Amelia’s Magazine | Greenpeace need your help to find 100,000 owners for Airplot by May 1st!

Alternative Fashion Week Day 5 2010 Immani da silva
Alternative Fashion Week Day 5 2010 Waltham Forest College
All photography by Amelia Gregory.

Born in Brazil but resident of Milan, case Cristiane Chaves brought us a ‘subliminal message of seduction from Italy’ with her Cyberwitch look. A google search on this designer throws up an intriguing website Temporary Label, visit web which suggests that Cristiane puts a lot of thought into the execution of her work, more about using dissolvable labels that remove all trace of the original designer’s input. I think you’d want to remember who’d designed these highly accomplished draped and roped garments if you managed to get your paws on one.

Alternative Fashion Week Day 5 2010 Cristiane Chaves
Alternative Fashion Week Day 5 2010 Cristiane Chaves
Alternative Fashion Week Day 5 2010 Cristiane Chaves
Cristiane Chaves.

I found Olivia Grogan‘s collection of stripy print dresses cute but nothing special. A textiles graduate from Northampton University, these were sweet halter neck outfits to wear to a summer party.

Alternative Fashion Week Day 5 2010 Olivia Grogan

Toni Ann Haines was quite frankly frightening: plastic coats over ill-fitting boned bodies. No thanks.

Alternative Fashion Week Day 5 2010 Toni Ann Haines
Toni Ann Haines.

From Germany, Wilfried Pletzinger showed a brilliant collection of recycled sportswear. Thanks to a bit of clever ruching, jumbling everything upside down this way and that, he gave us something new and highly desirable. From day to day clothes to evening wear he aims to challenge the role of ‘sportswear’ and he does a really good job of making this happen – take a look at his website to get inspired by more of his creations. This is how all sportswear should end it’s days (or merely start them once more, to be upcycled all over again?)

Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Wilfried Pletzinger brings a whole new meaning to upcycling.

Immani Da Silva, inspired by the worlds of fetish and burlesque (no shit Sherlock), presented a truly frightening collection of clothing fit only for the most outrageous trannies. It didn’t hold together in any way at all, but I enjoyed shooting the models, posers, the lot of them.

Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Immani Da Silva models have fun with the photographers.

Alternative Fashion Week Day 5 2010
Does she belong with Immani? I’m not sure.

Make up artist Maya was lurking around backstage during the Immani show, looking fabulous again. And then I espied another young girl sporting amazing rainbow eye make up. Related? What do you think? I was too chicken to ask.

Alternative Fashion Week Day 5 2010 Make up artist maya
Alternative Fashion Week Day 5 2010 Make up artist maya

And last but very not least I absolutely adored the collection – Sock it to Me (Make Do and Mend) – made by the students of Waltham Forest College, the entirety of which was made out of old socks and presented on the most hilarious gaggle of models shod in floral welly boots. In bright pink Barbara Cartland lipstick with zingy blue eyeshadow they were utterly brilliant exhibitionists who couldn’t stop posing once they’d left the catwalk. Who would have thought that recycled socks could be so sexy? Just gorgeous. I’d photograph these girls again any day.

Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College

For some good footage from the catwalk on Friday check out Ballad Of here.
You can read part one of this blog post here.
Look out for my last post, which will be ways in which to make the best impression at Alternative Fashion Week. Something to read for next year maybe!

If I have got any credits wrong please email me and let me know. I’ve done my best.
To celebrate the Easter break and an imminent change in our background design I am offering a special discount of £5 on the purchase of Amelia’s Anthology of Illustration – just insert the discount code EASTER in the appropriate field when purchasing the book. Offer expires on 9th April.

If you like Amelia’s Magazine and enjoy the content please do support this website by buying my book because sales from this are the main source of my income – adverts alone do not produce enough revenue for me to support the website. Think of this as a donation to keep the website running, approved with a fabulous book thrown in for free! I appreciate your help.
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If you would like to have something reviewed, viagra sale write or illustrate for the website, then please contact the relevant editor above.
Alternative Fashion Week Day 5 2010 Waltham Forest College
All photography by Amelia Gregory.

