Amelia’s Magazine | Stag and Dagger Festival 2010 Hits Shoreditch: A Review

Abi-Daker-White-HinterlandWhite Hinterland by Abigail Daker.

Having picked up my two Stag and Dagger press passes, two booze vouchers and a free lighter – yeah! – my first port of call on the circuit got off to an inauspicious start when I cashed in my free drink ticket, to be presented with a *small* bottle of Becks. Not even a pint! Better not to bother with a free drink at all, me thinks.

Stag and Dagger Teeth of the Sea Stag and Dagger Teeth of the Sea Taking these photos permanently damaged my ears.

We were at the Macbeth to see psychedelic rock band Teeth of the Sea, who’s tunes I had been listening to on myspace earlier. They provided a howling start to the evening’s entertainment, and left me wishing that I had remembered ear plugs (again). Most of the punters sensibly lingered close to the back of the bar but I took a step too close to the speakers for a photo and blew my eardrums right out with the very first band of the night.

Macbeth stag and dagger The Macbeth by Tim Adey.

My conclusion? Bands like this are best enjoyed in the privacy of one’s own home… where I can safely choose whether I want to suffer from permanent tinnitus in exchange for the momentary pleasure/pain inflicted by an insanely loud wall of noise.

Kevin-Bradshaw-Teeth-of-the-Sea Teeth of the Sea by Kevin Bradshaw.

Next up were a band that I discovered a few months ago when I heard their catchy single Icarus on 6Music. White Hinterland are a boy and girl from the hipster end of Portland, Oregon. Framed by candles he fiddled around with knobs and a *trendy* old school cassette player on an Indian carpet. She played uke and keys in turn, all the time nimbly leaping on and off her loop machine in bare feet, all the better to create rich textures with her mellifluous vocals.

YouTube Preview Image The Video for Amsterdam by White Hinterland.

They ended on a real highlight of the evening: a soulful minimalist cover of Justin Timberlake’s My Love, though this youtube version doesn’t do it justice. Shamefully I didn’t recognise it, but I was soon put to rights.

Stag and Dagger white hinterland Stag and Dagger There was a strange character there. I think he was chanelling the Joker.

Then it was time for fun part of the evening number one: Use Stag and Dagger map to find next venue. And instead miss most of next band due to extremely crap over-simplified map which ensured that we followed the wrong trajectory into deepest darkest Hoxton. By the time we made it to the very traditional east end pub The Stag’s Head – which still retains it’s curved glass rack above the bar and numerous nooks and crannies of the kind that every trendy bar rips out as soon as they can – we were just in time for one last song from Little Death, and to marvel at the extremely cute and leggy bassist, always a surprise in a predominantly male indie band I find.

Stag and Dagger Little Death JuneChanpoomidole-LittleDeath- Little Death by June Chanpoomidole.

We stayed on to watch Baby Monster half an hour later, straight out of LA via some white zinc facepaint. Two men making love to their keyboards: this was pure Erasure for 2010, and an unexpected highlight of the night. By now I was thoroughly bemused by the Stag and Dagger crowd; a few indie kids swamped by townies out on the lash, more interested in ogling short-skirted blondes than serious beard stroking.

Kevin-Bradshaw-Baby-Monsters Baby Monster by Kevin Bradshaw.

We dashed back to The Legion in Old Street via the shrine to school girl Agnes, now reduced to a depressing pile of wilted flowers. Ironically I was to be within yards of another random shooting in London Fields only the next day. Thems the breaks in Hackney these days.

Stag and Dagger Agnes

The Legion has been enlarged and *improved* since I regularly used to attend Jen and Mikes’ Hot Breath karaoke nights. Oh wowser, this was Shoreditch central on a Friday night indeed. Let the fun part of the evening number two commence: I pushed my way past the pissed idiots lunging cross-eyed for my boobs to wait near at the front for The Radio Dept, a Swedish band that I have liked for many years. After half an hour of jostling and beer spillage as men crashed towards the ill placed toilet behind the stage I was more than ready to leave. The DJ played a series of high energy tracks whilst The Radio Dept looked stressed as they fiddled with their instruments on stage.

