Surreal ceramic tableaux by Malene Hartmann Rasmussen. Amazeballs, ambulance truly.
I loved the clear booklet Old Material* New Work** provided by the Royal College of Art Department of Ceramics and Glass. It really does make life so much easier when all the information is in one place, clinic smartly presented…
Loved Makiko Nakamura‘s Baronage Declasse (100 Years After the Party) – baroque styling meets the more surreal elements of pop art in these fun porcelain and lustre decorative objects, where rabbit faces pop out of dripping golden polka dot clocks.
Sarah Wiberley‘s Cameo Series of hand blown glass were just beautiful, in tall vases and squat shapes. She used the traditional motif of a bird flying away.
Louis Thompson also showed colourful blown glass back lit against the wall. He is fascinated by repetition, sequencing, collections and medical apparatus. Objects thus become as important in a collective as they do alone.
Sadhbh Isabelle McCormack created bold statement jewellery from a mix of metals and perplex. Her totemic pieces were designed to combine the skills of craft with computer aided design in a balanced way.
Malene Hartmann Rasmussen‘s surreal ceramic tableaux made me gasp in wonderment – her intention is to impose personal emotions and narratives onto container objects that traditionally have no feelings. She wants her work to seem skilled, elaborate and clumsy all at the same time and I’d say that this was achieved admirably. Beautiful and unique.
Chrystalla Achilleos‘ had created a wall installation called Strata: flowing glass forms made the most of the glass blowing process.
Silvia Weidenbach created bundles of ceramic jewellery in Made to Treasure and Pleasure.
Helen Moore ceramics were presented in beautiful graded wall installations. Here hopes to connect ‘the seemingly disparate facets of my own consciousness’… to create an ‘expanded understanding of the emotional and metaphorical capacity of colour within an analytical framework.’
Paul Stopler Flow. Photo by Ester Segarra.
Paul Stopler was standing next to his installation, and he offered me the aforementioned booklet as I admired his enormous cast glass vases up close. Thanking you kindly Paul, your work is stunning. The heavy glass changes subtly according to the light source.
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