I’ve brought you my New Designers part one reviews, my review of New Blood and multiple blogs covering the Free Range Art and Design shows… so now it’s time to finish my coverage of the graduate group shows with New Designers part two (in two sections, naturally). This first blog will cover the best of the illustration I discovered.
UCA Maidstone took a stand at the show at the last minute, so I was excited to see work by Amelia’s Magazine contributor Edie OP, full name Edie Owczarek-Palfreyman. She had created a wonderful story called Jonah the Goldfish which follows a little girl who wins a fish at a fairground and forgets to feed it, resulting in drastic consequences.
I loved the incredibly fun work from her fellow student Joanna Keys, who lifted the lid on the strange world of naturism. Who can resist this cheeky image of naturists at the hairdressers!
This lovely depiction of Rochester High Street was created on fabric by Lucy Parris.
Georgia Elliott chose Thanet as the theme of her beautifully bound book, which you can buy from etsy here. Since Snarfle‘s grandad lives in Thanet I have become very well acquainted with this beautiful and idiosyncratic part of the Kent coast, so it’s lovely to see it immortalised in this way: above are some famous shopfronts from oyster loving Whistable.
Natalie Faith Turner investigated the beauty of insects, including moths and bees.
Falmouth University always has a strong selection of work, which was on show at both D&AD New Blood and New Designers; I’ll be covering all my favourites on here. This delightful bird is by Bea Forshall, whose work is informed by a lifelong love of animals.
This delightful outdoor scene and delicate reclining lady are by Michelle Beech.
Stylised animals such as cats were prevalent in decorative illustrations by Lara Hawthorne. These fab images are from a project called The Python Wife.
I love the lush orange colours of this book cover design by Hannah Tolson. She also documented the changing seasons of locations in Falmouth to create beautiful images such as the one above.
Bold monochrome illustrations by Patrick Atkins caught my eye at both exhibitions. His Vessel project – part of which can be seen above – documents the idea of rebirth in graphic novel style.
There were some really sweet narrative characters in designs by Lily Louise Scott. I particularly like this close up of a scene with a bear.
This fab rendition of the Karma Sutra is by Martha Anne, whose decorative style of narrative illustration is just my kind of thing.
This was part of a series titled Where Does My Cat Go? by Emily Knight at Cambridge School of Art, who also made these lovely pottery cat plant pots.
These beautiful but slightly spooky girls are part art nouveau, part anime, by Olivia Rose of Lalasdreambox.
Fashion editorial collage by Sophie Wilcox at Nottingham Trent University is smart and alluring – it’s a shame I can’t find her anywhere on the web.
This mask by Jake Pardoe is from a project called The Box of Changing Faces, based on an investigation of how people recognise the human face.
Lastly, a love of William Morris is evident in this graphic honeysuckle linoprint by Kate Beavis at Northbrook College, intended as cover art for Cider with Rosie.
Categories ,2013, ,Bea Forshall, ,Cambridge School of Art, ,Cider with Rosie, ,Edie OP, ,Edie Owczarek-Palfreyman, ,Emily Knight, ,Falmouth University, ,Free Range Art and Design, ,Georgia Elliott, ,Hannah Tolson, ,illustration, ,Jake Pardoe, ,Joanna Keys, ,Jonah the Goldfish, ,Karma Sutra, ,Kate Beavis, ,kent, ,Lalasdreambox, ,Lara Hawthorne, ,Lily Louise Scott, ,Linoprint, ,Lucy Parris, ,Martha Anne, ,Michelle Beech, ,Natalie Faith Turner, ,New Blood, ,New Designers, ,Northbrook College, ,Nottingham Trent University, ,Olivia Rose, ,Patrick Atkins, ,review, ,Rochester High Street, ,Snarfle, ,Sophie Wilcox, ,Thanet, ,The Box of Changing Faces, ,The Python Wife, ,UCA Maidstone, ,Vessel, ,Where Does My Cat Go?, ,Whistable
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