Eventually the crowd began baying for the band, but as I looked around the bar I thought “You know what, I reckon about ten people in this room even know who The Radio Dept are; the rest don’t give a shit so long as they can get twatted and pull.” An unfair appraisal? As a young friend of mine commented “It’s just like my usual Friday night out: except today I’ve had to pay £20 for the pleasure.” With an abrupt disregard for the music due to follow him the DJ cut his rave tune for The Radio Dept, but within moments I had decided that the sound was so incredibly bad that I had to leave: it was just too depressing to hear such incredible music massacred. So, The Legion has widened its area to encompass more drinkers and more dollar, but doesn’t ensure decent sound for its bands. Shameful.

Instead we went on down to the rave in the grimy environs of Hearn Street Car Park. We stayed briefly, enough for me to realise that we only listen and enjoy industrial music for fun because most of us don’t have to work in noisy conditions in our post-industrial society. Those who do would surely think us mad.

The Stag and Dagger, in summary? I think this year’s attendance may have been affected by the huge queues of last year that prevented people from getting in to watch the bands they came to see. In their place we had a bunch of drunken city twats. I’m sure there were many more hidden gems to unearth on the eclectic Stag and Dagger line up, but frankly I’d pay good money to stay away from the Shoreditch hordes. I guess I should have known better. It’s an ambitious concept that champions some excellent little known bands, but the organisers can’t control the crowds who choose to come. I don’t think I’d bother going to the Stag and Dagger again: for value for money and comfort I would recommend that you simply pick a good line up of bands in one venue on any day of the week.




Categories ,Abigail Daker, ,Baby Monster, ,Erasure, ,Hot Breath, ,June Chanpoomidole, ,Justin Timberlake, ,Karaoke, ,Kevin Bradshaw, ,Little Death, ,Macbeth, ,Old Street, ,shoreditch, ,Stag and Dagger, ,Teeth of the Sea, ,The Legion, ,The Radio Dept, ,White Hinterland

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Amelia’s Magazine | Stag and Dagger Festival 2010 Hits Shoreditch: A Review

Abi-Daker-White-Hinterland
Abi-Daker-White-HinterlandWhite Hinterland by Abigail Daker.

Having picked up my two Stag and Dagger press passes, ampoule two booze vouchers and a free lighter – yeah! – my first port of call on the circuit got off to an inauspicious start when I cashed in my free drink ticket, order to be presented with a *small* bottle of Becks. Not even a pint! Better not to bother with a free drink at all, me thinks.

Stag and Dagger Teeth of the Sea Stag and Dagger Teeth of the Sea Taking these photos permanently damaged my ears.

We were at the Macbeth to see psychedelic rock band Teeth of the Sea, who’s tunes I had been listening to on myspace earlier. They provided a howling start to the evening’s entertainment, and left me wishing that I had remembered ear plugs (again). Most of the punters sensibly lingered close to the back of the bar but I took a step too close to the speakers for a photo and blew my eardrums right out with the very first band of the night.

Macbeth stag and dagger The Macbeth by Tim Adey.

My conclusion? Bands like this are best enjoyed in the privacy of one’s own home… where I can safely choose whether I want to suffer from permanent tinnitus in exchange for the momentary pleasure/pain inflicted by an insanely loud wall of noise.

Kevin-Bradshaw-Teeth-of-the-Sea Teeth of the Sea by Kevin Bradshaw.

Next up were a band that I discovered a few months ago when I heard their catchy single Icarus on 6Music. White Hinterland are a boy and girl from the hipster end of Portland, Oregon. Framed by candles he fiddled around with knobs and a *trendy* old school cassette player on an Indian carpet. She played uke and keys in turn, all the time nimbly leaping on and off her loop machine in bare feet, all the better to create rich textures with her mellifluous vocals.

