December 7 to 18, prostate involving 11, viagra 40mg 000 delegates from 192 countries. Ten tree stumps selected from seven indigenous species all with delightful exotic names are represented – Denya, viagra sale Dahuma, Danta, Hyedua, Mahogany, Wawa and three varieties of Celtis – and have been placed at the feet of the National gallery, right at the very centre of Western Industrialization. They are all with a rich and varied ecology and all with equally diverse uses by man; the Celtis Adolfi-Friderici is evergreen, but many of its leaves do fall during the dry season. It grows up to 100 feet tall and is of abundant forest availability.

Ghost forest 2

It is hard not to be moved by the contrasting sight of those stumps laid to rest on white concrete blocks close to the 196 feet-tall Nelson’s Column. Londoners know Trafalgar Square as a rather uninspiring and barren site inhabited by a swarm of pigeons and tourists. The place is now invaded with what appears to be sculptures for posh interiors. Or is it a vast graveyard of searing beauty? The Celtis is used for interior joinery, plywood, and furniture components back in its country of origin, Ghana. In Europe, it is mostly used in the coffin industry. At Trafalgar Square, it all looks like an odd burial site. Now Ghana’s trees have the good fortune of benefiting from the Voluntary Partnership Agreement. Artist Angela Palmer says: “Having lost 90% of its primary rainforest over the past 50 years, Ghana now exercises strict regulations in sustainable and responsible forestry. Last year it became the first country in Africa to enter the VPA (Voluntary Partnership Agreement) with the European Union in an effort to outlaw illegal logging.”

Ghost forest 1

Celtis and its friends do not end their epic journey in London; having traveled all the way from the tropics, they will travel to Copenhagen to remind UN employees that the removal of the world’s ‘lungs’ through continued deforestation needs to be dealt with without delay.

Ghost forest 3

Angela Palmer is an artist with convictions: “Many thinkers maintain that all art is political; politics touches all aspects of our lives. Life is about politics. And art is about communication, often transmitting unpalatable truths.” Breathing In, currently at the Welcome museum from the 20th of October to the 22nd of November 2009, is another one of Palmer’s projects currently in the capital. In April 2007 Palmer travelled to Linfen in Shanxi Province, China, home to the most polluted air on Earth, and then to Cape Grim on the northwest tip of Tasmania where there’s the purest air and water on Earth.

Ghost forest 4

The exhibition is a straightforward display of the results of her journey to capture the physical properties of climate change. The evidence is undeniable- the previously white outfits worn for a day now blackened by the unhealthy Linfen air, the dark face cleanser pads and air pump filters…the facts are brutal. There is an uneasy juxtaposition between the pristine green luscious Tasmanian rainforest and the cloudy, polluted, dusty and overpopulated Chinese streets. Angela Palmer’s art is good medicine for anyone still wondering what all the fuss is about Climate Change. You leave the building wanting to help a worthy cause.

Categories ,activism, ,art, ,climate, ,Climate Change, ,delegates, ,earth, ,ecology, ,exhibition, ,installation, ,london, ,National gallery, ,Trafalgar Square

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Amelia’s Magazine | Exhibition: AiAi’s at Tatty Devine

MenomenaFandFArt.jpg
Aided in no uncertain terms by a show stopping performance at Texas’ recent South By Southwest festival, order case Portland three-piece Menomena present their debut UK release. This is in fact the bands third release – with their two previous albums available in the US exclusively. School friends Danny Seim, mind Justin Harris and Brent Knopf have derived a creative process of much interest that has resulted in a work that is both experimental and forward thinking without being inaccessible.

The bands sound is essentially a combination of looped sounds which are selected from a computer programme called Deeler. The Deeler Sessions culminate in the layering of these looped sounds and vocal addition. The good news is that for the most part this results in songs of sonic density that are out of left field but rich in melody. It is a combination that makes ‘Friend and Foe’ a compelling listen.

Often the fragmented nature of the songs will result in a messy, disjointed sound to begin with. But cohesion arises from moments of inspiration that morph abstract noises into quasi – pop melodies. It maybe a gorgeous piano line, delicate vocal harmony or obscure drum loop. Whatever, these songs keep you guessing, and aside from the odd ill judged inclusion (notably at the tail end of the album) they are nothing less than enthralling.

There are echoes of Mercury Rev on the defiant ‘Rotten Hell’, whilst howling guitars and brooding Saxophone characterise ‘Weird’. Elsewhere Menomena take ‘Up’ era REM as a reference point on ‘My My’- A brilliantly structured song defined by its paradoxical use of warm keyboards and choppy, industrial beats. It is one of many gems.

It’s a shame that the record falls away so badly in its last quarter. The final three songs appear to be an afterthought – lumped on at the end to pad things out when there really is no need for their presence. It leaves a slightly bitter taste in the mouth, but spin straight back to the start and all is forgotten. Friend and Foe deserves attention.

It’s always a danger to be overly vocal about your influences, ambulance it invariably leads people to compare you to those you have cited as inspiration, more about and with a band name taken from a Wilco song, dosage Cherry Ghost have set the bar a little too high. Thirst for Romance is positioned firmly in the folk/country influenced indie rock category and despite not being a spectacular record it has some nice moments, even if they are a little bit uninspired.

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Amelia’s Magazine | Graduate Show 2010: Westminster Illustration

peru-ana-ana-peru-public-ad-campaign
Public Ad Campaign by Peru Ana Ana Peru.

The bizarre, information pills colourful creations of Peru Ana Ana Peru can be found all over the streets of New York, information pills brightening up the city’s darkest corners and entertaining passers by. In their own words, pilule they leave ‘keepsakes around the city for others to find.’ They produce fine art, which can be seen as an extension of their street work, and they also make films. Peru Ana Ana Peru are bursting with creativity and their artistic output tends to be eye-catching, witty and brilliant. I caught up with them last month to reminisce about their visit to the UK, and find out what they had been up to since then.

peru-ana-ana-peru_dogs
Dogs.

Peru Ana Ana Peru came to London late last year to take part in a LAVA Collective group show. They have fond memories of the trip: ‘London was great. There was a nice energy about the place, at least that’s what we gathered from the small time that we stayed. Definitely would like to spend more time out there if and when we can. LAVA was amazing, and working with them was a pleasure. They brought together a massive show that was very special and that people seemed to like’.