Born in Brazil but resident of Milan, cost Cristiane Chaves brought us a ‘subliminal message of seduction from Italy’ with her Cyberwitch look. A google search on this designer throws up an intriguing website Temporary Label, visit this site which suggests that Cristiane puts a lot of thought into the execution of her work, price using dissolvable labels that remove all trace of the original designer’s input. I think you’d want to remember who’d designed these highly accomplished draped and roped garments if you managed to get your paws on one.

Alternative Fashion Week Day 5 2010 Cristiane Chaves
Alternative Fashion Week Day 5 2010 Cristiane Chaves
Alternative Fashion Week Day 5 2010 Cristiane Chaves
Cristiane Chaves.

I found Olivia Grogan‘s collection of stripy print dresses cute but nothing special. A textiles graduate from Northampton University, these were sweet halter neck outfits to wear to a summer party.

Alternative Fashion Week Day 5 2010 Olivia Grogan

Toni Ann Haines was quite frankly frightening: plastic coats over ill-fitting boned bodies. No thanks.

Alternative Fashion Week Day 5 2010 Toni Ann Haines
Toni Ann Haines.

From Germany, Wilfried Pletzinger showed a brilliant collection of recycled sportswear. Thanks to a bit of clever ruching, jumbling everything upside down this way and that, he gave us something new and highly desirable. From day to day clothes to evening wear he aims to challenge the role of ‘sportswear’ and he does a really good job of making this happen – take a look at his website to get inspired by more of his creations. This is how all sportswear should end it’s days (or merely start them once more, to be upcycled all over again?)

Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Alternative Fashion Week Day 5 2010 Wilfried Pletzinger
Wilfried Pletzinger brings a whole new meaning to upcycling.

Immani Da Silva, inspired by the worlds of fetish and burlesque (no shit Sherlock), presented a truly frightening collection of clothing fit only for the most outrageous trannies. It didn’t hold together in any way at all, but I enjoyed shooting the models, posers, the lot of them.

Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani da silva
Alternative Fashion Week Day 5 2010 Immani da silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Alternative Fashion Week Day 5 2010 Immani Da Silva
Immani Da Silva models have fun with the photographers.

Alternative Fashion Week Day 5 2010
Does she belong with Immani? I’m not sure.

Make up artist Maya was lurking around backstage during the Immani show, looking fabulous again. And then I espied another young girl sporting amazing rainbow eye make up. Related? What do you think? I was too chicken to ask.

Alternative Fashion Week Day 5 2010 Make up artist maya
Alternative Fashion Week Day 5 2010 Make up artist maya

And last but very not least I absolutely adored the collection – Sock it to Me (Make Do and Mend) – made by the students of Waltham Forest College, the entirety of which was made out of old socks and presented on the most hilarious gaggle of models shod in floral welly boots. In bright pink Barbara Cartland lipstick with zingy blue eyeshadow they were utterly brilliant exhibitionists who couldn’t stop posing once they’d left the catwalk. Who would have thought that recycled socks could be so sexy? Just gorgeous. I’d photograph these girls again any day.

Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College
Alternative Fashion Week Day 5 2010 Waltham Forest College

For some good footage from the catwalk on Friday check out Ballad Of here.
You can read part one of this blog post here.
Look out for my last post, which will be ways in which to make the best impression at Alternative Fashion Week. Something to read for next year maybe!

If I have got any credits wrong please email me and let me know. I’ve done my best.
Aniela Murphy Airplot
Illustration by Aniela Murphy.

Airplot is the name by which Greenpeace’s campaign to prevent Heathrow’s third runway from being built is known and is a piece of land near the endangered village of Sipson upon which great schemes are hatched to thwart and confound the BAA in their mission to destroy and expand. Anna Jones has been with Greenpeace, treat campaigning against airport expansion, adiposity for the past three years.

