Amelia’s Magazine | The ACOFI Book Tour visits Castor and Pollux in Brighton

ACOFI book tour Castor Pollux Art 2011 -000

Art and design shop Castor and Pollux is situated in three airy arches on Brighton seafront, ampoule a location that was formerly public loos and then a yoga studio.

ACOFI book tour Castor Pollux Art 2011
The view outside the shop. How gorgeous is this?

The arches now house a beautifully curated collection of well designed goodies: there’s a kids’ section, for sale a book section, a gallery space and lots of cards, note books, homewares and hand made jewellery. It’s all highly desirable, so I’m super happy that my Roger La Borde cards now have a home in Castor and Pollux alongside Amelia’s Compendium of Fashion Illustration. You really must visit the shop if you are in Brighton!

ACOFI book tour Castor Pollux Art 2011
ACOFI book tour Castor Pollux Art 2011
ACOFI book tour Castor Pollux Art 2011

Unfortunately I arrived last night for my ACOFI Book Tour with very little time to spare. (Thankyou traffic, in the four years since my beloved Cinquecento departed for the great car graveyard in the sky London streets have started to resemble the chaos of cities like Delhi, what with all the large trucks a-honkin’ and a-hootin’ at each other). Luckily April was on hand to help me shift piles of books down onto the seafront – aided by Suki and Alice Pattullo, who studied illustration at Brighton.

ACOFI book tour Castor Pollux Art 2011 postcards
ACOFI book tour Castor Pollux Art 2011 ALICE Pattullo and April
Alice Pattullo and April of Castor and Pollux.

ACOFI book tour Castor Pollux Art 2011 Suki, Alice with a guest
Suki and Alice with a guest.

I should have known that if I went to Brighton I was bound to bump into some people who studied on the same course as me at University of Brighton (Ba Hons Fashion Textiles with Business Studies since you ask). Turns out the fabulous illustrator Sarah Arnett, who I first discovered at Pick Me Up (and who has since started contributing to Amelia’s Magazine) was in fact a few years ahead of me.

ACOFI book tour Castor Pollux Art 2011 Sarah Arnett
Lovely Sarah Arnett.

Sarah has taken an interesting route to illustration – she specialised in weave at college (we had a choice of print, knit or weave) and then went into the textiles swatch trade, before setting up a small studio making clothes that ended up becoming a shop. She only discovered the joy of illustration when a friend bartered some Illustrator lessons in exchange for a dress. Now, not only does she produce gorgeous illustrations, but she has also recently launched the most BEAUTIFUL collection of clothes featuring her inimitable flower designs. The label is called Modern Love and you can find it in Liberty.

ACOFI book tour Castor Pollux Art 2011 Lou Taylor, Jo Vintage Brighton, Kate Jenkins, April
Lou Taylor, Jo of Vintage Brighton, Kate Jenkins and April.

When Kate Jenkins turned up I recognised her instantly, and not because we have run multiple blogs featuring her unique knitted artworks. She looked familiar because she too was the year above me at Brighton. How wonderful to discover that Brighton fashion textiles graduates are doing such diverse and interesting things that have fed into the world of Amelia’s Magazine.

ACOFI book tour Castor Pollux Art 2011 Juiceology
ACOFI book tour Castor Pollux Art 2011 Angel Food Bakery
ACOFI book tour Castor Pollux Art 2011 Angel Food Bakery.

Before my talk started guests had a chance to once again try out the lovely Juiceology juices, which I have decided are a bit like a juice equivalent of Refreshers sweeties – they have such a wonderful tang to them, quite unlike any other juice I’ve tasted. April had also managed to source some outstanding cupcakes from the Angel Food Bakery – who, quite without my knowledge, had baked the most beautiful buttery creations featuring a transfer design of the Amelia’s Magazine logo.

ACOFI book tour Castor Pollux Art 2011 Lahloo tea

This time round I also had a moment to drink a few cups of Lahloo Tea, and can confirm that both the Peppermint and Darjeeling were absolutely delicious, served very prettily in tea cosy covered china teapots. There were also of course samples of Dr.Hauschka aplenty to take away, much appreciated by those in attendance.