YouTube Preview Image The Video for Amsterdam by White Hinterland.

They ended on a real highlight of the evening: a soulful minimalist cover of Justin Timberlake’s My Love, though this youtube version doesn’t do it justice. Shamefully I didn’t recognise it, but I was soon put to rights.

Stag and Dagger white hinterland Stag and Dagger There was a strange character there. I think he was chanelling the Joker.

Then it was time for fun part of the evening number one: Use Stag and Dagger map to find next venue. And instead miss most of next band due to extremely crap over-simplified map which ensured that we followed the wrong trajectory into deepest darkest Hoxton. By the time we made it to the very traditional east end pub The Stag’s Head – which still retains it’s curved glass rack above the bar and numerous nooks and crannies of the kind that every trendy bar rips out as soon as they can – we were just in time for one last song from Little Death, and to marvel at the extremely cute and leggy bassist, always a surprise in a predominantly male indie band I find.

Stag and Dagger Little Death JuneChanpoomidole-LittleDeath- Little Death by June Chanpoomidole.

We stayed on to watch Baby Monster half an hour later, straight out of LA via some white zinc facepaint. Two men making love to their keyboards: this was pure Erasure for 2010, and an unexpected highlight of the night. By now I was thoroughly bemused by the Stag and Dagger crowd; a few indie kids swamped by townies out on the lash, more interested in ogling short-skirted blondes than serious beard stroking.

Kevin-Bradshaw-Baby-Monsters Baby Monster by Kevin Bradshaw.

We dashed back to The Legion in Old Street via the shrine to school girl Agnes, now reduced to a depressing pile of wilted flowers. Ironically I was to be within yards of another random shooting in London Fields only the next day. Thems the breaks in Hackney these days.

Stag and Dagger Agnes

The Legion has been enlarged and *improved* since I regularly used to attend Jen and Mikes’ Hot Breath karaoke nights. Oh wowser, this was Shoreditch central on a Friday night indeed. Let the fun part of the evening number two commence: I pushed my way past the pissed idiots lunging cross-eyed for my boobs to wait near at the front for The Radio Dept, a Swedish band that I have liked for many years. After half an hour of jostling and beer spillage as men crashed towards the ill placed toilet behind the stage I was more than ready to leave. The DJ played a series of high energy tracks whilst The Radio Dept looked stressed as they fiddled with their instruments on stage.

Eventually the crowd began baying for the band, but as I looked around the bar I thought “You know what, I reckon about ten people in this room even know who The Radio Dept are; the rest don’t give a shit so long as they can get twatted and pull.” An unfair appraisal? As a young friend of mine commented “It’s just like my usual Friday night out: except today I’ve had to pay £20 for the pleasure.” With an abrupt disregard for the music due to follow him the DJ cut his rave tune for The Radio Dept, but within moments I had decided that the sound was so incredibly bad that I had to leave: it was just too depressing to hear such incredible music massacred. So, The Legion has widened its area to encompass more drinkers and more dollar, but doesn’t ensure decent sound for its bands. Shameful.

Instead we went on down to the rave in the grimy environs of Hearn Street Car Park. We stayed briefly, enough for me to realise that we only listen and enjoy industrial music for fun because most of us don’t have to work in noisy conditions in our post-industrial society. Those who do would surely think us mad.

The Stag and Dagger, in summary? I think this year’s attendance may have been affected by the huge queues of last year that prevented people from getting in to watch the bands they came to see. In their place we had a bunch of drunken city twats. I’m sure there were many more hidden gems to unearth on the eclectic Stag and Dagger line up, but frankly I’d pay good money to stay away from the Shoreditch hordes. I guess I should have known better. It’s an ambitious concept that champions some excellent little known bands, but the organisers can’t control the crowds who choose to come. I don’t think I’d bother going to the Stag and Dagger again: for value for money and comfort I would recommend that you simply pick a good line up of bands in one venue on any day of the week.