Could you give us a bit of background on the project? How did it all begin?
In about Spring 2008 we decided to try and buy a bit of the runway, essentially, to be able to take direct action and put ourselves in the way of the plans. It was quite a tall order to do that under the radar, as it were, top secretly. We were worried that BAA might find out and try and buy the bit before we got there. We spent quite a few months trying to find a piece of land that we could buy and in January 2009 we managed to pull it off and announced it to the world a couple of days before the government announced it was going to support the third runway. We knew all along that the government was going to support the runway because it had basically been a stitch up from the beginning, so they had said in 2003 that they wanted the runway to happen. Greenpeace and other groups did a lot to highlight the collusion that went on between the Department of Transport and BAA to fix the figures to try and argue that expansion wouldn’t create any more air or noise pollution. The key thing was that they didn’t really mention climate change; they thought as they were dealing with climate change through the climate emissions scheme theat they didn’t really need to worry about it, and that it was all fine. But of course, we all knew that it’s not all fine, and the new runway would massively undermine our ability to meet our climate change targets.

When we launched Airplot, we made it possible for anyone and everyone around the world to become an owner of the land. Now there are over 80,000 people signed up to become beneficial owners of the land, and we’re hoping to take this number up to 100,000 by the beginning of May. Our aim is, once the new government comes to power after the election, we’ll slap the deeds on their desk and show them the level of opposition, which will continue if they don’t drop the plans.

The recent high court decision that the airport expansion needs to be reviewed must’ve really helped.
That’s what we’ve been arguing all along; that they weren’t properly considering climate change. We had to take them to court to prove that and the judge ruled that the government hadn’t properly considered the climate change act when they were considering the third runway. Now they need to go back and do a whole review of their whole aviation policy of which the third runaway is a big part, and make sure that it’s in line with the climate change act. It’s a massive step-forward for the campaign but also hugely significant for climate change law & climate change policy.

Aniela Murphy Airplot
Illustration by Aniela Murphy.

How much danger is the village of Sipson in, at the moment?
A great deal of danger! The whole village would be completely destroyed.

How are the government defending that? What are they suggesting the villagers do?
They’re shying away from it. People are going to have to find their own way. What’s worrying is that BAA have already started buying people’s houses, which shows that they are going to do whatever they can to try and get their runway. Up at Stanstead, where they were pushing for a second runway, they had been buying up properties in the area that they wanted to build the runway, despite the fact that they didn’t even have planning permission for it, so they’re a really underhand company who think they’re going to get their way by bullying people. They’re just going to bulldoze through people’s lives, essentially. It’s very tense in Sipson, it’s been a long time for people to be living with the threat of the runway, seven or eight years now, so it’s a really difficult situation for the residents, but there’s an incredible bunch of people down there who’ve been fighting all the way, and we’ve been joining with them, and all the other groups who’ve been involved in the coalition over the last couple of years. By joining together we’ve become a lot more powerful and are really looking like we’re going to win the campaign now, so it’s difficult but everyone’s feeling very confident that we’ll get there in the end.

On the website, you encourage people to really get involved with “astonishing actions“; what have people been getting up to?
People have been climbing mountains and putting the Airplot flag on top of them, Plane Stupid do bold actions where they break into airports and stop planes from taking off. Greenpeace activists got onto a plane at Heathrow and stopped a short-haul flight from going to Manchester. Not everyone wants to take direct action though, so people around the country have been baking cakes & planting trees and encouraging their MPs to become beneficial owners. We now have nearly 100 MPs who are beneficial owners of the land. Each of the trees in the orchard, that we planted in November last year on the land, have been adopted by different parts of the coalition, including MPs from all the four main parties – Labour, Liberal Democrats, Conservatives and The Green party- including David Cameron. Nick Clegg came down to plant his tree on behalf of the Liberal Democrats as well.

