Amelia’s Magazine | New single from Emmy the Great: Iris

Emmy the Great

Oh how I love Emmy the Great…. since I fast saw her playing in a little central London dive those many years ago she just keeps on getting better and better. New single Iris is a gorgeous slice of electro folk, decease go on take a listen. Princess Impermanent, viagra buy oh aye, medicine we all know of her! It’s the first single off her new album Virtue which will be out in June – which I haven’t heard yet but I couldn’t wait to share this loveliness with you. Expect more beautiful songs with lyrics that have a bit of bite. The dreamy video was directed by Derek Andrade.

Emmy the Great iris

‘Iris is part me and part lots of girls I know – ‘Princess Impermanent’, always deeply unsatisfied with right now, very optimistic about tomorrow. There are some nights though when it all comes together, fleetingly.’Emmy the Great

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Emmy starts a series of live dates on 6th June, full listing details here.

Categories ,Accidental Records, ,Angular Records, ,Derek Andrade, ,dreamy, ,electro-folk, ,Emmy the Great, ,folk, ,Iris, ,Princess Impermanent, ,review, ,single, ,video, ,Virtue

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Amelia’s Magazine | Emmy the Great @ Borderline

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Aided in no uncertain terms by a show stopping performance at Texas’ recent South By Southwest festival, order case Portland three-piece Menomena present their debut UK release. This is in fact the bands third release – with their two previous albums available in the US exclusively. School friends Danny Seim, mind Justin Harris and Brent Knopf have derived a creative process of much interest that has resulted in a work that is both experimental and forward thinking without being inaccessible.

The bands sound is essentially a combination of looped sounds which are selected from a computer programme called Deeler. The Deeler Sessions culminate in the layering of these looped sounds and vocal addition. The good news is that for the most part this results in songs of sonic density that are out of left field but rich in melody. It is a combination that makes ‘Friend and Foe’ a compelling listen.

Often the fragmented nature of the songs will result in a messy, disjointed sound to begin with. But cohesion arises from moments of inspiration that morph abstract noises into quasi – pop melodies. It maybe a gorgeous piano line, delicate vocal harmony or obscure drum loop. Whatever, these songs keep you guessing, and aside from the odd ill judged inclusion (notably at the tail end of the album) they are nothing less than enthralling.

There are echoes of Mercury Rev on the defiant ‘Rotten Hell’, whilst howling guitars and brooding Saxophone characterise ‘Weird’. Elsewhere Menomena take ‘Up’ era REM as a reference point on ‘My My’- A brilliantly structured song defined by its paradoxical use of warm keyboards and choppy, industrial beats. It is one of many gems.

It’s a shame that the record falls away so badly in its last quarter. The final three songs appear to be an afterthought – lumped on at the end to pad things out when there really is no need for their presence. It leaves a slightly bitter taste in the mouth, but spin straight back to the start and all is forgotten. Friend and Foe deserves attention.

It’s always a danger to be overly vocal about your influences, ambulance it invariably leads people to compare you to those you have cited as inspiration, more about and with a band name taken from a Wilco song, dosage Cherry Ghost have set the bar a little too high. Thirst for Romance is positioned firmly in the folk/country influenced indie rock category and despite not being a spectacular record it has some nice moments, even if they are a little bit uninspired.

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Amelia’s Magazine | Music Listings

Monday 12th Jan
Starting today: The Voice and Nothing More is a week-long festival at the Slade Research Centre that explores the voice as both medium and subject matter in contemporary arts practices. Established artists and emerging talent will work with leading vocal performers in an exploration of the voice outside language. On Wednesday the festival culminates in a presentation of objects, pilule generic performances, order and installations that are open to the public. There will also be performances on Thursday and Friday from 6 pm.

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Wednesday 14th Jan

Now in it’s 21st year, recipe the London Art Fair begins at the Design Centre in Islington. A hundred galleries are selected to show work from the last few hundred years. This immense exhibition will encompass sculpture, photography, prints, video and installation art. It ends on the 18th of January.
There is a talk this evening at the ICA entitled Can Art make us Happy? where artists Zoë Walker and Michael Pinsky explore the notions of art as a social cure-all in times of economic and social gloom.
A new solo show from Josephine Flynn begins today at Limoncello on Hoxton Square. The Mexican was bought off a patient who was in hospital with mental health problems. When the patient talked about The Mexican she described how the process of making him had helped her – ‘healing through making’ was how she put it.

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Thursday 15th Jan
Feierabend is a collaborative installation between artists Francis Upritchard, Martino Gamper, and Karl Fritsche, bringing together a shared aesthetic in their distinctive approaches to jewellery, furniture design, and sculpture. The exhibition plays with the boundaries of art and real life – looking like a workshop abandoned at the end of a day’s work, or a sitting room left in abstracted dissary, it’s only inhabitants a set of sculpted figures who seem lost in their own meditations.
Gimpel Fils opens a new photographic exhbition from Peter Lanyon and Emily-Jo Sargent, 100 Pictures of Coney Island.
The Asphalt World is a new solo show at Studio Voltaire from Simon Bedwell. Drip paintings are made from advertising posters in an ironic twist or corporate seduction.

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Feierabend


Friday 16th

There are two exhibitions starting today at Wilkinson on Vyner Street. In Upper Gallery a, Episode III, Enjoy Poverty, is the second in a series of three films by Renzo Martens in which he raises issues surrounding contemporary image making, challenging ideas about the role of film makers and viewers in the construction of documentaries. In the Lower Gallery, there will be the fourth exhibiton from German artist, Silke Schatz. Through the conjunction of video, sculpture, drawing and found objects, Schahtz composes a personal portrait of the city of Agsburg.

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Saturday 17th Jan

We featured David Cotterrell in issue ten, where in the picturesque surroundings of Tatton Park, he explained how his visit to Afghanistan, where he was invited by the Wellcome Trust, would be likely to have a lasting effect on his future work. Aesthetic Distance is David Cotterrell’s third solo exhibition with Danielle Arnaud, and focuses on the experiences and inevitable aftermath of a flight he took in November 2007 in a RAF C17, from Brize Norton to Kandahar. He was the sole passenger in a plane loaded with half a million rounds of palletised munitions and medical supplies to join Operation Herrick 7, a strange irony not lost on the artist.

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Earth Listings

Monday 12th January, viagra 60mg 7pm

Climate Rush hits Heathrow

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To whomsoever concerned by the biggest threat faced by humanity today-that of climate change,

You are cordially invited to Dinner at Domestic Departures. Join us for an evening of peaceful civil(ised) disobedience ahead of the government’s decision over a third runway at Heathrow. Inspired by the actions of the suffragettes, we will be calling for DEEDS NOT WORDS. The government acknowledges the huge problems we face from Climate Change but they continue with business as usual. This jolly evening is intended to produce much-needed positive change and we do hope that you would join us.

Location: Domestic Departures, Terminal 1, Heathrow Airport.

Time: 7pm (when the string quartet plays their first note).

Dress Code: Edwardian Suffragette: high collars, long skirts, fitted jackets, puffed sleeves, think Mary Poppins. Sashes will be provided. * Although advisable, it is not compulsory to arrive in Edwardian dress, the most important thing is that you your friends and family join us for dinner. To add the element of surprise, it is suggested that you arrive in a large coat to conceal your costume until the stroke of 7.

Bring: Jam tarts, scones, cucumber sandwiches, hard-boiled eggs, tea cakes. Picnic blankets and table cloths. Tea and elderflower cordial. No alcohol please.

Entertainment: String quartet, art tricks from ArtPort, polite conversation.

We look forward to seeing you,

The Misbehaved Ladies from Climate Rush x

Tuesday 13th January, 6pm

Art, Activism and the legacy of Chico Mendes
RSA
8 John Adam Street
London
WC2N 6EZ

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Tonight will explore the ways in which the arts can help shift society’s attitudes in the face of unprecedented climate change. Elenira Mendes, daughter of environmental activist Chico Mendes, will talk alongside panelists Jonathan Dove (award-winning composer), Greenpeace’s senior climate adviser, Charlie Kronick and fasion designer and activist Dame Vivienne Westwood.

Wednesday 14th January

Wednesdays Do Matter
InSpiral Lounge, 250 Camden High Street NW1 8QS

A night of music, comedy, poetry and film (and really good vegan smoothies!) in aid of global justice campaigners, the World Development Movement. Remind yourselves why everyday matters, even Wednesdays.