There were plenty of other interesting people at Castor and Pollux, and here’s a selection of those that I managed to talk to:

ACOFI book tour Castor Pollux Art 2011 Paul from Chichester
Paul had come all the way from Chichester on behalf of his girlfriend… and he’d sneaked out a copy of her issue 2 for me to sign for her birthday (hope she’s not reading this) which I thought was incredibly sweet. Fortunately he didn’t seem at all daunted by the heavy female quotient: sadly one boy ran away before my talk began. Boys, please come and meet me, my talk is just as much for you! I’d also really like to encourage as many people as possible to come and talk to me at the remaining talks… I want to hear what you are up to so that I can give your creative projects as much exposure as possible.

ACOFI book tour Castor Pollux Art 2011 Sarah Meredith and Matilda
ACOFI book tour rock cakes pumpkin ring
Sarah Meredith of Rock Cakes could only stay for a little while because her little girl Matilda needed to get home for bed, but she too had brought along some back copies for me to sign. She was sporting some fantastic rings from her dainty jewellery collection – I particularly love the enamelled pumpkin and the cute birds which sit together as if talking. You can find more of her designs on the Rock Cakes website and on Etsy.

ACOFI book tour angel food bakery cupcakes
ACOFI book tour Castor Pollux Art 2011 Angel Food Bakery
Me chomping on a cupcake from the Angel Food Bakery.

Also present was Lou Taylor, who has also recently started contributing to Amelia’s Magazine. She has been using paper art to create the most amazing props for many years, but illustration is a new thing. I think her paper cut techniques work marvellously well as illustration – see her CocknBullKid illustration for example – and am glad she has found a place to showcase this new work.

ACOFI book tour Castor Pollux Art 2011 Jessie Ford
I also met illustrator Jessie Ford, whose website you can check out here.

ACOFI book tour Castor Pollux Art 2011 Racheal Brooks, Racheal Stott, Verity Brown, Judith Wilding
Racheal Brooks, Racheal Stott, Verity Brown, Judith Wilding

Judith Wilding of Delicious Industries is a graphic designer, who keeps a great blog about old school design.

ACOFI book tour Castor Pollux Art 2011 Verity Brown
Verity Brown shows me her portfolio.

A few recent graduates of my course turned up just as I was finishing my talk and one had been savvy enough to bring her portfolio of lovely fashion illustrations to show me. They missed most of the part where I talk about how you absolutely have to be online and engaged with social media to promote yourself as an up and coming creative, but I hope they will listen to my advice as, unbelievably, none of them had any web presence at all! I wish my old course would ask me back to teach the students a bit more about self promotion and marketing for creatives…

ACOFI book tour Castor Pollux Art 2011 Verity BrownACOFI book tour Castor Pollux Art 2011 Verity Brown
Illustrations by Verity Brown.

Jo of Vintage Brighton has very speedily blogged about my talk last night, so you can find out more about it by hopping over here. Thankyou Jo!

As I upload this blog I am sitting in the Pegasus Theatre cafe in Oxford and in a few minutes I have to get along to the next date on my #ACOFI Book Tour. Tonight I will be talking at Comma Shop at about 7.30pm tonight: please do join me from 6pm to network, eat Good Biscuits, taste a new G&D ice-cream flavour and learn how to make button rosettes with Custon Made UK. Then tomorrow I will be rolling on up to Bristol to speak at the Soma Gallery. It’s all very exciting because I love meeting so many different creative communities, so do come and join me at one of these venues soon and tell me what you’re up to. I am back at Tatty Devine in Brick Lane on Tuesday 7th June. Over and out.

Categories ,ACOFI, ,Alice Pattullo, ,Amelia’s Compendium of Fashion Illustration, ,Angel Food Bakery, ,brighton, ,Castor and Pollux, ,Cinquecento, ,CocknBullKid, ,Comma Shop, ,cupcakes, ,Custon Made UK, ,Delicious Industries, ,Dr.Hauschka, ,G&D Cafe, ,G&D ice-cream, ,Good Biscuits, ,Ice Cream, ,Jessie Ford, ,Judith Wilding, ,Juiceology, ,Kate Jenkins, ,Lahloo Tea, ,liberty, ,Lou Taylor, ,Modern Love, ,Oxford, ,Pegasus Theatre, ,Racheal Brooks, ,Racheal Stott, ,Rock Cakes, ,Roger La Borde, ,Sarah Arnett, ,Sarah Meredith, ,Soma Gallery, ,Tatty Devine, ,University of Brighton, ,Verity Brown, ,Vintage Brighton

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Amelia’s Magazine | An interview with CocknBullKid on the release of new album Adulthood

Cocknbullkid by Laura Warecki
CocknBullKid by Laura Warecki.

