Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ashish

Ashish A/W 2011 by Erica Sharp
Ashish A/W 2011 by Erica Sharp.

Outside the BFC tent I noticed a strange character wobbling towards the entrance in huge pink platforms. It was only when she de-robed inside that I realised it was in fact Paloma Faith – dressed in a suitably over the top manner. Apparently M.I.A. was there as well, information pills pharm having provided the suitably edgy soundtrack.

Paloma Faith at Ashish by Kellie Black
Paloma Faith at Ashish by Kellie Black.

I haven’t been to an Ashish catwalk show – this despite him being amongst my very favourite designers of all time. He featured in the first ever issue of Amelia’s Magazine and I always used his clothes when I was working as a stylist. Needless to say I was very excited about attending this show…

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Antonia Parker
Ashish A/W 2011 by Antonia Parker.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Erica Sharp
Ashish A/W 2011 by Erica Sharp.

Ashish describes this collection as an ode to the “archetypal poor little rich girl”, sickness the kind you might find slumming it in Dalston courtesy of mum and dad, decked out in posh clothes that have seen better days. In practice this meant lots of his signature sequinned garments, oversized tartans, ripped jeans and moth eaten jumpers.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Antonia ParkerAshish A/W 2011 by Antonia Parker
Ashish A/W 2011 by Antonia Parker.

I loved the press release, replete with descriptions of a “layabout laird” who mixes “detritus with deluxe”. Hers is a London punk aesthetic thrown against Scottish Highland heritage. It’s a story that the industry can surely relate to: there’s a reason why so many people working in fashion come from the upper echelons of society. Unless you hit the big time it certainly won’t make you rich, so another source of support is often standard requirement.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Daria HlazatovaAshish A/W 2011 by Daria Hlazatova
Ashish A/W 2011 by Daria Hlazatova.

Models were expertly cast: lanky girls with greasy dip-dyed hair and bored expressions. Spiderwebs crawled across the knees. Boys wore DMs and girls sported black and white patterned brothel creepers. Statements, Teen Idle and Hard Times, were appliqued on frayed jumpers that had been attacked by killer moths. My favourite pieces were undoubtedly the supremely wearable sequinned jumper dresses, but to be honest I adored it all.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia Gregory
Ashish A/W 2011. All photography by Amelia Gregory.

Ashish A/W 2011 by Madi
Ashish A/W 2011 by Madi.

You can see more work by Erica Sharp, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Antonia Parker, ,Ashish, ,BFC, ,Brothel Creepers, ,dalston, ,Daria Hlazatova, ,Erica Sharp, ,Highland, ,Jeans, ,Kellie Black, ,M.I.A, ,Madi, ,Madi Illustrates, ,MIA, ,Moths, ,paloma faith, ,punk, ,scotland, ,Somerset House, ,Spiderwebs, ,Tartan

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ashish

Ashish A/W 2011 by Erica Sharp
Ashish A/W 2011 by Erica Sharp.

Outside the BFC tent I noticed a strange character wobbling towards the entrance in huge pink platforms. It was only when she de-robed inside that I realised it was in fact Paloma Faith – dressed in a suitably over the top manner. Apparently M.I.A. was there as well, information pills pharm having provided the suitably edgy soundtrack.

Paloma Faith at Ashish by Kellie Black
Paloma Faith at Ashish by Kellie Black.

I haven’t been to an Ashish catwalk show – this despite him being amongst my very favourite designers of all time. He featured in the first ever issue of Amelia’s Magazine and I always used his clothes when I was working as a stylist. Needless to say I was very excited about attending this show…

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Antonia Parker
Ashish A/W 2011 by Antonia Parker.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Erica Sharp
Ashish A/W 2011 by Erica Sharp.

Ashish describes this collection as an ode to the “archetypal poor little rich girl”, sickness the kind you might find slumming it in Dalston courtesy of mum and dad, decked out in posh clothes that have seen better days. In practice this meant lots of his signature sequinned garments, oversized tartans, ripped jeans and moth eaten jumpers.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Antonia ParkerAshish A/W 2011 by Antonia Parker
Ashish A/W 2011 by Antonia Parker.

I loved the press release, replete with descriptions of a “layabout laird” who mixes “detritus with deluxe”. Hers is a London punk aesthetic thrown against Scottish Highland heritage. It’s a story that the industry can surely relate to: there’s a reason why so many people working in fashion come from the upper echelons of society. Unless you hit the big time it certainly won’t make you rich, so another source of support is often standard requirement.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011 by Daria HlazatovaAshish A/W 2011 by Daria Hlazatova
Ashish A/W 2011 by Daria Hlazatova.