Earlier this year, Peru Ana Ana Peru were invited to take part in the Eames Re-imagined project, in which artists were invited to upholster and decorate a classic Eames chair design. This was a prestigious invitation and the finished result looks great, but as they reveal, it was not the most harmonious project they have ever worked on; ‘The process for the Eames Chair was an interesting one, and involved a long, final night of arguing and painting, arguing and cutting, arguing and gluing, etc. When we finished it we couldn’t tell if we liked it or not. So we went to bed, mad at the chair. Then we woke up and saw it again, and we started liking it’.

peru-ana-ana-peru-eames-chair
Eames chair design.

Having appeared in books like Street Art New York (Prestel), Peru Ana Ana Peru are perhaps best known as street artists, but in fact they see themselves primarily as film makers. In an interview with Brooklynstreetart.com they describe video as ‘the medium we feel the most comfortable in, and in which we feel we have the most to offer.’ They shoot most of their own material, but occasionally use found footage in their work. One film featured clips of 1950′s porn, shot on Super 8mm. I asked them where they found the source material; ‘We found this footage at a flea market in Chelsea ages ago, but we got it without bothering to look at what the footage was of. Then later when we got home, we decided to check it out, and we found that it was all porn, all of it. Like, 12 rolls of film. Some in color, some in black and white. We were floored. We had always wanted to use it for something, so one day we did. At the moment is no longer online because youtube took it off for violation of terms or whatever—We’ll have to get that video back online soon’.

peru-ana-ana-peru-sculpture

Their last solo show at the Brooklynite Gallery featured small TV screens imbedded into canvases, a format which unified their film making and illustration work. The show also featured some fantastic piñatas, which I couldn’t resist asking about: ‘The idea simply sprang from a long held fascination and nostalgia for piñatas, and the fact that we knew we wanted some 3D objects in our show. So, piñatas seemed natural. They were fun to make, and coincidentally a friend of ours, Meg Keys, happened to make piñatas pretty much for a living. So we hooked up with her and popped them out’. Are the any plans to make any more pinatas? ‘Perhaps one day’. It seems that revisiting old ideas is not high on the agenda for Peru Ana Ana Peru: ‘We tend to get extremely bored with things if we dwell on them too long.’

peru-ana-ana-peru-street-art-book

Last year, Peru Ana Ana Peru joined dozens of artists to take part in Public Ad Camapin’s NYSAT project (New York Street Advertisting Takeover). Public Ad Campaign is the brainchild of Jordan Seiler, who has been waging war against street-side advertising hoardings for many years now. Much of the advertisements that appear in American cities are placed there illegally with the tacit consent of the authorities. Seiler and collaborators whitewash these adverts, then invite artists to come and decorate the blank spaces they have created. I asked Peru Ana Ana Peru how they came to be involved with the project: ‘We got involved after we were contacted by Jordan, and we naturally agreed to be a part of it. We thought the concept of the project was amazing, and it is what has always drawn us to take part in anything he is involved with. Jordan is a very smart guy and his projects are always reflective of that’.

Finally, I asked Peru Ana Ana Peru if any New York artists had caught their eye recently. (I haven’t there for a while and I’m feeling out of the loop.) They mentioned a street artist I hadn’t heard of called Nohjcoley, I’ve been checking out his work and I think it is lovely, you can visit his photo stream here.

nohjcoley-mural-art
Mural Art by Nohjcoley.

I’d like to thank Peru Ana Ana Peru for taking the time to talk to me. You can check out their films on Vimeo, including my personal favorite, ‘On the Roof’: which you can watch here

Lucy Wragg bear
Illustration by Lucy Wragg.

What the illustration students of Westminster lack in terms of proximity to town (did you know they are actually based way out in Harrow, stomach despite the name of the college?) is made up with access to a huge space in the central London wing of the college, opposite Madame Tussauds in Marylebone. The hangar-like P3 is hidden down a long grimy outside passage that wends past broken bits of furniture and it’s a huge space, big enough for a massive rave. I entered at the top gallery, which gives the most brilliant view of the whole exhibition. Unfortunately it also somewhat swallows the work of smaller artists such as illustrators…. to see them I had to venture down into the bowels and investigate further.

Westminster Graduate Show 2010

This graduating year is a small one because it lost nearly two thirds of its students after a fire forced them to miss large parts of their first year. Presumably a lot of them just simply got fed up with the lack of facilities and ventured off to pastures new. The current students are lucky enough to be tutored by two of my former Brighton University contemporaries, Simone Lia and David Foldvari, and last year’s crop have done sterling service on my blog, regularly contributing illustrations for my website and working collaboratively on interesting projects since their graduation.

The layout of this exhibition did not make it easy to look around – I was unable to pick up a business card next to the walls where the students’ best work was displayed – instead visitors were encouraged to go to the tables and peruse their portfolios to pick up any more than the most basic of information. I think this was a mistake. Bear this in mind, students who have yet to display your final work! Professionals have only the smallest amount of time to look at graduate work, and if they can’t find the information they want to hand then they are likely to simply move on, much like those first year Westminster students who flew the coop.

Tim McDonagh rabbit
Illustration by Tim McDonagh.

Some of the best work on show was that of Tim McDonagh, who produced large prints of densely detailed animals in a limited colour palette. Multiple owls peer through an oak tree with devilish yellow eyes and a dead rabbit lies prostrate in the entangled undergrowth. This is the kind of work which can only be made by someone who feels a really close affinity with the natural world, so it came as no surprise to learn that Tim was homeschooled in an intentional community in Virginia, in the east of the US. I hope we’ll see more of his work on this blog soon.

Tim McDonagh hippo
Tim McDonagh seamonsters
Illustrations by Tim McDonagh.

Animals are a perennial favourite of illustrators everywhere, and two other stand out illustrators in the show chose to render their animal imagery in fine line. Tom Baxter showed the conflation of nature and man in a finely rendered drawing where the outline of guns can be seen in an oil spill.

Tom Baxter nature of the beast
Tom Baxter
Tom Baxter
Illustrations by Tom Baxter.

We are at the same level as Sarah Bonner’s animals, which appear to eye the viewer with intent. She uses perspective to great effect in her drawing of a girl crouched, panther like on the floor.

Westminster Graduate Show 2010 Sarah Bonner
Westminster Graduate Show 2010 Sarah Bonner
Illustrations by Sarah Bonner.

