Amelia’s Magazine | Music Listings: 27th July- 1st August

Featuring competitions in the already overly competitive world that is Art may seem somewhat crude to say the least. But in fact it’s through these well supported and sponsored prizes that new and underexposed artists and creative mediums gain a platform and a voice, information pills page and a fairly fair and just route for career progression out of the studios and into the spotlight. It’s also a darn good excuse to curate a fine exhibition of very talented folk, hospital and in a collaborative sense get together with a common thread, clinic be it the format, subject matter or genre, and share opinions, ideas and approaches. I call to the stand Foto8 and their annual Photographic Prize an exhibition of which opens with a right knees up of a party this weekend in London.

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Joerg Brueggermann (2009 Entry)

Foto8, in their own words, is ‘a space to share, comment and debate photography. The site exists to bridge the divide between photographers, authors and their audience through interactive displays and a constant stream of new works and resources’. Based on the belief that documentary photography has a vital role to play in contemporary society, Foto8′s ethos firmly pushes the medium as a valued tool for communication and self education about the world around us and the lesser understood worlds of others.

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Abbie Traylor-Smith (2009 Entry)

The London based website has regular postings of reviews, commentaries, interviews and picture stories as well as photographic events and news items, and serves as an outlet for the biannually published 8 magazine, which can be previewed, ordered and subscribed to from there. Now up to issue 25 the magazine blurs and tests the boundaries between photography, journalism and art and represents ‘the very best in design and print, following a graphic format that uses the medium of the printed page to its fullest.’

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Robert Hackman (2009 Entry)

The Gallery that will house this spectacular show was established by director of Foto8 Jon Levy along with Adrian Evans, the director of Panos Pictures, and celebrates it’s fourth birthday this year. HOST is dedicated to the specialised promotion and exploration of photojournalism and documentary photography, ‘from classical black and white reportage to contemporary mixed media’. They pioneer both new and traditional methods of manipulating the gallery setting with innovation and passion. The gallery proudly boasts a highly-respected exhibition schedule, complimented by an on-going program of face-to-face encounters with photography and film, including screenings, talks and regular book club meetings.

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Clemence de Limburg (2009 Entry)

From around 2300 images submitted from 44 different countries from as far afield as Thailand and Turkey, just over 100 carefully selected images will make up the final display at this year’s Foto 8 Summer Show at London’s HOST Gallery. As well as each entry appearing in the show’s published book, each photograph will be for sale to the public from the opening night and throughout the exhibition, and of course each and every exhibit will be in with the chance to win either the ‘Best in Show’ category or the ‘People’s Choice’, both highly sort after and respected prizes in the industry.

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Dougie Wallace (2008 Winner of ‘Best in Show’)

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Guido Castagnoli (2008 Winner of ‘People’s Choice’)

Whereas the Best in Show is awarded by an elite team of experts in the field, including The Times’ Director of Photography Graham Wood and the V&A’s Head of Images Andrea Stern, and entails a £1500 reward, the People’s Choice will be determined by public visitors to the show and in many respects is a more coveted title, given that each exhibitor’s work must speak to those with perhaps a less trained eye for artistic and technical merit, and must rely on more personal and emotional responses from the everyday spectator.

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Domenico Pugliese (2009 Entry)

The brief for prospective entrants was simple. They seek images that challenge and engage, convey stories and raise questions. They state that they ‘encourage free expression’ and ‘new ways of seeing and telling’, also adding that they value photography ‘that conveys feeling as much as fact.’ The entry requirements allow for up to three submitted images per person, and the submissions look set to be as diverse and varied as 2008′s collections were.

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Rachel Bevis (2009 Entry)

Being the biased art appreciators that we are, there is already a winner of an entry in our opinion, an image that stands out for us and will be certainly receiving the ‘Amelia’s Choice’ award at the opening on Friday evening. ‘Marie’ by semi-professional London based photographer Rachel Bevis commands our attention and holds our gaze. At first seeming to be a mono-chrome image of a lone figure at night, on second appreciation is actually a wintery street scene in which a female is immersed in falling snow. Mysterious, evocative and powerful this photograph is one we cannot tire of looking at. Best of luck Miss Bevis.

Who will you be exercising your democratic rights and voting for?

Foto8 Summer Show
HOST Gallery
1 Honduras Street
London, EC1Y 0TH

24th July: Opening Night Party
6:30pm – 11:30pm

Tickets: £5 in advance, £8 on the door
Tickets available to buy here

24th July – 5th September
Opening times:
Mon-Fri 10am-6pm
Sat 11am-4pm

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Kurt Tong (2009 Entry)
One of the organisations we’ve been following of late at Amelia’s Magazine is the Ethical Fashion Forum. Springing up in 2004 following the concerns made famous in the international press during the 1990s – sweatshop working, information pills terrible wages and mass environmental damage – a group of designers decided to do something about it by raising awareness. Liasing with over 400 designers, fashion brands and other fashion businesses, the EFF connects people who want to promote a sustainable future for the fashion industry; this includes creating safe working environments and increasing wages in oft-exploited third world countries, as well as encouraging minimal environmental damage. Closely tied to this venture is the Fair Trade Foundation – pinpointing exactly how topical a sustainable fashion industry has become in recent years alongside the massive interest in Fair Trade products.

Earlier in the year EFF launched it’s biannual “Innovation” competition for designers, the first being PURE, rewarding and recognising those who have shown innovation (!) and initiative regarding the greater good of the fashion world. The shortlist of competitors was announced last month, and gave publicity to an assortment of passionate designers who are keen to support a sustainable and ethical fashion future through their business strategies and design work. The competition hopes to raise awareness of the EFF’s goals and views by rewarding those who have shown similar ethical principles to itself, whilst at the same time inspiring this generation of designers to work together for a better future. The overused cliché of “green is the new black” really seems to be ringing true at EFF!

This years shortlist of 12 included designers from all over the world, all excited to promote the EFF message; those from or working in South Africa, Malawi, India, China and North America were all on show, with a good percentage of designers working in poverty-stricken Third World countries. The designers largely sourced their materials from traditional industries all over the world, and particularly in struggling areas, as shown by this quick survey of the territories they work within. Others are supporting local industries within the UK, such as crofting in the Scottish Highlands. Each were judged on their collection’s overall design and finish, their brand ethics, and their sale-ability, by a panel including Anna Orsini, head of London Fashion Week, Donna Wallace of ELLE magazine, alongside other senior fashion journalists and lecturers.

So who came up trumps in the end? Being selected to show at the PURE trade show, the winners were Cape Town brand Lalesso, and MIA, another African working in Malawi. Lalesso was a clear box-ticker: initially set up to provide a “socially responsible method of manufacturing”.

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Designing clothes based on East African traditions and current trends, the label aids struggling unemployment by providing well-paid work for several different groups, from the unskilled ‘beach boys’ to the traditionally skilled Masaai tradesmen. The clothes are vibrant, fun and youthful, including patterned prom dresses and casual beach wear, showcasing typical laidback African style tailored for a fashion-conscious audience who care.

MIA was an equally obvious winner. Recycling vintage pieces is no new idea; however MIA has taken this to new lengths with her remade clothing. Using second- hand streetwear combined with traditional Malawian dress, she has created designs that are thoroughly modern, embracing the current fascination with all things retro and uniquely individual.

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MIA’s message is to embrace our wardrobes and recycle them in order to prevent such widespread textile waste in the way that we recycle food packaging and other products in the new millennium. She’s another designer interested in the capacities of upcycled clothing, and is keen to promote change with her range of smock style mini dresses combining different materials in their zig-zag skirts.

Some of the other candidates we were keen on included Henrietta Ludgate, a Central Saint Martins graduate and Scottish designer hailing from the Highlands.

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Embracing her Highland roots, this designer used crofting techniques in her collections in a way that has not been seen in recent years, supporting local industries with her work. Crofting involves reusing excess waste material from mills as part of a small community of workers who all support each other.

A similar idea can be seen with Outsider, who support the oft-abused textile industries in China and India through sourcing organic fabrics and providing fair labour conditions and wages, true to the EFF message. Stating that “we believe ethical fashion should just look like fashion” these designers are certainly up there with the best of the bunch.

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Their latest collection featured reworked classic shapes with pleat detailing and simple lines, all in sophisticated black, with the main focus of the design work being on the use of sustainable fabrics to inspire confidence in what we’re wearing and how it is sustaining the fashion industry globally.

Coming up in September will be the Esethetica awards when more winners will be announced – what did you make of the shortlist and did you agree with the winners? Let us know!

Monday 27th July
Coco Electrik- Pure Groove, help London

On it as we generally are, hospital we included Coco Electrik in our magazine a while back. Fun poppy danceable electro with a surreal twist.

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Tuesday 28th
First Aid Kit – The Lexington, London

We love First Aid Kit and their oddball folk complete with tinkling harmonies, and they carried of their set at Climate Camp Glastonbury with aplomb I hear. Support comes from Blue Roses, whom I’ve known of for a while under her “day-to-day” name Laura Groves, her music is achingly delicate and beautiful.

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Wednesday 29th July
Simian Mobile Disco- Roundhouse, London

Simian Mobile Disco have been shimmying their way into our hearts and minds for a while now. Funky and exuberant, their latest release features vocals from Alexis Taylor and Beth Ditto

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Thursday 30th July
Maps – Hoxton Bar and Grill, London

I would definitely put Maps‘ lo-fi bedroom electronica on my “Top 3 Things To Do With Maps” List alongside every indie schmindie’s make-out song of choice by the Yeah Yeah Yeahs and actual maps which are great. A must for fans of Low and My Bloody Valentine.

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Friday 31st July
Left With PicturesBush Hall, London

Left With Pictures is a whirling mix of vocal harmonising, melodicas, violins…the whole shebang. It’s quite exciting and suprising to listen to and more than a little bit evocative of another era. Lovely stuff!

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Saturday 1st August
Field Day– Victoria Park, London

Ahh London’s favourite festival returns, highlights include the mighty Mogwai, Final Fanatsy, Four Tet and Fanfarlo.

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Categories ,Climate Camp, ,Dance, ,Electro, ,Electronica, ,Festival, ,First Aid Kit, ,Folk, ,Funk, ,Listings, ,London, ,Low, ,Mogwai, ,My Bloody Valentine, ,Owen Pallett, ,Pop

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Amelia’s Magazine | Music Listings

This Saturday, information pills pill The Land Is Ours collective will occupy some disused land near Hammersmith. An eco-village will take root, viagra sale peacefully reclaiming land for a sustainable settlement, and getting in touch with the local community about its aims. In a year when nearly 13,000 Britons lost their homes to repossessions in the first three months, eco-villages point the way to a more down-to-earth lifestyle.

Back in May 1996, the same collective took over a spot on the banks of the Thames in Wandsworth, in a land rights action that grew up over five and a half months into the Pure Genius community, based on sustainable living and protesting the misuse of urban land. Here are some photos from that project.

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The Land Is Ours channel the spirit of the Diggers , a group of 17-century radicals who picked out and dug over a patch of common land in St George’s Hill in Walton-upon-Thames back in the day. They were led by Gerard Winstanley, who thought any freedom must come from free access to the land.

Here’s a little more from ‘Gerard Winstanley’ about this weekend:

What’s the first thing you’ll do when you get there?
Have a meeting. One of the first priorities is to leaflet the local area in order to inform the local people of what we are doing. Another priority is the construction of compost toilets.

Do you have lots of plans for sheds, vegetable patches and compost toilets?

Yes. Due to the nature of the site (ex-industrial) we will likely be using raised beds to grow vegetables and buckets for potatoes. It being London, there should be a good supply of thrown away materials from building sites and in skips. Compost toilets are pretty essential.

?What kinds of people are you expecting to turn up?
All sorts. Hopefully a mixture of those keen to learn and those willing to teach. ??

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?I read the Chapter 7 manifesto. Have you notified the council or planning authority of your plans, or are you keeping to the idea that once you’re there, with homes under construction, it’s difficult to evict?
We haven’t notified the council yet- but we have a liaison strategy in place for when we’re in.

On that note, how long do you hope to be there?
The longevity of the Eco-village depends on how committed its residences and just as crucially how the local urban populus respond to our presence. If we receive the support we need, the council will likely think twice before embarking on an unpopular eviction (at least that’s the theory!).

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Could this realistically become a permanent residence, or is it more likely to be valuable simply as campaigning?
Hopefully it can be both. There is no reason why this site cannot sustain a core group of committed individuals and serve as a brilliant awareness raiser to the issue of disused urban land, lack of affordable housing and the a sustainable way of living that is friendly to people and planet and liberating.

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?Can I come along?
Of course, we are meeting at Waterloo Station at 10AM this Saturday (underneath the clock).

What might I need to do?
Bring a tent, sleeping bag and some food and water. You may be interested to read an article written by a journalist from the Guardian concerning the eco-village.

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So dig yourself out of bed this Saturday, and go discover the beginnings of London’s newest eco-village.
If the dark shades of under-duvet hideouts dominate the colour of your Sundays then you need to wake up and get greened. Arcola Theatre in East London hopes to be the first carbon neutral theatre in the world and has been appointed as the secretariat for the Mayor of London’s Green Theatre plan, this which aims to deliver 60 percent cuts in theatre carbon emissions by 2025.

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Illustration by Faye Katirai

As part of this environmental drive, the first Sunday of every month is a Green Sunday at Arcola Theatre. June’s event is part of Love London, the biggest green festival in Europe and looks at ethical consumption, promising ‘entertainment and inspiration for the ecologically curious’. From 3pm there’s a swap shop market plus cakes and tea to take you through the evening of Senegalese percussion, cool short and feature-length films, starting from 4.30pm. As the afternoon turns to evening, there will be a discussion with Neil Boorman, author of Bonfire Of The Brands, an account of his journey from shopping and brand addiction to a life free from labels. As part of the project, Neil destroyed every branded product in his possession, incinerating over £20,000 worth of designer gear in protest of consumer culture. This will be chaired by Morgan Phillips.

Neil and Morgan will later be joined by Richard King from Oxfam to talk about their 4-a-week campaign- encouraging shoppers to do their bit for sustainability each week.

Then at 7pm – Feature length film presented by Transition Town Hackney
A Crude Awakening: The Oil Crash

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I spoke to the sustainability projects manager at Arcola Theatre, Anna Beech, to find out more about Arcola’s arts world-changing philosophies:

All at Arcola must be extremely proud that a theatre founded only 9 years ago – and on credit cards! – is well on the way to becoming the first carbon neutral theatre in the world. Can you tell us a bit about how and why you made the decision to lead the green theatre movement?

Since 2007, Arcola has launched many high-profile green initiatives (including the pioneering use of LEDs and the on-site installation of a fuel cell to power bar and stage lighting). There are a number of reasons for this – because it contributes to reducing Arcola’s carbon emissions and resource use, because it makes financial sense – reducing energy bills; because it supports funding applications; because it integrates Arcola into the local community; allows Arcola to reach a wider audience and stakeholder base; and provides an effective platform upon which to publicise the name ‘Arcola’ – as a hub of creativity and sustainability.

Sustainability is part of Arcola’s core unique business model, alongside professional theatre and our youth and community programme.

Have you found that arts and science professionals are eager to integrate and come up with exciting ideas and actions or has it been difficult to bring the two fields together?

Arcola’s ArcolaEnergy has had considerable interest from technology companies and brokers, including the Carbon Trust. As a reocgnised innovator in sustainability in the arts, Arcola has been able to broker extremely advantageous relationships with private sector companies – who have provided the theatre with free green products, including LED lights – as well as other theatres and arts organisations (National Theatre, Arts Council, Live Nation, The Theatres Trust), and Government bodies like the DCMS and Mayor of London’s Office. Arcola’s reputation as a sustainable charity has created these partnerships and allowed them to grow and develop into mutually advantageous relationships. So this demonstrates that the arts and sustainability worlds can come together to form mutually advanteous relationships. However, there is plenty of work to be done.

So far, what has been the most successful pioneering energy practice you’ve introduced?

The installation of Arcola’s fuel cell in February 2008 made the venue the first theatre in the world to power its main house shows and bar/café on hydrogen. The Living Unknown Soldier gained reverence as London’s most ecologically sustainable show, with the lighting at a peak power consumption of 4.5kW, a reduction of 60 per cent on comparable theatre lighting installations.

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Previous Green Sunday events at the Arcola Theatre

Arcola’s ‘greening’ goes from the stage to the box office. Among other things, we produce ‘green’ newsletters for staff, we recycle, we provide free tap water to audiences (to lessen use of bottled water), we serve fairtrade, organic and local produce wherever possible (including organic vodka and whiskey!), we host Transition Town meetings, we installed a cycle enclosure for staff in 2009 and try to incentivise both staff and audiences to use public transport more and their cars less.

How do you think the technical creativity of sustainability has significantly shaped any of the plays Arcola has produced?

One example of the ‘greening’ of Arcola’s shows and working closely with production companies took place during the pre-production and staging of ‘Living Unknown Soldier‘ in 2008. The production explored the use of more energy efficient lanterns, including LED moving heads and batons (see Fig. 1) florescent tubes and some other filament lanterns such as low wattage source 4′s and par 16s. The crew tried to travel by public transport wherever possible, use laptops rather than PCs, limit phone use, source sustainable materials and managed to keep energy requirements low in order to use Arcola’s fuel cell to power the show.

‘‘The idea is that once you expose people to this stuff and they know you for doing it, they’ll gravitate towards you. Ultimately we should end up with some really good art about sustainability and some really good ideas about how to do art sustainably.” – Ben Todd, Executive Director and Founder of Arcola Energy.

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Illustration by David Elsley

Why do you think its particularly important for the arts to become more involved in green issues?

Because the arts have the power to influence behaviour change. Whilst the theatre industry itself has a relatively small carbon footprint (2% of total carbon emissions in London), and thus its capacity to deliver direct carbon emission reductions is relatively small; the power of theatre and the wider arts/cultural sectors to rapidly and effectively influence public behaviour and policy makers to drive significant indirect carbon emission reductions is very large (entertainment related activity accounts for up to 40% of travel emissions).

However, theatres and other arts venues must first address the ‘greening’ of their venues and practices in order to communicate climate change and environmental messages to audiences effectively and with impact.

Green Sundays is a great idea, how do you hope to see it develop in the future months?

We have a variety of themes in mind for future events, including a focus on the climate talks in Copenhagen in December, a water theme, ethical business, natural history and a Green Sunday programme tailored to children and young people.

So get over your hangover, get on your bike and cycle down to Dalston on Sunday to help spread the word about arts and sustainability coming together to communicate environmental messages to your local community.

To find out more about Green Sundays and the Arcola Theatre go to:

www.arcolatheatre.com
Continuing our odyssey of festival previews, page I bring you the amazing Green Man!

I don’t keep it secret that I’ve had a crush on Jarvis Cocker since I was 10 and first heard Common People, I suppose announcing it on a blog was just the next logical step in my snowballing lust for the bespectacled one. Imagine my delight when I saw he was headlining as a solo outfit at this year’s Green Man Festival.

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Green Man 2006

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Jarvis Cocker

All the other festivals will be green with envy over Green Man’s line-up, one of the most exciting and diverse of the summer. Alongside Jarv, Animal Collective will also be headlining and having seen them a couple of times over the past few years they are really not to be missed live, their shows can only be described as being in an underwater topsy-turvy world where you can feel the rhythm wash over you in waves.

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Animal Collective

Green Man is in no short supply of indie darlings and big names, with Wilco, Bon Iver, Gang Gang Dance, the delicious Beach House and Grizzly Bear; who I’m gagging to see live after finally getting a copy of their amazing second album Veckatimest. Not to be transatlantically out down; Green Man boasts an impressive array of home-grown talent- including Four-Tet, national treasures British Sea Power, and to woo the romantic in you; Camera Obscura.
Ex- member of my favourites Gorky’s Zygotic Mynki Euros Childs, Andrew Bird, 6 Day Riot and James Yuill also stand out as bands (as well as the above mentioned) not to be missed.

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Beach House

Whilst Green Man has managed to pull in such an awesome line-up, it has a reputation for a boutique-y intimacy and a friendly atmosphere. Green Man is most definitely a festival for music lovers, and one that I won’t be missing!

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Green Man Festival 2007

Green Man Festival takes place amidst the Breacon Beacons from 21st to 23rd August. Click here for ticket information.

Thumbnail by Roisin Conway
Some people have the knack for discovering those amazing pieces in charity shops – it’s generally the preserve of both the patient and the fashion-savvy who are content to rummage away until they emerge with some designer find that leaves you flapping your arms and wondering why it wasn’t you.
Now ten minutes in Topshop – that’s a quick fix. Why bother buying something old when you can buy something new? If last week’s Style Wars was only a half-formed idea, generic intent to float and suggest a concept, but not to follow through, TRAID (Textile Recycling for Aid and International Development) has articulated the remaking and reselling of used clothes as an ethical necessity. Citing the whopping £46 billion spent on clothes and accessories every year, TRAID highlights the colossal wastage resultant of constantly changing trends that are both cheap and easily available. The ease of shopping on the high street seems to problematise the feeling that the act of recycling is an almost paradoxical idea for an industry that is by name and nature grounded in an obsession with the new and the innovative.
Here lies the problem in normal charity shop shopping. The dowdy and stale image affixed to them is arguably (however unfortunately) justifiable, and TRAID has been taking the steps to rebrand the public perception of recycled clothing by actually joining the dots between the environment, recycling and fashion itself. Charity and fashion are practically mutually alienating concepts in most people’s minds. In short, charity shops aren’t trendy, so how do you turn that around? Chief Executive Maria TRAID recognises the problem and goes straight to the heart of it, saying “we have worked incredibly hard to change the face of charity retail by ensuring that our shops are stylish and affordable”, two words you might associate with the high street.

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TRAID has 900 textile recycling banks across the UK, and the company take the donations and sort by quality and style to then sell in one of their charity shops – clothes that are stained or torn are deconstructed and redesigned into a bespoke garment by the company’s own fashion label TRAIDremade.

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In a way it’s an absolute no-brainer: to take things people don’t want and make them something they do, especially as they follow high street trends, crafting sexy asymmetric dresses, bags cut from old leathers, signature hand printed tees and flirty dresses.

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Two weeks ago TRAID opened their tenth shop in their tenth year in Camden, which as well as being an area that’s a promising resource in terms of fashionable finds, is a landmark for a really inspirational company. To date TRAID has donated £1.4 million to help fight global poverty, supporting charities by funding projects in Malawi and Kenya amongst others. TRAID has ten shops located across London and Brighton, and TRAIDremade is available on getethical.co.uk.

Monday 8th June

The End of the Line

Imagine a world without fish. Released in cinemas across the country to coincide for World Ocean Day, medical an inconvenient truth about the devastating effect of overfishing.

Opens today, check your local cinema for screenings.

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Lambeth Green Communities Open Evening

Organised in partnership with Transition Town Brixton, Hyde Farm CAN and ASSA CAN, this is a chance to celebrate Lambeth’s Green Communities and be inspired to reduce your community’s environmental impact.

