Amelia’s Magazine | Happy Birthday Grow Heathrow

Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.
Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.

Krystof Strozyna has been on my radar for what seems like forever in fashion… which in practice means a couple of years – ever since we wrote about him in the print version of Amelia’s Magazine, generic visit this shortly after his graduation from Central Saint Martins in 2007. Which makes it all the more annoying that we don’t receive proper tickets to his shows. I hate e-invites, information pills I really do. I always forget to print them out which usually means I forget to attend the show (I need tickets IN MY HANDS during LFW – there’s just too much to juggle otherwise) and they’re invariably no good for anything better than standing. Basically, viagra they just don’t cut it.

Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.
Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.

Luckily my face is so well known around Fashion Scout that I can usually slide into any show with no problem. So it was that I got cajoled in to see Krystof Strozyna‘s A/W collection – well, it didn’t take much to be honest. Apparently Kimberly Walsh was there too, flying the flag for Girls Aloud during a rare break for Nicola Roberts. I can imagine her curves would suit his sexy 80s inspired draped tailoring a little better anyhow.

Krystof Strozyna A/W 2011 by Matilde Sazio
Krystof Strozyna A/W 2011 by Matilde Sazio.

For the most part this collection did not disappoint, featuring tailored black and flesh tones combined with undulating shades of ruched blue chiffon. A little more awkward was a one legged dress – maybe a good idea in practice but somewhat inelegant on the catwalk.

Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.
Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.

The winning numbers were undoubtedly Krystof Strozyna‘s gorgeous neon fractal prints, which brought a splash of welcome colour to the ubiquitous Little Black Dress… and a devastating punch delivered by the liberal use of acidic orange. Red may have been the favoured highlight of many an A/W collection but on the strength of this I’m voting for vibrant orange. Yum yum.

Krystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia GregoryKrystof Strozyna A/W 2011. Photography by Amelia Gregory
Krystof Strozyna A/W 2011. All photography by Amelia Gregory.
Grow Heathrow by Rebecca Peacock
Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, link a great big YES in the face of so many NOs.

We Won! Grow Heathrow by Sam Parr
We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, stomach hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

YouTube Preview Image

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Categories ,Climate Camp, ,community, ,Direct Action, ,Firecatcher, ,gardening, ,Grow Heathrow, ,heathrow, ,P.E.D.A.L., ,Palestine, ,Plane Stupid, ,Rebecca Peacock, ,Reclaim the Fields, ,Sam Parr, ,sipson, ,squatting, ,sustainability, ,Third Runway, ,Transition Heathrow, ,transition towns, ,You and I Films

Similar Posts:






Amelia’s Magazine | Flat vegetables.

Having spearheaded the new London folk scene with their debut album, there medical Noah and the Whale are back with their hands full up, releasing a new single, album and film out this summer. We talk school plays, Daisy Lowe, weddings, gardening, Werner Herzog in the studio with the effortlessly charming frontman, Charlie Fink.

0819%20noah3.jpg
Photos by Katie Weatherall

Amelia’s Mag: You’ve got a whole host of new releases coming up – single, album, film – how are you feeling about it all, happy/nervous/excited?

Charlie Fink: All of the above… I dunno, we did the album so long ago… From the last album, I realised the only satisfying feeling you’re going to get is the feeling you get when you’ve finished it and you think it’s good, that’s the best it gets. Reading a review of somebody else saying it’s good is good to show off to your mum, but it doesn’t really mean anything. Likewise, if there’s something you believe in and someone says it’s bad, you’re still going to believe in it.

AM: And the live shows must add another dimension to that?

CF: Yeah. What I’m excited about really is that this record realises us as a band more than the previous one. So that’s going to be really exciting to go out and play that live to people.

AM: And is there anything in particular that has done this or has it been the natural progression of the band?

CF: It’s a million small things, from us playing together more, us growing up, learning our trade a bit better, from what happens in lives and the records you listen to. I very much try to rely as much as I can on instinct and satisfying myself. And this is not a selfish thing because the only way you can supply something worthwhile to somebody else, is if you’re totally satisfied with it yourself. Doing the right things for us and hoping that’ll transfer to the audience.

AM: Was there anything in particular you were listening to whilst making the record?

CF: The things I’m listening to now are different from the things I was listening to when I wrote the record. When I first started the record, I was listening to ‘Spirit of Eden’ by Talk Talk, which is a different sounding record to what we did. Nick Cave, lots by Wilco

AM: So tell me about the film, ‘The First Days Of Spring’, that accompanies the album (of the same name)… which came first?

CF: The first thing was the idea of a film where the background and the pace was defined by an album. But it totally overtook my whole life. It’s one of those things you start for a certain reason and then you keep going for different reasons. The inspiration was sort of how people don’t really listen to albums anymore, they listen to songs. We wanted to try making an all emersive record where the film puts people into it. We’re not dictating that this should be the only way people listen to music, we just wanted to offer something alternative. On a lot of records these days, you don’t feel like the unity of the album gives it more strength than each individual song. Whereas with this record, the whole thing is worth more than the individual parts. That’s how I see it anyway.

The First Days Of Spring Teaser from charlie fink on Vimeo.

There’s this quote from I think W. G. Collingwood that says, ‘art is dead, amusement is all that’s left.’ I like the idea that this project, in the best possible way, is commercially and in lots of other ways pointless. It’s a length that doesn’t exist. It’s not a short film or a feature, it’s 15 minutes and the nature of it is that it’s entirely led by its soundtrack. It’s created for the sake of becoming something that I thought was beautiful.

AM: And Daisy Lowe stars in it, how was that?

CF: She’s an incredibly nice and intelligent person. I met with her in New York when we were mixing the album and I told her I was doing this film… She was immediately interested. And her gave her the record as one whole track which is how I originally wanted it to be released. Just one track on iTunes that had to be listened to as a whole and not just dipped into. She sent me an email two weeks later, because she’s obviously a very busy person. With her listening to the album, a kind of live feed of what she thought of it. Making a film and having her was really good because she kept me motivated and passionate. She genuinely really took to this project. The whole cast as well, everyone really supported it and it was a pleasure to make. I had to fight to get it made and understood. It’s one of those things that people either passionately disagree with or agree with. From thinking it’s absurdly pretentious or beautiful. Fortunately all the people working on the film were passionate people.