You describe the orchard, and the allotment, as ‘putting roots down’ in an action directly and symbolically opposed to the destruction BAA is prepared to wreak…It also meant you got to meet Richard Briers from The Good Life…
Yeah, he’s come down a couple of times. He came down to help create the allotment, as, obviously, he’s a champion of growing-it-yourself. He also came down to plant the orchard, and that was a good day. We had the poet laureate Carol Ann Duffy down as well, who’s written a poem about the area which Alison Steadman read on the day – which you can see in the video on the main Airplot site – and Nick Clegg came that day as well. We’ve had some really great support from well-known people who are really passionate about the campaign. A lot of them live in West London as well, so they’re affected by the noise, and worry about the other consequences of the third runway too.

Have you sent veg from the allotment to every MP?
We just planted a load more; a lot of the villagers helped themselves to the veg last year, which was great, they were making soups and dishes for each other. We’ll be continuing to plant stuff in the allotment and get the produce to the next government.

With all the MPs who have trees in the orchard, do you think that if the Liberal Democrats or Conservatives get into power, they’ll take the campaign seriously?
Yep, I think so, we hope so! They’ve said pretty categorically that they won’t allow it and they’ll have to come and dig up their trees if they want to go ahead! So hopefully they’ll stick to their word. Governments have u-turned in the past, so we’ll have to keep up the pressure so that if they were to come to power they can’t go back on their promise and if Labour do get back into power, then we’ll be doing what we can to change their minds. I think we’ve got a really long way ahead in the campaign to the point where we do have the Tories & Liberal Democrats opposed to the expansion and the legal ruling on our side. We’re feeling very confident that we’re going to win, but we’re definitely not there yet and that’s why we want to get to 100,000 by the beginning of May to show that strength of grassroots power and public power across the country, and the world.

Anna Jones Aniela Murphy
Illustration of Anna Jones by Aniela Murphy.

How has the recent eruption of Eyjafjallajökull helped the project, aside from achieving the elusive goal of every environmental activist and grounding all Britain’s planes!
Well, it was a pretty amazing week, and a lot of people who were affected by the noise had a bit of a respite. Emissions will definitely have gone down in that time because millions on tonnes of CO2 go into the air from aviation. It also helped encourage debate about whether we’re too dependant on aviation for moving things around. People were realising that we can slow down a bit, it is possible, and we can make journeys by alternative means. What we’ve been arguing all along is that short haul flights shouldn’t be going at all when we’re able to take the train. There are loads of destinations that Heathrow is going to which are under 500 km which you can easily get to by train. I think its given people a different perspective and shown that we can make those journeys, we don’t have to fly. It’s highlighted the dual aspect of the project then; not just grounding planes but thinking about alternative means of travel and energy use… Greenpeace is always about championing solutions & alternatives as well as highlighting the things that are wrong and need to be stopped. A lot of our work on climate change is about energy and trying to move away from fuel-based energy systems, and reducing the amount of energy we use to begin with as well as improving energy efficiency and looking at renewable energy. That goes for transport as well; we’re talking about using alternatives and instead of flying somewhere, taking the train somewhere. Ultimately, we need to be thinking about whether we need to take those longer flights or how many we need to take. We need to be reducing the amount of miles that we’re travelling.

What are your thoughts on the solar planes in development, and other renewable energy technologies which are being researched in regards to the aviation industry?
It’s really interesting to see that happening, and obviously, if we can find those solutions that’s great, but what we’re worried about is the industry saying that we’re going to use biofuels and solar planes so we don’t need to worry and we can keep expanding now. The problem is that we can’t expand in the meantime because that’s still using oil and pumping emissions out into the atmosphere. We can’t see that as an excuse for expanding. We need to stop the expansion programme, see whether those alternatives are really viable. We have some concerns particularly about biofuels, as they’re linked to rainforest destruction and there isn’t clear evidence that they do reduce emissions. Ultimately, if we do find an alternative that really does work, then fantastic, but we’re very concerned about the industry using that as greenwash.