Lucy Wragg makes great use of white space to show anthropomorphised animals – a bear reads the newspaper, peacocks look down on scummy Big Issue selling pigeons and a disgusted cat turns his nose up at another cat’s ablutions. She has produced a lovely set of cards from the series which she was selling in the pop-up student shop.

Lucy Wragg Class Division
Lucy Wragg cats
Lucy Wragg rats
Illustrations by Lucy Wragg.

Alexander Wells showed very adept Manga/Anime style illustrations. Although his work is not the kind of style that I generally gravitate towards I could see that he’s technically very good.

Alexander Wells girl
Illustration by Alexander Wells.

Also worthy of mention is Tom Leadbetter. His work is more abstract than the kind of work I gravitate towards – I like my illustration more literal I’m afraid – but he’s very good at something else that is an absolute imperative for illustrators. He reminded me to attend this exhibition, by yes, that most wonderful of networking mediums, twitter. He also thanked me for coming. It’s these little things that count when you’re making your way into the big bad world of work. He should go far.

Thomas Leadbetter
Illustration by Thomas Leadbetter.

At the front of the newspaper handed out with the exhibition is a long and rather rambling discussion on the purpose of illustration today. I found it not at all surprising that all of the illustrators mentioned above (bar one) participated in this conversation, which featured only 9 out of 25 graduating students. Willing to engage in thoughtful commentary, and producing excellent work. These are the students from Westminster to watch.

Categories ,Alexander Wells, ,Anime, ,Big Issue, ,David Foldvari, ,exhibition, ,Graduate Show, ,Lucy Wragg, ,Madame Tussauds, ,Manga, ,Sarah Bonner, ,Simone Lia, ,Thomas Leadbetter, ,Tim McDonagh, ,Tom Baxter, ,Westminster Illustration

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Amelia’s Magazine | Exhibition: Alexander Heaton: The Horn That Matters

The last time I saw Final Fantasy was in the tiny Spitz venue. Tonight he is playing to full capacity at the Scala; word has clearly spread and expectations are high. I am here on my own with only a monster coldsore for company. Prior to the gig I sit down at a table opposite a morose and unenthusiastic man in his mid-30s (that point where the unfulfilled of the gender start to become manically desperate) who is nevertheless keen to talk to me – his profession changes from writer on the blag to “actually I work at an internet company and I am a frustrated musician” at the drop of my job description. Not so worth trying to impress me, purchase buy eh?! I persuade him that Canadian impresario Owen, decease the man who is Final Fantasy, will be well worth watching. Post-set I am vindicated, but Mr. Morose is nowhere to be seen.

Owen takes to the stage with his inimitable banter in full flow, and proceeds to play his entire set on his lonesome, with just his trusted viola, a keyboard, and some looping mechanism (that I can’t hope to understand) for company. Oh, and a lovely young lady, who stands with her back to the crowd in front of an old fashioned projector that she proceeds to masterfully manipulate. Final Fantasy‘s music has been set to acetate drama, and the result is mesmerizing, even if I have to struggle to see the events unfold through the lighting rig that obscures my view on the top balcony.

Final Fantasy is on a one-man misson to coax as many sounds as he can possibly can from a viola, and in his looping hands this one instrument becomes a full orchestra, and the crowd loves it. There is even a lady at the front of the audience whose frantically waving hands can’t decide whether they are vogueing or conducting throughout the entire set. “Has anyone got any questions?” he asks at one point. “Any constructive criticism?” “No, I don’t normally do poppers!” he replies to the one query he gets. “Lesson learned, never talk to the audience!” Even when things go slightly pear-shaped with the looping business, which they inevitably do, he carries on in such a postive manner that no one minds. As the climax is reached and the star-crossed silhouette of lovers finally meet on the projection screen, Owen lifts his miniature partner into the air and they both stumble off stage. There will be a wave of enquiries into viola lessons across the capital shortly.

Did you know that the man who designed Battersea Power Station (Sir Giles Gilbert Scott) also designed the classic red phone box? Clearly a talented guy. I went to see the Chinese exhibition at the Power Station (as it has now been rebranded) for the same reason as everybody else was there – mainly to see the station before it is at last transformed. The art I could give or take – it was haphazard and I was unsure of its meaning, remedy although I particularly enjoyed the fermenting apple wall (mmmm, store yummy appley smell) – the other stuff was merely an adjunct to the amazingly damp interior of the building, (you will find out a lot more about Chinese contemporary arts by reading my new issue). I really hope that the ludicrously long-in-the-planning development will do this amazing building justice – the ominous and ugly “luxury resort hotel” going up next to it must surely be one of the ways in which they have at last found funding. I hadn’t realised how much I treasure the iconic shape of the station, what with me being a sarf-Londoner and all.

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Amelia’s Magazine | Graduate Show 2010: Westminster Illustration

peru-ana-ana-peru-public-ad-campaign
Public Ad Campaign by Peru Ana Ana Peru.

The bizarre, information pills colourful creations of Peru Ana Ana Peru can be found all over the streets of New York, information pills brightening up the city’s darkest corners and entertaining passers by. In their own words, pilule they leave ‘keepsakes around the city for others to find.’ They produce fine art, which can be seen as an extension of their street work, and they also make films. Peru Ana Ana Peru are bursting with creativity and their artistic output tends to be eye-catching, witty and brilliant. I caught up with them last month to reminisce about their visit to the UK, and find out what they had been up to since then.

peru-ana-ana-peru_dogs
Dogs.

Peru Ana Ana Peru came to London late last year to take part in a LAVA Collective group show. They have fond memories of the trip: ‘London was great. There was a nice energy about the place, at least that’s what we gathered from the small time that we stayed. Definitely would like to spend more time out there if and when we can. LAVA was amazing, and working with them was a pleasure. They brought together a massive show that was very special and that people seemed to like’.

Earlier this year, Peru Ana Ana Peru were invited to take part in the Eames Re-imagined project, in which artists were invited to upholster and decorate a classic Eames chair design. This was a prestigious invitation and the finished result looks great, but as they reveal, it was not the most harmonious project they have ever worked on; ‘The process for the Eames Chair was an interesting one, and involved a long, final night of arguing and painting, arguing and cutting, arguing and gluing, etc. When we finished it we couldn’t tell if we liked it or not. So we went to bed, mad at the chair. Then we woke up and saw it again, and we started liking it’.

peru-ana-ana-peru-eames-chair
Eames chair design.

