Australian artist Natasha Muhl’s cleanly executed but quietly sinister images caught my eye as soon as they dropped into my inbox. With a slightly folky edge, find probably because of the mainly animal subject matter, shop who become supernatural characters, like the king bird in his crown, coughing up gemstones instead of food for chicks.
Amelia’s Magazine spoke to Natasha about her process, her views of her images and what the future holds for her and her curious cast of fauna.
Tell me a little about the stories behind your images. They seem quite narrative – I can imagine the world surrounding these quirky characters.
I know there’s a story in there somewhere, but I’m not sure what it is yet. These little characters like to pop up in my sketch book doing various tasks in their world. Sometimes they’re there all the time and other times they just disappear.
How do you create your work? Tell me a bit about the process you go through from original idea to finished product. Do you work organically and spontaneously or does it involve a lot of research?
This series was fairly spontaneous, they popped out of my fingers in a matter of days. I drew the horses one afternoon, and the rest just followed freely. My full coloured illustrations generally have a longer process. There’s a lot of research into composition. That gets followed by a few colour roughs before I spend a few hours colouring the work neatly.
Do you work in a solitary way or do you enjoy collaborating? Are you secretive about your work or do you invite commentary from an early stage?
I love to collaborate, but the opportunity seems to rarely come by. At the moment I’m working on some little bits and pieces with another illustrator friend where I do the traditional work and he follows up digitally. I guess I’m sort of secretive, but not on purpose. My graduating year just had an exhibition where I showed a few pieces, and half of the year didn’t even know I liked to draw. I’m always open to criticism though.
What kind of objects, people or things do you love to draw? What is it about certain things that really grabs you?
I love to draw animals and ugly women. I’ve always loved animals and started drawing when I started horse riding. The ugly women are slightly more difficult to explain. I think primarily because it’s entertaining to draw all their saggy bits and put things where people traditionally wouldn’t want them. Sometimes I give them beautiful faces and ugly bodies, or vice versa, I always enjoy that juxtaposition. My more recent obsessions include little birds and jewels.
Where do you hope to go next with your work? Any dream collaborations/venues/media?
It’s always an ideal world where I’d be able to illustrate for a living, but I’m not getting my hopes up. At the moment I’m just interested in personal improvement and maybe doing some shows.
Homelessness charity Shelter has recently been running a poster campaign showing houses built of cards, pill as a measure to remind us how quickly people’s lives can fall apart and homes be lost when things go wrong. To support the campaign, cialis 40mg Shelter has also commissioned 53 playing cards from artists, which will be exhibited at the Haunch of Venison gallery in London, starting tomorrow, September 25th.
All works will be auctioned off on Monday to benefit Shelter, including the winner of a public competition to design the 8 of clubs, below. There are also cards by Amelia’s Magazine artists and Damien Hirst.
Homelessness charity Shelter has recently been running a poster campaign showing houses built of cards, no rx as a measure to remind us how quickly people’s lives can fall apart and homes be lost when things go wrong. To support the campaign, Shelter has also commissioned 53 playing cards from artists, which will be exhibited at the Haunch of Venison gallery in London, starting tomorrow, September 25th.
All works will be auctioned off on Monday to benefit Shelter, including the winner of a public competition to design the 8 of clubs, below. There are also cards by Amelia’s Magazine artists and Damien Hirst.
Homelessness charity Shelter has recently been running a poster campaign showing houses built of cards, rx as a measure to remind us how quickly people’s lives can fall apart and homes be lost when things go wrong. To support the campaign, Shelter has also commissioned 53 playing cards from artists, which will be exhibited at the Haunch of Venison gallery in London, starting tomorrow.
Homelessness charity Shelter has recently been running a poster campaign showing houses built of cards, buy information pills as a measure to remind us how quickly people’s lives can fall apart and homes be lost when things go wrong. To support the campaign, Shelter has also commissioned 53 playing cards from artists, which will be exhibited at the Haunch of Venison gallery in London, starting tomorrow.
Lou Dalton presented her collection in the Portico Rooms of Somerset House, malady a rather opulent setting reached by a romantic, purchase winding staircase. This idyllic space couldn’t have suited the Dalton’s collection better, viagra unless it had been adorned in seafaring regalia.
This isn’t to say that Lou’s vision for Spring/Summer 2010 is a direct pastiche of maritime outfits. Instead, more subtle referencing was present.
The stripe – the seaside staple – was there in a number of outfits, but it had been re-worked for a more mature look, despite the models having a mean age of 14 (I surmise). I particularly loved the way it had be knitted into these two pieces…
Basics were simple, with white vests featuring graphic patterns and loose fitting tailoring, such as blazer-waistcoats or knee-length shorts.
As the collection progressed, it was clear that Dalton’s phantasm was less straight-forward sea. New-romantic elements and the channelling of pirates evoked memories a more decadent, classical period in history, when travelling by sea was the only way to travel. Wide brimmed hats and neat safari jackets, which were exquisitely tailored, fall into this category.
There was also a hint of femininity to the collection, juxtaposed with more masculine pieces. Tailored chambray shirts were teamed with gold corsages and neck ties, for example.
Fantastic accessories on display – oversized bags featuring graphic prints by Ricardo Fumanal and embellished with more metallic corsages. Sunglasses were provided by Linda Farrow, need I say more?
Overall a very wearable collection where different pieces can be fused together to create different looks. Some of which I hope to try pretty soon…
Photography by Matt Bramford
Categories ,London Fashion Week, ,Lou Dalton, ,Menswear Day, ,Portico Rooms, ,Somerset House, ,Sunglasses
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