AM: So is film making something you want to continue with?

CF: Yeah, definitely! At some point I’d like to make a more conventional film. The thing that really stuck with me about making a film was surround sound. When you’re mixing a film, you’re mixing the sound in surround because you’re mixing for cinemas. You realise the potential of having five speakers around you as opposed to just two in front of you. The complexity of what you can do is vast. So I’d love to something with that. If you record in surround sound you need to hear it in surround sound, so maybe some kind of installation… Then another film after that…

AM: You’ve been put into a folk bracket with your first album, is that something you’re ok with?

CF: I like folk music, I listen to folk music but then every folk artist I like denies they’re folk. It’s one of those things, it doesn’t really matter. We played last year at the Cambridge Folk Festival and I felt really proud to be a part of that. It’s a real music lovers festival. That was a really proud moment so I can’t be that bothered.

AM: I recently sang your first single, ‘5 Years Time’, at a wedding, do you ever imagine the direction your songs may go after you write them?

CF: Wow. That’s really funny. I’ve had a few stories like that actually. It’s touching but it’s not what I’d imagine.

0819%20noah2.jpg

AM: Do you write songs in that way? Some bands set out to write a love song, dance song etc…

CF: I can’t really remember how I write… I was writing last night but… do you drive?

AM: I just recently failed my test.

CF: Perfect! Well, you know when you start driving you have to think through everything – put my foot on the clutch, take it off the clutch etc. Then when you’ve been doing it a while, you just do all those things without even knowing you’ve done them. That’s how it feels with songwriting, I can’t really remember doing it. It just happens how it happens. Or like gardening… you’ve just gotta chop through and it’ll come.

AM: Is being in a band everything you imagined it to be?

CF: For me it’s more about being creative. I do some production for people, the band, the writing and now the film. I just love what I do and just keep doing it. I follow it wherever it goes. The capacity I have for doing what I do is enough to make it feel precious.

AM: So are there any untapped creative pursuits left for you?

CF: At the moment what I’m doing feels right. I never had any ambitions to paint. I don’t have that skill. I think film and music have always been the two things that have touched me the most.

AM: So how about acting?

CF: I did once at school when I was 13. I played the chancellor in a play the teacher wrote called ‘Suspense and a Dragon Called Norris.’ Which had rapturous reactions from my mum. I don’t think I could do that either. When you direct though you need to understand how acting works. It’s a really fascinating thing but I don’t I’d be any good at it.

AM: Do you prefer the full creative potential a director has?

CF: The best directors are the ones that build a character. Building a character is as important as understanding it. It needs major input from both the director and the actor. You can’t just give an actor the script and expect it to be exactly right. You need to be there to create the little details. The way they eat, the way they smoke… That’s an important skill.

0819%20noah1.JPG

At this point, Charlie asks me about a note I’d made on my reporter’s pad, which was actually a reminder about a friend’s birthday present. Which draws the conservation to a close as we recite our favourite Werner Herzog films. Turns out, he shares the same taste in film directors as my friend.

Monday 24th August
Mumford and Sons
The Borderline, more about London

UK’s answer to Fleet Foxes, online Mumford and Sons, visit this celebrate their music video to the first single off their debut album in North London tonight.

Mumford-and-Sons-otw.jpg

Tuesday 25th August
Wilco
The Troxy, London

If Charlie from Noah and the Whale tells us he likes Wilco, then we like Wilco. It’s as simple as that. It’s time to get educated.

wilco_2008.jpg

Wednesday 26th August
The Hot Rats
The Old Blue Last, London

Otherwise known as half of Supergrass plus hot shot Radiohead producer, The Hot Rats get their kicks taking pop classics by, amongst others, The Beatles and The Kinks and infusing their own alt-rock psychedelica – worth a gander.

The%2BHot%2BRats%2BCool%2BHat.jpg

Thursday 27th August
KILL IT KID
Madam Jo Jos, London

Their blend of durge blues, barndance and freestyle frenzy jazz blues make KILL IT KID a gem to behold in a live setting.

kill%20it%20kid.jpg

Friday 28th August
Swanton Bombs
Old Blue Last, London

If you like your indie adorned in Mod and brimming with angularity, then Swanton Bombs will be pushing the trigger on your buttons.

swanton%20bombs.jpg

Saturday 29th August
South East in East Festival – Teenagers In Tokyo, Tronik Youth, Ali Love, Publicist
Vibe Bar, London

It’s all about South East London – full stop. In this cunning event, it up sticks to East London, where synth-pop Gossip descendents, Teenagers In Tokyo headline a night of New X Rave.

teenagersintokyo.jpg

Sunday 30th August
The Gladstone Open Mic Night
The Gladstone, London

As it’s Bank Holiday Weekend and all the bands are at Reading/Leeds Festival, London is starved of big gigs. No fear, The Glad is here – A little known drinking hole in Borough that continually serves up a plethora of folkey talent… and pies!

moonmusicorchestra.jpg
Sunderland born designer Rosie Upright is truly passionate about design. Aren’t we all I hear you say? Well, health she’s up, recipe all hours, medical day or night… cutting away with her trusty stanley knife… stopping only when her numb fingertips plead for rest. Do your fingertips bleed? I thought not! Rosie developed her unique hand-crafted techniques whilst at university in Epsom, where she learnt all the usual computer design programs… and then decided to steer clear of them. She’s fled the suburbs of Epsom now, to live in London town with all the other hopeful new freelancers. She spends her days photographing, drawing, organising balls of string… and deciding what hat to wear.
We caught up with Rosie for a little chat…

Rosie-fightforyourright.jpg

Hi, how are you today?