18.30-21.00 drop-in to Lambeth Town Hall, Brixton
Contact – Susan Sheehan, Ssheehan (at) lambeth.gov.uk

Tuesday 9th June

The Great British Refurb
Housing for a low carbon energy future – a talk at the The Royal Society

A talk by Professor Tadj Oreszczyn, chaired by Professor Chris Rapley. Theoretical carbon reductions have often been slow to materialise, new buildings can use up to twice the energy predicted, and energy use can actually go up when efficiency increases. This lecture will look at the possibilities for new building, and whether technology can solve our energy use problems. Tadj Oreszczyn is Professor of Energy and Environment and Director of the Energy Institute at UCL.

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This lecture is free – no ticket or booking required. Doors open at 5.45pm and seats are first-come first-served. Lecture starts at 6.30pm, The Royal Society

This lecture will be webcast live and available to view on demand within 48 hours of delivery at royalsociety.tv

Wednesday 10th June

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Illustration by Kerry Lemon

GM Crops and the Global Food Crisis

Dominic Glover, Erik Millstone, Peter Newell talk about possible solutions to the encroaching global food crisis – how will GM crops fit in to the struggle to raise yields, and could they be part of a truly sustainable answer?

6pm, Committee Room 10, Palace of Westminster.
Contact – c.matthews (at) ids.ac.uk

Thursday 11th June

Walking on the Edge of the City

Join a popular walking group on a stroll around this fascinating part of London. There’s no charge and no need to book. Do get there ten minutes before the start time, wear comfortable shoes and bring a small bottle of water.

11am – 12.15pm, meeting at St Luke’s Centre, 90 Central Street, London, EC1V

Clothes Swap at Inc Space

Daisy Green Magazine and ethical stylist Lupe Castro have teamed up to host what is hoped to be the UK’s biggest ever clothes swap. Nicola Alexander, founder of daisygreenmagazine.co.uk, said, “It’s like a fashion treasure hunt!”

The evening will kick off at 6.30 and, as well as the swish (apparently the ‘scene’ word for a clothes swap), it will feature an ethical styling demonstration by Lupe Castro, music from top green band, The Phoenix Rose, burlesque dancing and shopping opportunities from ethical fashion brands including Bochica, Makepiece, Bourgeois Boheme, and natural beauty company, Green People.

Tickets are £10 in advance and £15 on the door.
More information can be found on our facebook page
From 18:30 at INC Space in Grape Street, London WC2

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Illustration by David Elsley.

Friday 12th June

Compost Clinic and Recycling Roadshow

Redbridge Recycling Group are running a friendly information stand all day. Want to bin the bags and green your shopping habits? Fancy making your own compost or confused about packaging labels? Pop along any time of day to have your questions answered and find out how to make the future waste free.

11am – 4pm, Ilford High Road, opposite the Town Hall/Harrison Gibson

Saturday 13th June

World Naked Bike Ride

Taking place all over the country, all over the world, the World Naked Bike Ride protests against oil dependency and car culture, celebrating the power of our bikes and bodies. Every June, more than a thousand cyclists gather in London to take part. The easy 10 km route passes through London’s busiest and best known streets. Bring your bike and body (decorate both of these ahead of time)

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Assemble from 3pm in Hyde Park (South East section, near Hyde Park Tube) – east of the Broad Walk, south of the Fountain of Joy, and north of the Achilles Statue.

Saturday 13th and Sunday 14th June

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Sustainability Weekend

Celebrate the Love London, Love Your Planet Festival 2009 at the London Wetland Centre this weekend. Check out TFL’s new hybrid bus, see the Richmond shire horses and get a load of green tips and tricks. There will also be face painting for the kids, the Richmond cycling campaign and other environmentally friendly organisations.

11am-4pm, Saturday and Sunday
WWT London Wetland Centre, SW13 9WT
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Maaaan, pilule those bloomers are HOT!

My morning started bright and early on Monday 1st June: called upon as I was to document a Climate Rush action at Chatham House just as the E.ON sponsored conference began: Coal: An Answer to Energy Security? (like, drug duh… NO!)

As I was sitting in the very pleasant St James Square to avoid undue police annoyance (there were vehicles parked right outside the entrance) I found my eyes drawn to the undergrowth in the thicket of vegetation at the edge of the park. I should have been looking for activity outside the venue, but instead I found myself engaged in a dance between two Robins. I always thought Robins were solitary birds, but a quick google ascertains my reasoning that this pair must have been mates, although I’m fairly sure Robins don’t scavenge at ground level. There was also a young Blackbird, happily scrabbling around in the undergrowth for some nice tasty worms (I’m guessing… but that sounds like the perfect breakfast for a Blackbird) As I sat there wondering what was to pass in the street beyond I felt my heart sing. Here, even in the centre of our grubby and concreted capital city – nature finds a way. This is what I’m fighting for, I thought! The sheer joy of the natural world.

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a Blackbird in the undergrowth

And then, I noticed two coppers striding towards me. Would they find my Climate Rush badges? And pre-emptively arrest me for possible crimes against cotton with a badge pin? Asking why I was acting suspiciously by peering into the bushes I replied, “why, I’m taking photos of the birds” and showed the officers the photos on my camera playback. But they weren’t having it, and asked for my ID, which I refused. It’s not illegal to refuse to show your ID, but they took this as admission of guilt – a typical ploy of the police and one which I must check up on the legality of. They then searched me “because you must have something to hide if you don’t want to give us your name Angela Gregory” Ah!!! Clever officer! He’s been reading his little FIT watch spotter card and cribbing up on Climate Rush central. Only the trouble is, I’m not Angela Gregory – clever but not so clever officer. I’d love to see what they use as my mugshot – I hope it’s flattering.

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When I questionned the validity of their reason to search me, one officer told me that “you are believed to be a member of a group called Climate Action, no that’s not it… Climate Rush, and they have committed criminal damage on buildings.” Wrong again Mr. Officer! Our parliament gluers have been bailed away to return to charges of possible criminal damage, for one drop of glue that fell on the statue in parliament. Glue that washes away with one dab of a damp cloth. Like that’s got a rat’s chance in hell of standing up in court.

Still – they got my name right after a cursory search of my camera bag, which revealed an old business card that had been lurking in a side pocket for at least three years. But they didn’t find the badges, even though they were rattling like bastards. I knew they wouldn’t, the MET not being the brightest cookies in the biscuit jar. Oh, I will be in trouble the next time we meet! Woops! If they had discovered the badge stash they would have found not only climate rush badges but also E.ON F.OFF ones from the Climate Camp campaign – that would have got them very excited no doubt, given the sponsor of said Coal Conference.

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As usual I’ve gone off on a tangent… not long after the police accosted me there was a loud commotion the other side of the St James nature reserve, and the police and I were off like a flash to find out what was going on. Across the road a bunch of white clad people were trying to hold onto a bike sculpture, as the police tried to tussle it off them. Within moments the police had gained the upper hand, and instead the eleven protesters were trying to pull sashes from Deeds Not Words bags, and unfurl a lovely red banner reading No New Coal, before the police frogmarched them across the road and threw them into the “pen”.

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I dashed off home in the hopes of getting some images into the London papers – alas my speed was not rewarded with any success, but our actions did reach the attendees of the conference – one academic at the conference apparently spoke with a protester, and agreed that direct action was pushing matters in the right direction (he was a specialist in CCS, but held out little hope for it’s implementation, given the probable massive costs) Score one massive point to us! I hope that E.ON and their cronies were suitably rattled, even if the press didn’t feel see fit to publicise the action. In the end five activists were arrested but most were released within hours. One brave Climate Rusher was refused bail after glueing herself onto the Chatham House railings (you go girl!) and the judge at her hearing the next morning allegedly told her that our protest had been pointless, since it had not garnered any press – before slapping a massive 40 hours community service on her for aggravated trespass. We think not…

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the bike sculpture lies forlorn on the pavement

In recent weeks we’ve attracted a lot of interest from film makers, and by the time I arrived at Tamsin’s house to get ready for the Bike Rush that afternoon (and to hastily knock up one more pair of bloomers) there were cameras everywhere I turned. It’s not a sensation I particularly like, and have thus far managed to stay out of the current crop of films – leaving it to the more exhibitionist members of Climate Rush to hog the limelight. I worry that it is easy to manipulate our actions in the editing suite, and portray us in a way with which we will ultimately be unhappy and out of our control. But I guess it’s a situation that I need to grow used to – many of our sort – as well as being involved with an undoubtedly exciting group – are very attractive, garrulous and media savvy – an irresistable combination to a film maker. Me? I much prefer to stay behind the lens…

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finishing off the flags

As soon as the drawstring was threaded into the last pair of bloomers it was time to hit the high roads of Kilburn – seven of us on various bikes, none of which, I noted disappointingly, were even vaguely Edwardian-esque. Instead we had Geeky Rushette on a fold-out Brompton with a helmet. And we had Virgin Rushette with wispy blonde locks and billowing white damel-in-distress dress over her bloomers, and Not-Very-Good-on-a-Bike-in-London Rushette on a crappy mountain bike with a rusty chain that nearly fell off before we even set off.

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I was dressed in a simple black dress in the hope that my vintage hat from Hebden Bridge would be enough of a distraction and provide the right elegant touch – which was exciting as it tipped over both my eyes and my camera. We made a right merry site gunning down the bus lane towards Marble Arch, flags flapping behind as people turned to gawp at us. After taking a short cut through Green Park we traversed the Mall and came to a screeching halt at our destination, where we were seriously outnumbered by police. But blimey did we look good!

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gathered in Green Park as we approach!

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As we pulled sashes and t-shirts and badges and stickers from our panniers people began to arrive in their droves. The sun shone down as the cyclists spilled from the pen into the road and the police did little to resist.

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Tim cranked up Pedals, the bike sound system, and I chatted to people – it was great to discover that people had come from afar on the strength of joining our facebook group – ah, I do love to feel vindicated on the subject of social networking. I was also very pleased to see lots of children along for the ride, suitably togged up with sashes and of course helmets.

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maybe our youngest Rusher?

And a lot more customisation of sashes, which have suddenly found new lives as headbands on hats, ties around bike baskets, cumberbund style belts and a whole host more. Marina just opted to pile a whole load on, and looked a treat for it.

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a basket full of skipped flowers gets the sash treatment

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my fabulous vintage visor-meets-pie hat!

Then the Hare Krishnas arrived with a mighty noise that had the whole gathering swivelling their heads; a whole band seated in two trailers behind bicycles. I was astonished to see that a drum kit could indeed be transported this way (plus a rather large drummer).

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Once several hundred people had gathered in place there were a few false starts before it was time to take off for a ceremonial circuit of the square, wooping all the way before we stopped off at our first destination, just yards from the starting point – BP’s head offices – they of the infamous byline “Beyond Petroleum“. And fact fans, you’ll no doubt be interested to hear that BP have in fact spent more on the whole Beyond Petroleum (as if!) advertising campaign than they have in fact spent on alternative energy. Brilliant! Why pour money into researching renewables when you can instead rape and pillage the earth for a fraction of the cost? And spend any extra cash on greenwashing instead. Fabulous plan; congratulations BP.

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With that it was onwards on a winding route up to Piccadilly Circus, and from there up Charing Cross Road to Oxford Street, that grand bastion of consumerism -one of the biggest drivers of Climate Change. Tim gave a running commentary from the backseat of his tandem as we hollered our way down London’s flagship shopping street, before coming to a grand halt in the late evening sunshine smack bang in the middle of Oxford Circus. What a grand feeling! Many people seemed amused and even happy to see us, a grand diversion from the glittering goods in the windows.

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stopped in the centre of Oxford Circus

As we sailed downhill along Regent Street I spotted a Lush store, still with our Trains Not Planes banner proudly displayed in the window. A bike-bound copper looked on worriedly as someone went closer to take a look. Duh! They’re our friends – just take a look at the Evening Standard-alike banner outside the shop. We love Lush. We’re not about to do anything naughty!

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hmmm, the Queen’s residence ahead in the late evening sun…

On our second stop at Piccadilly Circus Tim cheekily waited until the lights went red “cos us cyclists always run red lights” before leading us across the main junction and down towards the Mall, where we sallied into the sunshine up to Buckingham Palace. I met the naked cyclists, who I’d been promised were attending. The girls had bikinis on and they all wore lots of paint, the better to cover up with, but they still looked rather fetching, if slightly less than wholely naked. And despite rumours to the contrary they were happy to sport a sash to protect their modesty as well.

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It was then but a short hop down to Victoria, where we paused to consider the headquarters of BAA – boooooooo. And then on past BERR, where, funnily enough, Neil “the weasel” FIT photographer was waiting for us. We all waved “hi” to him as he lowered his massive equipment and smiled slightly sheepishly at us. You know who we are Neil, and we all know who you are too. Why don’t you just get a better job? One in which you are helping to protect a better world for all, not just the interests of the few? Still, I have to commend the actions of the police who came along for the ride – for once they really did seem to be protecting the rights of protesters – having cross words with impatient drivers revving their engines and generally preventing overly aggressive behaviour from motorists.

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wave to Neil everyone!

Oh god, this has turned into a bit of an opus as usual, and I haven’t even mentioned all of our stopping off points! The fact is that unless you were right down the front near the sound system it was pretty impossible to hear the guided tour. And anyway, everyone was just so happy to be commandeering the streets of London – there’s nothing like reclaiming our public highways to feel empowered – that it didn’t matter if our tour was a little haphazard in the end (and we left our notes at home anyway, so it was a bit of an ad-lib).

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solidarity with the Tamils

And then we were at Parliament Square – the police momentarily blocked our entrance onto the roundabout, but then decided better as we filtered around them anyway. Soon we were level with the Tamils, who seemed somewhat bemused by our peace signs in solidarity. But oh what an inspiration they have been! Such tenacity. And then onwards to Westminster Bridge, where we turned in a big loop near the junction on the north side and stopped. Perhaps this would be an opportune place for that picnic we promised? A statement of our intent right next to the very seat of power that is failing us? The suggestion was met with amusement as it dawned on our riders that this was what we had in mind.

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that bike sign on the road has gotta mean “stop” right?

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Some clearly were not expecting it, but almost everyone was soon dropping their bikes to the road and pulling out their picnic blankets and food. As the sunset on Big Ben above us we raised our bikes aloft in joy, unfurled banners aplenty, and stood our ground. The police didn’t know what to do – FIT finally made it down from BERR, and climbed on top of a barrier right above where I’d left my bike. Weirdly the bamboo pole holding up my lovely Climate Rush flag was latter found snapped in two shortly afterwards. I hate to make accusations but…

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what a marvelous family!

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bike aloft

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As a bendy bus made an awkward 360 degree turn on the bridge passersby continued to stream past, snapping away and generally beaming at our audacity. A string of brightly coloured bunting cordoned off our blockade.

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fun with a bendy bus!

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The soundsystem was commandeered by a variety of eloquent speakers and Mark played us a tune or two. Sadly the promised celidh didn’t happen – our erstwhile fiddler had failed to materialise yet again and I was too busy running around like a headless chicken (taking photos) to figure out an alternative. I do apologise – multitasking got the better of me again.

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astride Boudicca

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gawping at their nerve

And then three Rushettes mounted the huge emblematic Boudicca statue in their stripey bloomers! One climbed right up to place a sash around Boudicca’s neck, before returning to sit astride one of the great beasts in a gesture of defiant victory. The first attempt to fly a flag from the horses’ hooves failed, but no matter, we’d been prolific in our banner making and another one was soon unfurled. Deeds Not Words. I think that powerful queen would have approved.

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bike blockade

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on a tandem

Shortly before 9pm the police approached us politely and charmingly (someone must have had words with them in recent weeks) to say that they would eventually have to move us on. We decided that it would be best to go out on a high and declared our intentions to the crowd, with an accompanying recommendation to come join us in a nice pub on The Cut by Waterloo. As we cycled off across the bridge I was amused to find tourists sitting in the middle of the road – thrilled with the lack of cars and the unexpected reclamation for bipedal human use.

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enjoying the reclaimed bridge

At the pub we laid out our picnic blankets again and enjoyed the warm balmy night in the company of many new friends. I was particularly thrilled to speak with new Rushers and especially to those who had not expected our final destination to be quite so spikey, but who had welcomed the unexpected turn of events with open arms. Inspiring mass direct action – it’s what we do best… so join us on our next action against the dirty palm oil biofuel business; responsible for massive environmental degradation, huge contributions of CO2 to the atmosphere, and the loss of 90% of the orangutans since the Suffragettes first walked this land. Don’t let those in power decide the future of our planet!

This Saturday, ailment The Land Is Ours collective will occupy some disused land near Hammersmith. An eco-village will take root, peacefully reclaiming land for a sustainable settlement, and getting in touch with the local community about its aims. In a year when nearly 13,000 Britons lost their homes to repossessions in the first three months, eco-villages point the way to a more down-to-earth lifestyle.

Back in May 1996, the same collective took over a spot on the banks of the Thames in Wandsworth, in a land rights action that grew up over five and a half months into the Pure Genius community, based on sustainable living and protesting the misuse of urban land. Here are some photos from that project.

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The Land Is Ours channel the spirit of the Diggers , a group of 17-century radicals who picked out and dug over a patch of common land in St George’s Hill in Walton-upon-Thames back in the day. They were led by Gerard Winstanley, who thought any freedom must come from free access to the land.

Here’s a little more from ‘Gerard Winstanley’ about this weekend:

What’s the first thing you’ll do when you get there?
Have a meeting. One of the first priorities is to leaflet the local area in order to inform the local people of what we are doing. Another priority is the construction of compost toilets.

Do you have lots of plans for sheds, vegetable patches and compost toilets?

Yes. Due to the nature of the site (ex-industrial) we will likely be using raised beds to grow vegetables and buckets for potatoes. It being London, there should be a good supply of thrown away materials from building sites and in skips. Compost toilets are pretty essential.

?What kinds of people are you expecting to turn up?
All sorts. Hopefully a mixture of those keen to learn and those willing to teach. ??

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?I read the Chapter 7 manifesto. Have you notified the council or planning authority of your plans, or are you keeping to the idea that once you’re there, with homes under construction, it’s difficult to evict?
We haven’t notified the council yet- but we have a liaison strategy in place for when we’re in.

On that note, how long do you hope to be there?
The longevity of the Eco-village depends on how committed its residences and just as crucially how the local urban populus respond to our presence. If we receive the support we need, the council will likely think twice before embarking on an unpopular eviction (at least that’s the theory!).

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Could this realistically become a permanent residence, or is it more likely to be valuable simply as campaigning?
Hopefully it can be both. There is no reason why this site cannot sustain a core group of committed individuals and serve as a brilliant awareness raiser to the issue of disused urban land, lack of affordable housing and the a sustainable way of living that is friendly to people and planet and liberating.

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?Can I come along?
Of course, we are meeting at Waterloo Station at 10AM this Saturday (underneath the clock).

What might I need to do?
Bring a tent, sleeping bag and some food and water. You may be interested to read an article written by a journalist from the Guardian concerning the eco-village.

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So dig yourself out of bed this Saturday, and go discover the beginnings of London’s newest eco-village.
Those of us who have grown up in this country have it built into our subconscious from an early age that summer does not automatically equal sun. Summer holidays from school would be six restless weeks of pleading with the clouds to part for just long enough that we might be able to leave our houses, pharmacy get to the park and partake in an activity and hopefully home again all before the heavens open and the rain chucks it down. We accept and expect a lack of skin-bronzing ice cream-melting sun rays during June, website July and August just as we have learnt to accept and expect that December, information pills January and February make no guarantees for snow.

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So it makes it even more endearing that a west coast American, Elizabeth Jaeger, accustomed to the balmy climate of San Francisco would take it upon herself to pen a gently begging letter to the weathermen and women of England asking them to do all they can to ensure her project that takes place this weekend in Victoria Park is not going to be rained off. So excited is she that her creative get together is a success this weekend, copies of her preparatory pleading have made it into the hands of meteorologists in Britain this week.

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Dear Weatherman,

I hope this finds you well.

First and foremost, I would like to say thank you. Your advisories’ predictions of the upcoming weather have been impeccable as of late – I really do appreciate knowing when to bring my umbrella.

I am writing you, Mr. Weatherman, because I have a small favor to ask. I am planning to have a picnic in Victoria Park on Saturday, 6th June, 2009, and it is simply imperative that we have good sunny weather in London. You see, we will have delicious food, a spin party, a chalk party, and music, and it would be devastating if it happened to rain – as the food might get soggy, the spinning might have to be at a very slow pace, the chalk might not stick, and the rain might ruin the instruments. I am inviting picnic goers from near and far, and I would not want them to arrive to find only mud.

I ask you then, Mr. Weatherman, if you could plan on having sunshine all day on 6th June, that we may fully enjoy our delicious picnic. I would also like to ask that there be good weather for performance going on Sunday, 7th June 2009. A performance will take place at the gallery space of Ken, and it would be such a shame if the viewers were not able to come in their Sunday best (floral dresses, dress trousers, khaki shorts, collard shirts, sunglasses, and smiles). If you think this request might need to be forwarded on to other weathermen who deal with locations upwind of London – could you please, if you wouldn’t mind, make some suggestions of whom?

I hope that this request is not too much to ask of you, as I imagine you are very busy finishing off with the spring.

Sincerely,

Elizabeth Jaeger

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As a co-founder of the delightfully pro active group ‘Do It Together Projects’ (DIT) and dabbler in the mediums of sculpture, photography, drawing, painting and craft, creativity may as well be her middle name. She is also partly responsible for the annual exhibition in Oregon with the Miranda July-esque title ‘I love you here is what I made’, and at only 21 years old this all deserves more than a little adoration.
‘Perfect Day’ is a two parter, only one of which relies on the lack of precipitation. Once the ‘picnic’/chalk party/spin party has drawn to a close on Saturday, the gaggle will reconvene under the shelter of Ken for continued performance and jollity.

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Her own prediction for the day is that it may turn out to be ‘horribly horribly pleasant’ and on reflecting just how the day will take structure she humbly offers that Im not sure if what i am doing is actually an art performance, but ‘bread, cheese and wine will be served, so maybe it would be fun to come along. ‘
If her previous DIT gatherings in the States such as card making, book writing and mask making are anything to go by, no amount of English rain will make this event a wash out.

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Saturday 6th June

2pm Victoria Park
Grove Road
Hackney
London E3 5SN

Sunday 7th June

7pm Ken
35 Kenton Road
Homerton
London E9 7AB

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We have our fingers and toes crossed that Elizabeth Jaeger gets her weather wish, and we hope you do too.
The Summer Exhibition 2009
Royal Academy
6 Burlington Gardens
London W1S 3EX

8th June – 16th August
10am-6pm Everyday except Friday 10am-10pm
Entry: £9/8

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This exciting annual show continues to be the largest of it’s kind in the world, stomach displaying new work from established as well as unknown artists under an open-submission policy with the curator appointed theme ‘Making Space’. With 241 years experience in bringing sculpture, approved photography, more about architecture, painting and printmaking to the public, they are clearly still on to a good thing.

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Russell Maurice ‘Given Up The Ghost’
STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL

11th June – 28th June
Tuesday – Sunday 11:00am – 7:00pm

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Since the mid 90′s, British born Maurice has produced paintings, prints, collages, sculptures and installations that reflect the spontaneous and informal nature of graffiti writing and have explored the recurring themes of energy, growth patterns and cycles in nature. This collection of new paintings, small-scale sculptures and installations, take these themes forward into new realms – to consider theories regarding the spirit world, the physical and metaphysical, consciousness and death.