Categories ,Abigail Daker, ,Baby Monster, ,Erasure, ,Hot Breath, ,June Chanpoomidole, ,Justin Timberlake, ,Karaoke, ,Kevin Bradshaw, ,Little Death, ,Macbeth, ,Old Street, ,shoreditch, ,Stag and Dagger, ,Teeth of the Sea, ,The Legion, ,The Radio Dept, ,White Hinterland

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Amelia’s Magazine | Music Listings

Pop-Up Shop

14 Bacon Street, erectile E1 6LF, page 11th-18th December

POPUPSHOP_WINTER01%281%29.JPG

The pop-up shop does what it says on the tin, buy appears in a different location for a limited time, so you have to be quick to get in and see what’s inside. But make the effort as you can find a plethora of goodies from new designers and artists, hand picked from exotic locations all around the world. The store also supports the East End charity Kids Company, so you’ll be doing your bit to help as you shop.


Brick Lane Late Night Shopping

Thursday 11th December

Enjoy an evening of late-night shopping on London’s trendiest street, as well as rumageing through all that vintage, there will be refreshments on hand and special Christmas gifts available only on this night.

The Bizarre Bazaar

Sunday 21st December

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listingmusic.gif
Monday 8th December
Joan as Policewoman, Thekla, capsule Bristol
joanaspolicewoman1.jpg
Ex-Antony and the Johnsons collaborator touring in support of her new album. Expect mesmerising vocals and heart-rending tunes.

Boss Hog, Luminaire, London
Jon Spencer (as in Blues Explosion) and his wife Cristina Martinez front this long-standing blues-rock outfit.

Tuesday 9th December

Kong, Buffalo Bar, London
LEATHERPENNY1-1.jpg
Art-noise, cool as Manchester band, heavy on the guitars.

The Miserable Rich, Wedgewood Rooms, Portsmouth
Folky, orchestrated Brighton group, with links to Lightspeed Champion.

Sixtoes, Big Chill House, London
Cinematic, spooky blues-folk with a melancholy Eastern European edge.

Wednesday 10th December

Little Death, Club Fandango @ 229, London
1.jpg
Cool, cosmopolitan London band playing psychadelic tinged noise-pop.

Land of Talk, Water Rats, London
Canadian indie-rock.

Thursday 11th December

Good Books, Proud Galleries, London
good%20books.jpg
Danceable indie-electro.

Mike Bones, Old Blue Last, London
One man and his guitar.

Friday 12th December

Rose Elinor Dougall, Barfly, Cardiff
Rose.jpg
Pretty girl music from this ex-Pipette. Still very pop but less of the sixties girl group rip-offs.

Free Fridays: Brute Chorus, La Shark, Josh Weller, 93 Feet East, London
Bonkers hair (Josh Weller) and outfits (La Shark) will abound at this FREE night featuring up-and-coming bands including Brute Chorus who will presumably play new single ‘She Was Always Cool’.

Saturday 13th December

Herman Dune, The Deaf Institute, Manchester
hermandune.jpg
Perennial Parisian folksters on tour to promote new album ‘Next Year in Zion’.

Glissando, Holy Trinity Church, Leeds
Dreamy and ethereal. Should be lovely in a church.

Sunday 14th December

King Khan and The Shrines, Hoxton Bar and Grill, London
king_khan_468.jpg
Wild soul stage show.

Stereolab, Black Box, Belfast
Long-standing lounge/electronic post-rock with female French singer.