Having appeared in books like Street Art New York (Prestel), Peru Ana Ana Peru are perhaps best known as street artists, but in fact they see themselves primarily as film makers. In an interview with Brooklynstreetart.com they describe video as ‘the medium we feel the most comfortable in, and in which we feel we have the most to offer.’ They shoot most of their own material, but occasionally use found footage in their work. One film featured clips of 1950′s porn, shot on Super 8mm. I asked them where they found the source material; ‘We found this footage at a flea market in Chelsea ages ago, but we got it without bothering to look at what the footage was of. Then later when we got home, we decided to check it out, and we found that it was all porn, all of it. Like, 12 rolls of film. Some in color, some in black and white. We were floored. We had always wanted to use it for something, so one day we did. At the moment is no longer online because youtube took it off for violation of terms or whatever—We’ll have to get that video back online soon’.

peru-ana-ana-peru-sculpture

Their last solo show at the Brooklynite Gallery featured small TV screens imbedded into canvases, a format which unified their film making and illustration work. The show also featured some fantastic piñatas, which I couldn’t resist asking about: ‘The idea simply sprang from a long held fascination and nostalgia for piñatas, and the fact that we knew we wanted some 3D objects in our show. So, piñatas seemed natural. They were fun to make, and coincidentally a friend of ours, Meg Keys, happened to make piñatas pretty much for a living. So we hooked up with her and popped them out’. Are the any plans to make any more pinatas? ‘Perhaps one day’. It seems that revisiting old ideas is not high on the agenda for Peru Ana Ana Peru: ‘We tend to get extremely bored with things if we dwell on them too long.’

peru-ana-ana-peru-street-art-book

Last year, Peru Ana Ana Peru joined dozens of artists to take part in Public Ad Camapin’s NYSAT project (New York Street Advertisting Takeover). Public Ad Campaign is the brainchild of Jordan Seiler, who has been waging war against street-side advertising hoardings for many years now. Much of the advertisements that appear in American cities are placed there illegally with the tacit consent of the authorities. Seiler and collaborators whitewash these adverts, then invite artists to come and decorate the blank spaces they have created. I asked Peru Ana Ana Peru how they came to be involved with the project: ‘We got involved after we were contacted by Jordan, and we naturally agreed to be a part of it. We thought the concept of the project was amazing, and it is what has always drawn us to take part in anything he is involved with. Jordan is a very smart guy and his projects are always reflective of that’.

Finally, I asked Peru Ana Ana Peru if any New York artists had caught their eye recently. (I haven’t there for a while and I’m feeling out of the loop.) They mentioned a street artist I hadn’t heard of called Nohjcoley, I’ve been checking out his work and I think it is lovely, you can visit his photo stream here.

nohjcoley-mural-art
Mural Art by Nohjcoley.

I’d like to thank Peru Ana Ana Peru for taking the time to talk to me. You can check out their films on Vimeo, including my personal favorite, ‘On the Roof’: which you can watch here

Lucy Wragg bear
Illustration by Lucy Wragg.

What the illustration students of Westminster lack in terms of proximity to town (did you know they are actually based way out in Harrow, stomach despite the name of the college?) is made up with access to a huge space in the central London wing of the college, opposite Madame Tussauds in Marylebone. The hangar-like P3 is hidden down a long grimy outside passage that wends past broken bits of furniture and it’s a huge space, big enough for a massive rave. I entered at the top gallery, which gives the most brilliant view of the whole exhibition. Unfortunately it also somewhat swallows the work of smaller artists such as illustrators…. to see them I had to venture down into the bowels and investigate further.

Westminster Graduate Show 2010

This graduating year is a small one because it lost nearly two thirds of its students after a fire forced them to miss large parts of their first year. Presumably a lot of them just simply got fed up with the lack of facilities and ventured off to pastures new. The current students are lucky enough to be tutored by two of my former Brighton University contemporaries, Simone Lia and David Foldvari, and last year’s crop have done sterling service on my blog, regularly contributing illustrations for my website and working collaboratively on interesting projects since their graduation.

The layout of this exhibition did not make it easy to look around – I was unable to pick up a business card next to the walls where the students’ best work was displayed – instead visitors were encouraged to go to the tables and peruse their portfolios to pick up any more than the most basic of information. I think this was a mistake. Bear this in mind, students who have yet to display your final work! Professionals have only the smallest amount of time to look at graduate work, and if they can’t find the information they want to hand then they are likely to simply move on, much like those first year Westminster students who flew the coop.

Tim McDonagh rabbit
Illustration by Tim McDonagh.

Some of the best work on show was that of Tim McDonagh, who produced large prints of densely detailed animals in a limited colour palette. Multiple owls peer through an oak tree with devilish yellow eyes and a dead rabbit lies prostrate in the entangled undergrowth. This is the kind of work which can only be made by someone who feels a really close affinity with the natural world, so it came as no surprise to learn that Tim was homeschooled in an intentional community in Virginia, in the east of the US. I hope we’ll see more of his work on this blog soon.

Tim McDonagh hippo
Tim McDonagh seamonsters
Illustrations by Tim McDonagh.

Animals are a perennial favourite of illustrators everywhere, and two other stand out illustrators in the show chose to render their animal imagery in fine line. Tom Baxter showed the conflation of nature and man in a finely rendered drawing where the outline of guns can be seen in an oil spill.

Tom Baxter nature of the beast
Tom Baxter
Tom Baxter
Illustrations by Tom Baxter.

We are at the same level as Sarah Bonner’s animals, which appear to eye the viewer with intent. She uses perspective to great effect in her drawing of a girl crouched, panther like on the floor.

Westminster Graduate Show 2010 Sarah Bonner
Westminster Graduate Show 2010 Sarah Bonner
Illustrations by Sarah Bonner.

Lucy Wragg makes great use of white space to show anthropomorphised animals – a bear reads the newspaper, peacocks look down on scummy Big Issue selling pigeons and a disgusted cat turns his nose up at another cat’s ablutions. She has produced a lovely set of cards from the series which she was selling in the pop-up student shop.

Lucy Wragg Class Division
Lucy Wragg cats
Lucy Wragg rats
Illustrations by Lucy Wragg.

Alexander Wells showed very adept Manga/Anime style illustrations. Although his work is not the kind of style that I generally gravitate towards I could see that he’s technically very good.

Alexander Wells girl
Illustration by Alexander Wells.

Also worthy of mention is Tom Leadbetter. His work is more abstract than the kind of work I gravitate towards – I like my illustration more literal I’m afraid – but he’s very good at something else that is an absolute imperative for illustrators. He reminded me to attend this exhibition, by yes, that most wonderful of networking mediums, twitter. He also thanked me for coming. It’s these little things that count when you’re making your way into the big bad world of work. He should go far.

Thomas Leadbetter
Illustration by Thomas Leadbetter.

At the front of the newspaper handed out with the exhibition is a long and rather rambling discussion on the purpose of illustration today. I found it not at all surprising that all of the illustrators mentioned above (bar one) participated in this conversation, which featured only 9 out of 25 graduating students. Willing to engage in thoughtful commentary, and producing excellent work. These are the students from Westminster to watch.

Categories ,Alexander Wells, ,Anime, ,Big Issue, ,David Foldvari, ,exhibition, ,Graduate Show, ,Lucy Wragg, ,Madame Tussauds, ,Manga, ,Sarah Bonner, ,Simone Lia, ,Thomas Leadbetter, ,Tim McDonagh, ,Tom Baxter, ,Westminster Illustration

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Amelia’s Magazine | Exhibition: Arboreal

Located within the Regent Studios complex in Bethnal Green, Transition Gallery is run by artist Cathy Lomax. Exhibiting works in this small white box space by both emerging and established contemporary artists, Transition’s current show is called Arboreal, meaning to dwell or frequent the woods. Arboreal explores human relationships with the world.

All the works had the distinct looming of an incoming apocalypse; or perhaps that apocalyptic times were upon them already. On further inspection, maybe an apocalypse had wiped out humans completely, yet left everything else in its current, somewhat apparently shambolic state, in tact.

Decidedly sinister, Lee Maelzer’s series of nine archival digital prints depict a Christmas tree in various stages of dystopian disrepair; evoking an atmosphere of dark nostalgia. Maelzer’s Dead Tree is of a gnarled tree – desolate, foreboding and full with holes suggestive of gaping mouths in mid scream. Jo Wilmot’s works juxtapose the claustrophobia of a quiet life of domesticity and the claustrophobia of industry. Referring to expectations unfulfilled, Wilmot’s paintings are discomfiting. Tobi Deeson’s delicate looking flowers mass-produced out of cheap bed sheets are again an imitation of life. Deeson’s work hangs from the ceiling to sit above a mirror on the floor suggesting the narcissism of culture; the flowers seem to wilt, hovering between their artificial life and death. Made of cheap wooden panels and veneer, Debbie Lawson carefully characterises wolves in gorgeous puzzle-like carvings, which feel menacing and simultaneously gentle. Lawson explores the organic and natural in theory, versus the manmade imitation of nature with her medium.

Arboreal conveys a darkly hopeful world, the decline of society and it’s impact on the world at large. Humans are physically absent in the works by Tobi Deeson, Debbie Lawson, Lee Maezler and Jo Wilmot; yet the heavy bootprint of man – and subsequently, society’s – collision with nature is devastatingly obvious in the exploration of the organic versus the synthetic by the artists.

A nice exploration of the theme with a well-chosen selection of works, Arboreal is a lovely exhibition with a shadowy heart. www.transitiongallery.co.uk

Categories ,Arboreal, ,exhibition, ,Sculpture, ,Transition Gallery

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Amelia’s Magazine | Harry Pye’s Values at Sartorial Contemporary Art: Exhibition Review

Richard Galpin Splinter XIII
hotfiction_anielamurphy
Hot Fiction by Aniela Murphy.

The King William IV, adiposity located north of ‘where the hell am I?’, order or on this Saturday night, the river Thames, is a relatively secluded venue that doubles as a hostel. This is where I find myself for tonight’s Hot Fiction gig, the blues and riff led garage band that have been unashamedly filling up my commute time for most of the past week since discovering their debut record Dark Room. Arriving at the venue, having been drenched by what appears to be the second flood, I was ready for a stiff drink and a warm welcome, and luckily I was greeted by both.

Once the band took to stage, which at first I incidentally thought they were staff; due to their laid back and approachable manner, they enthusiastically introduced themselves and got to work at rocking the room. Easing any newcomers in with their blissful sound of soul filled vocals that can make the toughest man quiver to his knees; Andy Yeoh has a great set of pipes. The tracks flowed with ease throughout the hour long set, with a couple of covers including Stevie Wonder’s Superstitious were thrown in for good measure. Highlights of the night were extended versions of Get out of My House, and Autumn Girl, with a momentary law breaking moment when a familiar volunteer (fellow gigger and buddy of mine) took to the stage to shake the hell out of a tambourine. (Only two people are allowed on stage at the King William IV, reducing the number of band nights considerably.)

Hot Fiction kept the room charged with their honest and heartfelt approach to live music, and even during technical difficulties the tunes rolled out and with such gusto that it would be hard not to like these guys. A thoroughly enjoyed night from a band that took their debut record and mixed it up to create fresher takes on their already contemporary approach to a classic sound, this band aren’t afraid to squeeze a crowd of their blues.

Hot Fiction are a UK based two piece garage blues and rock band, currently playing between London and Bristol. Click on this link to hear the whole Dark Room album streamed for free.
Everybody_is_Somebodys_Fool_Harry Pye
Everybody is Somebody’s Fool by Harry Pye.

It was a treat to review Harry Pye’s Values, story his latest solo exhibition at the Sartorial Contemporary Art gallery. Values is a much smaller exhibition than his last show Getting Better in 2009, malady which was a veritable visual feast of painting.

Friends_by Harry Pye
Friends by Harry Pye.

Values is entirely different; and using the smaller gallery downstairs Harry Pye is very cleverly treating us to a whoopie pie of a show (apparently cupcakes are so yesterday!) On entry to the gallery I was immediately drawn to Friends 2010, cialis 40mg a co-creation with Gordon Beswick. I got a super shiny press image of it but I also came across this image of Gordon Beswick blow drying Friends before taking it on the bus to Sartorial Contemporary Art, which I found far more appropriate because it is typical of the realness of Harry Pye’s paintings and it made me smile… (this isn’t just any blog, you lucky readers get the real stuff).