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1001 Nights – An exhibition of Fabric Graffiti Screen Prints
Rarekind Gallery
Downstairs @ 49 Bethnal Green Road
Shoreditch
London E1 6LA

Monday – Saturday 10am – 6.00 pm
11th June – 28th June
Free

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Due to the huge success of this exhibition at Bristol’s Studio Amour, Rarekind is bringing the highly skilled and beautiful mix of traditional fabric printing methods with exciting cutting edge graffiti to London. Proving that both artistic mediums demonstrate dedication, physical input and love, Rarekind exhibits prints, hanging fabrics, room dividers and cushions including coveted one off prints by Ponk and Amour , Nylon, Pref, Fary, Kid Acne, Elph, Dibo, Dora, Paris & Solo One.

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Invisable Library
Tenderpixel Gallery
10 Cecil Court
London WC2N 4HE

12th June – 12th July
Monday – Friday 10:30apm – 7:00pm
Saturday 11:00am – 7:30pm
Sunday 1:00pm – 6:00pm
Free

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INK is an illustration collective that is holding the reigns at Tenderpixel Gallery for the next month for a busy schedule of events, talks and exhibitions. The Invisible Library is issuing an open invitation for cultural and musical figures as well as gallery visitors to write an opening or closing page of a ‘hidden novel’, the results of which will be published and exhibited.

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Golden Lane: The Super Estate
EXHIBIT
20 Goswell Road
Barbican
London EC1M 7AA

Until 30th June
Monday by appointment Tue – Fri: 11am – 6pm Sat: 11am – 5pm Sun: CLOSED

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“As part of the Golden Lane Estate’s 50th anniversary celebrations (1957-1962), EXHIBIT at Golden Lane Estate is commit to work with 13 artists in 10 ideas and 20 months. Inspired by the confluence of modernist design and community mission, EXHIBIT aims to create a legacy for the cultural future of the Estate, an archive developed through the interaction of artists and designers with the community mediated by EXHIBIT to celebrate this modernist design masterpiece and encourage an ongoing creative conversation that keeps the community at its heart.”

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Vauxhall Art Car Boot Fair 2009
Old Truman Brewery
146 Brick Lane, E1 6QL

Sunday 14 June 2009
12pm – 6pm
Entry: £3

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Pitching themselves as the ultimate ‘Recessionista’ event of 2009, Vauxhall Art Car Boot Fair at the Truman Brewery is set to be epic. Highlights for us include Secret Wars winners and all round adorable couple Ed Hicks and Miss Led who will be customizing anything and everything brought before them. Anyone who showed up for last year’s fun packed day will recognize Miss Led from her incredible live car commission. Look out for a preview of this event later in the week.

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Stop, Look & Listen
Subway Gallery
KIOSK 1 PEDESTRIAN SUBWAY
EDGWARE RD /HARROW RD LONDON W2 1DX
Until 30th June
open Monday – Saturday 11am – 7pm
Free

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Somewhere beneath Edgware Road where it meets Harrow Road is a 1960′s glass walled kiosk that three years ago was transformed by artist/curator Robert Gordon McHarg into a unique gallery space. Stop, Look & Listen is an exhibition about the space and it’s environment reflecting on the past shows and artists. They are also passionate about public interaction and interpretation, keen to spread the word about taking unused public space and using it for a creative outpost.

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Wagner Pinto– Floating
Concrete Hermit
5a Club Row
London
E1 6JX

Until 4th July
Opening Times: 10am – 6pm Mon – Sat
Free

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“Taking influence from the mix of religions and influences across South America such as candomble – a religion which melds Catholicism and African traditions Pintos paintings materialize forces of nature, mythology and religious icons, imaginary situations, mental impulses and fine energies. The idea is to bring to the surface, to the senses and to the view of visitors a floating universe, where even waves of thoughts have a rhythm, harmony, body and color, making the invisible visible to the human eye and in this way, to try to give a new direction to abstract art.”
Monday 8th June
Lissy Trullie at the ICA, visit this site London

New York’s lovely long-legged Lissie Trullie plays the ICA tonight, pill she sings of lost loves and first kisses in sultry world weary tones, with hooky bass lines and post punk-y drum beats in the background, not dissimilar to the Strokes. Her songs manage to be both wise and witty whilst endearingly naive. A refreshing take on a pretty male dominated music scene.

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Tuesday 9th June
Kid Harpoon at Enterprise, London

Kid Harpoon makes me swoon! A regular fixture on the London indie scene having supported Mystery Jets to name but one. Kid Harpoon is also a talented musician in his own right, with his intelligent and disarmingly unassuming folk rock, a troubadour of our times!

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Wednesday 10th June
The Fall and Buzzcocks at The Forum

Wednesday’s gig choice is an epic one this week…The Fall and Buzzcocks play The Forum! Mark E. Smith may be as mad as a bag of cats but there is no denying that The Fall are one of the most seminal and brilliant bands around, their live shows never fail to impress so I’ve heard. Plus who could resist dancing to Buzzcocks’ Never Fallen in Love and pretending to be 18 again?!

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Thursday 11th June
Chad VanGaalen at ICA

Chad VanGaalen sounds like a lovely man, he makes his music in his basement in Alberta, and he draws. There is a real homemade quality to his creative process (home recorded CDs with hand drawn art) that is audible and his dreamy music evokes the most awed oohs and aahs . VanGaalen has been compared to everyone from Daniel Johnston to Ben Gibbard.

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Friday 12th June
Vivian Girls at Cargo

I bang on a lot about the Vivian Girls at work (sorry other interns!) but they are genuinely very good indeed, which is why I’ll be heading to Cargo to see them this Friday, come on down and dance with me (because none of the other interns will…) to their all girl lo-fi surf punk!

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Saturday 13th and Sunday 14th June
Meltdown Festival, Southbank Centre, London

Ornette Coleman is curating this year’s Meltdown Festival and it’s an eclectic mix, this weekend catch The Roots, Yoko Ono and Cornelius. It continues into the beginning of next week, so it is with a note of mystery that I end this week’s listings:
“To be Continued…”

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Categories ,DIY Culture, ,Electro, ,Folk, ,Indie, ,London, ,New York, ,Post Punk

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Monday 16th.

Name The Pet and Micron63 supply full-frontal, this remedy hard-hitting electro vogueing tunage at Madame Jojos in Soho, cialis 40mg London.
Madame Jojo’s, Brewer Street, Soho, London.

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Name The Pet.

Tuesday 17th.

Betty Frances launches her spooky new bluesy folk EP at The Electroacoustic Club, with support from The Johnny Parry Trio. Get there by 8, though, to catch the amazing, 6’9”, delicate-fingered story-crooner The Black Maria Memorial Fund – this chap is a mild-mannered superhero of the first order.
The Slaughtered Lamb 34-35 Great Sutton St, Barbican EC1V 0DX

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The Black Maria Memorial Fund.

Televised Crimewave are playing an Instore at Pure Groove.
6-7 West Smithfield, London EC1A 9JX

Wednesday 18th.

The Long Lost play at Prick Your Finger on Wednesday 18th March at 7.30pm. A band on Ninja Tune that sound like Astrid Gilberto dropped into a bubblebath with Bonnie ‘Prince’ Billy, Belle, and Sebastian. http://www.ninjatune.net/thelonglost – London, There is a password for the resourceful with pricked fingers.
Prick Your Finger, 250 Globe Rd, Bethnal Green.

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The Long Lost.

Thursday 19th.

Gold Teeth and Crystal Fighters, two bands from the Amelia’s Intray are sure to pack a lively night with afrobeat rubbing up against dark pervertronic shocks.
The Paradise, 19 Kilburn Lane, Kensal Green W10 4AE

Friday 20th.

Sparks, the band that cannot die, will be fondling their keyboards for their hardcore devotee fanbase. Infiltrate, if you dare. Is Kentish Town big enough for the both of you?
HMV Forum, 9 – 17 Highgate RD, Kentish Town

Meanwhile, Piano Magic perform their sugary wisdom. For fans of classically trained Warp records.
Barden’s Boudoir, 36 Stoke Newington Rd, N16 7XJ

There’s also a warehouse party at the Busey Building.
133 Rye Lane, SE15

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Piano Magic.

Saturday 21st.

Upload Alldayer Festival. Trek out to Grays, near Thurrock for a loutish slobfest hosted by Front magazine. Highpoint will probably be Kunt And The Gang with his Bontempi synthpop ditties about unspeakably rude things. Did you spill my pint?
In a field.

A bit more relaxing and central, on the other hand, you could see Perunika performing their all-girl acapella Bulgarian Folk music.
The Cross Kings, 126 York Way, King’s Cross N1 0AX.

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Perunika

Sunday 22nd.

Nadja, Cappilary Action and DJs in your dream-local.
Barden’s Boudoir, 36 Stoke Newington Rd, N16 7XJ.
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Maybe I have become a bit blase after so much rushing, ask but for some reason the brilliantly termed “swoop” didn’t phase me. To the point that I decided that I had time to visit the G20 Meltdown goings on with a mere half hour to spare before the swoop at 12.30 on the 1st of April outside the European Climate Exchange. Attempting to locate the Climate Action march, viagra approved led by a green horse, approved I headed down Threadneedle Street towards the Bank of England. A friendly female officer ushered me onwards as I sauntered past police lines and I decided that there was no chance of a kettle here, at least not just yet. Ahead of me was the most amazingly constructed dead canary, held aloft to symbolize the death of Canary Wharf.

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Increasingly aware of the clock ticking I darted further into the morass of people spilling into the junction from all sides, snapping as I went.

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In ten minutes I was ready to leave, but by now the atmosphere had changed and the kettle was on. Trying my best not to panic I asked a second police officer if I could please please leave. To my utmost surprise – having ascertained that I was on my own —he let me past the cordon where other journalists had failed.

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With minutes to spare I grabbed my bike and sped off to Bishopsgate, noting the preponderance of people with trays of food, backpacks, pop-up tents and even great wreaths of flowers en route, apparently unhassled by the police. The road seemed already closed to traffic, as if we were expected!

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Suddenly there was a commotion at the north end of the street, and a flurry of people clustered together in the road. Someone yelled “not yet!” to which I retorted “too late!” I mean, once you’ve started pitching your tent on a major thoroughfare in central London you’re hardly going to stop politely and wait a minute more to meet GMT time are you?! The police tried half-heartedly to drag people off, as they hastily climbed inside their tents, with one joker popping out the top of his kids’ tent in full hunting gear.

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By the time I had glanced up again the whole street was a bustle of people and tents as far as the eye could see. A Carbon Casino with ghetto blaster sound system was hoisted up onto a carefully scouted bus shelter.

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Bunting was unfurled and strung up between lampposts, food was trundled in on trailers, a toilet gazebo hosting the compost loos arrived and a vegetable stall was set up beneath a banner emblazoned Farmers Markets Not Carbon Markets. Vivienne Westwood walked past. All so surreal, all so very good.

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Gradually the infrastructure took shape, with a kitchen sited near the centre of the site and three separate workshop spaces successfully set up at intervals along the road.

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Here people could learn everything from the latest climate science to effective self defence, and of course the more intricate ins and outs of Carbon Trading and why it is such a bad idea. Perhaps now would be a good time to mention more on why Climate Camp decided to focus on Carbon Trading.

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Our previous targets have included Heathrow and Kingsnorth, where huge new projects will put in peril our ability to rapidly cut carbon as quickly as we need to if we are to keep Climate Change in check. The government and big business justify their plans for a third runway and a new coal fired power station with Carbon Trading, whereby carbon is bought and sold as if it were any other commodity. The trouble with this concept is that it encourages growth which is simply not possible if we are trying to cut carbon emissions, as any sane person realises.

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So by picking out the European Climate Exchange (which is a worldwide hub for this activity) Climate Camp hoped to highlight a problem that very few people talk about. We chose to swoop on the day before the G20 because this meeting of leaders from the top 20 richest countries was intended to sort out the world’s financial problems. They intend to do this with the same failed economic system that has dreamt up Carbon Trading as a solution to Climate Change. By setting up Climate Camp at the heart of the problem we sent a clear signal to our leaders that we cannot continue putting our faith in the current financial system when it so clearly doesn’t work. Needless to say, the outcome of the G20 has been as ill-considered as expected.

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Over $1 trillion dollars will be magiked out of thin air to push into our failing economic systems. Hurrah, all is well!

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But back to the street that I so often cycle down, now so transformed. Guerilla gardeners wandered past with mini barrows of primula and spray cans in hand – a nod to the guerilla gardening movement which aims to reclaim our common land, planting useful plants on public spaces.

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Ironically, April 1st was also the 360th anniversary – to the day – of the moment when the Diggers reclaimed Saint George’s Hill as common land, and on which they planted parsnips, carrots and beans. The area is now a gated community for the rich and a sad indictment of the way that land has been parcelled off for the elite across the world. We later sang, en masse, the famous Digger’s Song – A World Turned Upside Down, by Leon Rosselson.

The media centre was busy fielding journos, and a welcome group coalesced to meet and greet newcomers, which by now numbered many badly dressed down bankers who were easily spotted a mile off.

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If you got closer they could generally be heard saying something moronic, but I think they found it hard to find fault with our actions and we may even have educated some of the more open-minded ones.

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However, I think it’s worth noting the sad truth is that some people will never care about any issue unless it directly affects themselves or their family. Happy in their comfortable lives they remain content to consume far more than their fair share of resources, whilst others across the world starve because of their activities.

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Faces were painted, samosas were sold, guitars were strummed. A giant game, an adaption of snakes and ladders – runways and windmills – was played, complete with oversize dice. The police seemed to be leaving us alone.

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As the day wore on more and more people drifted in from the surrounding protests to see what was going on. On the northern perimeter the legal observers for Climate Camp got stuck in a strange sandwich between police lines and black block.

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When I returned later the mood had altered dramatically – a group of 5-Rhythms dancers dressed in orange and gold had organised themselves into a self-named gold block. They were dancing frantically, periodically dragging others into their merriment, sweating in enlightened ecstasy.

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Gingerbread bankers were handed out to passersby, and everywhere I looked people were sharing their food. I bumped into a bunch of schoolgirls still in uniform from the morning’s classes. One of them recognized me – I looked after her as a small child on a camp. Legal observers sat in a row sketching the police in front of them.

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Occasionally I would bump into another Climate Camper from our London neighbourhood, looking similarly frazzled to how I was starting to feel. And I bumped into Robots in Disguise, and half of Tatty Devine.

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The atmosphere was still up, jovial, but I was worried that my camera battery was getting low and decided to head home to download photos and recharge batteries before the mood changed, as I suspected it would when dusk fell. On my return twilight was approaching rapidly between the tower blocks and the atmosphere had turned still more carnivalesque, with people really getting into the stop-start nature of human powered bike pedal sound systems. Limboing was all the rage and some cheeky girls got on top of a police van to boogie.

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Many more people were joining us from a day at work, but the police were also increasing rapidly in number as they were called off duty elsewhere. Suddenly (at about 7.30pm) and without warning, they pushed forcefully into the site from the south end, beating people out of their way as they did so with riot shields and battons, even as surprised protesters raised their hands in the air and chanted the now familiar refrain “this is not a riot.”

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Up until now everything had seemed so relaxed, but I for one knew that it was only a matter of time before the police decided to use more force. They may have stood by mildly amused as we entertained and educated each other in the hot sunshine of the afternoon, but by nightfall it was clear that things were about to get significantly more messy. We were now in a kettle, with people unable to get in or out, a state that remained for the next 5 hours. Those who had just arrived were utterly bemused as to the reasons for this, but there wasn’t any reasoning to do. A big consensus meeting was held at the north end to decide what we should do, and hundreds of people took part in hand wiggling to confirm that they would be staying the night. (I had my doubts about this outcome – those there to party no doubt mistook the implications of this, ie. that it would mean standing our ground and keeping the police out, not more dancing and getting drunk.)

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Now seemed a good time to hold the much hyped celidh, so I located our new Climate Camp celidh band, the Carbon Raiders, and we put into practice the music we’ve been practicing over the past few weeks. Soon enough there in front of me was the familiar sight of hundreds of smiling people dancing together.

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We only managed to follow a few steps correctly, but it didn’t matter; freestyling joy was the order of the day. It was as if the lines of riot cops were a million miles away, rather than 2 metres over my shoulder. For awhile afterwards much carried on as before, with many enjoying the fluffy baked potatoes for tea that remained warm to the touch – despite having been cooked the day before – many in my very own oven.

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Towards midnight many were getting anxious – they’d been planning to get home, to get to work the next day. We started to become aware that there were hundreds of people outside trying to get in and those sitting on the bus shelter could see people being violently beaten back from our perimeter.

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It wasn’t until yesterday that I found out the full extent of the surrounding kettles – one friend was caught in a mini kettle of 25 people for 2 hours in a narrow and claustrophobic alley, some beaten to the ground before finally being released. Marina had come down from the Meltdown and, finding herself unable to get in set up camp in the middle of Broadgate with her kettle and teacups. She showed me the bruises from the police the next day – huge great welts down her arm, but she was proud that her fine china remained unscathed throughout the ordeal. Why were these people kept away from us? Many of my friends were unable to get into the camp, despite having travelled long distances to protest. Still others were trying to retrieve belongings left inside the camp, which have since vanished – the police sent in cleaning crews at the end that apparently sent everything straight to landfill. Is this lawful? To keep someone from their belongings and then consign them to oblivion?

Once the police had beaten everyone away from our perimeters they drafted in huge amounts of riot cops (10 deep in places) to drive us off the road. There was clearly no way they were going to let us stay there for the full 24 hours and risk having us block the road for another day of commuter traffic. I believe their orders were something along the lines of needing to keep the streets clear in case a world leader wanted to get past. Most people, tired and intimidated, left as soon as they were able to, with just a dedicated few left to guard the lines. The police surged forward with no advance warning once more, picking up and tossing carelessly aside our beloved Pedals bike powered sound system. A great cry of dismay went up from the crowd – this was willful destruction of property for no discernible reason.

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Police, jaws set in aggressive grimaces, were flailing out at cowering protestors who sat on the floor with their hands in the air. Is this what democracy looks like? When the right to protest is treated with such disdain? Despite promises to the contrary, no attempt at communication was made. The same old story seems to be repeating itself time and time again.

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As a camper climbed a traffic light to retrieve a banner I overheard a policeman sneering that he hoped he slipped and fell. Is this what we pay our taxes for? The police are not here to protect the interest of the ruling elite, they are here to facilitate lawful protest and protect the welfare of all citizens. Yet this attitude is sadly lacking. For every friendly humane copper there are 50 behind him or her who revel in the carnage that provoking a riot ensures.

My friend was snatched from the front line and so I retreated from my position inches from the police to retrieve his belongings and take them out to him. I was also concerned by this point about my camera being taken and the photos erased – there were already reports of this having happened to other photographers earlier in the day. It seemed increasingly obvious how things were going to end, and sure enough when I made it back around the block ten minutes later the street was clear, apart from a dreadful mess of abandoned tents and bedraggled bunting. It was very sad to see the state of the street, when Climate Camp is so committed to clearing up so that no trace remains. But what choice did we have? We just didn’t have the resources to clear up more than those individuals left behind could personally manage. We stuffed as much bunting as we could into a backpack and trundled home, feeling emotionally bruised and battered.

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…But what a day! We swooped, we camped, and we raised the issue of Carbon Trading higher up the political agenda than it has ever been before. I feel certain that many people came away feeling much more empowered and assured that it is possible to create another world. Now we start work on ideas for the Climate Camp this summer, August 26th – September 2nd. Throughout 2009 we will be focusing on the failures of our current economic system, for the same principles of free markets cannot possibly save us from Climate Chaos. The only solution is to decrease consumption, increase efficiency, and find alternatives to fossil fuels, fast. Put the dates in your diary now. And follow us on the main Camp Twitter and Twitter for London-based campers.

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Coming from a rural upbringing the staple jumble sale was as much engrained into the infrastructure of village life as the Women’s Institute’s flower arranging classes and the humble church cake sale. It sounds decidedly twee but I still recollect as if yesterday the village hall brimming with ornate table clothes, viagra approved wooden chairs, price the bric and brac stands, the tombola, the fairy cakes and the strangely gratifying musty scent of hand me downs.Alas since flying the nest from my pastoral abode in favour of the city hustle. I feared the modest jumble sale would be cast aside as a mere nostalgic whim I would recall fondly in childhood anecdotes .

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However recently fortune led me to unearth a hidden organisation seeking to rekindle this quintessential past time. With the pretence of transforming the jumble sale into the new cultural phenomena, the group aptly entitled “jumble” have set up a monthly event at the Amersham Arms in the depths of New Cross, South London. Jumble has targeted their cliental with outstanding precision, supplying all any fashion-focused individual could ever ask for under one rooftop. Who could scorn at vintage clothing, crafts, records, bric and brac, alcohol and scrabble tournaments, oh and I nearly forgot the cakes! I hope I am not fuelling a stereotype but jumble appear to have catered for every kooky shopping habit of most 18-25 year olds.I am not ashamed to admit I fall right into that category myself!

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The 300 capacity venue every month transforms into a sea of eager revellers on the prowl for bargains. Watching people transcend from idle window shoppers to style scavenging primitives is a rather refreshing change. With a bar to quench your thirst amidst your hunt jumble provide you all the sustenance you require for a healthy afternoon of hunting.

If the prospect of heading to the uncharted terrain of South London fills you with dread then never fear. If you’re Shoreditch born and bred you don’t have to egress the comfort zone. Emily Morris’s Extraordinary Dancing Bazaar is held at the Old Blue Last, however its on a sporadic basis so this is one you have to really keep your ears pricked up for. The former DJ at Ministry and Turnmills turns her hands to fashion in this hip haven on the second floor. Perfect for those fashion forerunners, but be warned this is not for the fainted hearted, expect some zany finds in this haunt.

There is also the Bi- annual jumble sale at the art gallery Studio 1-1, run by Uscha Pohl publisher and editor of the VERY style guide, a self professed “ store phobia” she hates the concept of hoarding. Artists use this as an outlet to shed everything from kooky furniture to vintage treasures and some odd bits and pieces thrown in their for good measure.

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Unlike my school years of the 90′s we have now become akin to second hand clothing, society now fully embraces the jumble sale aesthetic. When I was in secondary school you would not only be scorned at but faced intolerable mockery if someone unearthed you bought from Oxfam. I was profusely laughed at once for giving out Oxfam christmas cards. But in my college years it was deemed highly innovative to shop in charity shops. Second hand clothing now symbolizes a complete rejection of the ubiquity of todays global fashion sphere. Now there is hierachical obscurity, style no longer denotes class it serves in conveying personality and not financial privilege. Even the vintage market is utterly oversaturated and so consciously scouted and merchandised the joy of unearthing a diamond is eradicated. The real exhilarant comes from resorting to our primitive psychological make up, our “hunter, gather” instinct. So go on get hunting those jumble sales and reel in some prize catches!
Monday 16th March – March 23rd

Sustainability and Conservation Lecture
6.30pm, check
Room B04, information pills 43 Gordon Square, tadalafil
Birkbeck, London University, WC1

?The Ecology and Conservation Studies Society/Birkbeck is hosting free lectures on Monday evenings on the topic of living within our environmental limits.?For more information, call 020 7485 7903

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illustration provided by http://www.kerrylemon.co.uk/

Tuesday 17th March
7pm
Royal Geographical Society, 1 Kensington Gore, SW7
The Future Shape of Capitalism, Vince Cable MP, Andrew Neil. £10/£7, Info: 0207 591 310

RICH MIX
35 – 47 Bethnal Green Road, London, E1 6LA
Tibet Film Festival, 13 March-5 April Programme includes:
17 March, Unmistaken Child, documentary on the search for the reincarnation of a revered religious master who spent 26 years in meditation in a mountain hermitage.