I’ve got a bit of a sore throat coming on, the irritating children over the road are noisily playing some kind of shooting game, a car is beeping its horn continuously just below my window, itunes is refusing to play anything other than Billy Idol (which I’m not in the mood for), my coloured ink cartridge has just ran out, I’ve got a blister from my favourite pink shoes, an uninvited wasp is stuck in my blinds, my ginger hair has faded to a weird brown, I forgot to buy milk and Ronnie Mitchell is still crying on Eastenders – but apart from that I’m topper thanks.

What have you been up to lately?

Fingers in pies, fingers in pies!
Including…cross-stitch and a week in a cottage in Norfolk (no telephone signal or internet connection, bloody lovely!)

Which artists or illustrators do you most admire?

I don’t think I would have done a degree in graphic design if my ever-encouraging parents hadn’t taken me to a Peter Saville exhibition at the Urbis in Manchester many moons ago. Made me see the ideas process at its very best and the crucial-ness (that’s not even a word!) of initial doodles and sketchbooks.
“Be who you are and say what you feel because those who mind don’t matter and those who matter don’t mind.” Where would any of us be if it weren’t for Dr Seuss?
I really love a bit of Russian Constructivism, in particular Alexander Rodchenko and Varvara Stepanova, bloody genius.
Mr Vaughan Oliver, for making us all think differently about where to crop the image, for being an ongoing influence and for that opportunity.
Harry Beck, Robert Doisneau and most recently Philippe Petit.

RosieUpright-cut%20out.jpg

If we visited you in your hometown, where would you take us?

Stroll down to Seaburn beach because when you don’t live next to the sea anymore you really miss it, and it has really nice sand. Then to my very best friend Sarah Bowman’s house, to play with Peggy Sue the kitten, have mental vegetarian sandwiches off a cake stand, and a glass of red wine, ice cubes and coke. We should pop to an art shop in Darlington and then to The Borough, the best pub for tunes, a pint of cider and a Jaeger bomb.

RosieUpright-fragile.jpg

Who would most love to collaborate with creatively?

Mike Perry and YES art studio please. Thank you.

When did you realise you had creative talent?

When some hippy artist came into my junior school to create banners for some event at the local library with us. I was told after five minutes of colouring it in that I had to go away and read because I couldn’t keep within the lines.

RosieUpright-wood%20pigeon.jpg

If you weren’t an artist, what would you be doing?

A teenage Mam or an actress, haven’t decided which yet.

Where would you like to be in 10 years time?

I’d like to be the designer than graphic design students hate because their tutors always tell them to get their book out of the Uni library. And I’d quite like to have my own shop in London, Brighton or maybe Newcastle (or all three, and maybe Paris then if we’re going crazy) selling things made by me!

What advice would you give up and coming artists such as yourself?

Take other peoples advice but make your own mistakes, don’t be a dick and always colour outside of the lines.

RosieUpright-mouth%20shapes.jpg

How would you describe your art in five words?

Hand made/ typography/ narrative/ personal/ I’d like to say idiosyncratic too but don’t want to sound like a twat.

What is your guilty pleasure?

Seeing people fall over.
(and cake)

RosieUpright-1final.jpg

If you could time travel back or forward to any era, where would you go?

It was horrific enough moving away to University and into London and trying to find a job and start my life up. I think if I had to go backward or forward to another era I would probably just straight up die. Having said that though I would like to be a highwayman’s assistant.

Tell us something about Rosie Upright that we didn’t know already.

I can’t wait till I’m an old lady so I can wear those lacy nighties from Marks & Sparks and I love animals in clothes.

What are you up to next?

Going to make a cuppa tea, kill this wasp and then take over the world.
While most of us at the tender age of 19 rooted our existence in smacking down vodka jelly shots at the bar with kebabs at four in the morning and the Hollyoaks omnibus on a Sunday, pilule some people, of course, are born to shine in different ways. Take, for instance, London College of Fashion student Millie Cockton, somebody who has already had their work featured in a shoot for Dazed and Confused, styled by Robbie Spencer.

As a lover of clean lines and beautiful silhouettes, Millie looks for the wearer to bring their own identity to her gender non-specific pieces. At the moment under new label Euphemia, with her AW09/10 about to be stocked in London boutique and gallery space Digitaria, after being chosen to be the first guest designer at the Soho store. Check out the Dazed piece to see some brilliant Shakespearian-style ruffs that Millie has also created working with paper (a material proving popular as with Petra Storrs, who I featured last week).

Each to their own, mind you. I could totally do all that, if I wanted to.

millie.jpg

At the age of 19 you’ve already received quite a lot of attention – how has that been?

It’s been great so far! It’s very flattering but its also very daunting! I am on a constant learning curve and my work is developing all the time so although the attention is great it creates a lot of pressure!

Describe your design aesthetic in three words.

Clean, sculptural, understated.

Who do you see wearing your designs? Are they reflective of your own personality?

I like to think of a real mixture of people wearing my designs. I love the way that the same garment can look completely different on different people- for me its all about the individual and how they carry themselves, bringing their own identity to the piece.

I don’t think that my designs are necessarily a true representation of my personality and personal style. I feel that my designs are more of a reflection of the aesthetic that i find desirable and aspirational.

millie2.jpg


Thinking about the ruffs featured in Dazed, people have touched on the theatrical nature of your designs – is the idea of performance important to you in fashion?

The idea of performance within fashion is something that interests me but I wouldn’t say that it’s a key element within my own designs. I like the notion of a performative element within a piece or a collection as i think that it helps gain a further understanding and insight of the designers thought process and inspiration.

What else do you respond to?

I am constantly discovering new sources of inspiration, being so young I know that I still have so much to learn!

Who are your fashion icons?

Yves Saint Laurent, Katherine Hepburn, Grace Jones.

millie3.jpg

Is craft something else you’re interested in too?

I like to use elements of craft within my designs, such as origami style folding. Craft elements can add interesting details to simple pieces.

What are your plans for the future? Who would you like to work for?

I am about to launch my new collection which will be stocked in Digitaria, recently opened on Berwick St, Soho. I have just started to work with Digitaria’s creative director , Stavros Karelis and stylist Paul Joyce on some future projects which are really exciting and I am thoroughly enjoying. I want to continue learning and developing my ideas, challenging myself and most importantly keep having fun!

red_trousers_silver_harness.jpg

‘Having fun’ of course might well translate to ‘becoming future fashion empress of the galaxy’. This is a talent to watch out for.