Models were expertly cast: lanky girls with greasy dip-dyed hair and bored expressions. Spiderwebs crawled across the knees. Boys wore DMs and girls sported black and white patterned brothel creepers. Statements, Teen Idle and Hard Times, were appliqued on frayed jumpers that had been attacked by killer moths. My favourite pieces were undoubtedly the supremely wearable sequinned jumper dresses, but to be honest I adored it all.

Ashish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia GregoryAshish A/W 2011. Photography by Amelia Gregory
Ashish A/W 2011. All photography by Amelia Gregory.

Ashish A/W 2011 by Madi
Ashish A/W 2011 by Madi.

You can see more work by Erica Sharp, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Antonia Parker, ,Ashish, ,BFC, ,Brothel Creepers, ,dalston, ,Daria Hlazatova, ,Erica Sharp, ,Highland, ,Jeans, ,Kellie Black, ,M.I.A, ,Madi, ,Madi Illustrates, ,MIA, ,Moths, ,paloma faith, ,punk, ,scotland, ,Somerset House, ,Spiderwebs, ,Tartan

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Amelia’s Magazine | Clothes Moths: Little Agents of Mayhem

Rebecca Thompson’s exquisite stitching played with long hemlines, diagnosis structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Millie Betito presented a dark gothic collection, viagra approved pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, building up the motif of hands cut from the chiffon until it adorned the dress entirely.


Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Rebecca Thompson’s exquisite stitching played with long hemlines, try structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Illustration by Lauren Macaulay

Millie Betito presented a dark gothic collection, salve pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, viagra sale building up the motif of hands cut from the chiffon until it adorned the dress entirely.

Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Antonia-Parker-Moth-Infestation
Illustration by Antonia Parker.

While we’re dreaming of floating across daisy strewn meadows in muslin, more about there are others who are concentrating their tiny minds on our winter clothing. As the weather warms up, pill we see more and more little silvery bronze moths flying about. These pretties have hatched after pupation – and a hedonistic youth as grubs, drug gorging with an often devastating effect on our woollen and silk treasures. Traditionally moth balls (camphor) have been used to keep moths away, but the strong odor and concerns about toxicity have led to us looking for more natural alternatives – or just crossing our fingers and hoping it won’t happen to us.

Kimberley-Dodsworth-Moths
Illustration by Kimberley Dodsworth.
 
Although most of us have clean houses we no longer clean in the way our families used to. Spring cleaning used to mean taking everything out of our houses, and scrubbing them from top to bottom before we put all our washed belongings back. One of the most effective ways to prevent moth attack is to clean your wardrobe – and your house thoroughly at least twice a year. Shaking rugs and large woollens out of the window will evict  most moth eggs too.? Cedarwood, lavender, cloves and other strong herbs do deter moths, but only within a small area – and they must be replaced often to ensure they keep working. Heirloom woollens and silks are best kept wrapped in acid free tissue and stored in a air tight wooden or card box. Storing very precious woollens in the freezer works too– but this is not always the best use of space.
 
minkee-motheaten
Illustration by Minkee.

Once these champing creatures have taken hold it is important  to deal with the infestation promptly. Boil, microwave or dry clean any affected items, and clean the area around them with weak washing up liquid solution with a few drops of lavender added, or old fashioned beeswax furniture polish. The most important thing is to remove any remaining grubs or their tiny off white eggs. Pheromone traps will prevent the moths from breeding further, and laying eggs by leaving the unfortunate man moths without mates –and are highly effective all year round. As vintage clothing collectors, we wish we’d known about them years ago.
 
Kevin-Bradshaw-Clothes-Moth
Illustration by Kevin Bradshaw.

Once the damaged garments have been cleaned and checked, you can then see what might be rescued. Small holes can be darned and covered by beads, sequins or appliqué. Flower corsages and pockets work well too. Larger damaged areas may mean that you’ll have to be more creative, and salvage parts from several garments to make something new.
 
Natasha-Thompson-Moth-Illustration
Illustration by Natasha Thompson.

If you’re not too confident with sewing yourself, there are great books, and online guides – and chances are you know someone who’d love to help you!

moths lucy Wills
Illustration by Lucy Wills.

You might also like to come along to one of my workshops: check out the meetup group for We All Reuse here or my website for my Re-Present consultancy here.

Categories ,Antonia Parker, ,Camphor, ,clothes, ,Corsage, ,diy, ,Kevin Bradshaw, ,Kimberley Dodsworth, ,Lavender, ,Minkee, ,Moths, ,Natasha Thompson, ,Pheromone traps, ,sewing, ,Spring Cleaning, ,vintage

Similar Posts:






Amelia’s Magazine | Clothes Moths: Little Agents of Mayhem

Rebecca Thompson’s exquisite stitching played with long hemlines, diagnosis structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Millie Betito presented a dark gothic collection, viagra approved pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, building up the motif of hands cut from the chiffon until it adorned the dress entirely.


Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Rebecca Thompson’s exquisite stitching played with long hemlines, try structured trousers and outsized neckerchiefs in this elegantly minimal collection consisting only of grey and white.

Knitwear had a strong presence in Harriet Gould’s combination of Sonia Rykel hair and Margret Howell esque shoes. It’s a relief to see model’s striding down the catwalk in a beautiful array of flats from Brogues to Desert Boots rather than 7 inch ankle breakers.

Flat shoes courtsey of Chloe Lennox and Emma Murphy:

Illustration by Lauren Macaulay

Millie Betito presented a dark gothic collection, salve pleats and folds added volume to the traditional shapes of A-Line Skirts and Smock Dresses.

Is that a Masion Martin Margiela inspiration I spy? Shoes under or as part of tights?

Rebecca Nearly exquisite menswear collection drew attention to why it is developing a presence on the catwalks once more.

Stylish practicality with the bags echoing the colour palatte and fabric choice of the clothes.


Illustration by Rob Wallace

Poppy Warwicker – Le Breton’s collection came complete with Maison Martin Margiela inspired sleeve dresses. The designer started with simple shift dresses, viagra sale building up the motif of hands cut from the chiffon until it adorned the dress entirely.

Illustration by Naomi Law

The pieces played with volume and weight, from the models adorned with sleeves:

…to the models cocooned in wool.

Photographs by Sally Mumby-Croft

Antonia-Parker-Moth-Infestation
Illustration by Antonia Parker.

While we’re dreaming of floating across daisy strewn meadows in muslin, more about there are others who are concentrating their tiny minds on our winter clothing. As the weather warms up, pill we see more and more little silvery bronze moths flying about. These pretties have hatched after pupation – and a hedonistic youth as grubs, drug gorging with an often devastating effect on our woollen and silk treasures. Traditionally moth balls (camphor) have been used to keep moths away, but the strong odor and concerns about toxicity have led to us looking for more natural alternatives – or just crossing our fingers and hoping it won’t happen to us.

Kimberley-Dodsworth-Moths
Illustration by Kimberley Dodsworth.
 
Although most of us have clean houses we no longer clean in the way our families used to. Spring cleaning used to mean taking everything out of our houses, and scrubbing them from top to bottom before we put all our washed belongings back. One of the most effective ways to prevent moth attack is to clean your wardrobe – and your house thoroughly at least twice a year. Shaking rugs and large woollens out of the window will evict  most moth eggs too.? Cedarwood, lavender, cloves and other strong herbs do deter moths, but only within a small area – and they must be replaced often to ensure they keep working. Heirloom woollens and silks are best kept wrapped in acid free tissue and stored in a air tight wooden or card box. Storing very precious woollens in the freezer works too– but this is not always the best use of space.
 
minkee-motheaten
Illustration by Minkee.

Once these champing creatures have taken hold it is important  to deal with the infestation promptly. Boil, microwave or dry clean any affected items, and clean the area around them with weak washing up liquid solution with a few drops of lavender added, or old fashioned beeswax furniture polish. The most important thing is to remove any remaining grubs or their tiny off white eggs. Pheromone traps will prevent the moths from breeding further, and laying eggs by leaving the unfortunate man moths without mates –and are highly effective all year round. As vintage clothing collectors, we wish we’d known about them years ago.
 
Kevin-Bradshaw-Clothes-Moth
Illustration by Kevin Bradshaw.

Once the damaged garments have been cleaned and checked, you can then see what might be rescued. Small holes can be darned and covered by beads, sequins or appliqué. Flower corsages and pockets work well too. Larger damaged areas may mean that you’ll have to be more creative, and salvage parts from several garments to make something new.
 
Natasha-Thompson-Moth-Illustration
Illustration by Natasha Thompson.

If you’re not too confident with sewing yourself, there are great books, and online guides – and chances are you know someone who’d love to help you!

moths lucy Wills
Illustration by Lucy Wills.

You might also like to come along to one of my workshops: check out the meetup group for We All Reuse here or my website for my Re-Present consultancy here.

Categories ,Antonia Parker, ,Camphor, ,clothes, ,Corsage, ,diy, ,Kevin Bradshaw, ,Kimberley Dodsworth, ,Lavender, ,Minkee, ,Moths, ,Natasha Thompson, ,Pheromone traps, ,sewing, ,Spring Cleaning, ,vintage

Similar Posts: