Amelia’s Magazine | Kingsley Chapman and The Murder at the Sebright Arms: Live Review

Kingsley Chapman

Returning to the fray following the demise of Teesside favourites The Chapman Family, Kingsley Chapman has decided to take a subtly different musical approach. Whereas his previous band were an intense guitar driven experience, Chapman has now opted for a more, if not orchestral, then certainly expansive sound (his current seven piece band, The Murder, squeezing on to the bijou stage in Bethnal Green’s Sebright Arms was evidence of that).

It was a pretty busy crowd, and the London Superfans, who I’m pretty sure I’ve seen at every Chapman Family gig I’ve been to, were once again in attendance (it turns out that a friend of mine knows one of them – small world, eh?). As the band took to the stage, Chapman sardonically announced “it’s great to be back in your lovely city”, before launching into opening song Olympians.

The sound may have a grander feel, incorporating piano, strings and trumpet, but lyrically Chapman hasn’t strayed too far from the subject matter of his Chapman Family days – a mix of heartfelt emotion coupled with righteous anger at the state of the nation. Guillotine had Morrissey-esque touches, followed by the sweeping Lovers. Begrudgingly getting into the festive spirit, Chapman also introduced their “Christmas song” – however, As The Stars Fall Down isn’t likely to get your dad jigging around the tree.

It wasn’t all doom and gloom, though, as Chapman joked that the set was a bit heavy on the ballads. I also noticed a fair bit of wine being consumed by various members of the band – clearly Kingsley Chapman and The Murder have a more refined palate than the average rock and roll band.

Chapman’s guitar amp gave up the ghost before the final song, which required, as he called it “plan B” which he also warned “might sound a bit strange” – a now piano led but none the less fierce Kill That Man, which ended up with The Murder’s percussionist not only sending his own kit flying, but the drummer’s as well.

With the Lovers single having had a fair bit of rotation of BBC6 and XFM this year, and recent reviews starting to make waves, perhaps 2016 will see the success that for Kingsley Chapman has been long overdue.

Categories ,BBC6, ,Chapman Family, ,Kingsley Chapman, ,morrissey, ,Sebright Arms, ,The Murder, ,XFM

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Amelia’s Magazine | East India Youth at the Sebright Arms: Live Review

East India Youth by Sam Parr

East India Youth by Sam Parr

2014 had proved an eventful year for East India Youth, otherwise known as William Doyle. His debut album, Total Strife Forever, received glowing reviews and popped up in assorted mid and end of year lists (the Guardian and Quietus included). There was also the Mercury Prize nomination, where he found himself on an unusually strong shortlist, along with assorted support slots and festival appearances.

The bijou basement venue at the Sebright Arms, a rejuvenated old East End boozer tucked away just off Hackney Road, was a bit of a contrast to the last venue I’d seen East India Youth at, namely the rather cavernous environs of Heaven. Perhaps unsurprisingly, tonight’s show sold out well in advance, and the room was already buzzing by the time Doyle came on stage.

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As the ebbing electronic washes of Total Strife Forever I got us under way, and with barely a pause for breath, the rather dapperly dressed East India Youth gave us a mix of old favourites and a few tasters from the upcoming Culture Of Volume album. Bobbing away behind his keyboard in the glare of the stage lights, whilst occasionally bashing away at a drum pad, fiddling with the settings on his laptop and even strapping on a bass guitar, he ploughed through the likes of the dance floor filling behemoth Hinterland, and took to the mic to for the plaintive vocals of Dripping Down. New track Turn Away got an airing, a resolute synth pop classic in the making, whilst another new one, Carousel, closed the set. Doyle came away from his gizmos to a solo mic stand for this one, and the song’s eerie, almost ethereal synth intro reminded me of a stripped back version of OMD’s Souvenir.

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For the inevitable encore, Doyle came back on to cheers for a rendition of early single Heaven, How Long – it’s slow build up towards a pumping electro finale providing a fitting climax to the set.

East India Youth now heads out on tour and, following the release of Culture Of Volume in April, will return to London in June to play Village Underground. On the strength of the tracks previewed tonight, it looks like East India Youth has most certainly come of age.

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Categories ,East India Youth, ,heaven, ,Mercury Prize, ,OMD, ,Sam Parr, ,Sebright Arms, ,The Guardian, ,The Quietus, ,Village Underground, ,William Doyle

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