Photographs:George Mavrikos
Styling: Paul Joyce
Model: Antonia @ FM models

CC-poster-blog.jpg
Image by Mia Overgaard

The Camp for Climate Action 2009 is almost upon us – now’s the time to gather ourselves and prepare to swoop. Convinced that the response to climate change needs more? Ready to share skills, stomach knowledge and experiences? To be part of the grassroots swell of people demanding a difference? To get out there and do something?

Climate Camp is for you.

Be ready next Wednesday, 12th August, from noon, in London. We’re going to swoop on the camp location together. The more people the better. Secret until the last moment, you can sign up for text alerts and join one of the groups meeting scattered about central London before moving together to the camp.

Why Camp? We can all meet each other and learn stuff – reason enough? – I mean, an enormous, public, activist-friendly child-friendly student-friendly climate-friendly gathering with an ambitious and well-prepared programme of workshops covering all things from Tai Chi for those of us up early enough, through histories student activism, DIY radio, pedal-powered sound systems, legal briefings, stepping into direct action, singing, dancing, jumping and waving.

0819%20camp%20birdflock.jpg

Why London? Climate Campers have listed ten reasons to focus on London – right up the top of that list is : tall buildings and low flood plains. London is big corporate central, the City square mile itself accounting for a huge proportion of the UK economy, that FTSE100-flavoured slice of barely accountable, shareholder driven pie. And yet, as the Thames Barrier should always remind us, the whole city sits low on the ground. Just check out what the centre looks like with a few metres rise in sea level.

So what’s first? The Climate Camp Benefit party/shindig/jamboree/palooza/knee’s-up/gala ball/discotheque/rave/soiree at RampART, 9pm-3am this Friday 21st August. Consisting of fun/revelry/ribaldry/tomfoolery/jocularity/jive/merriment/high kinks, low jinks, jinks of all stature/cheer/gambol/horseplay & frolic. With bands & DJ’s including Rob the Rub & Sarah Bear & those amazing skiffle kids ‘The Severed Limb’. That’s at:

9pm-3am
rampART, 15 -17 Rampart Street,
London E1 2LA (near Whitechapel, off Commercial Rd)
Donations on the door much appreciated (and needed!) – all going straight to Climate Camp

And then? The Swoop – Night Before – Londoners and out-of-town visitors are welcome to ‘the night before the swoop’ – near the bandstand in Lincoln’s Inn Fields, 7-8.30pm, Tuesday 25th August – for any last minute info, a legal briefing and an opportunity to join an affinity group and get excited. Lincoln’s Inn Fields is just behind Holborn tube station – this map here might help.

Awesome. See you soon.

ColorTripod-blog.jpg
Ctrl.Alt.Shift dropped us a line to let us know about a comics-making competition so get your promarkers and layout pads at the ready. Ctrl.Alt.Shift Unmarks Corruption is giving you the opportunity to design a unique comic style story. Ctrl.Alt.Shift is the experimental youth initiative politicising a new generation of activists for social justice and global change. The competition hopes to raise awareness of the Ctrl.Alt.Shift and Lightspeed Champion goals and views by inspiring this generation of designers to work together.

COMICA.FLYER_AW.jpg

Oscar nominated Marjane Satrapi, medical V V Brown and Lightspeed Champion are amongst the judges for the Ctrl.Alt.Shift Unmasks Corruption competition launched today. Corruption is both a cause of poverty, and a barrier to overcoming it. It is one of the most serious obstacles to eradicate.

Persepolis3.jpg

Entrants to the competition will be in with the chance to create a unique comic style story in collaboration with acclaimed musician and writer Dev Hynes aka Lightspeed Champion. After the first round of judging at the end of September, shortlisted entrants will be given Lightspeed Champion’s comic script as inspiration and asked to create a visual adaptation of the story.

COMICA_A5_FLYER_AW.jpg

The winning commission will be published in a comic alongside new work exploring the issue of Corruption by some of comic’s greatest talents. The work will also be showcased as part of a new exhibition, Ctrl.Alt.Shift Unmasks Corruption, later this year at Lazarides Gallery, Soho.
To enter the competition please send relevant examples of your visual work along with your contact details to Ctrl.Alt.Shift by Friday 25th September by visiting www.ctrlaltshift.co.uk/unmaskscorruption.

ctrl.alt.shirt.jpg

Five short listed artists will then be given a comic brief to respond to and a winner chosen by a panel of judges including: Marjane Satrapi (Writer and Director of Academy Award Nominated Animated Film Persepolis) Paul Gravett (Comica founder), V V Brown and David Allain (Musician and Comic Book Writer/Artist duo), Lightspeed Champion and Ctrl.Alt.Shift.

The competition is restricted to UK Residents only
For further information about the competition please contact John Doe on 020 7749 7530 or Hannah@johndoehub.com / Jo.bartlett@johndoehub.com
Brooke Roberts is my favourite new designer. Why? Well, more about after exchanging several emails with her over the last few weeks, for sale for a young designer making such waves in the industry, her witty and playful personality has impressed even via my inbox! Having worked with such characters such as Louise Goldin and Giles, her avant- garde aesthetic really shines through in her highly tailored and retro-feel designs. Miss Roberts is going places, and she’s more than willing to take us along with her!

brooke3.JPG

What made you want to be a designer? What’s your design background?

I’m definitely not one of those designers who always knew that’s what they wanted to do. I did a degree in Applied Science at Sydney University (I’m from Australia) and worked as a radiographer for a year before moving to London to find out what I wanted to do. I did some work as a stylist with a fashion photographer (random hook-up). I knew his girlfriend and she knew my massive extensive collection of vintage clothes and shoes. My mum had a boutique when I was growing up and I loved clothes – I just never knew it was going to be my career.