Contact BOX OFFICE:
020 7613 7498

Homepage

Wed 18th March

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(illustration provided by Faye Katerai) http://faye-katirai.blogspot.com/.

Sustainable Haringey Monthly Co-ordination Meeting
?@ Big Green Bookshop, Brampton Park Rd, N8??6pm – Co-ordination Meeting: All those active in the SH network and working groups etc are invited to attend. New people also welcome. Further details below.?7.30pm – Film Show and discussion: The inspirational ‘Power of Community‘ film about how the people of Cuba survived the loss of access to oil imports after the collapse of the Soviet Union in the 1990s. They had to become predominantly self-sufficient in food and other products, and change their economy and lifestyles quickly – yet this was an opportunity for a remarkable re-birth of community spirit. Could it happen here? [Part of a week of films put on at the bookshop as a ‘fringe’ venue during the Wood Green Film Festival].
Check http://www.london21.org/page/36/show/2125 for more details.

* Can the World Meet The Energy Needs Of The Poorest?, Saleemul Huq, Tony Juniper, Dr Victoria Johnson, 7pm, £8, St James’s Church, Piccadilly, W1. Info: Global Development Forum/ Ethical Events

Thursday 19 March,

‘What Remains Of Us‘, a Tibetan-Canadian born in exile travels to Tibet with a video recorded message of hope from the Dalai Lama to the people of Tibet and records the reactions of Tibetans on hearing his message, 7.30pm
RICH MIX
35 – 47 Bethnal Green Road, London, E1 6LA

BOX OFFICE:
020 7613 7498

www.richmix.org.uk

Friday 20th March

Remnants of a War + Q&A

20 March 2009

6.30 pm

ICA,
The Mall, London SW1Y 5AH. Box Office: 020 7930 3647 / Switchboard: 020 7930 0493

In Lebanon, hundreds of thousands of unexploded cluster munitions are scattered across tobacco fields, orange groves, roads and backyards after the 2006 war between Israel and Hezbollah; this film looks at the men and women of southern Lebanon who work to clear their land of these deadly objects. Followed by Q&A with the film-maker and Marc Garlasco, senior military analyst, Human Rights Watch.

Check www.ica.org.uk

Sat 21 March

WDM Speaker tour:?Europe’s Trade deals – Who Benefit
2.30pm

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(Illustration provided byhttp://www.kerrylemon.co.uk/

Dragon Hall, 17 Stukeley Street?

London  WC2B 5LT

Trade can help poorer countries to overcome poverty, by generating jobs and supporting livelihoods. But the European Union is currently negotiating trade deals with over 100 countries in Africa, Asia and Latin America which will secure big profits for European companies at the expense of development.
These trade deals will particularly harm the poorest and most vulnerable people in developing countries, destroying jobs, local industries and the livelihoods of small-scale farmers.
Hear from Mary Lou Malig, trade campaigner from the Philippines, and learn what you can do to stop these disastrous trade deals. 
Check http://www.wdm.org.uk/news/events/speakertour16032009.htm
for further details

Sat 21-22nd March

Climate Camp London Trading Ed Development

CLIMATE CAMP 2009:?CARBON TRADING AND ACTION PLANNING WEEKEND,
?LONDON, 21/22 MARCH
ARCOLA THEATRE
27 ARCOLA STREET
DALSTON, HACKNEY
E8 2DJ

Sunday will now start at 12 noon. Saturday will still take place from 10am to 6pm.

Day 1: ?Workshops and discussions on the problems with carbon trading, with speakers from the Cornerhouse, FERN, Carbon Trade Watch and the World Development Movement. Subjects will include the basics of carbon trading, similarities with the financial crisis, carbon markets and forestry and how emissions trading in the EU paves the way for Kingsnorth and the 3rd Runway.
Day 2?Action planning and trainings. A big chunk of this will be devoted to the Climate Camp in the City on the 1st of April, but it will also deal with our plans for the Summer and Copenhagen, and will include options like speaker training, media training and action planning.
07534 598 733

WE CAN postcards to Ed Miliband and MPs: Monday 23rd March

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On Monday 23rd March, hundreds of children dressed as endangered animals will write postcards to Secretary of State Ed Miliband and to their MPs, in an effort to make the government call a halt to plans to build a third runway at Heathrow and a new coal-fired power station at Kingsnorth.
 
According to NASA scientist James Hansen, who is now advising President Obama, up to 400 species of animals are threatened with extinction by the emissions from Kingsnorth.
 
Filmmaker, mother of three and founding member of WE CAN, Rebecca Frayn said, ‘The children are horrified that so many animals could be wiped out. Ed Miliband has said that carbon capture and storage will be introduced to clean up the emissions, but nobody knows when, or if the technology is even practical.’
 
The postcards will be coloured in and presented after a gathering in Old Palace Yard at 5pm on Monday 23rd March. Several MPs including Andy Slaughter and John McDonnell have agreed to meet children in the lobby of the House of Commons

Nikki Pinder is a freelance multi media artist based in Cheshire, capsule her style is boldly experimental and modern. She was previously featured in Amelia’s Magazine and has been invited back for a more indepth interview.

What inspires you to be creative?

Music is a huge inspiration for me. I listen to it almost all day as it helps me to focus and also allows me to escape into different worlds when I listen to certain sounds and lyrics. Films are also a huge inspiration for me and I admire the work created by directors such as David Lynch, Tim Burton and Alfred Hitchcock. A few other inspirations are antiques shops and curiosities, photography, travelling around, being spontaneous, grandfather clocks, pocket watches and time, top hats and bowlers, true love, fresh air and open spaces, riding my bike, honesty, beautiful places in the countryside, poetry, confident people, museums, beautiful women, amazing architecture which makes me stop and stare, galleries, inventions, dreams, aliens, robots, birds, and trees.

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How did you get into Art and what attracted you to the medium you use?

I’ve always drawn and made things with my hands ever since I can remember as I just love to make and invent stuff. Also I lived with my gran for a while when I was a kid and she loved art too so she was a big influence on me as she taught me how to hold a pen properly and bought me my first watercolour set (which I still use)!

I use many different mediums as I love to experiment, but I fell in love with dipping pen and ink several years ago as it’s so freeing and allows you to create beautiful fluid marks with no limitations. I also love to create and utilise textures as they allow me to build up layers and depth in the surfaces of canvases and even within my digital artwork.

Who do you aspire to be like and who inspires you at present?

I don’t really aspire to be like anybody as I’m happy being myself, but I aspire to be the best artist and thinker that I can be in my life. The people who inspire me most are those who push the boundaries, those who are brave in what they say creatively and do, and those who actually contribute positively to the world in some way. The following people are a huge inspiration for me: Amanda Palmer, Tim Burton, Robert Smith, Billy Corgan, Josh Homme, Trent Reznor, Thom York, Vermillion Lies, and my friend Catherine AD as she’s one of the cleverest and talented people I know.

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Where do you see yourself in 5 years from now?

I would like to have several books published, I want to have travelled around the world at least once, I would like to have lived in Paris for at least 6 months, I want to have written a film script, established my own publishing company, figured out a way to help people through my work, and there are hundreds of other things I want to achieve in the next five years.

What advice would you give to someone trying to get into the Arts?
Be honest in what you say through what you create, work hard, experiment, don’t get put off by anything negative anyone says to you – allow it to motivate you more, don’t be afraid to draw as skills can be developed over time and also confidence through practice helps you to develop good drawing skills. Think outside the box, write your ideas down so take a note-book with you everywhere, and don’t ever look at someone and think…I could never be like them or do what they’ve achieved as you can do and be anything you want to be.

Do you have a muse?

I don’t really know what a muse is, but if it’s the thing that drives me to create then I’d say life, happiness and making the world a better place is my muse.

If you could invite any two artists (dead or alive) to diner, who would it be and why?

Ummmm…that’s such a hard question but I’d like to invite Robert Smith as I think he’s so talented and fascinating, and also Josh Homme as he’s really strong, powerful and I think I would feel really enlightened after talking to them both for an evening.

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London-based, discount twice awarded Fashion Designer of the Year Hussein Chalayan’s first major solo exhibition is halfway through its run at the Design Museum and it is soon approaching the eve of a sold out talk with the masterful rogue as he looks back over 15 years of groundbreaking fashion and collaborations…although he cautions us not to call it a retrospective, this because as he points out, ambulance he is neither dead nor approaching it. Never one to be bound by the clumsy dog collars of definitions, Chalayan and curator Donna Loveday presented a powerful sampling of amuse-bouches, bite-sized bursts of the fashion maverick’s best. With a marked lack of belabored and lengthy wall texts, it was an edited and approachable introduction to the work of this architect-philosopher-scientist-fashion designer. The only dialogue becomes the one I’m having with the environment, the cleverly orchestrated mannequins and the clothes themselves as I revel in the fact that I can finally get up close to these pieces and get some answers. How does it work? What’s it made of? It makes me feel like I’m sneaking around backstage at a magician’s show!
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The exhibition snaked up the stairs starting with paper dresses which fold up into postable air mail envelopes. Further along, hanging flat against the wall is a stunning floor length dress covered in oxidized iron filings which, just as he famously did with his diploma from St. Martins, the designer had buried and exhumed months later. This is where we both enter and exit the exhibit. Glimpsing into the future I see Chalayan’s latest creations, windblown triplets wearing what looks like taffy dresses being blown right off them. It’s his latest collection and one of my favorites yet. Images of car crashes are hand painted onto foam with shards of safety glass protruding here and there. It’s a shrewd observation of the precarious speed at which our lives are accelerating at. chalayancrashsingle.jpg
Rather than being mere clothes hangers, the mannequins were cleverly posed, some of them wiping the inside of their vitrine with cloths while others white washed the gallery walls with long rollers. Others had little travel kit scissors and were trimming away at the tulle dresses they were wearing.
The show triggered questions about displacement, genetics, technology and cultural identity. I could hardly wait to get to Shoreditch Town Hall where Chalayan would be joining playwrights, curators , journalists and architects in a panel discussion about their experiences living and creating in London. The panel discussed the unique composition of London’s East End and how living its grit, aggression and cultural diversity was the unique pressure cooker from which to create. For many the husks of their developmental years are something to be shed but this group believes it is the struggle itself that is at the core of the creative process. Nobody wants to read about the kid with the silver spoon, they want to cheer the underdog. It is also true that the successes we all strive for become our gilded cage. If its tension and struggle you desire London is happy to oblige. The talk had barely ended when a plague of fashion students inelegantly rushed the stage to elbow out the other speakers and shove cameras in Chalayan’s face as he tried to carry on a conversation I believe I could hear him rattling the clunky bars of his own uncomfortable celebrity.
When Fashion Designer Ingrid Hass graduated in 2008 from Central St Martins, stomach she was shrouded with accolades, website like this dubbed the “one to watch” by both Vogue and Marie Claire, ambulance a compliment that should not be shrugged off as mere flattery, it means serious business in the fashion sphere. However Ingrid’s success was perceptible, she won a hand full of internships on the run up to her degree collection. The first being with Luxury Knitwear company Ballantyne, she then teamed that with a grant from Pan Uk, a sponsorship from Bora and to top it all off she received backing from none other then the backbone of British print Liberty itself! So with the backing of some of the most fundamental companies within the fashion sphere Hass had a solid financial platform to create her sumptuous collection.

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Deriving from the leafy terrains of Wiltshire, Hass has defiant rural roots, which play a significant part in her working ethos. Hass’s collection is a pastiche of rural England, evoking all the whimsy and romanticism of our British heritage. Inspired by our rich textile traditions in tapestry and embroidery, Ingrid creates exclusive pieces utilising the technique hand intarsia, a method used for centuries by artisans. Hass strives to revive this quintessential past time which regrettably is on the decline due to mass over seas production.

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Inspired by the wistful and quixotic works of photographer Tim Walker. Hass evokes a candid naivety to her pieces, luring you into a state of reverie. Everything from the subdued pastel palette, the delicate floral head pieces, the dungarees to the ethereal cloud prints all exude imaginative thought.

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I caught up with Ingrid to see what she had been getting up to since graduating last year.

So, tell me a little bit about yourself Ingrid? ?

I am 25 years old , originally from the English countryside where I was brought up. I then moved to London where I completed my foundation course at London College of Fashion, and then progressed to Central St Martins where I studied Fashion Design with Knitwear. I graduated in Summer 2008 and am currently living in Milan where I work for Ballantyne.

?What have you been doing since graduating at central st martins last year? ?

I have been working on a freelance basis for a high street company whereby I am going to have my own line which will go into the stores this Autumn, and most recently I was winner of the Ballantyne Design initiative. As such, I am now living in Milan and working at their head offices here.

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?How have you found the progression from university to the daunting world of ?the fashion industry? ?

I was fortunate in that after a nice relaxing and much needed break after final year I went to New York to meet with someone who approached me with regard to my final collection. It was this that led to the formation of my freelance label and work began quickly once again. Following this, I later found out I was a finalist for the Ballantyne Design Initiative and was flown out to Milan for the interview. I then moved here in January and it has been two months now! But, yes it is undoubtedly daunting but I think you just need to be open minded, hard working and forward about approaching companies.

?Would you have any advice for budding designers? ?

I still feel a budding designer myself, and not sure if I really have the experience or right to offer advice yet!

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?Your work evokes a rather nostalgic feel, did you have a rural up bringing? ?

Yes, I was brought up on a farm in the Wiltshire countryside, where my parents still live. It has undoubtedly inspired the aesthetic I like and the way in which I work.

?What leads your thought processes when your designing? ?

An amalgamation of lots of things…people I meet, my books, old fashioned knitting journals and magazines, places I visit, photographs I take. I think most importantly though I love to learn and use traditional techniques that in this day and age are no longer utilized any longer, like needlepoint, tapestry and embroidery. I love the challenge of adapting these in a modern and contemporary way.

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?Are you inspired by any other artists or designers?
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Yes, of course. I love art and fashion and so it is a natural element of my work. My final collection looked particularly towards the romanticism of Tim Walker’s photographs and the colours of Henri Matisse’s paintings.


?How would you say your artistic style has progressed since your graduate ?collection?

Well, I think making the transition from producing my own work on a small scale to helping towards the creation of a larger scale collection has meant I have learnt the opposite side of the spectrum in the industry. As such this I suppose has meant my artistic style has not been compromised but now I can see how complimentary elements, textures and materials work together in a larger context.

So keep your eyes peeled, you might be seeing an original Ingrid Hass on your local high street in the foreseeable future!
It was immediately clear to us upon arrival that Antwerp is city that oozes class and modernism. Artistic intelligence is literally everywhere you look, viagra buy even Antwerp’s central station is a truly amazing architectural feat. Kings Cross seems like a poor imitation in comparison to the beautiful modernist belgian levels of trains on top of trains.

Suffciently in awe of the city not to mention delighted by its thousands of varieties of beer we decided some culture was in order and headed through streets of wonderful shops, viagra including those of the Antwerp six, buy and this amazing dvd rental shop to MoMu, the fashion museum to see the Martin Margiela exhibition.

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On walking in to the exhibition after getting our tickets at the caravan reception we are greeted by a strange white pop-up Styrofoam audience. It transpires that this is in fact a group portrait of the Martin Margiela team of Paris. Margiela’s own silhouette is however not included. No fashion designer works alone and in shunning any kind of personal publicity (he has never been publicly photographed and you certainly won’t see him take a bow after a catwalk show) Margiela is one of the only designers to make this fact clear, separating him from others who are anxious to take credit and ownership of work that has been created by many people. It is obvious that Margiela isn’t in fashion for glory or fame, rather to set about the wonderful business of creation.
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The exhibition goes to great lengths to recreate the artists working space and ideas. This white cotton covered furniture can be found both in Margiela’s Paris offices and In the exhibition where the chairs form a circle facing outwards in the middle of a room with walls full of films. We sat for over an hour in them completely absorbed in watching videos of catwalk shows, milk bottles, lamps, eggs and whiter than white object montages.

Margiela doesn’t do things by the book, par example le plate-invitation! And in his next collection he shattered the plates and made them into waistcoats.
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In a dark room bodices were lit up one by one, cleverly focusing your attention on one garment at a time, including this one adorned with square mirror tiles.
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Printed below the outfits are the length of time it took to make them, the emphasis on the working processes behind the clothes makes the exhibition that bit more interesting and different to others on designers that focus purely on final outcomes. Margiela is interested in the ‘life history’ of garments and this exhibition was superb in showing his interest in making the production processes public, thereby showing that the true value of the pieces can be found in the time and energy it took to make them.
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This amazingly comfy duvet-coat had different bedspread patterns projected onto it.
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In short I heart Antwerp, I heart belgian beer, and I heart Martin Margiela.

Now if someone comes along and blows your head off, healing splattering your t-shirt with cerebral fluid with their debut album as soon as the follow up comes along, information pills you can’t help but fear that it’ll fall somewhat shy of the original mark. However, Bromst is just as powerful as the first album in fact more so. Its like recording the sound of a police car, with sirens wailing, crashing into the microphone.

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What with the closure of Wham City and other heartbreaks over the last year, its hardly surprising that Bromst has taken a more serious tone; Bromst has a wider range of emotion and direction than the previous album.It’s an embodiment of Deacon and Wham city ethos to bring people together, something that Deacon doesn’t take lightly.

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Whilst retaining the essence of Spiderman of the rings, offering a little more in the way of heart; Bromst is much warmer with more instrumentation than computerisation which seeps through the pores and infuses itself into your veins following the blood cells on a path to your heart. It’s a much more organic album and not as plastic as Deacon says.

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Give it a chance and Bromst will become a part of you, a beautiful fusion of man and music. Be afraid, be very afraid!
Here at Amelia’s Magazine, doctor we were first introduced to French trainer label Veja during Fashion Week last year. They aren’t your average trainer label, though – they are pioneers of ecological trainers, with no compromise on style. From materials to distribution, each pair has a minimal impact on the environment.

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Their organic cotton is grown by agro-ecological producers in Brazil, avoiding chemical manures and pesticides, and producers are paid fairly. Their wild rubber, sourced in the Amazon, increases the rain-forest’s economic value, therefore reducing deforestation. Each pair is assembled by Brazilian workers who are respected and provided with good working conditions, and the footwear is distributed by a social enterprise in France which seeks to get unemployed and underprivileged people into work.

The photographer Florent Demarchez was granted the opportunity to follow the two founders of Veja in Brazil as they source their fairtrade and environmentally friendly materials and met some of the Brazilian workforce. The result is a stunning and thought provoking temporary exhibition at hip East End haunt Favella Chic, until 30th March.

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Photographs by Matt Bramford

The bar’s decor and atmosphere are of Latin influence, and the warming tones of the frameless prints compliment this perfectly. It’s a bit like a game of hide and seek – each photograph is placed in a different location, some obscured by the haphazard objet which forms the decor (the portrait of the old man, for example, part concealed by a tree branch).

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The photographs themselves are stunning – some portraiture, some still life, some room interiors with nothing but a sole person’s effects. Glancing around the bar, you’d be forgiven for mistaking the photographs as simple imagery depicting Brazilian life commissioned for the bar itself. After half a dozen of the bar’s free Caipirinhas, you’d be forgiven for mistaking where you even were. Look a little deeper though, and the images carry a deeper, solid message. The portrait of Dignidade, lit effortlessly from behind is a worker who is paid fairly and is given the opportunity to take pride in himself. The same man in a different shot offers you, with his hand, the opportunity to see the produce. The shot of those bags there contain agro-ecological crop rather than GMOs. The shot of those two children are the children of families supported by fairtrade employers.

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Novos Mundo(s) (New Worlds) aims to reveal ‘arising new initiatives, fighting for a different world’ through thought-provoking imagery. We’re given a glimpse of the people at the epicentre of the fight for fairtrade worldwide, the people who, thanks to these initiatives, are building lives, or worlds, that they can enjoy. The exhibition runs until the end of this month, so pop along, have a Caipirinha (or something else from Favella’s extensive cocktail list), admire the imagery, and have a think.

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When you contemplate the word rebellion, visit web the mind conjures images of banks- esque graffiti, what is ed or abrasive and provocative painting. However one group adopt rather unorthodox methods to convey their ideas to the unsuspecting public. Disregard the spray can, this group have a more deadly tool at their disposal, the knitting needle.

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So cast aside your preconceptions of knitting as a hobby confined to the slipper clad over 60s slowly declining into senility. Half casting an eye on the latest instalment of Eastenders and the other on knitting your garish christmas jumper. The Guerrilla movement have injected an edger side to our quintessential pastime, it’s no longer confined to the pastoral suburbs and rural towns.

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Knitting hits urban London, taking a myriad of forms Guerrilla knitting is attacking the aethethetics of the city, be warned no object is safe. Recently the Southbank was hit in orchestrated attack, the rather dull obtrusive posts on the riverbank had never experienced such dashing ensembles. Giving the architecture of London an entirely new lease of life, the knitters tackle everything from bike locks to railings, also providing a snug extra layer of insulation to some of London’s infamous statues.

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London has a deep underground network of Guerrilla Knitters .From Group Glitty Knitty Kitty,Knitta Please, Stitch and Bitch and the infamous Prick Your Finger to list but a few. All combining the same ethos, they even have their own bible to swear too “we, the knitted terrorists, are committed to knittivism through the systematic and systemic use of knitted accessories”

It’s all about usurping the line between gallery and habitat. No longer do you need to awkwardly shuffle around a clinical white gallery in silence. The Guerrilla Knitting movement is accessible art in the public domain!

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Gone are the days of the passive knitter. It’s a politicised move; the age of consumerism is dwindling. Now its time to join the movement, in the words of the iconic Morrissey “the devil makes work for idle hands to do”.So go on make your grandma proud, dig your knitting needles out. Our knitting disciples of London are spreading the teachings of the knittivism bible, so if your in search of enlightenment these are your ladies. Head on down and get yarn bombing!
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Having waited years before finally getting the chance to see Animal Collective in the flesh, visit web I’ll tell you the anticipation was more than un(panda)bearable (sorry, couldn’t resist, probably should’ a tried harder). I couldn’t even see 2ft in front of me; the anticipation had formed clouds over my eyes. If I could explain meteorologically, the thought of the upcoming gig caused a violent storm and rain around my brain, which on the inside was burning up with excitement causing a condensation to form over the lens of my eyeball. It took some heavy breathing and sage like wisdom from a good friend to calm myself down to a rational state.

