Amelia’s Magazine | Country Mile: an interview with the multi-talented folk singer Johnny Flynn

Johnny Flynn by Emma Mc Morrow

Johnny Flynn by Emma McMorrow.

Johnny Flynn is now a husband and a father, as well as an actor and musician. His many roles have inspired Country Mile, his first album in some years, and one which returns to his roots as a relaxed storyteller – relating journeys, both real and literal, in acoustic style. The result is a sonically beautiful yet raw selection of songs that will keep you warm through those long dark winter nights. I particularly love his title track, which is accompanied by a suitably lo-fi video that follows Johnny’s travels across hill and dale.

Johnny Flynn by Luke Montgomery

Johnny Flynn by Luke Montgomery.

Here at Amelia’s Magazine we have long been Johnny Flynn fans, ever since I saw you accompany Emmy the Great nearly a decade ago (gulp). What have been the main changes in your life since those heady days?
Hmm yeah that feels like a long time ago. I can barely remember what was going on then. I had no idea I was going to pursue music at the time – I was kind of living hand to mouth, quite often living on Emmy’s couch. I was happy to go along with chance encounters and end up playing different nights and with different bands. In terms of my own stuff – I felt private about it – I made lots of bedroom recordings that were only meant to be heard by a few people. So quite a lot has changed. I have a wife and son now. I’m somehow fully submerged in the music industry having never really intending to be here…

Johnny Flynn By Lynne Datson

Johnny Flynn by Lynne Datson.

It’s been awhile since your last album release, how has your approach to making music altered?
Well, this album was a return to the ethics of those early bedroom recordings I just mentioned. The first two albums were done in traditional studios with a producer. That was great and we made the albums in a few weeks but I wanted to go back to ‘tinkering’ with these recordings. That and having the autonomy of making it ourselves – I worked with Adam who plays bass in the band and who I’ve always worked with on demos/soundtracks/bits and bobs. We have a kind of short hand for communicating so it’s cosy to be just us in the studio.

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What kind of journeys inspired the lyrics of Country Mile?
Mostly the kind made on foot along old routes and pilgrimage ways. I was inspired by writers like Robert Macfarlane – who writes mostly about his experiences in wilderness or walking ancient paths. I have a group of friends who all share an interest in being alone in nature: I think it’s healthy to head out on your own in a state of contemplation as often as possible. It’s something that is a prevalent aspect of lots of ancient cultures but has disappeared from our own. If you go back a relatively short time in our history, the act of pilgrimage was an important part of people’s lives. I have made a few ‘pilgrimages’ in recent years and always got so much from giving myself to a ‘way’. When all you have to do each day is walk along a path, all sorts of beautiful things occur – inwardly and outwardly – and you have the space and time to notice and enjoy them.

Johnny Flynn by Julie Gough

Johnny Flynn by Julie Gough.

I understand that the song Einstein’s Idea was written as a lullaby about relativity. How do you write a song with a child in mind?
I don’t know – it just came out of me. I wrote it when my son was box-fresh and I was starting to be filled with an overwhelming paternal energy that was totally new to me. I also wanted to commit something to that moment almost as a testament to my newfound love for this new friend I’d made. And the idea of writing a song abouts ‘Einstein’s idea’ (the theory of relativity) was kind of a joke but also my own cack-handed understanding of it in story form.

Johnny Flynn_CountryMile album cover

How has becoming a father changed your world view?
I’m no longer at the centre of my world… It’s a relief to have someone else to worry about, frankly. I’ve found that’s a lot of new parents have a similar feeling about having kids. It’s such a massive shift, it knocks you sideways in your perception of almost everything. My family comes first now and there’s a kind of lion instinct that kicks in when I least expect it – I get angry when I’m taken away from them.

Johnny-Flynn-by-Lizzie-Donegan-at-New-Good-Studio

Johnny Flynn by Lizzie Donegan at New Good Studio.

What productions have you lent your acting talents to in recent times? Any favourites?
I was in productions of Twelfth Night and Richard III when that started at the Globe last summer and finished in the west end earlier this year. They were pretty special shows and I was sad to pull out of the broadway transfer that’s just begun so that we could tour with the new album. It was wonderful to work with Mark Rylance again. After I finished the Shakespeare double bill I was at the royal court doing a fantastic play called ‘the low road’ set in 18th century New England. That was also a lot of fun and the court has always been my favourite theatre.

You are currently on tour for the first time in a few years, what can fans expect to find at your gigs?
We’ve enlisted the amazing Cosmo Sheldrake to play with us (and usually support us on tour too) so having him on organ and upright bass has really allowed us to fly. I feel like the old songs are sounding new and re-invigorated. Having a few years perspective on all that stuff gives us a chance to mess around with the arrangements. And we love playing the new songs. It’s been a while so we’re just happy to be up there.

Country Mile from the Country Mile album by Johnny Flynn is released on 18th November 2013.

Categories ,acoustic, ,Cosmo Sheldrake, ,Country Mile, ,Emma McMorrow, ,Emmy the Great, ,folk, ,Globe, ,Johnny Flynn, ,Julie Gough, ,Lynne Datson, ,New Good Studio, ,Raw, ,review, ,Richard III, ,Robert Macfarlane, ,Rylance, ,Shakespeare, ,Twelfth Night

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Amelia’s Magazine | An interview with Owlle: introducing new album FRANCE

Owlle by Andrew Khosravani

Owlle by Andrew Khosravani.

French electro-pop chanteuse Owlle is set to take the world by storm with her unique fusing of 80s era melody, super danceable beats and a pop-art aesthetic. Owlle describes the process of her musical creations with us, all accompanied by fabulous illustrations.

Owlle wall

Owlle by Sarah Bromley

Owlle by Sarah Bromley.

What ideas tend to permeate your lyrics and music the most?
I love telling stories, most of the time very personal, through descriptions, landscapes or surreal visions. I like mixing different or even antagonist atmospheres. Something that stroke me when I went through all my lyrics when I’d finished the album is that there’s the notion of someone running incessantly after something, someone impossible to catch all along. I didn’t realize that at first, that this was my theme lyrically, but also rhythmically in a way!

OWLLE by Alexandra Dzhiganskaya

OWLLE by Alexandra Dzhiganskaya.

How has your background in Fine Arts influenced your approach to music?
My time as a Fine Arts student was decisive, it helped me refine what I really wanted to do, I discovered and met many talented artists, Pierre Huyghe and Brian Eno to name just two that really had an influence on me; I also experienced lots of different mediums myself, visuals mainly. I learnt to mix visuals and music, to stage things. All of this helped me broaden my vision, my culture, and ultimately my horizons as a musician! Art continues to feed and inspire me on a daily basis!

Owlle by Emma McMorrow

Owlle by Emma McMorrow.

It is said that – despite your music – you prefer solitude over heaving dance floors, why is this?
Dancefloors can also be a very lonely place, a place of solitude, not necessarily in a bad way, somewhere you let go, you forget everything and everyone around you, and that can be very thrilling. But there’s truth in that I’m more the introspective type.

Owlle by David Tolu Graham

Owlle by David Tolu Graham.

When and how did you discover the work of Brian Eno and how has it influenced you?
I first discovered Eno not through a record or a concert but through an art installation he’d done at an Art Fair in Lyon in 2005, called « Quiet club », such installation obviously had music in it too, but not only… and all of a sudden, it was a blinding revelation to me: how much visual arts and sounds/electronic could interact. Suddenly I realized how I could combine both myself. I stared at it indefinitely, I was struck. Visuals play a key part in what I try do as an artist, they matter as much as music, it’s an integral part of the project!

Owlle by Emma Farrarons

Owlle by Emma Farrarons.

How did you get involved with Depeche Mode and what was the highlight of your collaboration?
That was totally unexpected and an unforgettable moment for me. I’m a big fan of them. Their live drummer had apparently heard of my first ep – Ticky Ticky – and liked it enough to put my name forward to the rest of the band when the time came for them to look for remixers! Their team contacted me on the eve of Christmas 2012… for a minute it was so unreal… quite the Xmas gift! The title of the song – Heaven – was very appropriate to the situation! I tried to give a part of me into this remix. I even dared adding backing vocals, I couldn’t resist ;) When I heard the melody and Dave’s beautiful voice, I knew that it’d be a great experience. I had zero direction from them but only stems and complete freedom to do whatever i wanted. I had no pressure from anyone except myself to live up to the challenge and the chance I was given! I hope I did. Feedback from Depeche Mode themselves and then their fans when the remix came out were an immense reward to me, and a huge encouragement at the vey moment I was working on writing my first album

Owlle multi

What has most influenced the look you create in your videos and artwork?
The fashion aesthetics from the 80’s, its craziness and theatrical aspect inspired me most, the 90’s are an obvious influence of mine too for that is when I grew up and I was very permeable to it, listening as much as watching artists like Madonna, Cindy Lauper or even Boy George but also designers like Alaia and Hussein Chalayan. I like things that have a dramatic aspect to them!

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Owlle: Don’t Lose It

Where did the name Owlle come from?
It’s derived from ‘Owl’. At first I mainly liked the sound it makes when you pronounce Owl, then I feminized it with two L and a E. Then everyone started asking if I had kind of an obsession for owls. Well, I don’t but, yeah I’m a night-ish person, I mainly compose at night, I love this bird and the whole mythology it carries too. I can be quite inhibited or, say, discreet, in my everyday life, having an alias is also a way to overcome this somehow.

owlle france cover

What next for Owlle?
2014 is going to be quite the busy year! I’ve just released my debut album FRANCE in Europe, it should come out stateside in the next few months and I’m going to tour a lot with it, as far and in as many countries as I can!

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Owlle: Ticky Ticky

Categories ,Alaia, ,Alexandra Dzhiganskaya, ,Andrew Khosravani, ,boy george, ,brian eno, ,Cindy Lauper, ,David Tolu Graham, ,Depeche Mode, ,Emma Farrarons, ,Emma McMorrow, ,heaven, ,Hussein Chalayan, ,Madonna, ,Owlle, ,Pierre Huyghe, ,Sarah Bromley, ,Ticky Ticky, ,« Quiet club »

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