I did a few jobs in London (pub, bank – more randomness) before realising I wanted to study fashion. I went to London College of Fashion and Central St.Martins (graduated 2005) wanting to be a pattern-cutter or tailor. I really wanted to create, rather than design. I get most satisfaction from making beautiful things and being involved in the whole process. I have a close working relationship with my suppliers, and go to the factories to develop my garments. I cut them all myself, which is probably bordering on control freakery, but I feel it shows in the final product and I can realise my designs exactly as I imagine them.

I’m waffling. I worked for Giles for two seasons after I left Uni, and started with Louise Goldin when she launched her label. We worked together for three years (until last October when I launched my label).

What are your inspirations for your collections?

I get lots of inspiration from my radiography job (I do that part-time to fund my label). So I’m running between the hospital and my studio all the time. I have used CT (cat) brain scans this season to create knit fabrics and digital prints. My obsession with reptile skins never seems to go away, and I have worked with Anwen Jenkins (awesome print designer) to create skull slice python skin prints. Basically, the python scales are replaced with multi-dimensional skull slices.

Apart from that, I research at museums and LCF Library. This season went to the British Museum and discovered Yoruba sculpture and traditional costumes. I researched these for silhouette and style lines. I also looked at Niger garments. They’re beautifully colourful, vibrant and flamboyant.

brooke%201.jpg

What are your favourite pieces from your latest collection?

Umm. I wear the cat suit most. I actually met my boyfriend the first time I wore it. So I’m renaming it Lucky cat suit. I also love the Flex jacket in red snakeskin. The razor sharp points make me feel like I am ready for world domination!

What was it like working with Giles Deacon and Louise Goldin? What did you learn from them?

I learnt that I hate taking orders from others! I’m really not one to toe-the-line. I am a perfectionist and this drives other people mad sometimes. I was a pattern-cutter at Giles, doing mostly tailoring, which suited me fine. Most people wanted to do the showpieces, but I was most happy cutting jackets. Giles is a really lovely bloke. Working with him was really my first experience of doing shows and the pressure and stress of getting everything done.

With Louise, my job was broader because in the beginning it was just the two of us. I learnt so much, I can’t even write it down. I worked in the London studio and the knitwear factory in Italy. I had the opportunity to learn knitwear programming, selecting yarns and cutting and constructing knit. I still work in the factory for my own label and really love it. The other big thing was learning about running a business and starting from scratch. The hoops you have to jump through, the process of getting sponsorship, doing shows, sales and production… It’s a massive undertaking starting your own label. And I still chose to do it! Bonkers.

brookegood.JPG

Who do you think are the most important designers of your generation?

Hmm. Well, I like the work of Tina Kalivas and Gareth Pugh. If we’re talking most important, it has to be Gareth.

I’m really a lover of 80′s and 90′s designers. I find the work of Gianni Versace, Thierry Mugler and Rifat Ozbek most relevant to my style and most exciting.

What do you think are the problems facing young designers at the moment?

The biggest problems are funding and dealing with suppliers, particularly for production. Creating a beautiful product that you can reproduce is actually really difficult! You need to understand the technicalities of fabrics and construction (or hire someone who does) otherwise it all goes wrong.

brookegood2.JPG

What’s next for Brooke Roberts?

In fantasy land, what’s next for Brooke Roberts is a holiday. In reality, I’m working hard on marketing and sales for London Fashion Week. I’m collaborating with jewellery designer Chris Edwards and shoe and bag designer Laura Villasenin on side projects for the label. Look out for skull slice stacked rings and metal bone-fixation embellished super-soft bags for SS10!!

Find Brooke stocked at the King and Queen of Bethnal Green.

Not slim tomatoes, viagra dosage narrow cucumbers or squashed, um, squashes – no, we’re talking about digging for victory in our own meagre abodes. With allotment waiting lists stretching beyond a century in Hackney and not many of us owning the half-county some how-to books seem to assume, options on grow-your-own approaches might look limited. But before you get the howling fantods at the piling impossibilities. As those of you who read the Amelia’s Magazine review of Growing Stuff (an Alternative Guide to Gardening) will know well, even the meagrest city apartment can burst forth in cornucopic life.

0820%20max%20gardening3.jpg
Illustrations by Maxime Francout

And but so then it seems the thing to do is simply to get a pack of seeds and a container and get growing, no hesitation about it. If a brief pause in favour of screenreading sounds like it could lead to better inspiration, I entreat you, read on. There’s a glut of blogs and enthusiasts all over the place to speak to or read up upon. Here are just a few of our favourites.

Life on the Balcony tells Fern Richardson’s encounters with gardens small and smaller, great for fresh faces and old hands alike, with an awesome friendly dirt cheap ways to garden.

Carrie, of Concrete Gardening blogging fame (true in a juster world), digs organic urban gardening, and has gotten into gardening without the erm, garden, since buying a house in the city (Philadelphia) and sees all the possibilities of planting up, sideways and over – just recently blogging about taking things to the next level and climbing up on her roof to plant out veggies, seedlings to sit and soak up sun.

0820%20max%20gardening1.jpg

Herbs and Dragonflies is written by a group set up by Kathy Marshall back in 2008 for the Pudsey Carnival and have been creatively, craftily planting since, encouraging others to get their green fingers dirty – doing activities with children and volunteering about the place. Most recently, they encouraged us blog-readers to leave the comfort of plastic planters and terracotta pots – most anything can sit with some soil in it. They suggest novelty Cadbury’s Fingers tins, I’ve used fancy jamjars, and seen anything from skips to wellington boots enlisted in the service of greenery.

Emma Cooper (I’m cribbing now from the ‘Growing Stuff’ contributor biogs page) lives in Oxfordshire with two pet chickens – Hen Solo and Princess Layer – and six compost bins. She has written an ‘Alternative A-Z of Kitchen Gardening’, which Karen Cannard The Rubbish Diet reckons is ‘an inspirational tour of an edible garden that can be recreated in the smallest of backyards. An essential guide for a new generation of gardeners who are keen to join the kitchen garden revolution.’And she blogs about anything from compost to pod plants to the future of food…

0820%20max%20gardening2.jpg

Madeleine Giddens loves herbs, which I guess you’d guess from the name of her blog – Mad About Herbs. But there’s nothing off the wall about any of it, she’s plunged into an obsession and come out smelling of roses and lavender, buzzing about bees too, recently, and their favourite flowers.