When Amelia’s Magazine first met CocknBullkid she stood out as a unique singer, purchase flying far from any obvious pigeon hole. I was impressed. Now, case a couple of years later, ambulance Anita Blay is back with a much bigger anthemic sound on second album Adulthood, confidence emanating from every danceable tune. Anita may now be ready to embrace the life of a grown up, yet Adulthood still retains a good dose of the individualistic charm that appealed to me in the first place, all sung in the honeyed vocals that attracted industry attention when as a teenager she took part in Hackney youth music project Tribal Tree. I caught up with the inimitable East Londoner on the release of her album, which came out today.

cocknbullkid_cover

Firstly, hello, how are you, it’s been awhile! What have you been up to since you were last featured in Amelia’s Magazine.
Learning loads, writing loads and the obligatory bit of soul searching, of course.

Why the name change? I’m getting a wee bit confused…
I just wanted to make it more concise really. Nothing more elaborate than that. I didn’t even think anyone would notice!

cocknbullkid by daria hlazatova
CocknBullKid by Daria Hlazatova.

I love your voice, what was your training? Did you sing as a little girl, and do you think your voice has changed over the years and if so how?
Thank you. I think it takes most singers years to find their true voice. We are all influenced by our surroundings and what we hear so it’s easy to start singing in an affected voice. I hear so many singers do it and they don’t even realise. Part of my going away was to really scratch away at all the affectations. And hopefully I’ve done that. As for training – I haven’t had a singing lesson in a years. Which I’m not proud of. Even if you can sing you still need to learn how to improve and protect your voice.

YouTube Preview ImageHold on to your Misery.

How was Tribal Tree formative in your development as a musician and a person? What did being part of it give to you?
It was great in terms of learning how to use software and discipline yourself into writing all the time. We also used to do X Factor style showcases every month. We’d play to a bunch of A&Rs in a room the size of a shoe box and listen to their criticism of the performance. It helped in growing thick skin.

CocknBullKid Papercut by Lou Taylor
CocknBullKid Papercut by Lou Taylor.

You are influenced by The Knife and Morrissey. How would you say these most diverse of influences feeds into your current songwriting process?
Morrissey has influenced my lyrical approach massively. I’d always been into lyrics foremost but it wasn’t until I discovered him that I understood that I had the freedom I had to write about anything I wanted. Regardless of how dark it was. The Knife were quite an early influence for me in terms of their experimental style. When I first started trying to make music on my laptop I was fascinated with how they played with vocals and sonics. 

YouTube Preview ImageOne Eye Closed.

Your music is much bigger now, why did you feel it was important to get away from minimal home grown electro? How did you ensure you retained that personal charm?
I’ve always believed that I’m not an artist that will be a slave to a genre. Hopefully, my appeal comes from who I am and my lyrics. So even if I decided to make a country record ,as long as the lyrics were still ‘me’ then  people shouldn’t feel too alienated. Also, when you listen to a lot of the earlier stuff, you’re actually listening to me trying t figure out how to write a song. I had a lot of things I wanted to say but didn’t know how to get it out in the most coherent way. I hope I’ve achieved that on this album. I think that is what pop music is and does.

CocknBullKid-by-Victoria-Haynes
CocknBullKid by Victoria Haynes.

Asthma Attack is quite a party tune, who do you hope will listen to it, and in what situation?
Anyone. It’s for anyone in any situation.

Asthma Attack.

Why are you anti Diva?
Most of the time it’s unnecessary BUT there are times when you need to get a message across and if no one is listening to you you may have to make a noise. I wouldn’t say that’s being a diva though. If it was a man he would be called ‘assertive’. 

CocknBullKid by Alison Day
CocknBullKid by Alison Day.

