Amelia’s Magazine | Charly Coombes and the New Breed at London’s Monto Water Rats, December 11th 2010, Live Review

Charly Coombes and the New Breed by Roderick Barker-Benfield
Charlie Coombes and the New Breed by Octavi Navarro
Charlie Coombes and the New Breed by Octavi Navarro

Familiar with a fair few live music venues across case +UK&oe=utf-8&rls=org.mozilla:en-GB:official&client=firefox-a&um=1&ie=UTF-8&hq=&hnear=Westminster, store +London&gl=uk&ei=kdYETam3HY2ShAfs5NntBw&sa=X&oi=geocode_result&ct=title&resnum=1&ved=0CB0Q8gEwAA”>London, symptoms I’ve been pretty up close and personal to a number of bands, both great and truly awful, and wondered how Charly Coombes and the New Breed would fair at the Monto Water Rats in Kings Cross, as the stage is particularly petite. Taking to said stage on Saturday December 11th for the last night of their Waves EP promotional UK tour to a familiar crowd, CCATNB stole the show headlining a night of indie and rock music as the band with the edge. Showing only a comical strain to the end of their tour, as with fellow Oxford-ites and Amelia’s Magazine pal Little Fish, the band set out with great energy getting the walls shaking to their distinct key led indie sound that is so easily digested.

Charly Coombes and the New Breed by Roderick Barker-Benfield
Charly Coombes and the New Breed by Rodography.

Opening with their current single and crowd pleaser Jungles and Tides, momentarily forget about the ear candy, which is delightful, with many members of the crowd of the fairer sex, the eye candy wasn’t bad either. Clearly comfortable and at home playing The Water Rats, which has housed many bands, both up and coming and established, there’s a definite intimate tone to the night, where the crowd are within inches of the band, in all their sweat and glory. Their sound and musical ability isn’t matched within the indie music scene at the moment, taking soulful strides above the rest and echoing late 90s British rock at its best, the fellow bands of the night are good but not in the same sphere as the New Breed.

Charly Coombes by Werner Fismer
Charly Coombes by Werner Fismer

That aside, stand out tracks of the night include the head swinging God Knows, the beautiful and eloquent Sub Rosa, off their current EP Waves, which signals the musical prowess of the New Breed led effortlessly by Coombes’ key skills, and closer Dress to Kill, a song that marks the New Breed stepping things up a notch on their quest to bring decent independent music back home. Full of confidence and an instant connection with their fans old and new, CCATNB are for anyone who like a solid punch to their indie pie, and these guys are on the up and up. With their set ending all too quickly, catch them while you can at these intimate venues, as I can only see a brighter and bigger future for Charly Coombes and his New Breed.

Charly Coombes and the New Breed Live by Willemÿn Barker-Benfield

Categories ,British Rock, ,Charly Coombes and the New Breed, ,Dress to Kill, ,God Knows, ,Jungles and Tides, ,Kings Cross Station, ,Little Fish, ,Octavi Navarro, ,Oxford, ,Panic EP, ,Roderick Barker-Benfield, ,Sub Rosa, ,The Monto Water Rats, ,Waves, ,Werner Fismer

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Amelia’s Magazine | Charly Coombes and the New Breed EP Review: Waves

I was born in Peru and lived there for 26 years and worked in hotel management for over ten years. I got married at 26; a lovely big wedding, pills sales a vintage dress and a home made cake made by my mum.
Nick and I moved to UK in 2003 to start our life together. We did everything a new married couple does, see got a job and a mortgage but something was missing. When my mother passed away I looked back at her life and realised she achieved all of her dreams and she always did more than a 100%. The most creative and inspirational person I have ever known was gone, generic and I took the decision to change my career and enrol in a foundation course, which lead me to study at Liverpool John Moores University. Last June I graduated with a BA (Hons) Graphic Arts in Illustration.
These days I can honestly say I love what I do, It’s my passion my therapy and Nick is a huge support and critic.
I pass my days working at home in the company of my two naughty cats. Sometimes I like to indulge myself with my favourite dish “Cebiche” or a special glass of ‘Pisco sour’ to remind me of home.
I love to draw girls with big eyes, clothes, shoes, funny characters, elaborate patterns and you will notice that I love love to incorporate a rainbow of colours in my work.