So there you have it, just a few spots and pointers. Good evening, and wishes for a fruitful weekend from Amelia’s Magazine.

Categories ,apartment, ,flat, ,gardening, ,green, ,growing, ,urban, ,vegetables

Similar Posts:






Amelia’s Magazine | Community Orchards

The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, about it site exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, sildenafil exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, mind exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
espalier tree fruit
Illustration by Vanessa Morris

Planting trees is EXHILERATING! So so underrated. Last Saturday I was gardening for the first time in my life at the Community Orchards project, online organised by BTCV’s Carbon Army and managed by Camden Council.  I mentioned the project briefly in my Green Gyms feature a couple of weeks ago.  BTCV have 22 dates scheduled to plant ten orchards in housing estates and sheltered housing across Camden. The project’s aim is to promote local interest in food growing and provide the opportunity for community groups to develop communal gardening projects. Gardening and growing your own food is great, prostate as I discovered, find and it doesn’t only have to be for people with their own gardens.
CIMG3845

Smiles all round.  Photo by Chris Speirs.

I went along last Saturday to Taplow Estate in Camden, to witness how the scheme works. Feeling rather worse for wear, I was convinced I’d only stay for an hour or two and then go home to sleep. Being hung-over does not exactly get you in the mood for planting community gardens. Or so I thought. Fast forward to four hours later, and I was feeling energised, ridiculously happy, surrounded by great people, and I’d planted the first tree I’ve ever planted IN MY LIFE! Everyone should try this truly underrated source of pure joy at least once in their lives, however hippy you may previously have thought that sounds. Do it in the name of food democracy, fitness, and plain old happiness. I mean it.
CIMG3839

Photo: Zofia Walczak

My first task after I’d met the group of 20-or-so volunteers, who were already busy at work, was to help in the removing of turf from one side of the green area. After this the soil was turned over and mixed with compost to get it ready for planting seeds. It is unbelievable how clueless I felt when I was given a huge heavy spade. Yes, a spade. That humble tool you’d think you’d know how to use. The others were quick to help me though and within two hours I went from total cluelessness to being able to plant a cherry tree, by myself!! My arms and back once again felt like they were getting the best workout they’ve ever had. Goodbye push-ups and weights, hello spades, forks and hoes.
CIMG3841

Photo: Zofia Walczak

Lunch was served to us by residents of the estate: delicious homemade soup and fresh baguette. I spoke to one resident, Ian, who explained that the orchard is being created on previously unused green space. He’d been pushing for the creation of garden space on the estate for four years, looking for funding, and is glad the scheme is now finally up and running. Using Taplow Estate in Camden as an example, the local gardening club are already working together to apply for grants to improve other under-utilised green spaces on the estate, and BTCV hope to be able to come back later in the year to give them a helping hand.

CIMG3846

Photo: Chris Speirs

The Community Orchards project is being managed by Camden Council, and BTCV’s Carbon Army have been commissioned to co-ordinate and facilitate the events. Camden Council have been canvassing local interest, with the key pre-requisite being that local residents take ownership of their new orchard. The Carbon Army are focusing on engaging as many residents from the local communities as possible in the preparation and planting. Local residents will also be offered follow-up training to ensure they know how to care for, prune and make the most of their new local food resource.

If you want to go along to the next session, check out the website and sign up, everyone is welcome. You won’t regret it one bit, especially on a groggy Saturday morning.

Categories ,Adelaide Road, ,BTCV, ,camden, ,Camden Council, ,Carbon Army, ,Cherry Tree, ,Community Orchard, ,gardening, ,local food, ,Orchard, ,Taplow Estate, ,Vanessa Morris

Similar Posts:






Amelia’s Magazine | Community Orchards

The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, about it site exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, sildenafil exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
The inaugural round of graduates from London College of Fashion’s new MA course entitled Fashion and the Environment, mind exhibited their findings this weekend within the Southbank Centre’s Queen Elizabeth Hall.

P2012400Image courtesy of Rachael Oku depicting the work of Shibin Vasudevan.

The students have taken a variety of approaches to tackle their environmental concerns with the fashion industry, some more successful than others. I wasn’t totally convinced by the practicality and wearability of Shibin Vasudevan’s shirts made from the contents of a hoover bag, though they were very visually stimulating. I was really excited by a number of projects including Shibin’s as his idea was highly innovative.

handheadheartHandheadheart collection image, courtesy of Anna Maria Hesse.

Anna Maria Hesse utilised her background in knitwear and deep interest in sustainable fashion to produce a collection entitled ‘handheadheart’ that discourages consumerism. Her beautifully subtle, draped garments are made to be worn in a variety of ways – so a top is a dress is a skirt. Her thinking is thus: the more ways you can wear one garment, the less garments you need to buy, and they are timeless, the opposite of disposable fashion. Both the traceability and sourcing of the raw materials used are important to Hesse, who uses only pure alpaca wool farmed sustainably within the UK – resulting in luxuriously soft and hardwearing fibres. The resulting garments are beautiful and wearable, and most importantly have been created to last a lifetime.

handheadheart2Handheadheart collection image, courtesy of Anna Maria Hesse.

I was impressed with both the concept and design behind Julia Crew’s collection of man bags labelled i.did.nee.ken (taken from the Scottish colloquialism meaning ‘I didn’t know’). Taking a threefold approach to the design process, Julia has ensured each product fits the criteria of a) durable design b) responsible sourcing and c) sustainable lifestyle. Essentially the bags are made to last, they have a low environmental impact and they can be used as part of a sustainable lifestyle. Designed with the concerns and requirements of a cyclist in mind, the i.did.nee.ken accessories are urban, utilitarian, and feature beautiful soft leather combined with waxed canvas, with graphical touches such as the reflective material around zips – ticking every box a cyclist could ask for.

backpackBackpack courtesy of Julia Crew, photographer Sally Cole.

Another project that interested me was that of Energy Water Fashion. With an aim to create directional garments made from lovely fabrics such as Lamb’s wool and Merino, Energy Water Fashion creates garments that are naturally odour resistant therefore requiring less washing and general maintenance. The designer, Emma Rigby’s environmental concerns relate to the exorbitant figures regarding how much water we use in laundering our clothes (mentioned at length in Amelia’s magazines coverage of the LCF Centre for Sustainable Fashion’s Fashioning The Future Awards, where Emma Won the prestigious award in the Water category). Successfully designing a capsule wardrobe that offers real solutions in reducing our water consumption, there seems no end to Emma’s talents.

P2012385Emma Rigby presentation, photographed by Rachael Oku.

By staging exhibitions like this for the public, it’s good to know that Fashion colleges and indeed designers alike are addressing the need to develop more sustainable, less environmentally impacting methods. There are now a growing number of fashion labels devoted to seeking out cleaner, greener processes, which is great to see. I am continually impressed by two companies in particular whose truly sustainable approach and great designs mean consumers don’t have to choose between looking good and staying true to their environmental conscience and ethics.

Outdoor lifestyle brand Howies produce simple, functional pieces and pay attention to the little details. They use only the best in organic cotton, hemp and sustainable materials such as Merino and Lamb’s wool. The second brand is fair-trade fashion label People Tree, who offer a wide range of affordable fashion forward garments with a continual offering of designer collaborations including Richard Nicholl, Jessica Ogden and Bora Aksu to name but a few. This season, to appeal to a younger audience Emma Watson of Harry Potter fame has collaborated on a range, of which I have my eye on the organic cotton blue and white stripe Breton top (only £25!).

breton-stripe-topBreton stripe top by People Tree, image courtesy of PR shots.

So, until these talented, forward thinking MA graduates gain backing and start producing their collections for real, there are options – getting less limited by the day.
espalier tree fruit
Illustration by Vanessa Morris

Planting trees is EXHILERATING! So so underrated. Last Saturday I was gardening for the first time in my life at the Community Orchards project, online organised by BTCV’s Carbon Army and managed by Camden Council.  I mentioned the project briefly in my Green Gyms feature a couple of weeks ago.  BTCV have 22 dates scheduled to plant ten orchards in housing estates and sheltered housing across Camden. The project’s aim is to promote local interest in food growing and provide the opportunity for community groups to develop communal gardening projects. Gardening and growing your own food is great, prostate as I discovered, find and it doesn’t only have to be for people with their own gardens.
CIMG3845

Smiles all round.  Photo by Chris Speirs.

I went along last Saturday to Taplow Estate in Camden, to witness how the scheme works. Feeling rather worse for wear, I was convinced I’d only stay for an hour or two and then go home to sleep. Being hung-over does not exactly get you in the mood for planting community gardens. Or so I thought. Fast forward to four hours later, and I was feeling energised, ridiculously happy, surrounded by great people, and I’d planted the first tree I’ve ever planted IN MY LIFE! Everyone should try this truly underrated source of pure joy at least once in their lives, however hippy you may previously have thought that sounds. Do it in the name of food democracy, fitness, and plain old happiness. I mean it.
CIMG3839

Photo: Zofia Walczak

My first task after I’d met the group of 20-or-so volunteers, who were already busy at work, was to help in the removing of turf from one side of the green area. After this the soil was turned over and mixed with compost to get it ready for planting seeds. It is unbelievable how clueless I felt when I was given a huge heavy spade. Yes, a spade. That humble tool you’d think you’d know how to use. The others were quick to help me though and within two hours I went from total cluelessness to being able to plant a cherry tree, by myself!! My arms and back once again felt like they were getting the best workout they’ve ever had. Goodbye push-ups and weights, hello spades, forks and hoes.
CIMG3841

Photo: Zofia Walczak

Lunch was served to us by residents of the estate: delicious homemade soup and fresh baguette. I spoke to one resident, Ian, who explained that the orchard is being created on previously unused green space. He’d been pushing for the creation of garden space on the estate for four years, looking for funding, and is glad the scheme is now finally up and running. Using Taplow Estate in Camden as an example, the local gardening club are already working together to apply for grants to improve other under-utilised green spaces on the estate, and BTCV hope to be able to come back later in the year to give them a helping hand.

CIMG3846

Photo: Chris Speirs

The Community Orchards project is being managed by Camden Council, and BTCV’s Carbon Army have been commissioned to co-ordinate and facilitate the events. Camden Council have been canvassing local interest, with the key pre-requisite being that local residents take ownership of their new orchard. The Carbon Army are focusing on engaging as many residents from the local communities as possible in the preparation and planting. Local residents will also be offered follow-up training to ensure they know how to care for, prune and make the most of their new local food resource.

If you want to go along to the next session, check out the website and sign up, everyone is welcome. You won’t regret it one bit, especially on a groggy Saturday morning.

Categories ,Adelaide Road, ,BTCV, ,camden, ,Camden Council, ,Carbon Army, ,Cherry Tree, ,Community Orchard, ,gardening, ,local food, ,Orchard, ,Taplow Estate, ,Vanessa Morris

Similar Posts:






Amelia’s Magazine | Earth Listings 22nd – 28th June

It’s Recycle Week! Look out for events near you.

Monday 22nd June

Voting begins for Climate Rush feminism poster.

0622%20carbon%20trade%20watch.jpg

Carbon Trading Workshop

In association with Climate Camp, come join a Carbon Trading Workshop with Kevin Smith (Carbon Trade Watch) and watch a screening of The Carbon Connection documentary.

When world leaders negotiate a new climate agreement this December, they will promote one solution above all others: carbon trading. The EU already has its own carbon trading system; in the US, Obama is working hard to push a ‘cap-and-trade’ system through Congress. But what is carbon trading? What is the theory behind it? How does it work in practice? Kevin Smith will give a critical perspective on market-based solutions to climate change.