Categories ,Boss Hog, ,Brute Chorus, ,Glissando, ,Good Books, ,Herman Dune, ,Joan as Policewoman, ,Josh Weller, ,King Khan and The Shrines, ,Kong, ,La Shark, ,Listings, ,Little Death, ,Mike Bones, ,Music, ,Rose Elinor Dougal, ,Sixtoes, ,Stereolab, ,The Miserable Rich

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Amelia’s Magazine | Music Listings

Most of us pat ourselves on the back at the thought of having ‘done our bit‘, symptoms information pills whether it’s recycling or bringing a load of old clothes to a charity shop. Robert Bradford, ailment in that case, deserves a rather large pat on the back. Not only did he ‘do his bit’, but also got rather creative doing it.

bradford%20toy%20child.jpg

bradford%20toy%20girl.jpg

Whilst staring at his children’s box of discarded toys, a beam of light shun down from the heavens, a choir of angels sung and everything was still. Well, perhaps inspiration doesn’t happen like that in real life, but Bradford defiantly had a light bulb moment. Instead of taking the toys to local charity shop, Bradford decided to make sculptures out of them. Bradford assembles the toys into kaleidoscopic life-size dogs and people. Since his foray into toys, Bradford has also transformed other would-be discarded items. Crushed Coca-cola cans, combs, pegs and washing up brushes have also been made into extra family members and man’s best friend. Using what most would describe as rubbish, Bradford is one artist who wouldn’t mind his work being so called. It says so on his website.

bradford%20peg%20dog.jpg

Images courtesy of Robert Bradford
music-listings.gif

Monday 27th October

Connan Mockasin and Drop The Lime – Durr at The End, mind London
Noah & The Whale – Academy 3, dosage Manchester
Jesus & Mary Chain, Black Box Recorder and British Sea Power – The Forum, London
Mystery Jets – Glee Club, Birmingham

Tuesday 28th October

Alphabeat, Das Pop and Pandering and The Golddiggers – Shepherds Bush Empire, London
Fleet Foxes – Waterfront, Norwich
Smokers Die Younger, Wild Beasts, Stricken City, Cats In Paris, Tender Maulings DJs – The Deaf Institute, Manchester
George Pringle and No Bra – The Social, London

Wednesday 29th October

Yo Majesty – Pure Groove Records, London
Lords – The Portland Arms, Cambridge
Ipso Facto, S.C.U.M and Kasms – The Roundhouse, London
The Presets and Micachu – The Royal, Derby
Neon Neon and Yo Majesty – Koko, London

Thursday 30th October

Black Kids and Ladyhawke – Astoria, London
Hot Chip – Corn Exchange, Cambridge
Florence and The Machine and The Big Pink – Bush Hall, London
Anthony and The Johnsons with London Symphony
Orchestra – Barbican Centre, London
Primal Scream – UEA, Norwich
Wave Machines and Micachu and The Shapes – hush at Royal Albert Hall, London

Friday 31st October

Release The Bats – Shellac, Les Savy Fav, Lightning Bolt, Om, Wooden Shjips and Pissed Jeans – The Forum London
El Guincho, The XX, The Big Pink and A Grave With No Name – No Pain In Pop at Goldsmith’s Tavern, London
Peggy Sue and The Pirates, Alessi’s Ark and Derek Meins – The Windmill, London
Pete and The Pirates – The Fly, London
Underworld and Autokratz – Brixton Academy, London
Metronomy – ULU, London

Saturday 1st November

ddd – Barfly, London
The Metros and Lion Club – Push at Astoria 2, London
The Week That Was and The Ruby Suns – Crawdaddy, Dublin
Grammatics – Forum, Tunbridge Wells

Sunday 2nd November

Does It Offend You, Yeah?, The Joy Formidable, The Operators and Young Fathers – 229, London
Ned Collette Band, Lawrence Arabia and The Boat People – The Windmill, London
Good Books, Polka Party and The Molotovs – Proud Galleries, London

Monday 27th October
Camden Arts Centre, advice ‘Wallace Berman’: Untl 23rd November
Arkwright Road, drugs London NW3 6DG
Considered as a major mover and shaker in the beat generation in the late 50s and 60s, view Wallace Berman’s (1926-1976) jazz record covers, art publications are all on display. Also his 16mm film ‘aleph’ is screened as well as posters, book covers and postcards. Most people recognise his portrait on the cover of The Beatles’ ‘Sgt Pepper’s Lonely Hearts Club Band’ but he’s got plenty of other art to have a gander over.