Gordon Beswick blow drying friends before taking it on the bus to sartorial
Gordon blow drying Friends in the kitchen.

The next painting I was drawn to was of Marcel, another co-creation, this time with Rowland Smith. Marcel is a humble fairy cobbler and life has taught him that sweet is the sleep of the working man. How poignant that a traditional artisan at work has been chosen to represent the pleasure in life when we have all but lost our shoemaking skills to industrial manufacture. The time when we again value the skills and products of the tradition artisan can not come around a moment too soon.

The Humble Cobbler by Harry Pye
The Humble Cobbler by Harry Pye.

I went round the exhibition twice so I could experience it properly as a multi sensory experience where everything is connected, and I recommend that you listen to Harry’s latest project, The Values, the band that Harry Pye has formed with fellow artists. The world that Harry Pye and friends create makes me feel happy and connected, even when the subject matter is sad.

No_Justice_Means_No_Peace_by Harry Pye
No Justice Means No Peace by Harry Pye.

On the bus on the way home I read the Rebel Magazine, the inhouse publication of the Sartorial Gallery which was launched to co-incide with the exhibition. It contains a free EP of tracks from The Values, whereupon I stumbled upon an updated version of the new ten commandments… they sound good to me!

THE NEW TEN COMMANDMENTS: HERE ARE THE VALUES OF THE VALUES…
1) FIGHT THE POWER (and support the little guy)
2) KEEP HOPE ALIVE
3) TRY AGAIN, FAIL AGAIN, FAIL BETTER (and remember that, “ridicule is nothing to be scared of”)
4) BE MORE CONCERNED WITH ACHIEVEMENT THAN RECOGNITION (Try and make a brilliant record like The Beatles did with Rubber Soul, Ian Dury did with New Boots & Panties, Mark E. Smith did with Extricate, or The Magnetic Fields did with 69 Songs… but just enjoy the praise rather than believe it.)
5) KEEP THINGS SIMPLE (Because when you get complicated you get sad. And when you get sad your luck goes.)
6) LOVE MUSIC
7) HATE RACISM
8) TRY HARD, GET BARRED, GET BACK, WRITE BRAILLE, GET JAILED, JUMP BAIL, JOIN THE ARMY IF YOU FAIL.
9) ALWAYS GIVE VALUE FOR MONEY
10) GO OUT THERE AND BE WONDERFUL (As Brother Marvin once put it, “We are all sensitive people with so much to give… Let’s get it on.”)

*oh look a number 8 turns into a smiley face, how apt* – ED

Our full listing for this exhibition can be found here. Make sure you get along before the end of the month.

Categories ,D+ Magazine, ,exhibition, ,Gordon Beswick, ,Harry Pye, ,Rebel magazine, ,Rowland Smith, ,Sartorial Contemporary Art, ,The Values

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Amelia’s Magazine | Exhibition: David Lock: Misfits and Maladies

In today’s over-saturated electro market it would be easy to dismiss Simian Mobile Disco as just another bleep and whistle DJ duo. However, stomach troche if the reaction of the Hoxton Bar crowd was anything to go by it would seem that what we have on our hands is a bona fide rave outfit.

I’m not talking lamé leggings and novelty over-sized jewellery here (although the room wasn’t short of any of that), but in a scene that’s more about the fashion than the music SMD stand out as one of the few acts who understand what the phrase ‘Rave’ actually means.

A sweaty, hands-in-the-air music industry crowd is a rare sight, and while many tried the obligatory arms folded, ‘contemplating the relevance of the sound look’, it wasn’t long before the irresistible combination of the spectacular light show and pounding, dance heavy hooks and beats had everyone moving like it was 1992.

With all the retina burning, multi-coloured strobe action and the fact that I was stuck behind a couple of six-footers, it was difficult to catch a glimpse of Misters James Ford and Jas Shaw, although it was clear from the head-bopping shadows on stage that these two were enjoying their music just as much as their sweaty disciples. As things reached their climax with the brilliant It’s the beat, there was barely a still foot to be seen and with the whole night taking on a distinctly retro air it was long before the ‘ironic’ old skool hand movements made an appearance, probably in a bid to disguise the fact that GASP, they were actually enjoying dance music. Like it or not, SMD had brought out the Bez in all of us.

This year the RCA’s Summer show combined various fields in an all-encompassing exhibition space that was both innovative and exciting to explore.

Read more

Amelia’s Magazine | Harry Pye’s Values at Sartorial Contemporary Art: Exhibition Review

Richard Galpin Splinter XIII
hotfiction_anielamurphy
Hot Fiction by Aniela Murphy.

The King William IV, adiposity located north of ‘where the hell am I?’, order or on this Saturday night, the river Thames, is a relatively secluded venue that doubles as a hostel. This is where I find myself for tonight’s Hot Fiction gig, the blues and riff led garage band that have been unashamedly filling up my commute time for most of the past week since discovering their debut record Dark Room. Arriving at the venue, having been drenched by what appears to be the second flood, I was ready for a stiff drink and a warm welcome, and luckily I was greeted by both.

Once the band took to stage, which at first I incidentally thought they were staff; due to their laid back and approachable manner, they enthusiastically introduced themselves and got to work at rocking the room. Easing any newcomers in with their blissful sound of soul filled vocals that can make the toughest man quiver to his knees; Andy Yeoh has a great set of pipes. The tracks flowed with ease throughout the hour long set, with a couple of covers including Stevie Wonder’s Superstitious were thrown in for good measure. Highlights of the night were extended versions of Get out of My House, and Autumn Girl, with a momentary law breaking moment when a familiar volunteer (fellow gigger and buddy of mine) took to the stage to shake the hell out of a tambourine. (Only two people are allowed on stage at the King William IV, reducing the number of band nights considerably.)

Hot Fiction kept the room charged with their honest and heartfelt approach to live music, and even during technical difficulties the tunes rolled out and with such gusto that it would be hard not to like these guys. A thoroughly enjoyed night from a band that took their debut record and mixed it up to create fresher takes on their already contemporary approach to a classic sound, this band aren’t afraid to squeeze a crowd of their blues.

Hot Fiction are a UK based two piece garage blues and rock band, currently playing between London and Bristol. Click on this link to hear the whole Dark Room album streamed for free.
Everybody_is_Somebodys_Fool_Harry Pye
Everybody is Somebody’s Fool by Harry Pye.

It was a treat to review Harry Pye’s Values, story his latest solo exhibition at the Sartorial Contemporary Art gallery. Values is a much smaller exhibition than his last show Getting Better in 2009, malady which was a veritable visual feast of painting.

Friends_by Harry Pye
Friends by Harry Pye.

Values is entirely different; and using the smaller gallery downstairs Harry Pye is very cleverly treating us to a whoopie pie of a show (apparently cupcakes are so yesterday!) On entry to the gallery I was immediately drawn to Friends 2010, cialis 40mg a co-creation with Gordon Beswick. I got a super shiny press image of it but I also came across this image of Gordon Beswick blow drying Friends before taking it on the bus to Sartorial Contemporary Art, which I found far more appropriate because it is typical of the realness of Harry Pye’s paintings and it made me smile… (this isn’t just any blog, you lucky readers get the real stuff).

Gordon Beswick blow drying friends before taking it on the bus to sartorial
Gordon blow drying Friends in the kitchen.

The next painting I was drawn to was of Marcel, another co-creation, this time with Rowland Smith. Marcel is a humble fairy cobbler and life has taught him that sweet is the sleep of the working man. How poignant that a traditional artisan at work has been chosen to represent the pleasure in life when we have all but lost our shoemaking skills to industrial manufacture. The time when we again value the skills and products of the tradition artisan can not come around a moment too soon.

The Humble Cobbler by Harry Pye
The Humble Cobbler by Harry Pye.

I went round the exhibition twice so I could experience it properly as a multi sensory experience where everything is connected, and I recommend that you listen to Harry’s latest project, The Values, the band that Harry Pye has formed with fellow artists. The world that Harry Pye and friends create makes me feel happy and connected, even when the subject matter is sad.

No_Justice_Means_No_Peace_by Harry Pye
No Justice Means No Peace by Harry Pye.

On the bus on the way home I read the Rebel Magazine, the inhouse publication of the Sartorial Gallery which was launched to co-incide with the exhibition. It contains a free EP of tracks from The Values, whereupon I stumbled upon an updated version of the new ten commandments… they sound good to me!

THE NEW TEN COMMANDMENTS: HERE ARE THE VALUES OF THE VALUES…
1) FIGHT THE POWER (and support the little guy)
2) KEEP HOPE ALIVE
3) TRY AGAIN, FAIL AGAIN, FAIL BETTER (and remember that, “ridicule is nothing to be scared of”)
4) BE MORE CONCERNED WITH ACHIEVEMENT THAN RECOGNITION (Try and make a brilliant record like The Beatles did with Rubber Soul, Ian Dury did with New Boots & Panties, Mark E. Smith did with Extricate, or The Magnetic Fields did with 69 Songs… but just enjoy the praise rather than believe it.)
5) KEEP THINGS SIMPLE (Because when you get complicated you get sad. And when you get sad your luck goes.)
6) LOVE MUSIC
7) HATE RACISM
8) TRY HARD, GET BARRED, GET BACK, WRITE BRAILLE, GET JAILED, JUMP BAIL, JOIN THE ARMY IF YOU FAIL.
9) ALWAYS GIVE VALUE FOR MONEY
10) GO OUT THERE AND BE WONDERFUL (As Brother Marvin once put it, “We are all sensitive people with so much to give… Let’s get it on.”)

*oh look a number 8 turns into a smiley face, how apt* – ED

Our full listing for this exhibition can be found here. Make sure you get along before the end of the month.

Categories ,D+ Magazine, ,exhibition, ,Gordon Beswick, ,Harry Pye, ,Rebel magazine, ,Rowland Smith, ,Sartorial Contemporary Art, ,The Values

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Amelia’s Magazine | Art Listings:

You know those rainy afternoons when you sit indoors, dosage information pills flicking through the pages of any number of trashy magazines and getting suddenly, order inexplicably excited at the idea of fashion? Or, try more accurately, at the idea of brilliant style. It’s enough to make you want to plunge head first into the glossy pages and never return. That’s the effect it has on me, anyway. I trace my fingers around the outline of a beautiful silk bolero, sigh wistfully over the idea of a chunky knotted belt and a chiffon dress. ‘If only,’ I think ‘if only I could own all of these things, perhaps then my life would be complete’ (did I mention that I also have a mild tendency towards hyperbolic exaggeration?)

In the cold light of day, of course, I would not be more complete with these things, what I would actually be is more like everybody else. It is so rare that I find something that isn’t run-of-the-mill, that when I do I feel it my duty to shout about it from the rooftops. Only I heard rooftops were dangerous, so I decided to use Amelia’s blog instead.

Projects Design Wear is a perfect little gem nestled in the heart of Nottingham city centre among the style-seekers and just left of the cool kids. For years this little boutique has been charming all and it’s not just because of the effervescent mixture of clothing. Walking into Projects is like being folded into an enormous bear-hug by a large and much-loved Uncle. Their staff are friendly, remember who you are and are always on hand to personal-shop for you until one of you drops.

projects%203.jpg

Settled in amongst the dark wood furnishings and lashings of vibrant paint is a sartorial feast for men and women alike. The first floor houses menswear. If you like bright colours and bold statements, ask for House of Gods and !Solid t-shirts. If casual with a twist is more your style, then you’ll be happy to pore over the offerings from Raygun. And an absolute must is their selection of denim. Now, I’m not a man, but I know some, and I have been shopping with a few. I know how maddening guys find it searching for individual jeans. Made out of proper denim, and in proper denim washes, Projects’ selection is perfect for boys who don’t want a tag on their arse, but still want their togs durable and fashionable. What more could you ask?

projects%20jeans.jpg

Well, you could ask for another floor, laden with women’s clothing so pretty you could cry. Lovely changing rooms with real curtains (none of this fabric-not-quite-meeting-cubicle tosh) are waited on by lovely ladies. Stock ranges from cute cardigans to chic evening wear and takes in everything in between as well. There are printed t-shirts and slouchy knits from Numph and high-end gloss from Naughty (check out the black sheen dress). There are these things sitting happily alongside the sort of effortlessly elegant dresses that you always see on other people and can never actually find for yourself. I found them, and I am bequeathing them to you.