Your live shows sound exciting, can you tell us a little bit about what we might expect from these?
I’ve been told by people that the live show is completely different to what you hear on the record and I think it is. It takes me a while to  really connect in a vocal booth. I’m a quite visual person so when I’m on stage it’s a completely different experience. It’s visual, it’s adrenaline fuelled. I come alive.

I did in fact see CocknBullKid live at the end of last week – read my review of her performance at Stag and Dagger, and listen to a special Soundcloud remix stream of CocknBullKid songs by Metronomy’s Olugbenga. Adulthood is out today on Moshi Moshi / Island Records.

Categories ,Adulthood, ,album, ,Alison Day, ,Anita Blay, ,Asthma Attack, ,CocknBullKid, ,Daria Hlazatova, ,hackney, ,Hold on to your Misery, ,Island Records, ,Laura Warecki, ,Lou Taylor, ,metronomy, ,morrissey, ,Moshi Moshi, ,Olugbenga, ,One Eye Closed, ,Stag and Dagger, ,The Knife, ,Tribal Tree, ,Victoria Haynes, ,X Factor

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Amelia’s Magazine | Stag and Dagger 2011 review: CocknBullKid, Our Mountain, Marques Toliver, James Yuill

Our Mountain Stag and Dagger 2011 Abbey Lee Kershaw
Abbey Lee Kershaw of Our Mountain, medical playing at the Stag and Dagger 2011.

I started my Stag and Dagger journey at Camp on City Road, ampoule a grotty basement venue with minimal light and sound. I was there to see the CocknBullKid, who is set to release her second album Adulthood on Monday, and with whom I have just done an interview that you’ll be able to read next week. She has a name that is very at odds with her cute and slightly old fashioned demeanour, all flirty stage mannerisms.

CocknBullKid Stag and Dagger 2011

We interviewed her many years ago for a profile in the print version of Amelia’s Magazine and she’s grown in confidence dramatically since I last saw her live, rattling through her highly danceable newest songs to the delight of the heavily female audience. But it was a real shame that the lighting was so bad, CocknBullKid‘s face hidden in deep shadow for the entire gig, with her legs instead enjoying the spotlight.

CocknBullKid Stag and Dagger 2011

Then it was on to see Our Mountain in Underbelly, where a thin blonde girl in long robes was clanging a chain dramatically against a drum as lead singer Matthew Hutchinson yowled centre stage.

Our Mountain Stag and Dagger 2011 Abbey Lee KershawOur Mountain Stag and Dagger 2011 Abbey Lee Kershaw

The gothic girl may have looked like an elf from The Dark Crystal but I was soon to discover that she’s actually a famous model from Australia called Abbey Lee Kershaw, a catwalk star who has worked for the likes of Gucci and Chanel. Which would explain why lots of people wanted a photograph with her post gig. Her boyfriend Matthew is an ex model himself and wasn’t so bad on the eye either.

Our Mountain Stag and Dagger 2011 Matthew Hutchinson Our Mountain Stag and Dagger 2011 Matthew Hutchinson

The thrashing psychedelia of Our Mountain was delivered with great panache – definitely ones to watch.

YouTube Preview Image
Current single: Wooden Hearts.

From there we attempted to see perhaps the most famous band of the festival, New Young Pony Club over at The Macbeth (another Amelia’s Magazine find back in the day) but were unable to get in, so then it was back to Underbelly for Marques Toliver, a former busker from Brooklyn who sings and plays the violin, using it to pluck out a simple back beat over which his gorgeous soulful voice carries the melody.

Marques Toliver Stag and Dagger 2011 Underbelly

It was a beguiling show and the packed audience listened in near silent rapture.

YouTube Preview Image

I’m a bit partial to danceable indie electronica with a good melody so it was good to round off the evening with a bop to James Yuill back at Camp, where he performed amidst his bedroom ensemble of keyboards, drum machine and guitar. He thoroughly endeared himself to many of the male audience members by calling himself a bit of a dick. For my part I was utterly transfixed by the beautiful coloured visuals.

