Charly Coombes and the New Breed by Roderick Barker-Benfield
Charlie Coombes and the New Breed by Octavi Navarro
Familiar with a fair few live music venues across case +UK&oe=utf-8&rls=org.mozilla:en-GB:official&client=firefox-a&um=1&ie=UTF-8&hq=&hnear=Westminster, store +London&gl=uk&ei=kdYETam3HY2ShAfs5NntBw&sa=X&oi=geocode_result&ct=title&resnum=1&ved=0CB0Q8gEwAA”>London, symptoms I’ve been pretty up close and personal to a number of bands, both great and truly awful, and wondered how Charly Coombes and the New Breed would fair at the Monto Water Rats in Kings Cross, as the stage is particularly petite. Taking to said stage on Saturday December 11th for the last night of their Waves EP promotional UK tour to a familiar crowd, CCATNB stole the show headlining a night of indie and rock music as the band with the edge. Showing only a comical strain to the end of their tour, as with fellow Oxford-ites and Amelia’s Magazine pal Little Fish, the band set out with great energy getting the walls shaking to their distinct key led indie sound that is so easily digested.
Charly Coombes and the New Breed by Rodography.
Opening with their current single and crowd pleaser Jungles and Tides, momentarily forget about the ear candy, which is delightful, with many members of the crowd of the fairer sex, the eye candy wasn’t bad either. Clearly comfortable and at home playing The Water Rats, which has housed many bands, both up and coming and established, there’s a definite intimate tone to the night, where the crowd are within inches of the band, in all their sweat and glory. Their sound and musical ability isn’t matched within the indie music scene at the moment, taking soulful strides above the rest and echoing late 90s British rock at its best, the fellow bands of the night are good but not in the same sphere as the New Breed.
Charly Coombes by Werner Fismer
That aside, stand out tracks of the night include the head swinging God Knows, the beautiful and eloquent Sub Rosa, off their current EP Waves, which signals the musical prowess of the New Breed led effortlessly by Coombes’ key skills, and closer Dress to Kill, a song that marks the New Breed stepping things up a notch on their quest to bring decent independent music back home. Full of confidence and an instant connection with their fans old and new, CCATNB are for anyone who like a solid punch to their indie pie, and these guys are on the up and up. With their set ending all too quickly, catch them while you can at these intimate venues, as I can only see a brighter and bigger future for Charly Coombes and his New Breed.
- Charly Coombes and the New Breed EP Review: Waves
- The Cazals @ Water Rats
- Friendly Fires and Jape