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First on the bill is new Paw Track signing Dent May. Paw track incidentally being the Animal Collective’s own label. Vocals are so diverse, ranging from tenor to bass in notes, and ever mellifluous, with his beautiful sun-kissed harmonies and excruciatingly affable ukulele melodies we are, as an audience, helpless but to be charmed into submission. Drifting away on a coconut raft, miles from dry land. What a wonderful place to be.
Startled briefly back into reality we find ourselves swept into another world of equally fantastic shapes and colours. While my companion tried to get her first glimpse of Noah Lennox (aka Panda Bear), who remained in predominant darkness for the entire set (to my amusement) I stormed to the front to get right into the action. Emerging periodically for air, and light refreshment.
Before the finale we were all encouraged into a round of Happy Birthday to Brian (The Geologist) as a cake was paraded onto the stage.

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Once the whole affair was over I tried to imagine what this experience could be akin to and the best thing I could think of was a relentless and progressive train journey through an ‘experimental’ Tunnel of Love via Toy town, Toon-town and the enchanted forest, finally crashing through the teddy bears picnic and into the gingerbread house. This seems a little frenetic but it sums it up just the same.
My only advice? Stay calm, stay cool and stay collective.

Categories ,Animal Collective, ,Live, ,London, ,Music

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Amelia’s Magazine | Album Review: Anne B – Outremanche

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‘Outremanche’ (French, pharm literally “across the channel”) is the new mini-album from the London-based French singer filled with plaintive pop ballads and electro frippery, cost sung predominantly in her native tongue.

The warming, warped folk-pop of the opening track mixes Yo La Tengo-esque pockets of distant distorted guitars with velvety Stereolab vocals . My state-funded education in the language of love means I can only translate the odd word like ‘minute’ or ‘England’, but it doesn’t matter, that’s the beauty of the French accent – it makes even the most the humdrum subject matter sound alluring and filmic. Therefore, the album works very well when listened to on a walkman, turning mundane acts such as getting the number 12 bus to Totton into a scene from ‘Belle de jour’.

The high-pitch pistons and echoing vocals of ‘Je suis là’ lead into a suitably sultry cover of the Edith Piaf standard ‘Toujour aimer’, whilst the closing track ‘Mars ou avril’ recalls nectarous melancholy masters St. Etienne.

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This is a classy, compelling set of songs, and yet perhaps it lacks a sprinkling of avant-garde magic to make it truly show-stopping – but there’s no denying the bewitching appeal of Anne B’s delivery, and a dab of French exoticism will go a long way when it comes to standing out from the UK indie crowd. If Anne B is a bit more adventurous when it comes to recording her full length LP, it could be something quite special.

Categories ,album, ,anne b, ,electro, ,electro-folk, ,folk, ,french, ,london, ,outremanche, ,review

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Amelia’s Magazine | The Depreciation Guild: The Old Blue Last: A Live Review

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Side-projects by band members can be hit and miss affairs- it’s either a radical departure from the “day job” or sounds so similar that you end up thinking, viagra nurse “why did they bother?” Brooklyn trio the Depreciation Guild (who feature two members of indie-pop darlings the Pains Of Being Pure At Heart) luckily veer more towards the former.
Playing a string of UK dates before joining you-know-who on tour, ailment the Depreciation Guild fetched up at the Old Blue Last in front of an audience equally as curious to check them out.

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Despite having already released one album in the US, 2007’s In Her Gentle Jaws, and with single Dream About Me out at the moment, I think they were still a largely unknown quantity amongst the Shoreditch cognoscenti.
Kurt Feldman had swapped the drum-kit of the Pains Of Being Pure At Heart for lead vocal and guitar duties, and was joined by fellow POBPAH wanderer Christoph Hochheim on guitar, with Anton Hochheim on drums. Backed by a lightshow not normally found in East London boozers, the Depreciation Guild treated us to a set of classic shoegaze. Whilst the influence of My Bloody Valentine is never far from the surface of the Pains Of Being Pure At Heart’s sound, here the spectre of Kevin Shields looms large. From the overdriven guitars to Feldman’s indistinct vocal delivery (which, ironically, is spookily similar to POBPAH compadre Kip Berman’s) it could almost be 1991 again, save for some bonkers 8-bit electro backing which sounds suspiciously like a Nintendo Gameboy.

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Some of the poppier sensibilities of the Pains Of Being Pure At Heart do occasionally creep in, with songs like Butterfly Kisses sounding not unlike Feldman’s “other” band. There was an emergency guitar change before an ear-searing finale, after which Kurt Feldman had to go and man the merchandise table. He’s certainly not afraid of multi-tasking!
I think the Depreciation Guild certainly made an impression tonight amongst those (like me) who weren’t quite sure what to expect. Musically, their heavier sound is not a million miles away from that of the Pains Of Being Pure At Heart, and it’ll be interesting to see how they go down with the latter’s fans when they share stages (as well as drummer and guitarist) in the next month or so.

Categories ,live, ,london, ,music, ,My Bloody Valentine, ,review, ,The Depreciation Guild, ,The Pains of Being Pure At Heart

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Amelia’s Magazine | We Love MEN!

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We’re completely entranced by the art/performance band that is MEN. How can you not go weak at the knees for a diverse musical stew that fuses dance and electro beats with rock music and combines this with a dose of political and social activism that takes in complex subject matters such as gender roles, erectile wartime economies and sexual politics? Oh, information pills and their live shows are pretty wild too.

For the uninitiated, a little backround info: MEN are made up of JD Samson, best known for her involvement with Le Tigre and a 2006/2007 playmate of Peaches in her backing band The Herms, Michael O’Neill (Ladybug Transistor) and Ginger Brooks Takahashi (LTTR) as well as fellow Le Tigre member Johanna Fateman who remains in the backround alongside artist Emily Roysdon and contributes as writers, consultants, and producers; as you can see, MEN have a pretty stellar pedigree.

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A short while back, we managed to catch them in their fly by night visit to the UK, where they briefly rocked up in Brighton, Soho’s legendary Madam Jo-Jo’s and the Hoxton Bar and Kitchen (where Amelia’s Magazine squeezed our way to the front of the room). The crowd were made up of a mix of music label A&Rs (MEN are very much the hot ones to watch for 2010, don’t you know) and devoted fans of JD from her Le Tigre days.

JD, the charismatic little devil that she is, had the crowd wrapped around her little finger and calling out for more, as witnessed in the rapturous reception she received as she bodypopped her way through ‘Simultaneously‘. As MEN’s guitar riffs joined forces with a deep electro beat, friends of the band stood at the back of the stage holding banners high, as you can see from the photos.

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A couple of days later, we had an email chat with JD and asked her to tell us a little more about what makes MEN tick……

We loved your live show, it was electric! Combining the elements of art and performance seems like an integral part of a MEN gig, can you share with us why this is important to you?

Being on stage is an opportunity to explore that space of performer, musician, and artist with an audience and bringing together elements of agit-prop theater, dance music, and the live rock band is a project we’re totally invested in.

What messages do you want your audience to leave a MEN gig with?

Questions about who we are in the world, where our money comes from, and how powerful it can be for people to gather together and share our space and time.

MEN don’t shy away from including hard hitting subjects such as sexual politics and war-time economics in the lyrics, unlike many other bands and singers. Is it safe to say that there isn’t enough activism in music right now?

I don’t want to judge other artists about what they want to talk about in their own art. We make music that talks about our lives and what we think about and where we exist as humans on this planet. Not many people talk about war time economies and gender fluidity but we do. and we are happy to be a queer activist band.
JD, Is your involvement with MEN different from your part in Le Tigre and if so, how?

Of course this experience is different for me. I am working with two new musicians whose collaborative efforts bring totally new elements to my music. I am still me, so a lot of my music and aesthetics are similar, but I have grown since writing with Le Tigre and I think its clear that we are doing something different and have new discussions with a new audience.

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What are the plans for MEN in the next year? And what subject matters would you like to tackle next in your songs?

In 2010 we will be working on our album, finishing our album and then sharing it with the world on tour. We’re excited to be making a new performance in Mexico City this summer with live hand drummers and our painter friend Celeste Dupuy-Spencer. We’ll also be performing at the 35th Michigan Womyn’s Music Festival!

Categories ,Ladybug Transistor, ,Le Tigre, ,Peaches, ,The Herms

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Amelia’s Magazine | An interview with the Smoke Fairies

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Religious to Damn Illustration by Gemma Smith

Religious to Damn‘s lead singer is Zohra Atash, more about a cool lady with a batwingged 70s style, look a voice a bit like Alison Goldfrapp and Natasha;Bat For Lashes, approved and an excellent (seemingly well behaved) fringe. The Brooklyn band’s album, Glass Prayer, is out now on M’Lady’s Records. I caught up with Afghan-American Zohra, and asked her a few questions.

Hello, could you introduce yourself for us please?
My name is Zohra Atash, I’m a singer/multi-instrumentalist/songwriter. My primary project is Religious to Damn.

Could you describe what your music is like?
I try to make music that’s atmospheric and elegant, thoughtful and melodic. Some people have said that it’s cinematic and evokes a certain sense of expansiveness, which I’d agree with.

Where are you from?
My parents are Afghan, but I was born in Florida and grew up in Virginia. But I’ve been in Brooklyn for quite some time now.

How does London compare to New York? Do you like England?
I’ve been in love with British culture and art for years. I may have had my raising in south, but I lived in a house full of British records – from 60’s British invasion rock, to my sister’s collection of new wave and post-punk. My favorite bands in high school were Lush and Pulp…. I really wanted to move to London and start a band!

Why the name; ‘Religious to Damn’?
I write the music, but I wanted to avoid the stigma that goes with being a singer-songwriter. The name came up in a rather fiery conversation I was having with Josh about people who seem to be attracted to religion primarily so that they can condemn others to hell. We both liked the multiple meanings, (from) Religious to Damn(ation), as in a span, and Religious (in order) to Damn, so it stuck.

Tell us about Glass Prayer?
I wanted to make a record you could really immerse yourself in, something with really grandiose imagery. There are a lot of layers. It’s subtle at times, and heavy on the drama as well. It’s meant to reveal itself after multiple listens. We’re inspired very much by artists that maximized the possibilities of production, but the thing about them was that they didn’t beat you over the head with every last sound and idea. Some things may be out in front, but others are buried, carefully placed, left in soft focus. And that’s why they reward multiple listens, because new nuances emerge gradually, and one day you notice things you may not have noticed before. It’s a gamble to make a record like that these days, given how saturated the world is with new music. But we went for it anyway.

And when will you next be on tour…?
We’re planning to be in the UK/Europe this year, hopefully sooner than later. I’m very excited.

Who would you like to sing with in an ideal world – dead or alive?!
Bryan Ferry

How did you all meet?
Josh and I knew each other for years before we started working together. We had a similar aesthetic. Charlie was a classically trained percussionist, but also just an amazing rock drummer. He has an incredibly full range of capabilities to realize the diverse aspects of the music. Allegra played in a band in Portland called Magick Daggers, as well as The Portland Cello Project, and we had mutual friends, so when she moved to New York, she came on board. And Lea was Charlie’s bandmate in a Balkan punk band, and she’s also a classical musician, so she rounded out our current lineup.

How did you get the position you’re in now?
We put a lot of heart and muscle into getting to the place we’re in now. I dedicated my whole life to this. It’s a labor of love…. it’s what I wanted to do my whole life. We’ve certainly put up with our share of obstacles. Sadly no stories that don’t fall into the category of boring rock doc cliché. It’s not an easy business and New York’s not always a kind town. But we got to where we are through perseverance and the belief that we had something worthwhile to offer to the musical landscape.

How do you see your future?
We’re excited to bring our live show to as many people as want to see it. Believe it or not, the next record’s almost written, and we’re planning on recording it later this year. I’d say the future will be at the very least, eventful. I’ve got lots of ideas, and am always eager to write new songs and record new records. I see a future filled with lots of Religious to Damn music!

Religious to damn by Gemma Smith
Religious to Damn Illustration by Gemma Smith

Religious to Damn‘s lead singer is Zohra Atash, viagra 60mg a cool lady with a batwingged 70s style, viagra a voice a bit like Alison Goldfrapp and Natasha;Bat For Lashes, physician and an excellent (seemingly well behaved) fringe. The Brooklyn band’s album, Glass Prayer, is out now on M’Lady’s Records. I caught up with Afghan-American Zohra, and asked her a few questions.

Hello, could you introduce yourself for us please?
My name is Zohra Atash, I’m a singer/multi-instrumentalist/songwriter. My primary project is Religious to Damn.

Could you describe what your music is like?
I try to make music that’s atmospheric and elegant, thoughtful and melodic. Some people have said that it’s cinematic and evokes a certain sense of expansiveness, which I’d agree with.

Where are you from?
My parents are Afghan, but I was born in Florida and grew up in Virginia. But I’ve been in Brooklyn for quite some time now.

zohra_83090031
Source

How does London compare to New York? Do you like England?
I’ve been in love with British culture and art for years. I may have had my raising in south, but I lived in a house full of British records – from 60’s British invasion rock, to my sister’s collection of new wave and post-punk. My favorite bands in high school were Lush and Pulp…. I really wanted to move to London and start a band!

Why the name; ‘Religious to Damn’?
I write the music, but I wanted to avoid the stigma that goes with being a singer-songwriter. The name came up in a rather fiery conversation I was having with Josh about people who seem to be attracted to religion primarily so that they can condemn others to hell. We both liked the multiple meanings, (from) Religious to Damn(ation), as in a span, and Religious (in order) to Damn, so it stuck.

Zohra
Source

Tell us about Glass Prayer?
I wanted to make a record you could really immerse yourself in, something with really grandiose imagery. There are a lot of layers. It’s subtle at times, and heavy on the drama as well. It’s meant to reveal itself after multiple listens. We’re inspired very much by artists that maximized the possibilities of production, but the thing about them was that they didn’t beat you over the head with every last sound and idea. Some things may be out in front, but others are buried, carefully placed, left in soft focus. And that’s why they reward multiple listens, because new nuances emerge gradually, and one day you notice things you may not have noticed before. It’s a gamble to make a record like that these days, given how saturated the world is with new music. But we went for it anyway.

Religious-To-Damn-Glass-Prayer

And when will you next be on tour…?
We’re planning to be in the UK/Europe this year, hopefully sooner than later. I’m very excited.

Who would you like to sing with in an ideal world – dead or alive?!
Bryan Ferry

How did you all meet?
Josh and I knew each other for years before we started working together. We had a similar aesthetic. Charlie was a classically trained percussionist, but also just an amazing rock drummer. He has an incredibly full range of capabilities to realize the diverse aspects of the music. Allegra played in a band in Portland called Magick Daggers, as well as The Portland Cello Project, and we had mutual friends, so when she moved to New York, she came on board. And Lea was Charlie’s bandmate in a Balkan punk band, and she’s also a classical musician, so she rounded out our current lineup.

How did you get the position you’re in now?
We put a lot of heart and muscle into getting to the place we’re in now. I dedicated my whole life to this. It’s a labor of love…. it’s what I wanted to do my whole life. We’ve certainly put up with our share of obstacles. Sadly no stories that don’t fall into the category of boring rock doc cliché. It’s not an easy business and New York’s not always a kind town. But we got to where we are through perseverance and the belief that we had something worthwhile to offer to the musical landscape.

How do you see your future?
We’re excited to bring our live show to as many people as want to see it. Believe it or not, the next record’s almost written, and we’re planning on recording it later this year. I’d say the future will be at the very least, eventful. I’ve got lots of ideas, and am always eager to write new songs and record new records. I see a future filled with lots of Religious to Damn music!

Religious to damn by Gemma Smith
Religious to Damn Illustration by Gemma Smith

Religious to Damn‘s lead singer is Zohra Atash, illness a cool lady with a batwingged 70s style, cialis 40mg a voice a bit like Alison Goldfrapp and Natasha;Bat For Lashes, medications and an excellent (seemingly well behaved) fringe. The Brooklyn band’s album, Glass Prayer, is out now on M’Lady’s Records. I caught up with Afghan-American Zohra, and asked her a few questions.

Hello, could you introduce yourself for us please?
My name is Zohra Atash, I’m a singer/multi-instrumentalist/songwriter. My primary project is Religious to Damn.

Could you describe what your music is like?
I try to make music that’s atmospheric and elegant, thoughtful and melodic. Some people have said that it’s cinematic and evokes a certain sense of expansiveness, which I’d agree with.

Where are you from?
My parents are Afghan, but I was born in Florida and grew up in Virginia. But I’ve been in Brooklyn for quite some time now.

zohra_83090031
Source

How does London compare to New York? Do you like England?
I’ve been in love with British culture and art for years. I may have had my raising in south, but I lived in a house full of British records – from 60’s British invasion rock, to my sister’s collection of new wave and post-punk. My favorite bands in high school were Lush and Pulp…. I really wanted to move to London and start a band!

Why the name; ‘Religious to Damn’?
I write the music, but I wanted to avoid the stigma that goes with being a singer-songwriter. The name came up in a rather fiery conversation I was having with Josh about people who seem to be attracted to religion primarily so that they can condemn others to hell. We both liked the multiple meanings, (from) Religious to Damn(ation), as in a span, and Religious (in order) to Damn, so it stuck.

Zohra
Source

Tell us about Glass Prayer?
I wanted to make a record you could really immerse yourself in, something with really grandiose imagery. There are a lot of layers. It’s subtle at times, and heavy on the drama as well. It’s meant to reveal itself after multiple listens. We’re inspired very much by artists that maximized the possibilities of production, but the thing about them was that they didn’t beat you over the head with every last sound and idea. Some things may be out in front, but others are buried, carefully placed, left in soft focus. And that’s why they reward multiple listens, because new nuances emerge gradually, and one day you notice things you may not have noticed before. It’s a gamble to make a record like that these days, given how saturated the world is with new music. But we went for it anyway.

Religious-To-Damn-Glass-Prayer

And when will you next be on tour…?
We’re planning to be in the UK/Europe this year, hopefully sooner than later. I’m very excited.

Who would you like to sing with in an ideal world – dead or alive?!
Bryan Ferry

How did you all meet?
Josh and I knew each other for years before we started working together. We had a similar aesthetic. Charlie was a classically trained percussionist, but also just an amazing rock drummer. He has an incredibly full range of capabilities to realize the diverse aspects of the music. Allegra played in a band in Portland called Magick Daggers, as well as The Portland Cello Project, and we had mutual friends, so when she moved to New York, she came on board. And Lea was Charlie’s bandmate in a Balkan punk band, and she’s also a classical musician, so she rounded out our current lineup.

How did you get the position you’re in now?
We put a lot of heart and muscle into getting to the place we’re in now. I dedicated my whole life to this. It’s a labor of love…. it’s what I wanted to do my whole life. We’ve certainly put up with our share of obstacles. Sadly no stories that don’t fall into the category of boring rock doc cliché. It’s not an easy business and New York’s not always a kind town. But we got to where we are through perseverance and the belief that we had something worthwhile to offer to the musical landscape.

How do you see your future?
We’re excited to bring our live show to as many people as want to see it. Believe it or not, the next record’s almost written, and we’re planning on recording it later this year. I’d say the future will be at the very least, eventful. I’ve got lots of ideas, and am always eager to write new songs and record new records. I see a future filled with lots of Religious to Damn music!

Religious to damn by Gemma Smith
Religious to Damn Illustration by Gemma Smith

Religious to Damn‘s lead singer is Zohra Atash, capsule a cool lady with a batwingged 70s style, a voice a bit like Alison Goldfrapp and Natasha;Bat For Lashes, and an excellent (seemingly well behaved) fringe. The Brooklyn band’s album, Glass Prayer, is out now on M’Lady’s Records. I caught up with Afghan-American Zohra, and asked her a few questions.

Hello, could you introduce yourself for us please?
My name is Zohra Atash, I’m a singer/multi-instrumentalist/songwriter. My primary project is Religious to Damn.

Could you describe what your music is like?
I try to make music that’s atmospheric and elegant, thoughtful and melodic. Some people have said that it’s cinematic and evokes a certain sense of expansiveness, which I’d agree with.

Where are you from?
My parents are Afghan, but I was born in Florida and grew up in Virginia. But I’ve been in Brooklyn for quite some time now.

zohra_83090031
Source

How does London compare to New York? Do you like England?
I’ve been in love with British culture and art for years. I may have had my raising in south, but I lived in a house full of British records – from 60’s British invasion rock, to my sister’s collection of new wave and post-punk. My favorite bands in high school were Lush and Pulp…. I really wanted to move to London and start a band!

Why the name; ‘Religious to Damn’?
I write the music, but I wanted to avoid the stigma that goes with being a singer-songwriter. The name came up in a rather fiery conversation I was having with Josh about people who seem to be attracted to religion primarily so that they can condemn others to hell. We both liked the multiple meanings, (from) Religious to Damn(ation), as in a span, and Religious (in order) to Damn, so it stuck.

Zohra
Source

Tell us about Glass Prayer?
I wanted to make a record you could really immerse yourself in, something with really grandiose imagery. There are a lot of layers. It’s subtle at times, and heavy on the drama as well. It’s meant to reveal itself after multiple listens. We’re inspired very much by artists that maximized the possibilities of production, but the thing about them was that they didn’t beat you over the head with every last sound and idea. Some things may be out in front, but others are buried, carefully placed, left in soft focus. And that’s why they reward multiple listens, because new nuances emerge gradually, and one day you notice things you may not have noticed before. It’s a gamble to make a record like that these days, given how saturated the world is with new music. But we went for it anyway.

Religious-To-Damn-Glass-Prayer

And when will you next be on tour…?
We’re planning to be in the UK/Europe this year, hopefully sooner than later. I’m very excited.

Who would you like to sing with in an ideal world – dead or alive?!
Bryan Ferry

How did you all meet?
Josh and I knew each other for years before we started working together. We had a similar aesthetic. Charlie was a classically trained percussionist, but also just an amazing rock drummer. He has an incredibly full range of capabilities to realize the diverse aspects of the music. Allegra played in a band in Portland called Magick Daggers, as well as The Portland Cello Project, and we had mutual friends, so when she moved to New York, she came on board. And Lea was Charlie’s bandmate in a Balkan punk band, and she’s also a classical musician, so she rounded out our current lineup.

How did you get the position you’re in now?
We put a lot of heart and muscle into getting to the place we’re in now. I dedicated my whole life to this. It’s a labor of love…. it’s what I wanted to do my whole life. We’ve certainly put up with our share of obstacles. Sadly no stories that don’t fall into the category of boring rock doc cliché. It’s not an easy business and New York’s not always a kind town. But we got to where we are through perseverance and the belief that we had something worthwhile to offer to the musical landscape.

How do you see your future?
We’re excited to bring our live show to as many people as want to see it. Believe it or not, the next record’s almost written, and we’re planning on recording it later this year. I’d say the future will be at the very least, eventful. I’ve got lots of ideas, and am always eager to write new songs and record new records. I see a future filled with lots of Religious to Damn music!

Religious to damn by Gemma Smith
Religious to Damn Illustration by Gemma Smith

Religious to Damn‘s lead singer is Zohra Atash, information pills a cool lady with a batwingged 70s style, online a voice a bit like Alison Goldfrapp and Natasha;Bat For Lashes, mind and an excellent (seemingly well behaved) fringe. The Brooklyn band’s album, Glass Prayer, is out now on M’Lady’s Records. I caught up with Afghan-American Zohra, and asked her a few questions.

Hello, could you introduce yourself for us please?
My name is Zohra Atash, I’m a singer/multi-instrumentalist/songwriter. My primary project is Religious to Damn.