wallace%20bergman.jpg

Tuesday 28th October
White Cube, Sam Taylor-Wood: Yes I No: Until 29th November
Mason’s Yard and No 1 The Piazza, Covent Garden, London WC2E 8HA
This show includes three groups of photographs and a large scale film installation on the subject of absensce and morality. Other photos based on Wuthering Heights with desire and suffering playing key themes.

sam%20taylor%20wood.jpg

Wednesday 29th October:
V&A Museum of Childhood, Tom Hunter’: until 9th November
Cambridge Heath Road, Bethnal Green E2 9PA
Exploring the changing face of the East End, Hunter’s photographs focus on people, places and community in and around the area.

tom-hunter_243x190-2.jpg

Thursday 30th October:
Stephen Friedman Gallery, ‘Catherine Opie’: Until 15thNovember
25-28 Old Burlington Street?London W1S 3AN
The exhibition title, ‘The Blue of Distance’, is inspired by Rebecca Solnit, a writer on photography and landscape. Here, Opie continues her investigation with two new series of work capturing the remote beauty of the Alaskan landscape.

catherine%20opie.jpg

Friday 31st October:
Whitecross Gallery, ‘Girlie’: Daphne Plessner: Until 21 November
122 Whitecross St, London EC1Y 8PU
Whitecross Gallery welcomes you to ‘Girlie’, an exciting and thought provoking solo exhibition of luscious new paintings by talented artist Daphne Plessner.?Her work combines uncompromising social critique with colourful, elaborate surface decoration, and beautifully crafted, exquisite attention to detail.

Daphne%20Plessner%20-%20Girlie.jpg

Saturday 1st November:
ICA, ‘Rafael Lozano-Hemmer’ Retrospective: Until 23rd November
The Mall, London SW1Y 5AH
In tandem with Under Scan on Trafalgar Square, a retrospective of Lozano-Hemmer’s moving-image works, via a series of documentaries, spanning the past decade of his career. Lozano-Hemmer has been commissioned for events such as the millennium celebrations in Mexico City, the Cultural Capital of Europe in Rotterdam (2001), the United Nations World Summit of Cities in Lyon (2003), the opening of the Yamaguchi Centre for Art and Media in Japan (2003) and the expansion of the European Union in Dublin (2004).

ICA.jpg

tilly%20and%20the%20wall.JPG

Warm and jubilant and wholesome. That’s how a Tilly and the Wall gig will leave you – and the title to their debut album in 2004, check Wild Like Children, cheapest is an indicator as to how. Add to this Slow Club, who when I saw several months ago in a weekly slot at The Enterprise in Camden, had brought along home-baked goods to pass round, and you’re wholly rejuvenated.

The ULU played host to this delectable recipe on Saturday, and they do compliment each other incredibly. Dulcet boy/girl harmonies, songs that pay homage to the bliss of youth and spontaneity, and full sounding percussion that is hard to put your finger on until you see it; The Slow Club often bang their drumsticks on chairs, and the percussion for Tilly is tap-dancer Jamie on a mic’ed up wooden box (they used to steal road-signs for the purpose but have since become more legit).

Tilly’s latest release, “o” was produced by acclaimed producer, Mike Mogis. Their kaleidoscopic sound has gotten bigger and fuller, but maintaining to the familiarity of Tilly ingredients. “I feel like I know them”, I heard someone say, and when the encore brought them back on stage with Charles and Rebecca from the Slow Club in tow, tambourines in hand, it felt like we all did. Clapping and stamping along, I thought the experience perhaps drew a thin line next to what I’d imagine an evangelist Sunday session to be like, only without strings attached, a drink in hand, and prophets that chant out about first loves, recklessness and “life that is so wonderful it shines like fire” (Let it Rain – Tilly); so put that in your wine glass and sip it.