James Yuill Stag and Dagger 2011 CampJames Yuill Stag and Dagger 2011 CampJames Yuill Stag and Dagger 2011 CampJames Yuill Stag and Dagger 2011 Camp

This year Stag and Dagger was much more lo fi and all the better for it – gone were the hoards of pissed up city boys, replaced by true music lovers. It’s a great place to discover little known and up and coming talents – here’s to many more Stag and Daggers to come…

Categories ,Abbey Lee Kershaw, ,Adulthood, ,australia, ,camp, ,CocknBullKid, ,James Yuill, ,Marques Toliver, ,Matthew Hutchinson, ,model, ,new york, ,New Young Pony Club, ,Our Mountain, ,shoreditch, ,Stag and Dagger, ,The Dark Crystal, ,The Macbeth, ,Underbelly, ,Wooden Hearts

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Amelia’s Magazine | Stag and Dagger 2011 review: CocknBullKid, Our Mountain, Marques Toliver, James Yuill

Our Mountain Stag and Dagger 2011 Abbey Lee Kershaw
Abbey Lee Kershaw of Our Mountain, playing at the Stag and Dagger 2011.

I started my Stag and Dagger journey at Camp on City Road, a grotty basement venue with minimal light and sound. I was there to see the CocknBullKid, who is set to release her second album Adulthood on Monday, and with whom I have just done an interview that you’ll be able to read next week. She has a name that is very at odds with her cute and slightly old fashioned demeanour, all flirty stage mannerisms.

CocknBullKid Stag and Dagger 2011

We interviewed her many years ago for a profile in the print version of Amelia’s Magazine and she’s grown in confidence dramatically since I last saw her live, rattling through her highly danceable newest songs to the delight of the heavily female audience. But it was a real shame that the lighting was so bad, CocknBullKid’s face hidden in deep shadow for the entire gig, with her legs instead enjoying the spotlight.

CocknBullKid Stag and Dagger 2011

Then it was on to see Our Mountain in Underbelly, where a thin blonde girl in long robes was clanging a chain dramatically against a drum as lead singer Matthew Hutchinson yowled centre stage.

Our Mountain Stag and Dagger 2011 Abbey Lee KershawOur Mountain Stag and Dagger 2011 Abbey Lee Kershaw

The gothic girl may have looked like an elf from The Dark Crystal but I was soon to discover that she’s actually a famous model from Australia called Abbey Lee Kershaw, a catwalk star who has worked for the likes of Gucci and Chanel. Which would explain why lots of people wanted a photograph with her post gig. Her boyfriend Matthew is an ex model himself and wasn’t so bad on the eye either.

Our Mountain Stag and Dagger 2011 Matthew Hutchinson Our Mountain Stag and Dagger 2011 Matthew Hutchinson

The thrashing psychedelia of Our Mountain was delivered with great panache – definitely ones to watch.

YouTube Preview Image
Current single: Wooden Hearts.

From there we attempted to see perhaps the most famous band of the festival, New Young Pony Club over at The Macbeth (another Amelia’s Magazine find back in the day) but were unable to get in, so then it was back to Underbelly for Marques Toliver, a former busker from Brooklyn who sings and plays the violin, using it to pluck out a simple back beat over which his gorgeous soulful voice carries the melody.

Marques Toliver Stag and Dagger 2011 Underbelly

It was a beguiling show and the packed audience listened in near silent rapture.

YouTube Preview Image

I’m a bit partial to danceable indie electronica with a good melody so it was good to round off the evening with a bop to James Yuill back at Camp, where he performed amidst his bedroom ensemble of keyboards, drum machine and guitar. He thoroughly endeared himself to many of the male audience members by calling himself a bit of a dick. For my part I was utterly transfixed by the beautiful coloured visuals.

James Yuill Stag and Dagger 2011 CampJames Yuill Stag and Dagger 2011 CampJames Yuill Stag and Dagger 2011 CampJames Yuill Stag and Dagger 2011 Camp

This year Stag and Dagger was much more lo fi and all the better for it – gone were the hoards of pissed up city boys, replaced by true music lovers. It’s a great place to discover little known and up and coming talents – here’s to many more Stag and Daggers to come…

Categories ,Abbey Lee Kershaw, ,Adulthood, ,australia, ,camp, ,CocknBullKid, ,James Yuill, ,Marques Toliver, ,Matthew Hutchinson, ,model, ,new york, ,New Young Pony Club, ,Our Mountain, ,shoreditch, ,Stag and Dagger, ,The Dark Crystal, ,The Macbeth, ,Underbelly, ,Wooden Hearts

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