What else is going on down at the Airplot at the moment? Are there any more events planned for the future?
Potentially, if we keep up the pressure. We’ve been running a competition to design a fortress from the Airplot, which we’ll be judging in a month or so. There’s an exhibition happening at the beginning of June down at OXO which will showcase the winning designs. So if we have to we’re prepared to build a structure to enable us to take direct action, but hopefully we’ll win before then, so we won’t have to build it. We’re preparing for that stage now, in case we have to take direct action. The exhibition will be around the 2-6th June at OXO Barge Gallery.

There’s only a week left to go to grab a bit of the plot and become a beneficial owner before the start of May, so head over to the Airplot website for your own piece of the action, and don’t forget to spread the word among your friends too. It only takes a moment to fill in your details and read up on the legal ramifications of being a beneficial owner which I’m sure includes the right to play in a fort!

Categories ,Airplot, ,Aniela Murphy, ,Anna Jones, ,baa, ,Election, ,Greenpeace, ,heathrow, ,MPs, ,Nick Clegg, ,Orchard, ,sipson

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Amelia’s Magazine | Help Fund The Fruit Factory for Brighton Permaculture Trust

Drawing of The Fruit Factory
The Brighton Permaculture Trust recently contacted me to tell me about their crowdfunding campaign on Buzzbnk to fund a permanent site for their ambitious Fruit Factory, a fabulous plan that involves turning waste fruit into yummy juices, at the same time offering educational courses to learn more about sustainable living. How could I resist giving them a plug? I’d love to visit if I am ever in the area.

The Fruit Factory Brighton apples_in_orchard
Where did the idea for The Fruit Factory come from?
We were aware that lots of fruit went unharvested around the city, simply rotting on the ground. We started to pick this fruit and process it into juices, chutneys, etc at pop up locations and found that people wanted the products and wanted to see them made. Now we want to up scale so we can process up to 40 tons of fruit a year; Stanmer was the obvious choice as it is next to a small orchard we manage and lots of people pass by.

The Fruit Factory Brighton a_van_full_of_appples_that_would_have_gone_to_waste
Who collects the fruit and where does it come from?
It is collected by Brighton Permaculture team volunteers and workers. It comes from various places – private gardens, public spaces, and fruit farms (fruit that the retailers don’t want).


What would happen to the fruit if it did not come to the Fruit Factory?
It would often be left to rot; going to waste and causing a nuisance.

The Fruit Factory Brighton pop_up_scrumped_products_stall
How do you physically process 40 tons of fruit every year?
The majority will be used for juice. In a day we can press half a ton of fruit to make 250 litres of juice. We like to sell the juice fresh when we can as it tastes better and is more nutritious, but fresh juice only lasts a couple of days before it goes off and so we pasteurise what’s left to give it a year or two’s shelf life.

The Fruit Factory Brighton straw_bale_wall_building
Who built the straw bale building that houses the factory?
The straw bale construction was built by participants on two of our straw bale courses last year.

The_fruit_factory_to_be
What will the money raised by Buzzbnk go towards?
It will finish the structure itself so we will be able to put on a roof and doors and windows, and render the walls.

The Fruit Factory Brighton juicing_with_school_kids
The Fruit Factory has plans for learning, what will you offer?
We help schools and communities to plant orchards (90 to date with our partners). People involved in these orchards and interested individuals want to learn how to care for fruit trees and process the juice. We have been involved with this work for 10 years but the Fruit Factory will allow us to up scale what we are offering. We are also planning a programme of school visits so that children can learn about where fruit comes from, about orchards and wildlife, and also how to prepare fruit.

The-Fruit-Factory-Brighton-juicing_with_kids
For someone who might not know what permaculture means, how can it be explained in just a few sentences?
Nature created the abundant world we have inherited. Permaculture is a design system that draws on lessons from nature to design for our human needs. Obviously this includes growing food in natural ways as well as building energy efficient buildings from natural materials.