Could you describe what your music is like?
I try to make music that’s atmospheric and elegant, thoughtful and melodic. Some people have said that it’s cinematic and evokes a certain sense of expansiveness, which I’d agree with.

Where are you from?
My parents are Afghan, but I was born in Florida and grew up in Virginia. But I’ve been in Brooklyn for quite some time now.

zohra_83090031
Source

How does London compare to New York? Do you like England?
I’ve been in love with British culture and art for years. I may have had my raising in south, but I lived in a house full of British records – from 60’s British invasion rock, to my sister’s collection of new wave and post-punk. My favorite bands in high school were Lush and Pulp…. I really wanted to move to London and start a band!

Why the name; ‘Religious to Damn’?
I write the music, but I wanted to avoid the stigma that goes with being a singer-songwriter. The name came up in a rather fiery conversation I was having with Josh about people who seem to be attracted to religion primarily so that they can condemn others to hell. We both liked the multiple meanings, (from) Religious to Damn(ation), as in a span, and Religious (in order) to Damn, so it stuck.

Zohra
Source

Tell us about Glass Prayer?
I wanted to make a record you could really immerse yourself in, something with really grandiose imagery. There are a lot of layers. It’s subtle at times, and heavy on the drama as well. It’s meant to reveal itself after multiple listens. We’re inspired very much by artists that maximized the possibilities of production, but the thing about them was that they didn’t beat you over the head with every last sound and idea. Some things may be out in front, but others are buried, carefully placed, left in soft focus. And that’s why they reward multiple listens, because new nuances emerge gradually, and one day you notice things you may not have noticed before. It’s a gamble to make a record like that these days, given how saturated the world is with new music. But we went for it anyway.

Religious-To-Damn-Glass-Prayer

And when will you next be on tour…?
We’re planning to be in the UK/Europe this year, hopefully sooner than later. I’m very excited.

Who would you like to sing with in an ideal world – dead or alive?!
Bryan Ferry

How did you all meet?
Josh and I knew each other for years before we started working together. We had a similar aesthetic. Charlie was a classically trained percussionist, but also just an amazing rock drummer. He has an incredibly full range of capabilities to realize the diverse aspects of the music. Allegra played in a band in Portland called Magick Daggers, as well as The Portland Cello Project, and we had mutual friends, so when she moved to New York, she came on board. And Lea was Charlie’s bandmate in a Balkan punk band, and she’s also a classical musician, so she rounded out our current lineup.

How did you get the position you’re in now?
We put a lot of heart and muscle into getting to the place we’re in now. I dedicated my whole life to this. It’s a labor of love…. it’s what I wanted to do my whole life. We’ve certainly put up with our share of obstacles. Sadly no stories that don’t fall into the category of boring rock doc cliché. It’s not an easy business and New York’s not always a kind town. But we got to where we are through perseverance and the belief that we had something worthwhile to offer to the musical landscape.

How do you see your future?
We’re excited to bring our live show to as many people as want to see it. Believe it or not, the next record’s almost written, and we’re planning on recording it later this year. I’d say the future will be at the very least, eventful. I’ve got lots of ideas, and am always eager to write new songs and record new records. I see a future filled with lots of Religious to Damn music!

Religious to damn by Gemma Smith
Religious to Damn Illustration by Gemma Smith

Religious to Damn‘s lead singer is Zohra Atash, buy information pills a cool lady with a batwingged 70s style, a voice a bit like Alison Goldfrapp and Natasha;Bat For Lashes, and an excellent (seemingly well behaved) fringe. The Brooklyn band’s album, Glass Prayer, is out now on M’Lady’s Records. I caught up with Afghan-American Zohra, and asked her a few questions.

Hello, could you introduce yourself for us please?
My name is Zohra Atash, I’m a singer/multi-instrumentalist/songwriter. My primary project is Religious to Damn.

Could you describe what your music is like?
I try to make music that’s atmospheric and elegant, thoughtful and melodic. Some people have said that it’s cinematic and evokes a certain sense of expansiveness, which I’d agree with.

Where are you from?
My parents are Afghan, but I was born in Florida and grew up in Virginia. But I’ve been in Brooklyn for quite some time now.

zohra_83090031
Source

How does London compare to New York? Do you like England?
I’ve been in love with British culture and art for years. I may have had my raising in south, but I lived in a house full of British records – from 60’s British invasion rock, to my sister’s collection of new wave and post-punk. My favorite bands in high school were Lush and Pulp…. I really wanted to move to London and start a band!

Why the name; ‘Religious to Damn’?
I write the music, but I wanted to avoid the stigma that goes with being a singer-songwriter. The name came up in a rather fiery conversation I was having with Josh about people who seem to be attracted to religion primarily so that they can condemn others to hell. We both liked the multiple meanings, (from) Religious to Damn(ation), as in a span, and Religious (in order) to Damn, so it stuck.

Zohra
Source

Tell us about Glass Prayer?
I wanted to make a record you could really immerse yourself in, something with really grandiose imagery. There are a lot of layers. It’s subtle at times, and heavy on the drama as well. It’s meant to reveal itself after multiple listens. We’re inspired very much by artists that maximized the possibilities of production, but the thing about them was that they didn’t beat you over the head with every last sound and idea. Some things may be out in front, but others are buried, carefully placed, left in soft focus. And that’s why they reward multiple listens, because new nuances emerge gradually, and one day you notice things you may not have noticed before. It’s a gamble to make a record like that these days, given how saturated the world is with new music. But we went for it anyway.

Religious-To-Damn-Glass-Prayer

And when will you next be on tour…?
We’re planning to be in the UK/Europe this year, hopefully sooner than later. I’m very excited.

Who would you like to sing with in an ideal world – dead or alive?!
Bryan Ferry

How did you all meet?
Josh and I knew each other for years before we started working together. We had a similar aesthetic. Charlie was a classically trained percussionist, but also just an amazing rock drummer. He has an incredibly full range of capabilities to realize the diverse aspects of the music. Allegra played in a band in Portland called Magick Daggers, as well as The Portland Cello Project, and we had mutual friends, so when she moved to New York, she came on board. And Lea was Charlie’s bandmate in a Balkan punk band, and she’s also a classical musician, so she rounded out our current lineup.

How did you get the position you’re in now?
We put a lot of heart and muscle into getting to the place we’re in now. I dedicated my whole life to this. It’s a labor of love…. it’s what I wanted to do my whole life. We’ve certainly put up with our share of obstacles. Sadly no stories that don’t fall into the category of boring rock doc cliché. It’s not an easy business and New York’s not always a kind town. But we got to where we are through perseverance and the belief that we had something worthwhile to offer to the musical landscape.

How do you see your future?
We’re excited to bring our live show to as many people as want to see it. Believe it or not, the next record’s almost written, and we’re planning on recording it later this year. I’d say the future will be at the very least, eventful. I’ve got lots of ideas, and am always eager to write new songs and record new records. I see a future filled with lots of Religious to Damn music!

 Georgia Coote
Illustration by Georgia Coote

You may have seen my review of Smoke Fairies, visit web with Sea of Bees supporting, visit this site last month in Bristol. ‘I’m telling you when they play together live on stage, it feels, well… I will have to use a simile – here follows: You know that advert for Ireland, when the lady is singing in her Enya (is it her?) voice and the camera is sweeping over the ridiculously green fields and coastlines of Ireland? A bit cringe but you get the image, it feels like you are the sweeper – as in you are sweeping/flying over amazing landscapes. Possibly wearing some tweed, definitely a cape with a hood. The music is more The Cranberries than Enya, but the flying sensation fits.’ I was lucky enough to get hold of Katherine and Jessica, just as their tour finished. I asked them a whole bunch of questions, on a range of subjects; from Jack White to New Orleans and Sussex.

SmokeFiries500

Could you introduce yourself for us please?
We are Katherine and Jessica from the Smoke Fairies

And what is your music like?
A concoction of harmonies, riffs, blues, folk, long drives, late nights, nostalgia, stories of loss, dark thoughts, changing light, memories.

When and how did you get together?
k.We met at school when we were about 11 and started singing together as a way to make the school years more interesting. It soon became pretty obsessive with us playing at every opportunity.

l_5cee144b299d486a84e0460a55360e8f

Do you miss Sussex?
K. Sometimes living in London gets a bit intense and I think deep down we both love getting out to the countryside and back near the sea. I miss the space and the ability to get out on your own. But London has more opportunities and of course we are drawn to all the activity and creativity happening here. It would be equally hard to tear myself away from here now that it has become a home base.

Smoke Fairies Georgia
Illustration by Georgia Coote

What was Canada and New Orleans like?
K. We lived in New Orleans for a year at quite a pivotal time in our lives and we absorbed a lot of influences from the environment and people. We used to hang out in a coffee shop where we were given gigs and a lot of musicians from across the States would pass through. We felt free to explore our sound. We were affected musically as well as by the heartache that came from leaving it behind. Canada was a less focused and more calamitous year and that came out in the music we were writing at that time, but again the environment was the main influence seeping in. From our apartment we could see the mountains stretching off into the distance as well as the sky line of the city. Those places were important in our development, but nowadays we are just as much influenced by the heavy air of London, as England has really become our home.

Who have you toured with? What was it like?
J: We have toured with a range of artists; Bryan Ferry, The Handsome Family, Richard Hawley and Laura Marling. All have been completely different experiences due to the venues, the audiences and the way we were travelling. For some tours we have driven ourselves which requires a lot of organisation.

 Smoke+Fairies+_Third+Man+Record

And what is touring as the headline band like?
K. It has given us a lot more confidence as performers. It is a completely different feeling to being the support band, there is more of the feeling that you are able to own the stage and that brings a sensation of immense freedom and enjoyment. It’s very satisfying to be able to headline shows now.

What was it like working with Jack White?
K. At first we couldn’t really believe we were there, but it was amazing how relaxed we felt once we got into the studio and we had never had the chance to record with analogue equipment before so that was really interesting.

Who would you like to work with next?
K. I think any musician dreams about working with many of the people they admire.

What’s coming up for you?
J. At the moment we are getting ready for festival season, writing the new album and making plans to release ‘Through Low Light and Trees’ in the US.

How are you enjoying your successes?
J. It is great at the moment but we will always want more. We are pleased with ‘Through Low Light and Trees’ and the way it was received but we are eager to move on to the next album.

What inspires you?
J. Sometimes it will be music but mostly ideas from songs will come from a combination of experience, books, tv, the weather, the seasons…. Sometimes one idea will strangely keep presenting itself in different ways, forcing you to write about it.

Smoke Fairies-1

Do you write your own music?
K. Yes. We write it all. Except, recently we have been experimenting with some covers. We worked on a cover of Killing Joke’s Requiem and played it a lot on our last tour. We ended up releasing it on the B Side of our special edition tour vinyl of our single Strange Moon Rising. We also recorded a cover of Neil Young‘s Alabama. We are hoping to expand the covers we do into more unexpected genres, so there will hopefully be more on the way. The Killing Joke cover was really inspiring as it was probably a surprising direction for us to take, but it gives you a different perspective on your own songs and how you could think about writing songs in another way.

album sf

Where did you learn to play the guitar like that?
K. I think its just taken us a really long time to develop our style. Its a bit like singing I think, it takes a while to find your voice and feel confident. That came mostly from listening to a lot of music and watching folk and blues musicians playing live. Sitting in the front row and watching their fingers. I don’t think our style of playing is particularly conventional or based on a technical background.

Where do you see yourself in ten years?
K. Hopefully still alive and reaching more people with our music, maybe I’ll be able to get a dog, but I’m not sure with all the touring.

Smoke Fairies latest album, Through Low Light And Trees, is out now on V2 Records.

Categories ,Alabama, ,album, ,blues, ,Bryan Ferry, ,canada, ,Coffee Shop, ,folk, ,Georgia Coote, ,guitar, ,interview, ,Jack White, ,Laura Marling, ,london, ,music, ,New Orleans, ,Sea of Bees, ,smoke fairies, ,Sussex, ,The Handsome Family, ,The Killing Joke, ,Through Low Light And Tress, ,tour, ,V2 Records

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Amelia’s Magazine | Hey Rosetta! The Windmill, Brixton : A Review

HR

Brixton’s Windmill had a distinctly North American flavour to it, about it with a cold (and windy) November Monday being warmed up by the scuzzy blues of J.D. Smith and the alt-country tinged Bearhat. Then, filling all corners of the bijou stage, were tonight’s headliners, Canadian six-piece Hey Rosetta!
Part-way through a mini European tour, Hey Rosetta! have already garnered some very favourable reviews back home for their live shows, as well as their debut album, the Hawksley Workman-produced Into Your Lungs. Comparisons have been drawn with the likes of Wilco and Arcade Fire, but for me the parallels with their Canadian compatriots are the most apposite. With that indie rock twist on alt-country, fleshed out with orchestral flourishes, Hey Rosetta! go for the epic, yet manage to avoid ending up with the overblown.

HR2

Singer and main songwriter Tim Baker is an engaging front-man, swapping piano for guitar (even mid-song) and certainly doesn’t shirk his vocal duties, with a delivery worthy of the drama in his songs.
You could accuse Hey Rosetta! of being a bit formulaic, with songs tending to start off very low key, with either just a solo piano or acoustic guitar, slowly building up momentum before exploding into life, but who cares when they do it so well? Also, they tend to throw a little of the unexpected into the mix, such as the intro to the song Holy Shit (What a Relief), which tips a sizeable doff of the cap to Pink Floyd’s Breathe, from prog epic Dark Side Of The Moon.

HRW1

By the time Hey Rosetta! got to the end of their set, closing with the typically rousing New Goodbye, even the most hard-bitten of Brixtonians at the Windmill were swept along by the band’s energy.
After a couple more London dates, Hey Rosetta! are due to head back across the Pond to finish off the year with more Canadian shows. Though largely unknown in these parts at the moment, I’m pretty sure that we’ll be hearing as lot more of Hey Rosetta! in the months to come.

Categories ,Arcade Fire, ,gig, ,Hey Rosetta!, ,live, ,london, ,music, ,Pink Floyd, ,review, ,Wilco

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Amelia’s Magazine | Live Music Review: TV Nights

Bobbin Bicycles wall
Natasha-Thompson-Bobbins-Bicycles-Girl-Cape-Illustration
Bobbin Bicycles by Natasha Thompson.

I first heard of Bobbin Bicycles just over three years ago, shop when as a nascent bespoke bike company they contacted me to suggest featuring some of their imported upright Dutch bicycles in my Amelia’s Magazine fashion spreads. This was a canny move from husband and wife team Tom Morris and Sian Emmison because I am a big fan of cycling and we shot Bobbin Bicycles several times for the final print issues of the magazine.

Bobbin Bicycles tom and sian
Tom and Sian in Bobbin Bicycles. All photography by Amelia Gregory.

Today Bobbin Bicycles has grown into a well known business that employs six people and is set to open a bespoke and vintage bike repair workshop. They’re launching their own brand of upright Bobbin Bicycles in Australia, visit this to be followed shortly thereafter in the USA and are set to produce their own brand of Bobbin Bicycles branded panniers and capes. They’ve quickly become the go to people for the kind of upright bicycle that is increasingly favoured by townie types looking for sturdiness and style, buy information pills and indeed they’re so busy that Sian barely has time to say hello as she poses for a photo before returning to the phones in her subterranean office below their lovely shop in St John Street, Islington in North London. Instead I catch up with the lovely Tom in the basement of their bulging store to find out a little bit more about Bobbin Bicycles.

Alexis-West-Bobbin-Bicycles-tom morris
Tom Morris by Alexis West.

The love affair with bikes (and with each other) began long ago in Amsterdam.
Both Tom and Sian were fine artists living abroad who fell in love with riding Dutch bikes. It was about a whole lifestyle that was old fashioned, elegant, relaxed and most of all sociable, for in Amsterdam it is not uncommon to ride in groups and chit chat along the way. They were commissioned to film a bike race for the Dutch Arts Council, and the rest, as they like to say, is history.

Fast forward to 2001. London. The daily grind.
On their return home to the big smoke Tom found work in advertising, and Sian worked for cult furniture company SGP, which is based on Curtain Road. But they dreamed of something more… and so in-between freelance work they started to import bikes from Holland. At first this meant touring around Holland in a van to pick up bikes which they shipped back to the UK to sell from a storage unit. Within weeks they had moved onto Eyre Street Hill in Farringdon, where they shared a space with watchmakers and jewellers.

Bobbin Bicycles bells

Their glamourous “atelier showroom” was a bit like Turkish gambling den.
No one else had thought to specialise in Dutch bikes and soon their appointment only showroom was so popular they were selling ten bikes a day. Being well schooled in the ways of branding they targeted their customers with great care: Tom draped a curtain over the grottier bits of the workshop and played nice music. Customers got the “wow” factor when coming in off the street and soon the national newspapers started to call when they wanted a story about upright bikes.

Pashley began to stalk them.
Bobbin Bicycles had moved to Arlington Way by the time that Pashley paid them a secret visit. Thinking that not everyone wants a Dutch bike Tom had already approached the well known British brand, but he was unaware of the mutual interest. Pashleys are smaller in size and offer more gears, plus they offer the added bonus of all British manufacture UK. Fast forward to 2010: Bobbin Bicycles now operates from a lovely little shop in Angel and is one of over 100 UK stockists of Pashleys, but who else can boast their very own exclusive colour range? At Bobbin Bicycles you can now pick up the Pashley Provence in a special mint or mustard colourway.

Bobbin Bicycles

Upright bikes have become a lot more fashionable of late.
As more cyclists take to the roads many are choosing to ride sit-up-and-beg bikes of the type that Bobbin Bicycles sell, and lots more bike manufacturers are “having a pop” at simple upright bikes. Downstairs Tom shows me some new Globe bikes made by the huge company Specialised. People are now making appointments to visit Bobbin Bicycles from as far away as LA and Russia. *NB: I do not condone travelling across the world to purchase a bike. But definitely buy a bike. Everyone should have one.

Bobbin Bicycles baskets
Piles of baskets in the basement of the shop.

Steel or aluminium? Why, what’s the difference?
Pashleys are made with a beautiful thin lugged steel frame, but most modern bikes are made from lightweight aluminium that makes for a more juddery ride, though they are definitely not as heavy when lifting up steps. Bobbin Bicycles can cater to all your upright wishes and stock a huge range of brands including the wonderfully named Swedish Skeppshult.

London has way more cycling tribes than other cities.
In other cities the cyclists tend to look quite homogeneous, but here in London we have many different identifiable types. Tom was amongst the first to label the big three cycling tribes for an article in the Independent. The Traditional, Fold-up and Fixie tribes can now be broken into multiple subsets and mash ups, including the Fixed Tweed tribe.

Tweed Run by Emma Raby
Tweed Run by Emma Raby.

Bobbin Bicycles ran a tea stop for this year’s Tweed Run.
The Tweed Run is perfectly Bobbin: an annual celebration of all things upright and traditional about cycling. This year they presented a prize for the best decorated bike to a lady from Holland, who arrived with an old 70s shopper decorated with a multicoloured knitted saddle cover and matching dress guards on the back wheels.

Tweed run by Maria del carmensmith
The winning bike by Maria del Carmen Smith.

Boris bikes. Good news for Bobbin Bicycles.
Tom loves the idea of cycling into town on Boris bike and then getting a cab back. Or simply having the option to avoid the horrors of the night bus. Even though the amount of money spent on cycling in the UK is a fraction of what is spent in countries such as Denmark, Holland and Germany the new London bike scheme will undoubtedly encourage more people to cycle. Here’s how it goes: people will try them out instead of investing in a cheap bike from Halfords. Once they get into the idea of cycling they will realise how heavy and unwieldy the Boris bikes are and will decide to graduate onto something nicer. Hopefully a Bobbin Bicycle, for instance.

boris bike by vicky yates
Boris Bike by Vicky Yates.

Collaborations are good fun.
In the cabinet behind me are wonderful bowler and deerstalker hats designed to fit over helmets. They were made by the historically influenced milliner Eloise Moody, who has also created a sexy reflective nurses cape. Bobbin Bicycles will launch their own range of panniers and capes for spring 2011, and the shop stocks lots of small boutique brands you would not find elsewhere. They’ve provided bikes for a Mark Ronson video and the newspapers always come knocking when they want to borrow a pretty upright.

Abi Daker - Eloise Moody - bikes
Eloise Moody by Abigail Daker.

They are moving back to Arlington Way.
Well, in a manner of speaking. The shop in Angel is bursting at the seams and they’ve decided to open a new workshop on Arlington Way in October, just three doors down from their previous location. Dedicated Bobbin mechanics will specialise in the servicing of vintage bikes and hard to get components such as hub gears. But all cyclists will be welcome.

Bobbin Bicycles jewellery
Bobbin Bicycles jewellery.

Vintage Goodwood here we come.
Bobbin Bicycles have provided Vintage at Goodwood with a fleet of promotional bikes so that they can flyer all over town. They have a pitch at the festival alongside the Old Bicycle Company from Essex – which specialises in Penny Farthings. Sadly, here we don’t come. Amelia’s Magazine has not been made welcome at Vintage at Goodwood.

The independent bike shops all get along.
And why not? They all specialise in their own thing, and quite often a boyfriend and girlfriend will come into Bobbin Bicycles with different ideas of what they want to ride. The girl wants an upright, the boy wants a fix. So they send him down the road to Condor Cycles or up the road to Mosquito. Yes, 80% of their customers are female, possibly down to the attitude and service of Bobbin staff, which is deliberately very accessible and non technology based.

Winter Cycling by Joana Faria
Winter Cycling by Joana Faria.

Top tips for autumn and winter cycling.
Many people are merely fair weather cyclists (not me!) but cycling through the British winter will keep you warm. You’ll arrive at work with a good feeling inside, blood pumping, ready to get down to business: you don’t get that sitting on an overheated bus. But make sure you have decent lights because they’ll make you feel really smug when it gets dark early. Get a good cape to whack over the top of your clothes if it’s raining. Waterproof trousers are not a good look but leather jackets are. They keep the wind out and they look good too. Stay on your bikes! Honestly, it’s by the far the best way to travel at all times of the year. And I speak from experience.

You can visit the friendly staff at Bobbin Bicycles at 397 St John Street, London, EC1V 4LD or you can drool over their website here. And do say hello at Vintage at Goodwood.

Bobbin Bicycles SHOP

Natasha-Thompson-Bobbins-Bicycles-Girl-Cape-Illustration
Bobbin Bicycles by Natasha Thompson.

I first heard of Bobbin Bicycles just over three years ago, no rx when as a nascent bespoke bike company they contacted me to suggest featuring some of their imported upright Dutch bicycles in my Amelia’s Magazine fashion spreads. This was a canny move from husband and wife team Tom Morris and Sian Emmison because I am a big fan of cycling and we shot Bobbin Bicycles several times for the final print issues of the magazine.

Bobbin Bicycles tom and sian
Tom and Sian in Bobbin Bicycles. All photography by Amelia Gregory.

