Amelia’s Magazine | Corrie Nielsen: London Fashion Week A/W 2012 Catwalk Review

Corrie Nielsen A/W 2012 by Gaarte
Corrie Nielsen A/W 2012 by Gaarte.

London Fashion Week kicked off for me this year with a brilliant showing from Corrie Nielsen, who looked to the Scottish Highlands for inspiration in Vestiarium Scoticum. Named for an infamous book describing the provenance of Scottish tartans, this collection harks back to Corrie’s long lost heritage: her ancestor John S. Burns emigrated to America during the Revolutionary War and this collection is dedicated to both him and her grandmother Tollie.

Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen A/W 2012 by Gaarte
Corrie Nielsen A/W 2012 by Gaarte.

Vestiarium Scoticum opened with a bold red tartan dress, adorned with asymmetrical panels of black chiffon ruffles. Hair was tied back into a sleek low bun with ‘face lace’ fretwork painted across the side of the foreheads by Phyllis Cohen. Buns are big for A/W 2012, you heard it here first.

Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen by Angelica Moreno
Corrie Nielsen A/W 2012 by Angelica Moreno.

Beautifully tailored creamy blouses were buttoned high at the neck to offset supremely wearable tartan separates with a lady like feeling of propriety. In contrast a girly pleated tartan skirt was paired with a gauzy polka dot blouse, knee high post box red socks and flat shoes.

Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
I was particularly enamoured of the hair pieces by milliner Emma Yeo, which featured fine laser cut wood that echoed the long tapered pheasant feathers.

Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
This season the key focus was on a draped shawl shape that crumpled in waterfall-like waves across the torso, or swung jauntily across shoulders to culminate in finely structured peplums jutting from the waist, a favourite shape of Corrie Nielsen‘s.

Corrie Neilsen A/W 2012 by Sam Parr
Corrie Neilsen A/W 2012 by Sam Parr.

Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Nielsen AW 2012  photography by Amelia Gregory
Corrie Neilsen Check Skirt by Sam Parr
Corrie Neilsen A/W 2012 by Sam Parr.

The last two dresses featured the huge extravagant tumbles of fabric for which Corrie Nielsen has become famed, gloriously theatrical showstoppers with tiny waists and sweeping trains. Not for nothing has Corrie Nielsen become the heir apparent to the Westwood crown.

Corrie Nielson A/W 2012 by Carol Ryder
Corrie Nielson A/W 2012 by Carol Ryder.

All photography by Amelia Gregory.

Categories ,A/W 2012, ,Angelica Moreno, ,BFC Showspace, ,Carol Ryder, ,Corrie Nielsen, ,Emma Yeo, ,Face Lace, ,Forward PR, ,Gaarte, ,Gabriel Ayala, ,Gazelli, ,John S Burns, ,lfw, ,millinery, ,Peplum, ,Phyllis Cohen, ,Revolutionary War, ,Ruffles, ,Sam Parr, ,scotland, ,Sheer, ,Tartan, ,Tollie Burns, ,Vestiarium Scoticum, ,Vivienne Westwood

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Amelia’s Magazine | Spotlight: Matteo Patocchi


All photography by Matteo Patocchi

After studying Graphic Design in Switzerland, what is ed Matteo Patocchi relocated to London to graduate in photography. This collection, order entitled ‘Houston I Have a Dream’ is an exclusive for Amelia’s Magazine.


His dreamy style is reminiscent of Corinne Day (her bohemian phase, sickness not the heroin one) with the essence of Lance Acord’s cinematography thrown in the mix, and like any good creative, the strong elements of storytelling flow through his work. ‘Houston, We Have a Dream’ was Patocchi’s concept, centred around the idea of a young fan of the Astronaut, Neil Armstrong whose reality she visits in her dreams.


Matteo Patocchi: “These photographs depict a girl who’s transported from reality into a dream. She’s the girl next door, passionate about Neil Armstrong’s expeditions. One day she falls asleep, finding herself mesmerized and nostalgic; dreaming about some of her imaginary places. Eventually she wake up at home, but we are not sure if the dream has ended yet.”


Whilst retaining an aesthetic that would easily fit into a fashion editorial spread, there’s a low-fi creative spark to this series of photographs, especially considering they are taken in Patocchi’s apartment using mostly natural light to evoke a dreamlike reality, playing with texture and colour to create a simple but effective narrative structure. What I especially like about this collection is the juxtaposition of subjects. When I think about space travel and NASA, several things come into my head. Steel, phallic looking spacecrafts, chunky bubblesuits and inexplicably, Bruce Willis. Aside from clearly being a scientific luddite, my connatations with Astronautics are not feminine, soft and feminine, which is exactly what these photographs are.




Matteo Patocchi is currently working on a series of photographs and visual installations based on playgrounds captured at night, to reveal strange alternative landscapes. Hopefully we’ll be seeing a lot more of this photographer, but in the meantime, more images can be found on his website.

Categories ,amica lane, ,corinne day, ,lance acord, ,Matteo Patocchi, ,moon, ,neil armstrong, ,photography, ,stars, ,tinfoil

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