Across the pond in Portland, viagra buy Oregon environmental art group Leave No Plastic Behind (LNPB) are holding a month long art exhibit intitled “Haste Management” and a one off film night, “Plastic Fantastic” to showcase the creative ways that plastic can be saved from the landfill. So it’s a given that you can recycle paper, aluminum and glass, but shiny plastic has been left behind. LNPB focus on avoiding plastic for this very reason, and not relying on recycling.

The “Haste Management” exhibition runs from the 6th-30th November and includes contributions from the wonderful>>>>>
On Nov 23rd “Plastic Fantastic”, a special film event from performance artsist and film maker Devon Damonte will be screened.

Wednesday, October 29, 2008
FOR IMMEDIATE RELEASE
Contact: Jessica Lyness | jessica.lyness@gmail.com | 503-913-3882

Environmental Group- Leave No Plastic Behind
Presents a Plastic Art Show and Film Event
November 6-30

(Portland, OR). Recycling paper, check. Recycling aluminum, check. Recycling glass, check. Recycling plastic? Not so fast. Environmental art group Leave No Plastic Behind (LNPB) urges consumers to curb plastic habits through reducing, reusing and creating. Concentrating on single-use plastic, LNPB focuses on avoiding the material and not relying on recycling. The Portland based group present a month-long art exhibit “Haste Management” and a special film night, “Plastic Fantastic” to showcase creative ways that plastic can be saved from the landfill.

The “Haste Management” exhibition begins on First Thursday, November 6 with an artist reception and Opening Night party at Visage, 1047 NW Johnson Ave. The Exhibition continues through Sunday, November 30. A special film event from performance artist and filmmaker Devon Damonte entitled “Plastic Fantastic”, takes place on November 23 at the Waypost, 3120 N Williams Ave. Following the exhibition, artist’s work will be available for view online at www.lnpb.org.

Artists participating in this exhibition are from all around the country including Waterville, ME, San Francisco, CA, Olympia, WA and Portland, OR. Each participant engages in a three month “episode” to live a plastic-free lifestyle, wherein any plastic they do collect, they make art out of it. Participants include filmmakers, photographers, musicians, and activists. In the past two years, over 50 artists have participated in an episode of LNPB.

LNPB presents art exhibits and creative events year round to raise awareness about the damaging effects of single use plastic and offers alternative suggestions on how to reduce and reuse. LNPB continues to be inspired by Captain Charles Moore and the Algalita Marine Research. This collective considers the true costs of modern convenience and demonstrates the importance of collaborative resourcefulness.
buraka%20som%20sistema%20gawain%20hewitt%203.jpg
Photos: Gawain Hewitt

Portuguese party starters Buraka Som Sistema are perhaps one of the most hyped up musical endeavors to hit our shores in recent years. They launched onto the stage at cargo and turned the lackluster Tuesday night, ask tired from work, health crowd into a bunch of whooping partygoers.

Buraka’s set up onstage is a little out of the ordinary, but it works. Essentially it’s a DJ and MC set up, but with some added percussion in the form of a guy on bongos and a drummer. I can’t help but always get excited by the addition of bongos to live show; everyone loves bongo players.

buraka%20som%20sistema%20gawain%20hewitt%201.jpg

buraka%20som%20sistema%20gawain%20hewitt%202.jpg

The only problem with tonight’s gig may be that people don’t know an awful lot of their stuff, having not released their album yet. They get round this though by breaking out their own interpretations of Around The World by Daft Punk and Thunderstruck by AC/DC. These seem to have quite an effect in rousing the crowd. Some people were actually shaking their booty so much that my friend had to move out of their way – honestly; some people just have no manners.

My favourite track of the night was Luanda Lisboa, a track that genuinely gives me the jitters if I listen to it very loud. I’ve only heard the instrumental version of it before now, but live the MCs managed to get the crowd particularly on side, even though the vast majority had absolutely no idea what they were talking about.

buraka%20som%20sistema%20gawain%20hewitt%204

What seemed to get the crowd most excited was Sound Of Kuduro, which has been thrown into popularity largely because it features M.I.A on vocals, and it has really good video. Live it was brought to life by the female MC they have live.