Today Bobbin Bicycles has grown into a well known business that employs six people and is set to open a bespoke and vintage bike repair workshop. They’re launching their own brand of upright Bobbin Bicycles in Australia, page to be followed shortly thereafter in the USA and are set to produce their own brand of Bobbin Bicycles branded panniers and capes. They’ve quickly become the go to people for the kind of upright bicycle that is increasingly favoured by townie types looking for sturdiness and style, dosage and indeed they’re so busy that Sian barely has time to say hello as she poses for a photo before returning to the phones in her subterranean office below their lovely shop in St John Street, Islington in North London. Instead I catch up with the lovely Tom in the basement of their bulging store to find out a little bit more about Bobbin Bicycles.

Alexis-West-Bobbin-Bicycles-tom morris
Tom Morris by Alexis West.

The love affair with bikes (and with each other) began long ago in Amsterdam.
Both Tom and Sian were fine artists living abroad who fell in love with riding Dutch bikes. It was about a whole lifestyle that was old fashioned, elegant, relaxed and most of all sociable, for in Amsterdam it is not uncommon to ride in groups and chit chat along the way. They were commissioned to film a bike race for the Dutch Arts Council, and the rest, as they like to say, is history.

Fast forward to 2001. London. The daily grind.
On their return home to the big smoke Tom found work in advertising, and Sian worked for cult furniture company SGP, which is based on Curtain Road. But they dreamed of something more… and so in-between freelance work they started to import bikes from Holland. At first this meant touring around Holland in a van to pick up bikes which they shipped back to the UK to sell from a storage unit. Within weeks they had moved onto Eyre Street Hill in Farringdon, where they shared a space with watchmakers and jewellers.

Bobbin Bicycles bells

Their glamourous “atelier showroom” was a bit like Turkish gambling den.
No one else had thought to specialise in Dutch bikes and soon their appointment only showroom was so popular they were selling ten bikes a day. Being well schooled in the ways of branding they targeted their customers with great care: Tom draped a curtain over the grottier bits of the workshop and played nice music. Customers got the “wow” factor when coming in off the street and soon the national newspapers started to call when they wanted a story about upright bikes.

Pashley began to stalk them.
Bobbin Bicycles had moved to Arlington Way by the time that Pashley paid them a secret visit. Thinking that not everyone wants a Dutch bike Tom had already approached the well known British brand, but he was unaware of the mutual interest. Pashleys are smaller in size and offer more gears, plus they offer the added bonus of all British manufacture UK. Fast forward to 2010: Bobbin Bicycles now operates from a lovely little shop in Angel and is one of over 100 UK stockists of Pashleys, but who else can boast their very own exclusive colour range? At Bobbin Bicycles you can now pick up the Pashley Provence in a special mint or mustard colourway.

Bobbin Bicycles

Upright bikes have become a lot more fashionable of late.
As more cyclists take to the roads many are choosing to ride sit-up-and-beg bikes of the type that Bobbin Bicycles sell, and lots more bike manufacturers are “having a pop” at simple upright bikes. Downstairs Tom shows me some new Globe bikes made by the huge company Specialised. People are now making appointments to visit Bobbin Bicycles from as far away as LA and Russia. *NB: I do not condone travelling across the world to purchase a bike. But definitely buy a bike. Everyone should have one.

Bobbin Bicycles baskets
Piles of baskets in the basement of the shop.

Steel or aluminium? Why, what’s the difference?
Pashleys are made with a beautiful thin lugged steel frame, but most modern bikes are made from lightweight aluminium that makes for a more juddery ride, though they are definitely not as heavy when lifting up steps. Bobbin Bicycles can cater to all your upright wishes and stock a huge range of brands including the wonderfully named Swedish Skeppshult.

London has way more cycling tribes than other cities.
In other cities the cyclists tend to look quite homogeneous, but here in London we have many different identifiable types. Tom was amongst the first to label the big three cycling tribes for an article in the Independent. The Traditional, Fold-up and Fixie tribes can now be broken into multiple subsets and mash ups, including the Fixed Tweed tribe.

Tweed Run by Emma Raby
Tweed Run by Emma Raby.

Bobbin Bicycles ran a tea stop for this year’s Tweed Run.
The Tweed Run is perfectly Bobbin: an annual celebration of all things upright and traditional about cycling. This year they presented a prize for the best decorated bike to a lady from Holland, who arrived with an old 70s shopper decorated with a multicoloured knitted saddle cover and matching dress guards on the back wheels.

Tweed run by Maria del carmensmith
The winning bike by Maria del Carmen Smith.

Boris bikes. Good news for Bobbin Bicycles.
Tom loves the idea of cycling into town on Boris bike and then getting a cab back. Or simply having the option to avoid the horrors of the night bus. Even though the amount of money spent on cycling in the UK is a fraction of what is spent in countries such as Denmark, Holland and Germany the new London bike scheme will undoubtedly encourage more people to cycle. Here’s how it goes: people will try them out instead of investing in a cheap bike from Halfords. Once they get into the idea of cycling they will realise how heavy and unwieldy the Boris bikes are and will decide to graduate onto something nicer. Hopefully a Bobbin Bicycle, for instance.

boris bike by vicky yates
Boris Bike by Vicky Yates.

Collaborations are good fun.
In the cabinet behind me are wonderful bowler and deerstalker hats designed to fit over helmets. They were made by the historically influenced milliner Eloise Moody, who has also created a sexy reflective nurses cape. Bobbin Bicycles will launch their own range of panniers and capes for spring 2011, and the shop stocks lots of small boutique brands you would not find elsewhere. They’ve provided bikes for a Mark Ronson video and the newspapers always come knocking when they want to borrow a pretty upright.

Abi Daker - Eloise Moody - bikes
Eloise Moody by Abigail Daker.

They are moving back to Arlington Way.
Well, in a manner of speaking. The shop in Angel is bursting at the seams and they’ve decided to open a new workshop on Arlington Way in October, just three doors down from their previous location. Dedicated Bobbin mechanics will specialise in the servicing of vintage bikes and hard to get components such as hub gears. But all cyclists will be welcome.

Bobbin Bicycles jewellery
Bobbin Bicycles jewellery.

Vintage Goodwood here we come.
Bobbin Bicycles have provided Vintage at Goodwood with a fleet of promotional bikes so that they can flyer all over town. They have a pitch at the festival alongside the Old Bicycle Company from Essex – which specialises in Penny Farthings. Sadly, here we don’t come. Amelia’s Magazine has not been made welcome at Vintage at Goodwood.

Bobbin Bicycles wall

The independent bike shops all get along.
And why not? They all specialise in their own thing, and quite often a boyfriend and girlfriend will come into Bobbin Bicycles with different ideas of what they want to ride. The girl wants an upright, the boy wants a fix. So they send him down the road to Condor Cycles or up the road to Mosquito. Yes, 80% of their customers are female, possibly down to the attitude and service of Bobbin staff, which is deliberately very accessible and non technology based.

Winter Cycling by Joana Faria
Winter Cycling by Joana Faria.

Top tips for autumn and winter cycling.
Many people are merely fair weather cyclists (not me!) but cycling through the British winter will keep you warm. You’ll arrive at work with a good feeling inside, blood pumping, ready to get down to business: you don’t get that sitting on an overheated bus. But make sure you have decent lights because they’ll make you feel really smug when it gets dark early. Get a good cape to whack over the top of your clothes if it’s raining. Waterproof trousers are not a good look but leather jackets are. They keep the wind out and they look good too. Stay on your bikes! Honestly, it’s by the far the best way to travel at all times of the year. And I speak from experience.

You can visit the friendly staff at Bobbin Bicycles at 397 St John Street, London, EC1V 4LD or you can drool over their website here. And do say hello at Vintage at Goodwood.

Bobbin Bicycles SHOP

Natasha-Thompson-Vintage-Goodwood-Illustration
Vintage at Goodwood by Natasha Thompson.

I must admit, approved I’ve had my reservations from the start. Right from the moment when they wheeled out that universally irritating celebrity known as Lily Allen. Young, for sale rich, famous and by all accounts a pain in the butt. Best known amongst the vintage community for out-bidding everyone else on all the best clothes at auction. Admittedly the closest I have ever got to Lily Allen was when she nonchalantly flicked cigarette ash on me as I passed her huge chauffeur driven four wheel drive on my bike one day last summer. But I think this tells me enough.

Vintage at Goodwood is a new festival. A new festival afloat in the sea of other festivals now populating British weekends throughout the summer months. Not a weekend goes by without at least two or three wonderful festivals that I know about to chose from, and many others that I don’t. Trying to find a niche market that hasn’t already spent as much as they can afford on summer festival frivolities is surely not an easy thing to do. Not surprisingly Vintage at Goodwood hasn’t sold out in it’s first year.

lilyallen-vintage dress(by cat sims)
Lily Allen in a vintage dress by Cat Sims.

So, they’ve done a notably huge amount of advertising – plastering everything from Bobbin Bicycles to bus billboards with the distinctive Vintage at Goodwood posters, which proclaim a festival that places as much emphasis on art, fashion, film and design as it does on music. All well and good, it’s a trend pioneered by the likes of Latitude and Secret Garden Party, but I’ve yet to fathom exactly how the mix works this time round. The only emphasis I can see has been on ‘curating’ a very large shopping area: even John Lewis gets a presence on their old-fashioned High Street.

Vintage at Goodwood poster
A Vintage at Goodwood poster near Brick Lane.

And who, exactly, is the “glamping” crowd they want to attract? “Vintage” as a lifestyle choice is something wholeheartedly embraced by people on a budget who like to champion an individualistic, upcycling, DIY aesthetic. Many of my readers for instance. Why, I’ve been wearing Chazza clothes since I could walk into a shop. Beyond Retro is my local store. Okay, since from about 1999 I’ve mainly favoured clothes from the 1980s over anything earlier, but today even this most silly of decades gets the Vintage treatment at Vintage at Goodwood.

But the Goodwood Estate also hosts Goodwood Revival – a glamourous motoring and aviation event aimed at people with a little bit more money than your average Vintage Enthusiast of the kind I speak of. It’s been written about in posh supermarket Waitrose’s own magazine, and fawned over by the right wing press. “They are used to catering to Goodwood Revival, who are basically mostly very wealthy, vintage car/plane owners… and where people ONLY seem to care how much money/how many stately homes you have.” This is clearly a festival with pretensions to be more than the mere stamping ground of a bunch of fashionable east end types. And yet many of these very people are the ones making the festival happen. Thrifty vintage enthusiasts fill the vintage shopping area with their stalls. They’re volunteering their time to be stewards of boudoirs. Vintage bloggers have written glowing posts about how much they look forward to the festival, thereby ensuring there is huge amounts of hype online to compliment the more traditional advertising. But are these very same people being looked after by the corporate wheels of Goodwood, Freud Comm and co?

JuneChanpoomidle-VintageGoodwood
Illustration by June Chanpoomidle.

At Amelia’s Magazine we’ve always tried to support as many small festivals as possible, especially the new ones, the ones focused on green issues and the ones that will appeal to our readership. You’d think, given this quote in the Telegraph (soz) today, that I would be the ideal kind of press to invite along to Vintage at Goodwood. “Vintage fashion is a win-win. It’s about upcycling, recycling, thriftiness and great design. I felt this was the right time to celebrate it and show people how good vintage links music, fashion and film.” Does this sound anything like the kind of stuff we promote on this blog, day in day out? Only this week we’ve published interviews with Think, Act, Vote and Bobbin Bicycles, both of whom have a presence at Vintage at Goodwood that gets a mention in our blogs.

Unhappy at the way that the press team for Vintage at Goodwood dismissed me without so much as a by your leave, and uneasy about the complaints I noted on the Vintage at Goodwood Facebook site regarding a lack of transparency over ticket pricing a few weeks ago, I decided to dig around for a bit more information. Someone, somewhere clearly has money. Freud Comm are the huge corporate PR agency responsible for the massive amounts of press you see. They also look after Nike, Asda, KFC, Sky, the Olympics and drinks giant Diageo, who has close ties to the festival. Cheap they cannot be to hire.

I am small fry to Freud, as are all those other eager bloggers. Freud doesn’t even have a twitter feed. Or a blog. They are beyond such things. But they also don’t understand the power of such things. Or maybe they would not be so dismissive of those with such close ties to the market they are trying to reach.

Glamping By Jessica Sharville 2
Glamping by Jessica Sharville.

As soon as I started to ask around I discovered a lot of unhappiness… and I was only scratching the surface. Bloggers that have gushed about Vintage at Goodwood for months had applied for press passes only to be turned down this, the week before – forced to purchase their own tickets to experience the festival they so much wanted to write about. Even seasoned journalists writing for big websites have been turned down. Now I’m no marketing genius, but it seems to me that if you have a new festival, and you haven’t sold out, it makes no sense at all to turn down any enthusiastic journos. After all, it costs the organisers nothing to let people in for free, and our eagerness should be appreciated because it doesn’t come without costs to us when we don’t have huge expense accounts to fall back on (travel and food soon mount up). Presuming that Vintage at Goodwood would like to continue next year, surely it’s a wise idea to maximise your chances of positive press from day one? For this very reason I will always send a press copy of Amelia’s Anthology of Illustration to any blogger that asks, no matter how well read their website is, or not. I appreciate that you want to spend time writing about my project. (ask away)

But there’s more…. getting Vintage at Goodwood off the ground has not been without its casualties along the way. And here you’ll have to bear with me if I adopt an air of secrecy – many of these people are still going to Vintage at Goodwood anyway – but tell me this, does this sound like a happy bunny? “It is a real shame as I have not met one person who is genuinely excited to go. Most are curious about how bad it will be and want to see it fail due to the poor behaviour from the organisers.”

Vintage illustration by Nathalie Laurence
Vintage illustration by Nathalie Laurence.

As Vintage at Goodwood have decided to focus on the shopping aspect of the event the costs of stalls have spiralled, well out of the reach of many young Vintage Stockists. A key curator has dropped out. One Vintage Enthusiast who shall remain nameless told me that “It’s all a big money making sham.” Many things will cost more (on top of the ticket price) during the festival. Another told me “I may as well rent a shop in Brighton for a month for the price they were asking for a pitch the size of a stamp.” I find all of this desperately sad. As a way of life Vintage is not about this. I understand the need for a new festival to break even, but at the expense of all those who help out along the way? It’s just not right.

Another quote: “I have heard nothing but bad things which is so sad as I have high hopes for the event.” I really wish I was able to get along to Vintage at Goodwood to make a judgement on it myself. As a concept it sounds great. Many many good friends will be attending, including Tatty Devine, Supermarket Sarah, Bobbin Bicycles, Think, Act, Vote… the list goes on. I would have loved to have covered the green lectures and meet the people who attend in all their fabulous finery. Vintage as a lifestyle is something I wholeheartedly support. As are festivals. Can you imagine a better bunch to photograph, illustrate and talk about for Amelia’s Magazine?

Wayne in Blue and Ochre by GarethAHopkins
Wayne Hemmingway (he’s behind Vintage at Goodwood) by Gareth Hopkins.

Sadly it is not to be. I can’t afford to pay for a ticket, especially given the time it takes me to write a festival up, which usually approaches a week and bearing in mind that no one pays me to write. It’s also very tiring (as anyone working the festival circuit will tell you), which is why I’ve stayed at home in London for the past few weekends – although I had set aside time to visit Vintage at Goodwood and see if it lived up to the hype. Instead I hope to hear from others who are going, fingers crossed. And do tell me your thoughts too, especially after the event. I hope you have a truly wonderful time if you are going, either as a punter or a contributor. Everyone. But organisers, remember this. Look after your team. They are what will make Vintage at Goodwood what it is, not the rich people glamping it up in luxury teepees and yurts. Don’t forget what Vintage as a lifestyle truly means…

* I did make it to VAG in the end… My review of Vintage at Goodwood is now online and you can read it here.*

Phil King. Illustration by Courtney Lee

There seems to be something slightly off kilter about going to the legendary home of London’s jazz scene to hear folk music but on this particular evening the pinstripe suits and trilbies made way for plaid shirts and beards, find as live music night TV Nights kicked off their bi-monthly folk night at the Upstairs bar at Ronnie Scott’s.

Run by up and coming live promoter Vaz Pilikian aided by musician and self confessed “Robin to Vaz’s Batman” Henry Brill, about it TV Nights is fast becoming a regular fixture in every devoted folkie’s calendar, ambulance with upwards of 5 nights a month pouring forth some of the best new folk music out of various underground venues across the capital. With the ethos of keeping the musicians happy above all else, Vaz has certainly managed to pull together an impressive and eclectic line up and yes, to my untrained eye, they all seemed to be pretty happy, so things are looking good.


Phil King. Illustration by Stuart Whitton

YouTube Preview Image

First up is Bristol based singer songwriter Phil King. Immediately captivating the crowd with his pure yet powerful vocals and his charming vulnerability, his accomplished set is a mixture of Damien Rice style heartfelt balladry, John Martyn guitar picking melancholia and the raw energy of a busker.. Reminiscent of Glen Hansard’s busker in his Oscar winning film Once, Phil sings to a spot a foot or so above the crowd’s heads and seems to immerse himself totally into his music, grinning and grimacing his way through the set – perhaps in part due to the intimate surroundings and the desire not to sing directly into the audience’s faces, but also due to the personal and tender nature of his songs. Here is a man laying his heart wide open, with nothing but his guitar and harmonica for company, to a room full of strangers and that in itself is worthy of respect. The fact his music is also so heartwarmingly good makes being in the crowd a thoroughly enjoyable experience.


Tamsin Wilson. Illustration by Yelena Bryksenkova

Next on the bill is a guest appearance from the brilliant Tamsin Wilson. On a short whistle stop break back in old Blighty, Brit Wilson is currently based in Boston, studying music at the highly respected Berklee School, but has managed to spare an evening in her busy schedule to come and share her talents with us lucky lot. A diminutive figure on the stage with a simple guitar and a spotlight shining in her face, Tamsin’s tiny speaking voice barely makes it over the growing chuntering of the after work crowd who had taken over one end of the bar. The rest of us lean in to hear her introduction, but it soon becomes irrelevant as she embarks on a confident and near faultless set. Sounding immediately like an English Feist, Wilson’s voice is crystal clear and perfect, with enough edge to her alt-folk pop songs to keep it from being too commercial or saccharine. With her coquettish glances at the crowd and a knowing twinkle in her eye, she is nothing short of captivating, which is sadly tainted by the constant fight against the drunken barking of the bar crowd who all but drown her out. With the more devoted of us shhhing and scowling to little avail, what would have been a fully absorbing and satisfying set turned into a battle of wills between the devoted music fans and the devoted beer fans. A massive shame, but then again with such a huge talent, Wilson will win the battle to be heard in the end, that’s for sure.


Amber States. Illustration by Dan Gray (Little Gonzales)

Up next is a highlight of the evening, the brilliant Amber States. The North London four piece fill the stage with not only instruments, but energy and charisma. Banjo, cello, guitars and keys create a sound not unfamiliar in the burgeoning nu-folk scene, but Amber States manage to steer clear of the hackneyed fiddle and guitar style that has become so popular and instead carve their own sound and produce a short but life-affirmingly magnetic set that gets the biggest crowd and the loudest cheer of the night. Their set is laden with catchy hooks, dreamy melodies, exhilarating builds and a toe tapping rhythms without being too paint by numbers folk, with lead singer Gavin Bell’s smoky vocals adding a rawness that sits perfectly over the top. The wonderful sound of Phil Noyce’s cello takes over where the typical violin would be and lets be honest, who doesn’t love a cello solo? They’re a handsome bunch, these boys, and together with such beautiful goosebumps-inducing songs as Morning Sun and Fall From Grace, they are a very appealing package indeed. Finding myself grinning like an idiot throughout their set, there is no reason why Amber States can’t take on the Mumfords and Stornaways of this world and win.


We Used To Make Things

The night takes a bit of a turn away from folk with the appearance of Hackney eight piece (yes that’s EIGHT) We Used To Make Things. Trumpet, trombone, guitars, keys, backing vocals, maracas, loud hailers and the kitchen sink are thrown at us by what can only be described as East London’s best non-pub pub band. Hitting the crowd with a full on and shameless pop set, We Used To Make Things are what it would sound like if The Divine Comedy got pissed, dropped the cynicism and tried to remake Sergeant Peppers in a small room in East London. With a trombone. And it’s thoroughly entertaining stuff. Perhaps teetering dangerously on the edge of ‘novelty’ at times, We Used To Make Things are a party band of the highest order and certainly have the personality to carry it off.


Juan Zelada. Illustration by Alexandra Embleton

Final booking of the evening is another step further into MOR territory with Spanish pocket rocket and piano prodigy Juan Zelada. A graduate from Liverpool’s answer to The Brit School, Paul McCartney’s LIPA, it is clear from the outset that Zelada is an incredible musician. He jigs and jumps behind his piano producing track after track of shiny pop soul and pseudo blues with infectious energy and charm. Zelada is a captivating performer who seemed to be having the most fun out of anyone in the room, which proved to win over even the most stuffy of ‘folkies’ in the crowd. Sadly, being past 11pm on a school night, the crowd had somewhat thinned out by the time he took to the stage, but this didn’t seem to matter to Juan and his band who produced perhaps the most committed performance of the night. Zelada is what Radio 2 producers dream of. He is shamelessly commercial and sits comfortably in the Jamie Cullum/John Mayer/Paolo Nutini school of pop which makes the booking a rather strange one for a folk night, but taken on his own merit, Zelada deserves to be huge. He is a perfectly polished pop package just waiting to be shot straight into the mainstream and by god, does he deserve it.

And there ended TV Nights at Upstairs@Ronnie Scott’s. A brilliant platform for unsigned artists, a melting pot of serious new talent and refreshingly ego free, Vaz and chums have a seriously good thing going here, which deserves to be a regular fixture for all serious nu-folk fans.

With thanks to our wonderful and talented illustrators, Courtney Lee, Stuart Whitton, Yelena Bryksenkova, Little Gonzales and Alexandra Embleton

Categories ,Amber States, ,Damien Rice, ,Feist, ,folk, ,Glen Hansard, ,John Martyn, ,Juan Zelada, ,london, ,Mumford& Sons, ,Nu Folk, ,Paul McCartney, ,Phil King, ,Ronnie Scotts, ,Stornoway, ,Tamsin Wilson, ,The Brit School, ,The Divine Comedy, ,We Used To Make Things

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Amelia’s Magazine | Music Listings

The eponymous release from New York based The Pains of Being Pure at Heart has everything you could want from a summer album. A certain been-in-the-sun-too-long hazy-headyness without the too-much-ice-cream sugariness of many indie-pop summer albums. No-No! I’m rallying for The Pains of Being Pure at Heart being trail-blazers for a new genre we shall call ‘Sandalgaze” aka Shoegaze for when it’s not raining out.

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From the rip-roaring opener ‘Contender’, buy more about the album manages to be catchy without being twee, shop noise without being dreary, imagine My Bloody Valentine on a beach doo-wopping and you’re halfway there.
Whilst treading this line The Pains of Being Pure at Heart consistently avoid being schmaltzy. The track; Young Adult Friction is danceable, its lyrics of a whimsy worthy of Stuart Murdoch yet reflect on themes like first love with a sort of yearning nostalgia, again souring the sweetness. Here the oft-overdone boy/girl singing duo is slightly off-kilter and the effect is more reminiscent of early Yo La Tengo or Jesus and Mary Chain than Belle & Sebastian.