maridelcarmensmith.com

I was born in Peru and lived there for 26 years and worked in hotel management for over ten years. I got married at 26; a lovely big wedding, buy a vintage dress and a home made cake made by my mum.
Nick and I moved to UK in 2003 to start our life together. We did everything a new married couple does, page got a job and a mortgage but something was missing. When my mother passed away I looked back at her life and realised she achieved all of her dreams and she always did more than a 100%. The most creative and inspirational person I have ever known was gone, this and I took the decision to change my career and enrol in a foundation course, which lead me to study at Liverpool John Moores University. Last June I graduated with a BA (Hons) Graphic Arts in Illustration.
These days I can honestly say I love what I do, It’s my passion my therapy and Nick is a huge support and critic.
I pass my days working at home in the company of my two naughty cats. Sometimes I like to indulge myself with my favourite dish “Cebiche” or a special glass of ‘Pisco sour’ to remind me of home.
I love to draw girls with big eyes, clothes, shoes, funny characters, elaborate patterns and you will notice that I love love to incorporate a rainbow of colours in my work.

maridelcarmensmith.com


Ada Zanditon, pilule illustrated by Sara Chew

Wahoooo! Summer is finally here. No really, symptoms it is. Seriously I don’t care how damp and dreary it is outside that office window, discount summer is most definitely here. I’m toasty warm and looking at shorts, t-shirts and dresses ranging from ethereal to barely there. Skipping round London in the increasingly cold weather this can be hard to believe, but that’s how it goes. Here’s a little look at some of the summer outfits I’ve been looking at…

Ada Zanditon
Held eight stories up in Holborn with a stunning view out over the Thames to the Oxo Tower, Ada showed her latest collection. A quick chat with the designer revealed a charming, intelligent woman and in her own words ‘geeky’. Who else would be so inspired by maths and formulas that they borrow text books from libraries? Well if that’s where inspiration comes from, long may it last. Ada is not just a lovely person but also incredibly talented. Three dimensional sculptural pyramids burst forth from the intelligently structured garments.

Even the prints were inspired by fractal geometry and swept across many garments from a particularly stunning floor length bias cut 1930s dress with backless detail to a leather minidress complete with a chiffon front panel. Hard seaming was juxtaposed with soft fabrics and details. The jewellery carried the same prints as the dress and were another hard counterpoint to some of the softness. Look out for more on Ada’s ethical collection in Amelia’s new book.

Giorgio Armani

Armani called and off to Bond Street I went. Giorgio showed some great pieces with open weave jackets and low-breaking double-breasted jackets for the men, soft and light in beige, grey and smoke. T-shirts emphasised the lightness with sheer elements. Maybe this is a way to get the ‘heavage’ out without looking like a modern day medallion man. The shoes and accessories were simple and classic, from a soft leather briefcase to a brown woven leather shoe catching my eye in particular. Suede and salmon skin belts helped to further soften the tone. All very simple and invoking a cool Italian summers evening.

On the far side of the partition was the womenswear. Strong tailoring was paired with sheer blouses in varying shades of blue and deep purple. Skirts were long and flared slightly to the hem, though I will admit it was the shoes and accessories that stood out. High perspex wedges with wooden platforms excuded both freshness and class. Chunky cuffs, twisted silver necklaces and amulets of large dark blue/black stones hung on leather and fabric. Powerful, yet clean and sophisticated.

Emporio Armani

Illustration by Stéphanie Thieullent
Emporio, the delinquent nephew of Giorgio, was my next visit. There may have been a similar colour palette across the brands, but that’s pretty much where the similarities ended. No Giorgio man is ever going to be seen in a chainlink bondage harness. The use of sheer panels as highlights was also shared, this time showing off what one imagines will be gym-honed biceps. The highlight for me was a double-fronted crock effect suit. Hiding underneath the croc, a layer of leather gave the hint of something more to come.

Draping and ruffles were mixed with simple clean lines in womenswear. A grey and purple halterneck knee length dress particularly appealed, not to mention vertiginous heels. A dainty black chiffon bow, gave the vampiest pieces a demure side. Combining both the soft and the sharp, a draped jersey dress was teamed with a pale grey cap sleeve tailored jacket. It’s youthful and energetic but with a business edge.