Not only this, but there is (be still my beating heart) a glorious range of jewellery. Not just any jewellery mind, but pieces from none other than her majesty; Vivienne Westwood. A rare find indeed among the usual gaggle of costume pieces, and a fine way to top an otherwise genius little store. Ladies must also be sure to check out the selection of men’s scarves downstairs. I have several, and I love them all, equally.

Projects
is not only a clothes shop, it is also a platform for new talent, happily selling for local designers, like Bantum (the I Love Notts t-shirts continue to fly of the shelves). It is this commitment to innovation and this willingness to give a leg-up to emerging new talent that has planted the shop firmly in the hard hearts of all of us Midlanders. I offer wild applause to Projects for its unique take on fashion and for delivering what we all secretly want: simple, affordable, wonderful clothes that not everybody else will have. And when recession looms, it’s ever-more important to invest in the interesting, independent places.

Images courtesy of Projects Design Wear
Have a greener Christmas!

Thursday 20th – Sunday 23rd November

side effects +Bargehouse+Street%E2%80%A8+South+Bank, malady +%E2%80%A8London, this +SE1+9PH&sll=37.0625,-95.677068&sspn=44.60973,74.794922&ie=UTF8&z=16″target=”_blank”>Bargehouse, ?Oxo Tower Wharf?, Bargehouse Street? South Bank, ?London, SE1 9PH

11am – 7pm
?Entry £1: Kids go free!

ethical_christmas_emporium1.jpg

Not feeling particularly Christmassy just yet? A visit to the Bargehouse this weekend may change all that…With three floors boasting over forty stalls, the Ethical Christmas Emporium will include the likes of Divine Chocolate, RSPB, Shared Earth, Zaytoun, The World Music Network, Malika, Jump 4 Timbuktu, Earthscan Publishing, Pants to Poverty, Planet Silver Chilli, Manumit and The Hemp Trading Company. The event will bring together the very best in Fairtrade, ethical, sustainable and environmental gift ideas around!

Enjoying this magical time of year can be wonderfully eco-friendly; Shopping here not only provides an escape from the busy high streets, but the secure knowledge that every stall is working under a Fairtrade ethos, making sure producers around the world all have something to celebrate this Christmas.
The atmosphere is lovely, and everyone seems to be smiling as the event opens on the Thursday. Discounts are available as many stalls have cut their prices specially for this event.

ethical_christmas_emporium2.jpg

Shopping is not the only thing on the agenda at this event, a local Youth Club Choir from Ghana will be entertaining the crowds via live satellite link-up. Kids entry is free and while there they can enjoy lots of specially created activities- Green Santa will be there too to spread some ethical Christmas joy! Grown ups will also be able to delight in food tasting, films, informative talks, music and much more…

The Ethical Christmas Emporium is being hosted by Hand Up Media , the ethical publishing & media company which promotes Fair Trade and ethical lifestyle issues in a positive, stylish and empowering way to consumers across the UK and beyond.

oxo%20tower%20wharf.jpg
The Oxo Tower Wharf

fairtrade%20copy.jpg

Monday 24th November
Anything that makes the art world seem a little more accessible is always nice, cure and an open-submission painting competition is one such an opportunity. The Marmite Prize for Painting is a biannual exhibition at Studio 1.1 in East London. Perhaps you’ve entered yourself, or you’d like to get a glance at some of the entries before the winners are selected. The exhibition opens today and runs until the end of the week.
monday1.jpg

Tuesday 25th November
There will be dancing, there will be porcelain deer skulls, and there will be bird houses, a hundred of them in fact. The Wapping Project, a Hydraulic Power Station turned multi-purpose exhibition space that now hosts an exploration on the social and cultural phenomenon of the British Season. Turning the Season will run until the 28th of February, and it’s free.


Wednesday 26th November

You know how there’s always a kid in a film who’s Lego creations far out-strip the usual tower blocks of most children, well James Johnson-Perkins was certainly one such child, “I spent my whole life building imaginary universes with children’s building blocks”. At EXHIBIT until the 28th of December, he presents his solo show, 50 Robots. Come and see what one man can do with 2,800 construction blocks. Free.
Wednesday.jpeg

Thursday 27th November
Starting today, a group show put together by Stella Dore begins in their new gallery space at 42 Rivington Street, featuring the artists on their roster. It’s between 6 and 9 pm, and it’s called ‘Make-Over”.
Thursday.jpg


Friday 28th November

The Guardian has named him “Britain’s greatest cultural asset”, and after some 12 years of “painting on the doll”, amongst many other things, there’s no end to the volume work to show for this artist/author/poet/film-maker/singer and guitarist, phew! If you haven’t guessed, we’re talking about Billy Childish. Heroes of the British Art Resistance runs until the 23rd of December at the Aquarium L-13.
Friday.jpg


Saturday 29th November

The You Me Bum Bum Train – like nothing you’ve experienced!
If you try to describe this to someone (which you shouldn’t, don’t give anything away), you will sound like you are drawing from memory a nonsensical and fantastical dream, not something remotely tangible that could have actually happened in a 25 minute journey through a Shorditch warehouse. Reality is turned upside down as you are wheeled (as the sole participant) through fifteen distinct interactive scenarios, where over 70 artists act out micro-performances, leaving you to get as involved as you much as feel compelled to. “Designed to mentally and visually astound”, check, “leaving you overwhelmed and exhilarated” check, and check, and finishing the ride “in a totally different emotional state from the one you were in when you embarked on the journey”, most definitely true. It’s fifteen pound price is money well spent, and it runs every Saturday until the 20th of December. Go!
Saturday.jpg


Sunday 30th November

Behind the Shutters – muTATE Britain
The Shutters were lifted this Thursday to the three story disused warehouse that is the largest non-corporate exhibition space in London. With Mutoid Waste taking the ground floor, I got my first whiff of nostalgia for muddy fields (Trash City at Glastonbury), a sentiment of bubbling creativity that runs through the entire event. It’s a multi-media circus, lots of interactive art, and it’s set to change every week through it’s lifespan. This weekend the theme is “Deface Value”, featuring the likes of Tracy Emin and David Cameron alike (yup, the Conservative leader). It opens Friday, Saturday and Sunday between 1.30 and 10 pm.
Sunday.jpg

Categories ,Art, ,Billy Childish, ,exhibition, ,James Johnson-Perkins, ,Listings, ,muTATE, ,Stella Dore, ,The Guardian, ,The Marmite Prize, ,The Wapping Project, ,You Me Bum Bum Train

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