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The Pains of Being Pure of Heart is definitely tinged with nods towards the 80s and early 90s,yet it is perhaps too easy to criticise the album for this. The band manage to utilise certain stylistic tropes without being too retrospective or shallow.
In fact The Pains of Being Pure at Heart is refreshing in it’s redefinition of certain preconceptions: summer isn’t all about whistling and tambourine jangling anymore and Shoegaze is reinterpreted with a sunny touch rather like enjoying a 99 flake with Kevin Shields!

The album ‘The Pains of Being Pure at Heart’ is available now and the single ‘Young Adult Friction’ is released on 18th May (Fortuna Pop!)
They play The Lexington, London on 15th May

Kitsuné has really got its groove on this time. Left eyebrows are often tilted to a 74-degree angle at the mention of a Parisian fashion boutique that puts out compilation CDs, symptoms amongst other music releases. At first, tadalafil you kind of expect endless Dimitri From Paris types churning out catwalk-flavoured lint, but Kitsuné really knows what it is getting, and won’t be holding onto the receipt. With utter confidence and bravado, you see, it was Kitsuné that released Wolfmother’s ball-busting old-metal limited edition EP. Benetton scratches its head in confusion.
For all that, Compilation 7 is a danceable disc, with lots of European disco-beats, and plenty of fruity basslines in the Frenchified Electro style. But it’s not the kind of thoughtless, juvenile poppy end of it. You won’t hear anything approaching “Lady, give me tonight, cos my feeling is just so right”, since the Maison-people (Maisonettes?) are clued up. They listen to Tangerine Dream and Elvis Costello, and anything they select from the here and now is selected with a certainty that reminds me of the chap who picks the leaves for PG Tips: He just knows where the good stuff’s at.
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Highpoints include Chateau Marmont’s Beagle, filled with synths fresh from Tomorrow’s World demonstrations, sidewinding through arpeggiated chords, with the occasional crash-bang with a wooden spoon by the stove, and Beni’s Fringe Element, which popcorns along with hi-hats before going to a thoroughly spiffing hiatus of slap bass with one of the squidgiest, wiggly-wormiest synth solos since Mr.Scruff’s Shrimp. Probably the most exciting track here is Crystal Fighters’ (above) Xtatic Truth, a journey involving Epic-Ragga-Happy-Hardcore, hints of Chinese Folk, and a choir of the ether.
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But it’s a plentiful CD. There are nineteen songs, in all, and although everything chugs along to the metronomic pulse of cubase, there is pacing and variety to the beast overall. Gentle relief comes best of all in This Sweet Love by James Yuill (above), as remixed by Prins Thomas, a ponderous chillscape based on the warmest fingerpicking, and an embrace of vocals. You will feel truly hugged. And once you’ve digested it all, you can take that lovely warm glow on the Eurostar with you, and buy yourself the bestest clothes (I’m not a fashion writer, actually) in all Pareeee!

You can buy the Maison’s goodies at www.kitsune.fr or at their myspace.
If you are a university student, online what do you make of your schools environmental policies? Do they even have green policies to speak of? This week, the students of the University of Arts London have been bringing environmental issues to the forefront, and discussing the various ways that both themselves, their campuses and the courses themselves can be more environmentally aware.

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The Go Green Week, also known as Green: The New Black has been running for the last few days and culminates in talks and workshops on Friday, that include Fashion Forward: Creating an Ethical Label between 4pm-6pm RHS East Space, LCF, John Princes Street
which asks: “How can you create a label that looks good, but is also good to the environment?” ECCA and the Centre for Sustainable Fashion present fashion design businesses that are sustainable throughout from their manufacturing processes and materials, to marketing methods that aim communicate and promote their ethical processes to their customers.
Also on Friday afternoon at LCC is the meeting “Students Going Green” –top of the agenda are the following points “Fed up with the lack of recycling at your College? … Want sustainability on the curriculum? … Think Arts London should GO GREEN?” Speaking with the Press Officers of the Student Union, I learnt that a large number of students have voiced their concerns over this topic. The recycling issue specifically has been on ongoing and much debated subject. Many students feel that not enough is being done to provide facilities to recycle. The Green Charter laid out by the Student Union demands that “Sufficient recycling facilities should be available at all Arts London Sites and all Halls of Residence, with consideration also given to specialist recycling e.g. textiles, wood at relevant sites.”

Also on the agenda is for the issues of sustainability to feature more heavily in the Universities curriculum, either in the form of specific modules, or integrated as a whole, and for the campuses to switch to a green energy provider. The student union also explained that they are setting up an “Ethical and Environmental assembly” that will set future Go Green Assembly’s. They have also been encouraging students to sign a petition that is campaigning for a greener Arts London. Realising that strong visuals are the best way to get the point across, the students were asked to be photographed with the green charter and upload their pictures to the blog. An example would be these brave folks.

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Learning about the concerted efforts to raise environmental awareness amongst students started me wondering how other universities and student bodies broach this subject. As this is a topic that is dear to our heart, we would love your input on whether your schools and universities are committed to the environmental cause, and if so, do you feel that they are doing enough? . Tell us more at hello@ameliasmagazine.com and maybe we can help to highlight the issue.
Be featured in this limited edition anthology of the best new illustrators engaged in environmental thinking. Read on to find out more…

***Please note that this brief is now closed: you can now order a copy of this book online by clicking here***

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an illustration by Laura-Maria Arola from issue 9 of Amelia’s Magazine

Now, malady anyone who is following me on Twitter – my new favourite thing in the whole world – will know that I asked my dad to do the research for this book. I know what he’s like – apart from being a typical male who loves nothing more than “disappearing down the rabbit-hole” as my mum calls it (also known as busying himself in new projects) – he also loves a challenge. So I asked him to dig up some info on all the most obscure new alternative technologies currently being explored, sale so that I could put together a brief for Amelia’s Anthology of Illustration.

He rose to the challenge and then some… almost immediately I started receiving email updates on strange new ways of producing energy. But not only that… it seems I have been the unwitting catalyst for a whole new venture – or a whole new rabbit warren to explore, depending on your point of view. A trained if somewhat out of practice scientist, Bruce (that’s my dad, I know, wierd, I call him by his first name)- gleefully told me on Bank Holiday Monday that he’s just designed the best new wave power technology not yet invented. Having read nearly 2000 patents for various wave power technologies he has, in his inimitable way, decided that his idea is quite clearly the best (my dad ALWAYS knows best). Except he won’t share it with me, cos I might, like, post it on the internet or something, before he’s applied for a patent.

Still, exciting stuff, and just the kind of thing I hope to do more of with both this open brief and the resulting book that comes out of it. Amelia’s Magazine in print may be no more, but I could never leave print entirely, and so the idea for this book has been mulling around in my head for sometime now. What we need right now is a whole heap of imagination, because humans need to make a big leap forward if we want to get out of the mess we currently find ourselves in. And whilst the scientists and boffins of this world busy themselves with the minutae of complicated chemical reactions and intricate moving parts, we also need the skills of artists to make these technologies a concrete reality. Without both visions together we will continue to move at a snail’s slither, so my aim is to help quicken that pace. If I can inspire designers and illustrators to better consider the way their energy is produced by drawing alternatives, then maybe they will make better choices about where their own energy comes from. Of course I don’t believe that technology alone is a cure all for all our ills, but it’s a move in the right direction, and I aim to produce a book that provides a comprehensive resource of all the best new illustrators capable of engaging with environmental issues and envisaging future alternative energy sources.

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an illustration by Allan Deas for issue 9 of Amelia’s Magazine

What will be in Amelia’s Anthology of Illustration ?
The book will be a compendium of profiles on the best illustrators who submit to this brief. Anyone is eligible to submit work, from anywhere in the world. I would particularly encourage new illustrators; those who are still at college, just graduating, or new to the field. Amelia’s Magazine is used by many influential creatives looking for new talent to employ, and this will be an even better way of getting your work noticed globally.

What will the book look like?
The book will be the same dimensions as Amelia’s Magazine, thereby sitting nicely on the shelf with any copies of the magazine that purchasers might already possess! It will be designed in a similar fashion but also expect some new ideas.

When will it be published and where will it be sold?
Amelia’s Anthology of Illustration will be self-published (again!!!!) The lead-times are just too long with the big publishers, plus they would want more design control than I am prepared to give to them. The ones I have spoken to also insist on producing all their books in the Far East, something I am very uncomfortable with given the dodgy environmental credentials of many industrial operations in that part of the world. It will be produced in the UK by Principal Colour as a limited edition hardback towards the end of 2009, in time for Christmas. Advance orders should be available to purchase on my website by the end of the summer, and will be much appreciated in order to finance the production process as it is going to cost me much more to keep production in the UK. The book will be sold worldwide at specialist art book shops such as those that already stock the magazine. I will aim to produce a second (possibly softback) edition the following year to be made much more widely available.

What can I do to contribute?
I need a number of different artworks from aspiring contributors, so please read the following information carefully and make sure that your submissions meet the criteria before you send them in to me.

Submission criteria

EXCLUSIVE WORK: produced specifically for AMELIA’S ANTHOLOGY OF ILLUSTRATION

1. Most importantly:
ONE EXCLUSIVE LARGE PIECE done specifically for this anthology and not featured anywhere else.

This should feature an alternative technology that has not yet been built or mass-produced in any great scale. NO RUN-OF-THE-MILL WINDMILLS AND SOLAR PANELS PLEASE!

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an intriguing design for a line of windmills on a bouncing rod

This is a challenging theme, but thanks to my dad there are dozens of links below that will lead you off in the right direction. You will need to disappear down the rabbit hole for awhile for this brief requires time and thought to complete. It also requires huge amounts of imagination, which is what illustrators specialise in! And my dad! I’ve always held a belief that the scientific mind and the artistic mind are not really so different from each other. How else do you explain me? The child of two scientists?! but rubbish at science….

Anyway, I digress. In this illustration I want to see ways that a new technology would be integrated into our future lives… so interaction with the surroundings or people will be good. This is not a technical illustration, it’s an aspirational one, but you should imagine this technology in some detail, however fantastical it may be. You could even look back at technologies that were patented as far ago as the 1800s, but that have never become part of the mainstream. Your chosen technology should be the main focus of your whole picture, but don’t forget to add detail.
This should be accompanied by a short written piece describing why you picked this particular technology and what the illustration means to you. This should be no more than 300 words.

A word to the wise: the more obscure your choice of technology the better, since I will probably choose different technologies for each illustrator that I choose to profile.
You can choose to work in two sizes:
Double page (as was used in Amelia’s Magazine)
SIZE: page size: 400mm wide x 245mm high, with a bleed of 3mm all around; ie. final size of your artwork: 406mm x 251mm.
or
Single page
SIZE: page size: 200mm wide x 245mm high, with a bleed of 3mm all around; ie. final size of your artwork: 206mm x 251mm.
NOTE: Don’t put important stuff in the 3mm bleed zone (but do continue your image into it) as this is where the printers may cut bits off when the magazine is cut and bound.
RESOLUTION: 300dpi, as a photoshop file in CYMK mode, using Photoshop print profile: euro standard swap coated 20% (or euroscale V2)
GUTTER: please also note that the book will have a very deep gutter in the middle so it is good to keep important parts of your illustration away from the centre of the spread in double page images.
MY STYLE: if you want to know about my taste in illustration you should check out the current issue of the mag, or buy a back issue here!

2. A exclusive PICTORIAL LOGO on an environmental theme

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Logo designed by Adrian Fleet for Climate Camp in the City at the G20 protests

If you have submitted something for the Climate Camp logo open brief then you would be able to resubmit it for this brief, irrespective of whether it was used or not. The logo could be for an event or a company or a product or anything at all, but it must be promoting environmental themes and ideas. I will be looking for colourful and engaging logos. Consider the work of Adrian Fleet for the G20 Climate Camp in the City logo when thinking about what to enter for this. My style tends to be maximalist, but the words must always be a bold and easy part of the logo to read. It could be work that you have already created and has already been used by a brand (though please check with them before sending it to me) or you could create a new piece of work for a real or fictional brand. It should encompass a creative use of typography with illustration. There will be plenty of food for thought amongst the alternative technologies you will already have researched.
This should be accompanied by a short written piece describing what the logo has or would be used for. 50 words max.
It can be any size, but please create work at 300 dpi to a largish size.

3. Typography: YOUR NAME!
Please create your name in the most imaginative way possible. This could be done by hand, or on a computer, but you should really go to town! Amelia’s Magazine is well known for the use of creative typography, and for Amelia’s Anthology of Illustration the floor is open to you to create your own type for your own name (or how you would like to be known professionally) Don’t think of it as branding, but as something to go to town with. If your work is chosen it will be used to head your page, and it should therefore be really creative and fun. Think of this as your chance to really grab the reader’s attention!
For this reason please work to these dimensions and no smaller. (it could be bigger)
SIZE: 200-400mm wide x 40mm high
RESOLUTION: 300dpi, as a photoshop file in CYMK mode, using Photoshop print profile: euro standard swap coated 20% (or euroscale V2)

4. A Border
Again this should fit a single page and reflect an environmental theme. Be sure to work with 3mm bleed and no more than 25mm in from the edge.
SIZE: page size: 200mm wide x 245mm high, with a bleed of 3mm all around; ie. final size of your artwork: 206mm x 251mm.
NOTE: Don’t put important stuff in the 3mm bleed zone (but do continue your border into it) as this is where the printers may cut bits off when the magazine is cut and bound.
RESOLUTION: 300dpi, as a photoshop file in CYMK mode, using Photoshop print profile: euro standard swap coated 20% (or euroscale V2)

NON EXCLUSIVE work:
4. Two other bits of illustration.

These should be your best recent work. They do not necessarily need to be on an environmental theme but should showcase as wide a range of imagery as possible, eg. people, things, places, typography etc. If you have created artwork for any of my previous open briefs this could form part of your submission although I would prefer to see new work. Be sure to stick to one style though – illustrators with a strong style of their own will always make the biggest mark, and I am unlikely to pick anyone who does not show a strong style throughout their submissions.
These can be any size, but please label each illustration clearly with a name and date of creation.
SIZE: as big as possible to fit the book’s page sizes.
RESOLUTION: 300dpi, as a photoshop file in CYMK mode, using Photoshop print profile: euro standard swap coated 20% (or euroscale V2)

CLOSING DATE: Monday 3rd August, by midnight please.
Please send lo res versions of your images (saved for web) to info@ameliasmagazine.com in an email clearly marked ANTHOLOGY OF ILLUSTRATION so that I don’t lose sight of it in my inbox if I am rushing through things on the day it arrives.
(This should be 6 pieces of work altogether. PLEASE DON’T SEND MORE THAN THIS)

If you are chosen for inclusion in Amelia’s Anthology of Illustration then you will be notified shortly after this date, once I have made my decisions. I have yet to decide how I will put together the profiles, but I may well need a photo from you and a short interview. If this is the case you will be notified later on in the summer.
And if you have any questions that are not answered above then please email me for clarification.
Join the facebook event here to ensure you get updates as they happen.

Best wishes and happy drawing!

Links
Below is a very long list of links, courtesy of Bruce: this is by no means conclusive, and the technologies may never work, but they are all being explored and would be valid ideas to illustrate. Youtube and Google Images are both a great source of innovative technologies, and I am sure you can find more. Feel free to go off and google you heart out – but you must illustrate something real and possible, and not a fantasy idea of your own. (unless you are also a scientist of course)

Wind turbines

Wikipedia wind power info

Magenn’s revolutionary wind power system on youtube

Magenn Air Rotar system

Magenn’s home page

The Floating Balloon Wind Generator

Motorwind Camping Set Wind Turbine

Knex wind turbine

Magnetically Levitated wind turbine

Great pic of huge Maglev wind turbine

Wikipedia entry about Maglev wind turbines

Maglev wind turbines homepage

Mag-Wind Vertical Axis Turbine

A Flying Wind Machine!

Floating Wind Turbines

A great blog about lots of different alternative energy projects including wierd and fantastical wind turbines

Huge Kites

Optiwind accelerating turbine

Selsam superturbines

Rotating wind power towers

Broadstar’s Aerocam

FloDesign wind turbines

Wikipedia definition of airborne wind turbines

downloadable PDF containing interesting info about different types of airborne wind turbines

Wikipedia definition of Kitegen

Kitegen website – plans for a huge airborne wind farm!

Great picture of how kites could generate electricity

Guardian article about kite power

Video showing how a kite ladder would work

Makani Power high altitude wind kites

Google have put money into the Makani vision

Makani “wind dam” picture

Great article about Saul Griffith — wind energy entrepeneur, and president of Makani

Tom Van Sant makes amazing kite ladders as sculpture

Wind Harvesting farms

Helix Wind

More Helix Wind porn

Google search results for wind power technologies

Mariah Power wind turbines

Google videos about wind power

The huge offshore aerogenerator

Quiet Revolution wind turbines

Wave power

Oscillating water columns

Anaconda wave technology

SIE-CAT wave energy accumulator

A list of wave power patents going back to the 1800s

Danish Wave Energy Society

the Wave Dragon

Wave Star Energy

Wave Energy Centre

CWave Power

the Aegir Dynamo

CETO

Columbia Power

Float wave electric power station

the Manchester Bobber

Orecon oscillating water column

OE Buoy

Aquamarine power

Sperboy wave energy converter

SSG Concept

The Seadog Pump

Buoys technology

Floating power plant

Surf Power

Power Buoy

the Wave Roller

Langlee Wave Power

the WRASPA

video about Harnessing the Gulf Stream! (is this a good idea?)

Wikipedia entry about wave power

Pelamis on wikipedia

Pelamis wave power

Pelamis being tested in Portugal

Google videos on wave power

Biowave power system

video showing Biowave power working

Video – giant rubber snakes!

SRI wave powered generator

Ocean Power Technologies

video – Aqua Buoys

Aqua Buoy movie

Oyster wave power

Tidal power

Wikipedia on tidal power

Video – tidal wave energy

youtube – idea for tidal energy barrage in florida

Sea Gen

google video links for Sea Gen

Marine Current Turbines

video of Biostream tidal power system

Gorlov helical water turbine on wikipedia

Gorlov Helical Turbine

3D interactive model that shows blades of Gorlov turbine

Severn Barrage

Solar Energy

Wikipedia on solar energy

Thermal

wikipedia on thermal solar energy

wikipedia on solar energy generating systems

wikipedia on solar power tower

BBC news report on solar power stations

Solar Power tower in Spain

image of Solar Power tower

more images of solar power tower in spain

Bright Source solar power on wikipedia

Bright Source Energy

Solar Reserve

youtube on solar tower energy

solar tower energy in spain on youtube

Enviromission solar tower

Suncatchers

Dual axis solar tower structure

Voltaic

photovoltaic energy

youtube on israeli solar energy

First Solar free field power plants

youtube about plastic solar cells producing solar power

Konarka power plastic

Standard geothermal

Geothermal power on wikipedia

youtube geothermal energy vid

Enhanced geothermal

Wikipedia – enhanced geothermal systems

youtube video on enhanced geothermal systems

Hot Rock Technology

Alta Rock Energy

Petratherm

Geodynamics
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The Reluctant Photojournalist

Features a variety of vintage and modern prints from Werner Bischof’s well known humanitarian photography including the Bihar famine, more about Europe post WWII and the South Korean war. Alongside these sit Bischof’s equally beautiful but perhaps lesser known early experiments with abstracts and nudes.

Photographic co-op Magnum Photos Ground Floor, 63 Gee Street, London EC1V 3RS, 0207 490 1771
Free Entry
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re.orient.ate

Reorienting common notions of contemporary Arab art and lifestyle and debunking ‘Orientalist’ depictions. Arab artists Marianne Catzaras, Dora Dhouib and Wael Shawky explore themes of mass media, Diaspora and religion via film and photography.

Selma Feriani Gallery, 23 Maddox Street, Mayfair, London W1S 2QN
7th Apr – 13th May 2009
Free entry
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The Abyss

A new joint exhibition by former Wimbledon College of Art students, Nicola Stead and Dan Jupp.

The Outside World, 44 Redchurch Street, London E2 7DP
7th May – 13th May By appointment Thursday to Saturday
Free entry
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The Hiding Place

Lewis Chamberlain
Exquisitely rendered pencil drawings whisk the viewer away into muted landscapes
which toy with scale, suburbia and the surreal.

James Hyman Gallery Savile Row, London W1S 3PD, 020 7494 3857
30th April – 30th May
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Crafted
Contemporary Craft and Fine Art

An exhibition celebrating the materials, processes and techniques involved in making extraordinary objects, the exhibition will feature nine artists from different arts and craft and design fields.

Oriel Myrddin Gallery, Church Lane, Carmarthen SA31 1LH
4th Apr – 16th May 09, 10 – 5 Mon – Sat
Free entry
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Monday 11 May

Telepathe are a too-cool-for-school three piece from Brooklyn. They’re playing 93 Feet East. They get obtuse Krautronica and make it go “POP!” – maybe they’ll be the next Animal Collective… Supported by Ou Est Le Swimming Pool.
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Tuesday 12 May

Dan Mangan plays The Electroacoustic Club, salve housed at The Slaughtered Lamb, viagra Clerkenwell. He’s a heartfelt songwriting kind of guy, information pills sings like he means it, and he’s much better than that Elbow record. Support comes from Deer Park.
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Wednesday 13 May

Our new favourite boyfriend-girlfriend duettists, Young Paul, will be giving The Cobden Club, 107 Kensal road a taste of 80s electronic treats. get in touch with the band for hassle-free entry, as it’s a private members club. Not just a fine gig, then, but also a chance to see where the Old Etonians schmooze.

Thursday 14 May

Alice and The Cool Dudes at Barden’s Boudoir. This is the high point of our music week. Alice Grant of Fulborn Teversham, is leaving her jazzhead buddies to one side to unveil some pensive indie songs, delivered by a totally unique voice that totters across a tightrope of uncannily powerful and tearful exhaustion. Surely she won’t disappoint?????
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Friday 15 May

Up in Nottingham, North-East London’s finest jokeshop salesmen of parallel-universe, narrative ska will be testing out some new material where they think no one can hear them. If you can find a place called Demo, you must prove Hothead Show wrong. Prepare for shockingly tight wizardry of the jerky-jerky groove.
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Saturday 16 May

A night of so-angry-we-can-only-tell-you-very-very-slowly Metal, with some catatonically droning Grunge, and atonal noise that may cause loss of balance on all but the lowest of seating. Roll up at The Constitution and enjoy Dethscalator, Scul Hazzards and Batrider. If you don’t take earplugs, then take cotton wool to mop up you bleeding lugholes.

Sunday 17 May

Always a good bet for a sunday night is Cross Kings, 126 York Way, in King’s Cross. On the ground level, David Goo will jolly along an open mic, which always has a few very eccentric envelope-pushers pencilled in. The avant-gardishness couples nicely with the family warmth, houmous and pitta that makes this a great pub. It’s worth paying a few quid to be allowed into the basement also. Things are a bit more organized (sound-checks and everything) but happily, there’s still no obvious divide between the musicians and the audience. What sundays are for.

Categories ,93 Feet East, ,Alice And The Cool Dudes, ,Barden’s Boudoir, ,Batrider, ,Cross Kings, ,Dan Mangan, ,David Goo, ,Deer Park, ,Dethscalator, ,Hothead Show, ,live music, ,London, ,Nottingham, ,Telepathe, ,The Constitution, ,Young Paul

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