Paul Costelloe

Illustration by Karolina Burdon

Showing menswear for the third season Paul opened London Fashion Week with a strong summer collection including short suits, lightweight long coats, and intricate print details. The menswear of this brand is growing on a season by season basis and whilst the formalwear is available in stockists such as John Lewis and Austin Reed, it’s hoped the casualwear and the odd catwalk piece should start hitting the shops soon.


Illustration by Natsuki Otani

You can see reviews of Paul’s collections by Matt and Amelia here and here.

Snake & Dagger

This London based denim company are growing stronger and stronger. Having trained in Japan, they hope to bring a more traditional feel to the denim market. The quality of the denim and the range of finishes are exquisite and the designers behind the brand bring together the best of their training and the city of London to create a unique look.

Aqua

Illustration by Joana Faria

Wherever you thought you were going to buy your Christmas party dress, forget it. Scrub that idea now. Go straight to Aqua and get yourself sorted. This Christmas’ collection ‘Out to Sleigh’ is affordable glamour at its best.

The pieces are daringly cut but clever and in no way trashy. More importantly, whilst you’ve been eyeing up that dress on the high street for the last three weeks so has every other girl in your office, but it’s unlikely you’ll be in the same number if you visit Aqua.

Morphe

Illustration by Gareth A Hopkins

Having previously shown in India, Morphe is thankfully launching in the UK. Playing with shape and form, the pieces are both dramatic and cutting edge. Born from countless hours of work, the statement pieces are surprisingly easy to wear, if somewhat out there.

However, the true gems in the collection include a one shoulder dress with silver trim along the neckline. Creating more than a simple point of interest this is a brand to watch as they develop their continued success in India.

Asher Levine

This was a fantastic collection from a burgeoning menswear designer. In particular, the asymmetric leather biker jackets were right on trend. Using differing leathers as well as digital printing, Asher showed a dynamic and contemporary collection.

Eleanor Amoroso

Most certainly one to watch. Eleanor graduated this summer from the University of Westminster. Her work with fringing has to be seen to be believed. Genuinely unique and fresh, I can only hope the future holds big things for Amoroso. This is one young designer who definitely needs to be nourished.

There were more…far more people that I saw during the press days. From the sublime to the ridiculous and everything inbetween. Trying to contain yourself when browsing all these wonders is a challenge, as is trying to get enough photos and remember everything. But I can safely say S/S 2011 is going to be a very, very good season.

All photography by Nick Bain

Ada Zanditon, try illustrated by Sara Chew

Wahoooo! Summer is finally here. No really, seek it is. Seriously I don’t care how damp and dreary it is outside that office window, summer is most definitely here. I’m toasty warm and looking at shorts, t-shirts and dresses ranging from ethereal to barely there. Skipping round London in the increasingly cold weather this can be hard to believe, but that’s how it goes. Here’s a little look at some of the summer outfits I’ve been looking at…

Ada Zanditon
Held eight stories up in Holborn with a stunning view out over the Thames to the Oxo Tower, Ada showed her latest collection. A quick chat with the designer revealed a charming, intelligent woman and in her own words ‘geeky’. Who else would be so inspired by maths and formulas that they borrow text books from libraries? Well if that’s where inspiration comes from, long may it last. Ada is not just a lovely person but also incredibly talented. Three dimensional sculptural pyramids burst forth from the intelligently structured garments.

Even the prints were inspired by fractal geometry and swept across many garments from a particularly stunning floor length bias cut 1930s dress with backless detail to a leather minidress complete with a chiffon front panel. Hard seaming was juxtaposed with soft fabrics and details. The jewellery carried the same prints as the dress and were another hard counterpoint to some of the softness. Look out for more on Ada’s ethical collection in Amelia’s new book.

Giorgio Armani

Armani called and off to Bond Street I went. Giorgio showed some great pieces with open weave jackets and low-breaking double-breasted jackets for the men, soft and light in beige, grey and smoke. T-shirts emphasised the lightness with sheer elements. Maybe this is a way to get the ‘heavage’ out without looking like a modern day medallion man. The shoes and accessories were simple and classic, from a soft leather briefcase to a brown woven leather shoe catching my eye in particular. Suede and salmon skin belts helped to further soften the tone. All very simple and invoking a cool Italian summers evening.