Trouble the Water
ICA
The Mall
London
SW1Y 5AH

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Winner of this year’s Grand Jury prize at Sundance and announced as a finalist in 2009 Accademy Awards for Best Documentary. This is one New Orleans’ resident’s depiction of the catastrophic tragedy of Hurricaine Katrina. Shot with a (shakily) handheld camera, Kimberely Roberts’ footage starts from the weekend before the hurricaine and covers a period of a year. Michael Moore collaborators Tia Lessin and Carl Deal edit and append the tapes with their own film of the post-Katrina clean-up effort.An astounding portrayal of resilience and bravery.

Showing at the ICA 12th-15th January

Turning The Season
at The Wapping Project
Wapping Hydraulic Power Station
Wapping Wall
London
E1W 3SG

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Recent crisp bright skies have been a welcome respite from the usual drab January weather. But who knows what tomorrow may bring. Turning the Season explores the social and cultural phenomenon of the British Season. It would be fair to say that the increasingly visible effects of Climate Change have further fuelled our national fascination with the weather.
Expect 100 bird houses, a roof-top lily pond and a photo story showing the break-up of a relationship against the backdrop of seasonal events shot by fashion photographer Thomas Zanon-Larcher.

Until 28th Febuary

Amazonia at the Young Vic

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Although aimed at swarms of roaring key stage 3 schoolchildren as an educational piece on the issue of deforestation, this production from Palace People’s Projects is a true delight. Set in a traditional village in the Amazon that is eventually swayed by the ghost of Chico Mendes to not fall under the developers’ bulldozers. But not until some devastation has been wreaked first. A socio-political depiction of destruction of the Amazon with a mythical slant. All set to the music and dancing of Forro. An inventive stage (a mammoth man-made tree rather resembling an electrical pole, and pools of water seperating the audience) and brilliantly gaudy costumes by Gringo Cardia.

Until 24th January
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Monday 12th January

Dead Kids, cost O Children, erectile The Lexington, London

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Seriously energetic post-punk, sequinned and LOUD live act Dead Kids headline. No matter what you think of them on record, they’re sure to grab you live. Continuing the infant name-theme, as well as the intense post-punk sounds are support O Children.

Comanechi, Durrr at The End, London

With the ever-winning combo of Japanese girl singing drummer (also to be found as frontwoman for London band Pre) and jangular guitars, this is your best bet for a trendy sceney night out in London.

Tuesday 13th January


Banjo or Freakout
single launch party, White Heat @ Madame JoJos, London

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Part of the new-wave of ultra-hip, genre-smashing music sweeping the artier corners of the globe at the moment. Should be a celebratory atmosphere as it is his single launch party.

Wednesday 14th January

Goldie Lookin Chain, Metro, London

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Ho ho ho, GLC are sooooo funny. Free entry is promised to the gig but don’t leave your purse at home as you’ll have to pay to leave.

The Virgins, Rough Trade East, London

American New Wave tinged indie-rock.

Thursday 15th January

Wet Paint, Rough Trade East, London

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Playing this gig in anticipation of the release of their new album, they’ll be supporting Bloc Party later in the year.

Emmy the Great, 12 Bar Club, London

Intimate solo acoustic performance of debut album First Love in full, ahead of its release in February.

Push, Astoria 2, London

A massive farewell party for the Astoria 2 which will be finally demolished on Friday. Catch Cajun Dance Party live as well as DJ sets from Mystery Jets, Lightspeed Champion, Good Shoes and Neon Gold among many others and mourn the demise of the sticky-floored dingy music venue in central London.

Friday 16th January

Cats in Paris, Brassica, Braindead Improv Ensemble, The Woe Betides, George Tavern, London

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Massively hyped, bonkers 70s-ish glam-electro from Manchester.

The Golden Silvers, The Macbeth, London

Dreamy indie-pop from these regulars of the London gig circuit.

Saturday 17th January

The Bookhouse Boys, Empire, Middlesborough

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Catch this 9 piece mini-orchestra, complete with mariachi brass, duelling drummers and girl-boy vocals, for their Ennio Morricone-style soundscapes.