What other projects is the Brighton Permaculture Trust involved with?
We run a number of courses in sustainable living, from teaching people how to prune fruit trees to an accredited Permaculture Design course. We also run annual events Green Architecture Day and Apple Day. A large amount of our work is focussed on school/community orchard planting and teaching people how to care for the orchards when planted.

How does the Brighton trust network with other permaculture organisations across the UK and beyond?
We are a member of the Permaculture Association and have connections with a number of other Permaculture projects in the UK. A number of the tutors on our courses are from other organisations that are working in similar fields, and we have a number of local organisations in Sussex that we work very closely with and often in partnership with on different projects.

Support The Fruit Factory here, and don’t forget there are also still a few days left to back the urban mushroom farm in Exeter from GroCycle. Find out more here.

Categories ,Apple Day, ,Brighton Permaculture Trust, ,Buzzbnk, ,Education, ,Food, ,Fruit Juice, ,Green Architecture Day, ,GroCycle, ,Orchard, ,permaculture, ,Permaculture Association, ,Permaculture Design, ,Scrumping, ,Stanmer, ,Strawbale, ,Sussex, ,sustainable, ,The Fruit Factory, ,Waste Food

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Amelia’s Magazine | Community Orchards

The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, about it site exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, sildenafil exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, mind exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
espalier tree fruit
Illustration by Vanessa Morris

Planting trees is EXHILERATING! So so underrated. Last Saturday I was gardening for the first time in my life at the Community Orchards project, online organised by BTCV’s Carbon Army and managed by Camden Council.  I mentioned the project briefly in my Green Gyms feature a couple of weeks ago.  BTCV have 22 dates scheduled to plant ten orchards in housing estates and sheltered housing across Camden. The project’s aim is to promote local interest in food growing and provide the opportunity for community groups to develop communal gardening projects. Gardening and growing your own food is great, prostate as I discovered, find and it doesn’t only have to be for people with their own gardens.
CIMG3845

Smiles all round.  Photo by Chris Speirs.

I went along last Saturday to Taplow Estate in Camden, to witness how the scheme works. Feeling rather worse for wear, I was convinced I’d only stay for an hour or two and then go home to sleep. Being hung-over does not exactly get you in the mood for planting community gardens. Or so I thought. Fast forward to four hours later, and I was feeling energised, ridiculously happy, surrounded by great people, and I’d planted the first tree I’ve ever planted IN MY LIFE! Everyone should try this truly underrated source of pure joy at least once in their lives, however hippy you may previously have thought that sounds. Do it in the name of food democracy, fitness, and plain old happiness. I mean it.
CIMG3839

Photo: Zofia Walczak

My first task after I’d met the group of 20-or-so volunteers, who were already busy at work, was to help in the removing of turf from one side of the green area. After this the soil was turned over and mixed with compost to get it ready for planting seeds. It is unbelievable how clueless I felt when I was given a huge heavy spade. Yes, a spade. That humble tool you’d think you’d know how to use. The others were quick to help me though and within two hours I went from total cluelessness to being able to plant a cherry tree, by myself!! My arms and back once again felt like they were getting the best workout they’ve ever had. Goodbye push-ups and weights, hello spades, forks and hoes.
CIMG3841

Photo: Zofia Walczak

Lunch was served to us by residents of the estate: delicious homemade soup and fresh baguette. I spoke to one resident, Ian, who explained that the orchard is being created on previously unused green space. He’d been pushing for the creation of garden space on the estate for four years, looking for funding, and is glad the scheme is now finally up and running. Using Taplow Estate in Camden as an example, the local gardening club are already working together to apply for grants to improve other under-utilised green spaces on the estate, and BTCV hope to be able to come back later in the year to give them a helping hand.

CIMG3846

Photo: Chris Speirs

The Community Orchards project is being managed by Camden Council, and BTCV’s Carbon Army have been commissioned to co-ordinate and facilitate the events. Camden Council have been canvassing local interest, with the key pre-requisite being that local residents take ownership of their new orchard. The Carbon Army are focusing on engaging as many residents from the local communities as possible in the preparation and planting. Local residents will also be offered follow-up training to ensure they know how to care for, prune and make the most of their new local food resource.