On the far side of the partition was the womenswear. Strong tailoring was paired with sheer blouses in varying shades of blue and deep purple. Skirts were long and flared slightly to the hem, though I will admit it was the shoes and accessories that stood out. High perspex wedges with wooden platforms excuded both freshness and class. Chunky cuffs, twisted silver necklaces and amulets of large dark blue/black stones hung on leather and fabric. Powerful, yet clean and sophisticated.

Emporio Armani

Illustration by Stéphanie Thieullent
Emporio, the delinquent nephew of Giorgio, was my next visit. There may have been a similar colour palette across the brands, but that’s pretty much where the similarities ended. No Giorgio man is ever going to be seen in a chainlink bondage harness. The use of sheer panels as highlights was also shared, this time showing off what one imagines will be gym-honed biceps. The highlight for me was a double-fronted crock effect suit. Hiding underneath the croc, a layer of leather gave the hint of something more to come.

Draping and ruffles were mixed with simple clean lines in womenswear. A grey and purple halterneck knee length dress particularly appealed, not to mention vertiginous heels. A dainty black chiffon bow, gave the vampiest pieces a demure side. Combining both the soft and the sharp, a draped jersey dress was teamed with a pale grey cap sleeve tailored jacket. It’s youthful and energetic but with a business edge.

Paul Costelloe

Illustration by Karolina Burdon

Showing menswear for the third season Paul opened London Fashion Week with a strong summer collection including short suits, lightweight long coats, and intricate print details. The menswear of this brand is growing on a season by season basis and whilst the formalwear is available in stockists such as John Lewis and Austin Reed, it’s hoped the casualwear and the odd catwalk piece should start hitting the shops soon.


Illustration by Natsuki Otani

You can see reviews of Paul’s collections by Matt and Amelia here and here.

Snake & Dagger

This London based denim company are growing stronger and stronger. Having trained in Japan, they hope to bring a more traditional feel to the denim market. The quality of the denim and the range of finishes are exquisite and the designers behind the brand bring together the best of their training and the city of London to create a unique look.

Aqua

Illustration by Joana Faria

Wherever you thought you were going to buy your Christmas party dress, forget it. Scrub that idea now. Go straight to Aqua and get yourself sorted. This Christmas’ collection ‘Out to Sleigh’ is affordable glamour at its best.

The pieces are daringly cut but clever and in no way trashy. More importantly, whilst you’ve been eyeing up that dress on the high street for the last three weeks so has every other girl in your office, but it’s unlikely you’ll be in the same number if you visit Aqua.

Morphe

Illustration by Gareth A Hopkins

Having previously shown in India, Morphe is thankfully launching in the UK. Playing with shape and form, the pieces are both dramatic and cutting edge. Born from countless hours of work, the statement pieces are surprisingly easy to wear, if somewhat out there.

However, the true gems in the collection include a one shoulder dress with silver trim along the neckline. Creating more than a simple point of interest this is a brand to watch as they develop their continued success in India.

Asher Levine

This was a fantastic collection from a burgeoning menswear designer. In particular, the asymmetric leather biker jackets were right on trend. Using differing leathers as well as digital printing, Asher showed a dynamic and contemporary collection.

Eleanor Amoroso

Most certainly one to watch. Eleanor graduated this summer from the University of Westminster. Her work with fringing has to be seen to be believed. Genuinely unique and fresh, I can only hope the future holds big things for Amoroso. This is one young designer who definitely needs to be nourished.

There were more…far more people that I saw during the press days. From the sublime to the ridiculous and everything inbetween. Trying to contain yourself when browsing all these wonders is a challenge, as is trying to get enough photos and remember everything. But I can safely say S/S 2011 is going to be a very, very good season.