Please email london(at)climatecamp.org.uk to book a place.
19.00 – 21.00
(£3 suggested donation)
BASH studio
65-71 Scrutton Street
London EC2

Tuesday 23rd June

Out of the Wasteland: Hope for a greener world

A talk with Dr Richard Chartres, part of a series in association with the City of London Festival. Looking at what hope there is for London to turn itself into an environmentally friendly city. Gresham College is an independent institution, founded by Sir Thomas Gresham in 1597, of eight professors who give free public lectures.

6.15pm, St Paul’s Cathedral, OBE chabel.
Info: Gresham College lecture list.

0622%20crude.jpg

Crude

A screening of this new documentary with director Joe Berlinger present to discuss the making of the film. Crude has been shortlisted for the International Documentary Award at the upcoming One World Media Awards. It is the inside story of the infamous Amazon Chernobyl case, which pitted 30,000 indigenous and colonial rainforest dwellers against the U.S. oil giant Chevron.

At the Flea Pit, 49 Columbia Road, London E2 7RG
7.30pm (nearest Tubes – Old Street/Bethnal Green)
Space for this screening is limited – but we’d love you to come (and there are spaces left as this blog post is going to print)! Please email contact(at)oneworldmedia.org.uk if you would like to come.

Calais No Borders Camp

This Tuesday sees the beginning of the Calais No Borders Camp, planned to continue until the 29th June. Protesting an end to borders and freedom of movement for all, building links with migrant communities, challenge the authorities on the ground, and protest against increased repression of migrants and local activists alike.

The camp will take place in the park in rue Normandie-Niemen, East Calais, France.

Cape Farewell – Andes Expedition, Peru

Working with the Environmental Change Institute, Cape Farewell are setting off on an expedition with artists and scientists to visit shrinking glaciers, cloud forests, lower forests, areas of deforestation & the Amazon. Follow them online where the crew will be sending back live updates from the trek.

0622%20cloud%20forest.jpg
Photo by scientist John Fisher, from a previous Cape Farewell expedition.

Wednesday 24th June

Seeing Myself See

The Royal Society of Arts joins Radical Nature to present neuroscientist R. Beau Lotto performing a series of experiments involving the sky, music and bumblebees. He will demonstrate how colour, vision and seeing-ourselves-see can contribute to a more empathetic view of the environment and each other.

Free. Tickets must be booked.

The Royal Society of Arts
6 John Adam Street
London WC2N

Thursday 25th June

Guerilla Gardening

Part of the Radical Nature season at the Barbican. Have you thought of the horticultural potential of neglected spaces? How can we resist urbanisation using nature? For well-rehearsed tactics, strategies and instructions join South London based guerrilla gardener Richard Reynolds, as he explores the colourful world of this illegal yet flourishing gardening movement.
Barbican Art Gallery, Redgrave Suite, Level 4
7.30pm, tickets £5, book here.

0622%20stupid.jpg

Age of Stupid

Another chance to catch the Age of Stupid, directed by Franny Armstrong (McLibel, Drowned Out), with Pete Postlethwaite as the last guy alive in a climate-fried world.
At the Haringey Independent Cinema (map), 7pm

Friday 26th June

Eco-Design Summer Fair

Eco-Design Fair over the weekend presenting many contemporary designer-makers focussing on sustainable design processes.

Friday evening Recycling party special: multi-media event with design, fashion, music, DJ’s and more. Organic drinks and food, an eco street chic styling area, eco and vegan fashion and beauty.

Times: Friday 5pm – 9pm; Sat & Sun 10am – 6pm
Free entry with a donation of an old mobile phone
Dray Walk Gallery, Dray Walk, The Old Truman Brewery, off 91 Brick Lane, London
Contact – Louise Kamara – info(at)ecodesignfair.co.uk

After Darwin: Contemporary Expressions

Turner Prize-winning artist Jeremy Deller and Darwin’s great-great-granddaughter, the poet Ruth Padel, are two of four artists and writers who have created new works for the Natural History Museum’s summer arts exhibition After Darwin: Contemporary Expressions.

The exhibition will feature new film and installation commissions from Jeremy Deller and Matthew Killip in collaboration with Professor Richard Wiseman and Diana Thater, alongside existing video work by Bill Viola. New literature, commissioned from award winning authors Mark Haddon and Ruth Padel, will also form part of the exhibition, which explores Darwin’s book ‘The Expression of the Emotions in Man and Animals’.

Opens 26 June
Natural History Museum
Cromwell Road
London SW7 5BD

Saturday 27th June

Sheep and Wool Day at Vauxhall City Farm
Dyework is a workshop dedicated to traditional textiles. Come and see our sheep being shorn and then the fleece being spun into yarn. Lots of woolly craft activities and woolly items to buy. Fun for all ages. Relax with a cup of tea and a slice of cake
11.00 – 16.00
Vauxhall City Farm, 165 Tyers Street, London
Contact – Penny Walsh – 020 8692 2958 – pennywalsh(at)dyework.co.uk

0622%20green_tours.jpg

Sunday 28th June

Insider London’s Cutting-Edge Green Tour

Insider London tours take you round hidden corners of London’s flowering sustainable community. Browse through gorgeous shops, witness futuristic architecture and connect with inspiring communities.

A maximum of 8 spaces are available, letting the group get to know each other and to foster networking.

The green tour leaves from the Bishopsgate entrance of Liverpool Street station, finishing at the Oxo Tower around 3 hours later. Halfway through, there’s a fairtrade coffee break at one of London’s stunning green venues.

To book, email bookings@insider-london.co.uk, mentioning the London Sustainability Weeks special tour and stating the date you would like to attend, at least 48 hours in advance.

2pm (meet from 1.45pm)
£25 (Special rate for the Festival)
Meet at Bishopsgate entrance of Liverpool Street

Contact – Cate Trotter – 0844 504 8080 – catetrotter(at)gmail.com



Categories ,carbon, ,crude, ,gardening, ,guerrilla, ,oil, ,sheep, ,tour, ,trading

Similar Posts:

Bookmark this:
  • Facebook
  • Twitter
  • MySpace
  • del.icio.us
  • StumbleUpon
  • Digg
  • E-mail this story to a friend!
  • Technorati
  • LinkedIn