I’ve seen DJ sets by these guys before, but the live show is a much more engrossing experience. I was left blown away by their show, though what really excited me about them is their production skills – which is so often the case with electronic music.
music-listings.gif

Tuesday 4th November

Sigur Ros – Civic Hall, buy Wolverhampton
Stars Of Sunday League and Catriona Irving – Wilmington Arms, rx London
The Feeling and Das Pop – Hammersmith Apollo, viagra order London
The Kills – Oran Mor, Glasgow
Screaming Tea Party, Artefacts For Space Travel, This Is Pop and Ice Sea Dead People – Buffalo Bar, London
Why?, The Dead Science and Munch Munch – Upset! the Rhythm at Scala, London

Wednesday 5th November

Eugene McGuinness and Swanton Bombs – The Luminaire, London
Al Green and Gabrielle – Royal Albert Hall, London
George Pringle – Hoxton Square Bar & Kitchen, London
MGMT – Academy, Leeds
The Boat People – The Fly, London
Fleet Foxes – Shepherds Bush Empire, London

Thursday 6th November

Dan Le Sac vs Scroobius Pip and The Clik Clik – Emergency Playground at Astoria 2, London
I Haunt Wizards, The Pity Party, Little Death and Kilkane – The Macbeth, London
Yo! Majesty – Oran Mor, Glasgow
Fucked Up, Rolo Tomassi and Invasion – Xposure at Barfly, London
Hot Chip, Wiley and Max Tundra – Brixton Academy, London
Threatmantics – Milkwood Jam, Swansea
Jackie O Motherfucker and True Primes – Bardens Budoir, London
Alessi’s Ark, Peggy Sue and Derek Meins – Club Fandango at 229, London

Friday 7th November

The Irrepressibles – The Great Court of The British Museum, London

the%20irrepressibles.jpg

The Irrepressibles will be playing two sets as part of an event to support a forthcoming display of contemporary art installations at the museum including works by Damien Hirst, Marc Quinn, Ron Mueck, Antony Gormley and Noble and Webster. Best of all, it’s completely free. Perfect for these crunchy credit times.

Thomas Tantrum – Koko, London
Fleet Foxes – Vicar Street, Dublin
Mr Scruff – Matter, London
Howling Bells – Academy, Birmingham
My Tiger My Timing, A Human and Underground Railroad – The Last Days of Decadance, London

Saturday 8th November

FrankMusik, Dels, Kamerakino and Tin Can Telephone – Club Motherfucker at Bardens Boudoir, London
Little Boots – Proud Galleries, London
Ezra Bang and Hot Machine, Maths Class and Mayor McCa – The Monarch, London
Glasvegas, White Lies and Cage The Elephant – Little Noise Sessions at Union Chapel, London
Ebony Bones, Riddler, King of Conspiracy and Minipuma – Rhythm Factory, London

Sunday 9th November

Nas, Mos Def, Supernatural and Scratch – Rock The Bells at Indigo2, London
Goldfrapp and Eugene McGuinness – Brixton Academy, London
Nigel Of Bermondsey and The Razzle – Monto Water Rats, London
Razorlight, Florence and The Machine, Esser and Skint And Demoralised – Little Noise Sessions at Union Chapel, London

Categories ,Alessi’s Ark, ,Artefacts for Space Travel, ,Cage the Elephant, ,Eugene McGuiness, ,Fleet Foxes, ,Florence and the Machine, ,FrankMusik, ,Fucked Up!, ,Glasvegas, ,Goldfrapp, ,Hot Chip, ,I Haunt WIzards, ,Jackie O Mother Fucker, ,Listings, ,Little Boots, ,Little Death, ,MGMT, ,Mr Scruff, ,Munch Munch, ,Music, ,Peggy Sue, ,Sigor Ros, ,The Feeling, ,The Kills, ,This is Pop, ,White Lies, ,Yo Magesty

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