All photography by Nick Bain

Ada Zanditon, pill illustrated by Sara Chew

Wahoooo! Summer is finally here. No really, website like this it is. Seriously I don’t care how damp and dreary it is outside that office window, clinic summer is most definitely here. I’m toasty warm and looking at shorts, t-shirts and dresses ranging from ethereal to barely there. Skipping round London in the increasingly cold weather this can be hard to believe, but that’s how it goes. Here’s a little look at some of the summer outfits I’ve been looking at…

Ada Zanditon
Held eight stories up in Holborn with a stunning view out over the Thames to the Oxo Tower, Ada showed her latest collection. A quick chat with the designer revealed a charming, intelligent woman and in her own words ‘geeky’. Who else would be so inspired by maths and formulas that they borrow text books from libraries? Well if that’s where inspiration comes from, long may it last. Ada is not just a lovely person but also incredibly talented. Three dimensional sculptural pyramids burst forth from the intelligently structured garments.

Even the prints were inspired by fractal geometry and swept across many garments from a particularly stunning floor length bias cut 1930s dress with backless detail to a leather minidress complete with a chiffon front panel. Hard seaming was juxtaposed with soft fabrics and details. The jewellery carried the same prints as the dress and were another hard counterpoint to some of the softness. Look out for more on Ada’s ethical collection in Amelia’s new book.

Giorgio Armani

Armani called and off to Bond Street I went. Giorgio showed some great pieces with open weave jackets and low-breaking double-breasted jackets for the men, soft and light in beige, grey and smoke. T-shirts emphasised the lightness with sheer elements. Maybe this is a way to get the ‘heavage’ out without looking like a modern day medallion man. The shoes and accessories were simple and classic, from a soft leather briefcase to a brown woven leather shoe catching my eye in particular. Suede and salmon skin belts helped to further soften the tone. All very simple and invoking a cool Italian summers evening.

On the far side of the partition was the womenswear. Strong tailoring was paired with sheer blouses in varying shades of blue and deep purple. Skirts were long and flared slightly to the hem, though I will admit it was the shoes and accessories that stood out. High perspex wedges with wooden platforms excuded both freshness and class. Chunky cuffs, twisted silver necklaces and amulets of large dark blue/black stones hung on leather and fabric. Powerful, yet clean and sophisticated.

Emporio Armani

Illustration by Stéphanie Thieullent
Emporio, the delinquent nephew of Giorgio, was my next visit. There may have been a similar colour palette across the brands, but that’s pretty much where the similarities ended. No Giorgio man is ever going to be seen in a chainlink bondage harness. The use of sheer panels as highlights was also shared, this time showing off what one imagines will be gym-honed biceps. The highlight for me was a double-fronted crock effect suit. Hiding underneath the croc, a layer of leather gave the hint of something more to come.

Draping and ruffles were mixed with simple clean lines in womenswear. A grey and purple halterneck knee length dress particularly appealed, not to mention vertiginous heels. A dainty black chiffon bow, gave the vampiest pieces a demure side. Combining both the soft and the sharp, a draped jersey dress was teamed with a pale grey cap sleeve tailored jacket. It’s youthful and energetic but with a business edge.

Paul Costelloe

Illustration by Karolina Burdon

Showing menswear for the third season Paul opened London Fashion Week with a strong summer collection including short suits, lightweight long coats, and intricate print details. The menswear of this brand is growing on a season by season basis and whilst the formalwear is available in stockists such as John Lewis and Austin Reed, it’s hoped the casualwear and the odd catwalk piece should start hitting the shops soon.


Illustration by Natsuki Otani

You can see reviews of Paul’s collections by Matt and Amelia here and here.

Snake & Dagger

This London based denim company are growing stronger and stronger. Having trained in Japan, they hope to bring a more traditional feel to the denim market. The quality of the denim and the range of finishes are exquisite and the designers behind the brand bring together the best of their training and the city of London to create a unique look.

Aqua

Illustration by Joana Faria

Wherever you thought you were going to buy your Christmas party dress, forget it. Scrub that idea now. Go straight to Aqua and get yourself sorted. This Christmas’ collection ‘Out to Sleigh’ is affordable glamour at its best.

The pieces are daringly cut but clever and in no way trashy. More importantly, whilst you’ve been eyeing up that dress on the high street for the last three weeks so has every other girl in your office, but it’s unlikely you’ll be in the same number if you visit Aqua.

Morphe

Illustration by Gareth A Hopkins

Having previously shown in India, Morphe is thankfully launching in the UK. Playing with shape and form, the pieces are both dramatic and cutting edge. Born from countless hours of work, the statement pieces are surprisingly easy to wear, if somewhat out there.

However, the true gems in the collection include a one shoulder dress with silver trim along the neckline. Creating more than a simple point of interest this is a brand to watch as they develop their continued success in India.

Asher Levine

This was a fantastic collection from a burgeoning menswear designer. In particular, the asymmetric leather biker jackets were right on trend. Using differing leathers as well as digital printing, Asher showed a dynamic and contemporary collection.

Eleanor Amoroso

Most certainly one to watch. Eleanor graduated this summer from the University of Westminster. Her work with fringing has to be seen to be believed. Genuinely unique and fresh, I can only hope the future holds big things for Amoroso. This is one young designer who definitely needs to be nourished.

There were more…far more people that I saw during the press days. From the sublime to the ridiculous and everything inbetween. Trying to contain yourself when browsing all these wonders is a challenge, as is trying to get enough photos and remember everything. But I can safely say S/S 2011 is going to be a very, very good season.

All photography by Nick Bain

Ada Zanditon, order illustrated by Sara Chew

Wahoooo! Summer is finally here. No really, it is. Seriously I don’t care how damp and dreary it is outside that office window, summer is most definitely here. I’m toasty warm and looking at shorts, t-shirts and dresses ranging from ethereal to barely there. Skipping round London in the increasingly cold weather this can be hard to believe, but that’s how it goes. Here’s a little look at some of the summer outfits I’ve been looking at…

Ada Zanditon
Held eight stories up in Holborn with a stunning view out over the Thames to the Oxo Tower, Ada showed her latest collection. A quick chat with the designer revealed a charming, intelligent woman and in her own words ‘geeky’. Who else would be so inspired by maths and formulas that they borrow text books from libraries? Well if that’s where inspiration comes from, long may it last. Ada is not just a lovely person but also incredibly talented. Three dimensional sculptural pyramids burst forth from the intelligently structured garments.

Even the prints were inspired by fractal geometry and swept across many garments from a particularly stunning floor length bias cut 1930s dress with backless detail to a leather minidress complete with a chiffon front panel. Hard seaming was juxtaposed with soft fabrics and details. The jewellery carried the same prints as the dress and were another hard counterpoint to some of the softness. Look out for more on Ada’s ethical collection in Amelia’s new book.

Giorgio Armani

Armani called and off to Bond Street I went. Giorgio showed some great pieces with open weave jackets and low-breaking double-breasted jackets for the men, soft and light in beige, grey and smoke. T-shirts emphasised the lightness with sheer elements. Maybe this is a way to get the ‘heavage’ out without looking like a modern day medallion man. The shoes and accessories were simple and classic, from a soft leather briefcase to a brown woven leather shoe catching my eye in particular. Suede and salmon skin belts helped to further soften the tone. All very simple and invoking a cool Italian summers evening.

On the far side of the partition was the womenswear. Strong tailoring was paired with sheer blouses in varying shades of blue and deep purple. Skirts were long and flared slightly to the hem, though I will admit it was the shoes and accessories that stood out. High perspex wedges with wooden platforms excuded both freshness and class. Chunky cuffs, twisted silver necklaces and amulets of large dark blue/black stones hung on leather and fabric. Powerful, yet clean and sophisticated.

Emporio Armani

Illustration by Stéphanie Thieullent
Emporio, the delinquent nephew of Giorgio, was my next visit. There may have been a similar colour palette across the brands, but that’s pretty much where the similarities ended. No Giorgio man is ever going to be seen in a chainlink bondage harness. The use of sheer panels as highlights was also shared, this time showing off what one imagines will be gym-honed biceps. The highlight for me was a double-fronted crock effect suit. Hiding underneath the croc, a layer of leather gave the hint of something more to come.

Draping and ruffles were mixed with simple clean lines in womenswear. A grey and purple halterneck knee length dress particularly appealed, not to mention vertiginous heels. A dainty black chiffon bow, gave the vampiest pieces a demure side. Combining both the soft and the sharp, a draped jersey dress was teamed with a pale grey cap sleeve tailored jacket. It’s youthful and energetic but with a business edge.

Paul Costelloe

Illustration by Karolina Burdon

Showing menswear for the third season Paul opened London Fashion Week with a strong summer collection including short suits, lightweight long coats, and intricate print details. The menswear of this brand is growing on a season by season basis and whilst the formalwear is available in stockists such as John Lewis and Austin Reed, it’s hoped the casualwear and the odd catwalk piece should start hitting the shops soon.


Illustration by Natsuki Otani

You can see reviews of Paul’s collections by Matt and Amelia here and here.

Snake & Dagger

This London based denim company are growing stronger and stronger. Having trained in Japan, they hope to bring a more traditional feel to the denim market. The quality of the denim and the range of finishes are exquisite and the designers behind the brand bring together the best of their training and the city of London to create a unique look.

Aqua

Illustration by Joana Faria

Wherever you thought you were going to buy your Christmas party dress, forget it. Scrub that idea now. Go straight to Aqua and get yourself sorted. This Christmas’ collection ‘Out to Sleigh’ is affordable glamour at its best.

The pieces are daringly cut but clever and in no way trashy. More importantly, whilst you’ve been eyeing up that dress on the high street for the last three weeks so has every other girl in your office, but it’s unlikely you’ll be in the same number if you visit Aqua.

Morphe

Illustration by Gareth A Hopkins

Having previously shown in India, Morphe is thankfully launching in the UK. Playing with shape and form, the pieces are both dramatic and cutting edge. Born from countless hours of work, the statement pieces are surprisingly easy to wear, if somewhat out there.

However, the true gems in the collection include a one shoulder dress with silver trim along the neckline. Creating more than a simple point of interest this is a brand to watch as they develop their continued success in India.

Asher Levine

This was a fantastic collection from a burgeoning menswear designer. In particular, the asymmetric leather biker jackets were right on trend. Using differing leathers as well as digital printing, Asher showed a dynamic and contemporary collection.

Eleanor Amoroso

Most certainly one to watch. Eleanor graduated this summer from the University of Westminster. Her work with fringing has to be seen to be believed. Genuinely unique and fresh, I can only hope the future holds big things for Amoroso. This is one young designer who definitely needs to be nourished.

There were more…far more people that I saw during the press days. From the sublime to the ridiculous and everything inbetween. Trying to contain yourself when browsing all these wonders is a challenge, as is trying to get enough photos and remember everything. But I can safely say S/S 2011 is going to be a very, very good season.

All photography by Nick Bain
CCATNB Waves

Having been blown away by their previous EP, this web I had high hopes for the lovely Oxford bunch, viagra order and from the outset CCATNB’s sound has aged with distinction, website like this and like a good wine, they seem to have gotten better with time. Waves opens with their current single Jungles and Tides, there is a familiar tone to their now recognisable style-keys driven with an up tempo dose of guitar and drums. The track marks a slight departure from their previous EP Panic which saw CCATNB become established as one of the UK’s most promising bands to shine for a while.

YouTube Preview Image

God Knows is classic CCATNB, and defines the EP as their well oiled sound that goes down a treat at their live gigs. For fans of Supergrass and 90s indie rock, a time not long past, yet apparently forgotten, it’s a pleasant reminder of how the independent music scene used to sound before things all got a bit emo, and the music was lost somehow. Sub-Rosa I believe is the crescendo of the EP, drawing the mind and ears into a reflective tone, with beautiful key led melodies that show Coombes’ skill and passion for a narrative, and his unparalleled understanding of how to make a track clutch at your senses, without the overload. The track holds the band high above the many, many faceless guitar bands out there at the moment. Keys it seems, and honest soul filled vocals are a good thing. Molly harks a heart that can’t be ignored, and brings the EP to an all too quick end, reminding me why many bands don’t compete with the New Breed.

Currently on a UK tour with two EP’s under their belt and a strong fan base, the question is, when will we see an LP?

Categories ,Charly Coombes, ,Charly Coombes and the New Breed, ,Dave Ashworth, ,emo, ,Jacob Roos, ,panic, ,Richard Willoughby, ,supergrass, ,Waves

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