Categories ,Banjo or Freakout, ,Braindead Improv Ensemble, ,Brassica, ,Cats in Paris, ,Comanechi, ,Dead Kids, ,Durr, ,Emmy The Great, ,Goldie Looking Chain, ,Listings, ,Live, ,London, ,Musician, ,O Children, ,The Bookhouse Boys, ,The Golden Silvers, ,The Virgins, ,The Woe Betides, ,Wet Paint

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Amelia’s Magazine | Album Review – Emmy the Great: Virtue

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Emmy the Great by Soni Speight.

I’ve been a fan of Emma-Lee Moss for oh so long. And she hasn’t failed me yet.

emmy the great by gabrielle brittney
Emmy the Great by Gabrielle Brittney.

Emmy The Great by Lea Rimoux
Emmy The Great by Lea Rimoux.

Virtue opens with the scratchy sounds of an orchestra tuning up in the oddly titled Dinosaur Sex… it’s a slow and understated start to Emmy’s latest album. When her voice appears it is at its lightest delicate best, clinic gradually curling into a delicate tune about the perils of a modern day life spent in front of a computer screen. Presumably the Dinosaur Sex of the title refers to an outmoded form of human contact.

Emmy The Great - Jo Chambers
Emmy The Great by Jo Chambers.

By Woman, unhealthy a Woman, erectile A Century of Sleep Emmy has gained a stronger voice to tell us a tale of domestic slavery, to ‘sew a dress till the pieces mesh’. She has such a marvellous way with words, but what’s so gorgeous about Virtue is the way she has also embraced a fuller sound to accompany her ever clever lyrics. Current single Iris is an early high, a driving drumbeat accompanying the simple chords and twinkling synth which drift slowly into this new bigger sound. I reviewed Iris a few weeks ago.

Emmy the Great by Avril Kelly
Emmy the Great by Avril Kelly.

Paper Forest (in the Afterglow of Rapture) reveals in crystal clear high notes the aftermath of the relationship she lost to the church. Cassandra is a simple track that calls to mind the Emmy of before.

Emmy the Great by Sam Parr
Emmy the Great by Sam Parr.

Creation starts with dreary minor chords, then reverts to a more upbeat major sound, swinging between the two as ‘she wants to know if there is a narrative’ for ‘she needs a reason for believing’. The dips and turns of the music echo the natural paths of any relationship. Sylvia has a driving disco backbeat, even as it explores stormy emotions: ‘if this is life then why does it feel like I am far away… like I am dreaming.’

Emmy The Great by Giles Mead
Emmy The Great by Giles Mead.

Emmy The Great by Rukmunal Hakim
Emmy The Great by Rukmunal Hakim.

Exit Night/Juliet’s Theme heralds a familiar Emmy type melody of yore, exploring notions of fairy tales, ghosts and other worlds where different worlds exist. In North Emmy is led by the needle, presumably on the record player. Trellick Tower is a song about the days when she was alone in West London, recently un-engaged and single once again. It’s a very small song compared with the others, with just a piano for company, leaving room for Emmy’s voice to meander into the ether.

Emmy-The-Great-by-Abi-Heyneke
Emmy The Great by Abi Heyneke.

Virtue remains true to Emmy’s very personal existential wanderings, but with added intrigue and oomph supplied by experimental musical accompaniments that go well beyond her original folk noodlings. What’s so wonderful is that her lyrics can be perceived in so many different ways – above are my personal interpretations but for Emmy’s explanations visit this track by track rundown on the Guardian website.

Emmy-the-Great-by-Victoria-Haynes
Emmy the Great by Victoria Haynes.

Lovely Emmy is flying up the charts with Virture and with good reason – she just keeps getting better and better. Virtue is out now on Close Harbour Records. You’d best catch her on tour soon.

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Categories ,Abi Heyneke, ,album, ,Avril Kelly, ,Close Harbour Records, ,Emma-Lee Moss, ,Emmy the Great, ,Gabrielle Brittney, ,Giles Mead, ,Ickleson, ,Iris, ,Jo Chambers, ,Lea Rimoux, ,review, ,Rukmunal Hakim, ,Sam Parr, ,Soni Speight, ,Victoria Haynes, ,Virtue

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