If you want to go along to the next session, check out the website and sign up, everyone is welcome. You won’t regret it one bit, especially on a groggy Saturday morning.

Categories ,Adelaide Road, ,BTCV, ,camden, ,Camden Council, ,Carbon Army, ,Cherry Tree, ,Community Orchard, ,gardening, ,local food, ,Orchard, ,Taplow Estate, ,Vanessa Morris

Similar Posts:






Amelia’s Magazine | Community Orchards

The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, about it site exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, sildenafil exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, mind exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
espalier tree fruit
Illustration by Vanessa Morris

Planting trees is EXHILERATING! So so underrated. Last Saturday I was gardening for the first time in my life at the Community Orchards project, online organised by BTCV’s Carbon Army and managed by Camden Council.  I mentioned the project briefly in my Green Gyms feature a couple of weeks ago.  BTCV have 22 dates scheduled to plant ten orchards in housing estates and sheltered housing across Camden. The project’s aim is to promote local interest in food growing and provide the opportunity for community groups to develop communal gardening projects. Gardening and growing your own food is great, prostate as I discovered, find and it doesn’t only have to be for people with their own gardens.
CIMG3845

Smiles all round.  Photo by Chris Speirs.

I went along last Saturday to Taplow Estate in Camden, to witness how the scheme works. Feeling rather worse for wear, I was convinced I’d only stay for an hour or two and then go home to sleep. Being hung-over does not exactly get you in the mood for planting community gardens. Or so I thought. Fast forward to four hours later, and I was feeling energised, ridiculously happy, surrounded by great people, and I’d planted the first tree I’ve ever planted IN MY LIFE! Everyone should try this truly underrated source of pure joy at least once in their lives, however hippy you may previously have thought that sounds. Do it in the name of food democracy, fitness, and plain old happiness. I mean it.
CIMG3839

Photo: Zofia Walczak

My first task after I’d met the group of 20-or-so volunteers, who were already busy at work, was to help in the removing of turf from one side of the green area. After this the soil was turned over and mixed with compost to get it ready for planting seeds. It is unbelievable how clueless I felt when I was given a huge heavy spade. Yes, a spade. That humble tool you’d think you’d know how to use. The others were quick to help me though and within two hours I went from total cluelessness to being able to plant a cherry tree, by myself!! My arms and back once again felt like they were getting the best workout they’ve ever had. Goodbye push-ups and weights, hello spades, forks and hoes.
CIMG3841

Photo: Zofia Walczak

Lunch was served to us by residents of the estate: delicious homemade soup and fresh baguette. I spoke to one resident, Ian, who explained that the orchard is being created on previously unused green space. He’d been pushing for the creation of garden space on the estate for four years, looking for funding, and is glad the scheme is now finally up and running. Using Taplow Estate in Camden as an example, the local gardening club are already working together to apply for grants to improve other under-utilised green spaces on the estate, and BTCV hope to be able to come back later in the year to give them a helping hand.

CIMG3846

Photo: Chris Speirs

The Community Orchards project is being managed by Camden Council, and BTCV’s Carbon Army have been commissioned to co-ordinate and facilitate the events. Camden Council have been canvassing local interest, with the key pre-requisite being that local residents take ownership of their new orchard. The Carbon Army are focusing on engaging as many residents from the local communities as possible in the preparation and planting. Local residents will also be offered follow-up training to ensure they know how to care for, prune and make the most of their new local food resource.

If you want to go along to the next session, check out the website and sign up, everyone is welcome. You won’t regret it one bit, especially on a groggy Saturday morning.

Categories ,Adelaide Road, ,BTCV, ,camden, ,Camden Council, ,Carbon Army, ,Cherry Tree, ,Community Orchard, ,gardening, ,local food, ,Orchard, ,Taplow Estate, ,Vanessa Morris

Similar Posts: