Amelia’s Magazine | Space Beads: Ancient Egyptian Artefacts Made From An Iron Meteorite

Egyptian-Meteor-by-Kit-Wags
Space Beads by Kit Wags.

It’s been awhile since I last had the opportunity to attend a lecture, but last weekend I went to the Royal Observatory in Greenwich for a talk about Space Beads – the title alone being enough to tickle my fancy.

Sarah-Gillett-I-think-I-am-an-ominous-decoration-2014
Tapestry by Sarah Gillett.

egyptian-meteroite-jewelry-space beads
The space beads in question are ancient Egyptian beads dug up from the graves in Gerzeh in 1911, the same year that a large and notable meteorite fell to the earth in the same area of Egypt. The Gerzeh beads have long fascinated archaeologists and scientists as the are made of iron, yet date from the Pre-Dynastic period some 5,000 years ago, long before the earliest example of iron work in Egypt. It has recently been confirmed that these curious beads were made from thin sheets or iron taken from just such a meteorite.

Leonid Meteor Shower over Niagara Falls, 1833
Leonid Meteor Shower over Niagara Falls, 1833.

Meteorite shower engraving, 1848
Meteorite shower engraving, 1848.

Meteor_Crater_Near_Winslow_Arizona
The afternoon opened with a wonderful talk about meteorites given by Marek Kukula, public astronomer at the Royal Observatory. I was chuffed to discover that I was the only one in the room who has visited the giagantic Meteor Crater in Arizona, on a road trip with my parents in the 80s when I lived in the USA. Our visit was notable for our idiocy – we decided to walk the enormous rim in the midday sun, not a good idea in a desert. The most exciting thing I learnt from Marek was that on very rare occasions the tail of a comet will shed a glorious meteorite shower across the entire sky as it grazes the earth’s atmosphere, as happened in 1860, and have since discovered the wood cuts to prove it (great inspiration for my open brief, That Which We Do Not Understand) Apparently we can never know when this will happen again until the occasion is upon us. I am now hoping and praying to see such a wondrous sight in my lifetime! I can only imagine how other worldly it must have appeared to more ancient peoples.

Meteoriten 1838-Keller
egpytian_museum_cairo_Bat-goddess
Which brings me back to our Space Beads. Our next speaker was Alice Stevenson, who has a PhD in the study of the graveyard where the beads were found. She talked about what life was like during the Pre-dynastic era, and the possible meaning and use of the beads, which were obviously worn by someone of some repute. They were found alongside a depiction of the horned cow god Bat with stars above her head: pure speculation could lead us to believe that the beads themselves a very special representation of the heavens.

pallasite meteor
Glorieta-Pallasite Meteor
During a break we were invited to hold sections of different meteorites, some of them older than the planets themselves (gulp, how does one even process such information?) Some of these lumps of rock were exceptionally heavy – I particularly marvelled at the sample of Pallasite Meteor, which contains fragments of Olivine gems (otherwise known as Peridot).

Engraving of the Ochansk meteorite over Perm
Engraving of the Ochansk meteorite over Perm.

Diane Johnson experimental archaeology predynastic space beads
Diane Johnson’s experimental archaeology, making predynastic space beads.

Thirdly we were introduced to planetary scientist Diane Johnson of the Open University, who has combined her love of meteorites and Egypt in an intensive study of the beads. Experimental archaeology has led her to conclude that the beads were made using thin slices of iron that were banged out of the meteorite and then rolled into tubes, rather than forged in a furnace (which shatters the delicate meteorite structure). Her modern day space bead, worn on a simple cord, was beautiful and unusual.

Matthew Luck Galpin meteorite-space beads
Lastly artist Matthew Luck Galpin talked about the use of meteorites in his series of Anvilled Stars. He agreed with Diane that the process of banging them into flattened shapes was a highly therapeutic process that was as important as the final outcome, a highly tactile object reminiscent of an astrolabe, some of which are scattered without explanation around the observatory galleries.

Meteor over Shetland Isles
Meteor over Shetland Isles.

At the end of the chat we had a chance to visit the galleries to view some amazing examples of meteorite. It was great to hear an expert talk about treasures such as the Nakhla Meteorite, which is actually a piece of Mars. The space beads themselves are housed in the Petrie Museum, which I have never even heard of. This is an Egyptian museum attached to UCL, with a super interesting roster of events. I wonder when I can get away to my next lecture…

Categories ,#TWWDNU, ,1860, ,Alice Stevenson, ,Anvilled Stars, ,Arizona, ,Astrolabe, ,Bat, ,Diane Johnson, ,Egypt, ,egyptian, ,Experimental Archaeology, ,Gerzeh, ,Kit Wags, ,Lecture, ,Marek Kukula, ,Mars, ,Matthew Luck Galpin, ,Meteor Crater, ,Meterorites, ,Nakhla Meteorite, ,Ochansk meteorite, ,Olivine, ,Open University, ,Pallasite Meteor, ,Peridot, ,Petrie Museum, ,Pre-Dynastic, ,Royal Observatory, ,Sarah Gillett, ,Shooting Stars, ,Space Beads, ,That Which We Do Not Understand, ,UCL, ,Year of Meteors

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Amelia’s Magazine | The London Book Fair: the volcanic fallout on attendance in April 2010

London Book Fair- empty stand
London Book Fair- empty stands due to volcano

The London Book Fair is held yearly at Earls Court in West London and it is the primary place for book publishers, pharm distributors, information pills shippers and producers of associated book paraphernalia to gather and do business together. Yesterday I went down there to find out how my tiny contribution to the book market, Amelia’s Anthology of Illustration, is getting along amongst the sea of titles, and to find out just how much attendance had been affected by the eruption of the Eyjafjallajökull volcano.

What I found was lots of empty stands. One was for Clarks Worldwide Shipping: the irony was not lost. Some had hastily scribbled notes taped to the table. South African companies were particularly absent, as were visitors from America and Australia. But I met a Swedish man who had travelled overland to get to the book fair, and on one stand the Norwegians were putting on a great deal of fish based canapes. The Scandinavian countries, I am told, always put on a great nosh-up because they are keen to promote their arts to the rest of the world.

London Book Fair- empty stands due to volcano
London Book Fair- empty stands due to volcano
London Book Fair- empty stands due to volcano
London Book Fair- empty stands due to volcano

Central Books distributes Amelia’s Anthology of Illustration in the UK, and their stand is located in the second arena, just behind the discount booksellers. I suspect most people will only pass this area in search of the tasty Scandinavian snacks beyond. (The beauty of hospitality at the book fair is that anyone can dive in, anywhere. Just head down an aisle in the direction of any cluster of people and you’re bound to find a mini party that you can join.)

London Book Fair- Scandinavian Snacks

My book was sandwiched between a photo book about the seasons and a guide to London. And beneath two memorable tomes by different authors, joined in their delusions: The Hockey Stick Illusion and The Wind Farm Scam. Both clearly my kind of book. I skim read the intro to the latter, and discovered no clear idea of what exactly is suggested as an alternative energy source. Suffice to say I will not be reading this book to find out. Sadly I don’t think I’ll be attracting a multitude of buyers given the company that Amelia’s Anthology of Illustration is keeping.

London Book Fair - Central Books

At Idea Books – who look after my international sales – my book looked more comfortable, sandwiched between lots of other idiosyncratic art books. One that I particularly took a shine to was a hardback photography book called Diggers and Dreamers by the wonderfully named Love Enqvist, which documents the utopian vision of architects across the world. One place I had not heard about is called Arcosanti, in the Arizona Desert. It’s been a work in progress since 1970, a vision of the Italian architect Paolo Soleri, who invented the concept of “arcology” – where buildings are designed to interact with the living environment. What remains is a brutalist masterpiece and there are plans afoot to complete the rest of the dream.

London Book Fair- Idea Books

Over at Gestalten I had a cheery chat with Lee who works down the road in Spitalfields. Two books in his roster really caught my eye, The Upset compilation of young artists, and Flowerhead by Olaf Hajek. He also introduced me to the second issue of Elephant magazine; produced by Marc Valli of Magma Books, who I am more used to dealing with concerning sales of Amelia’s Magazine. It’s a beautifully produced affair by someone who is up to his eyeballs in the design world every day of the week.

London Book Fair-The Upset, Gestalten
London Book Fair-Flowerhead, Olaf Hajek, Gestalten

Black Dog woo-ed me onto their stand with a new title, The Front Room: Migrant Aesthetics in the Home. As well as being intrigued by the assimilation of different cultures I’ve always loved a bit of kitsch, so this looks like a thoroughly fascinating book that I hope to be able to review.

London Book Fair- The Front Room, Blackdog

As the witching hour fell I wound along the aisles, snaffling a peanut here, a glass of water there (yes really, I didn’t take advantage of the free wine.) A few people said with resignation that the fair seemed very quiet but everyone was sanguine as to the reasons why. It will be interesting to see how the lack of visitors from further afield impacts book sales in the long run – but most predict far busier fairs in New York and Frankfurt later this year.

London Book Fair- empty stand

In the meantime if you would like to stock Amelia’s Anthology of Illustration in your shop, please get in touch with Central Books or for international buyers, Idea Books. Or alternatively just drop me an email.

Categories ,Amelia’s Anthology of Illustration, ,Arcosanti, ,Arizona, ,Black Dog, ,Canapes, ,Central Books, ,Diggers and Dreamers, ,Earls Court, ,Elephant magazine, ,Eyjafjallajökull, ,Gestalten, ,Idea Books, ,London Book Fair, ,Magma Books, ,Marc Valli, ,Olaf Hajek, ,Paolo Soleri, ,The Front Room, ,The Upset, ,Volcano

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Amelia’s Magazine | The London Book Fair: the volcanic fallout on attendance in April 2010

London Book Fair- empty stands due to volcano

The London Book Fair is held yearly at Earls Court in West London and it is the primary place for book publishers, distributors, shippers and producers of associated book paraphernalia to gather and do business together. Yesterday I went down there to find out how my tiny contribution to the book market, Amelia’s Anthology of Illustration, is getting along amongst the sea of titles, and to find out just how much attendance had been affected by the eruption of the Eyjafjallajökull volcano.

What I found was lots of empty stands. One was for Clarks Worldwide Shipping: the irony was not lost. Some had hastily scribbled notes taped to the table. South African companies were particularly absent, as were visitors from America and Australia. But I met a Swedish man who had travelled overland to get to the book fair, and on one stand the Norwegians were putting on a great deal of fish based canapes. The Scandinavian countries, I am told, always put on a great nosh-up because they are keen to promote their arts to the rest of the world.

London Book Fair- empty stands due to volcano
London Book Fair- empty stands due to volcano
London Book Fair- empty stands due to volcano
London Book Fair- empty stands due to volcano

Central Books distributes Amelia’s Anthology of Illustration in the UK, and their stand is located in the second arena, just behind the discount booksellers. I suspect most people will only pass this area in search of the tasty Scandinavian snacks beyond. (The beauty of hospitality at the book fair is that anyone can dive in, anywhere. Just head down an aisle in the direction of any cluster of people and you’re bound to find a mini party that you can join.)

London Book Fair- Scandinavian Snacks

My book was sandwiched between a photo book about the seasons and a guide to London. And beneath two memorable tomes by different authors, joined in their delusions: The Hockey Stick Illusion and The Wind Farm Scam. Both clearly my kind of book. I skim read the intro to the latter, and discovered no clear idea of what exactly is suggested as an alternative energy source. Suffice to say I will not be reading this book to find out. Sadly I don’t think I’ll be attracting a multitude of buyers given the company that Amelia’s Anthology of Illustration is keeping.

London Book Fair - Central Books

At Idea Books – who look after my international sales – my book looked more comfortable, sandwiched between lots of other idiosyncratic art books. One that I particularly took a shine to was a hardback photography book called Diggers and Dreamers by the wonderfully named Love Enqvist, which documents the utopian vision of architects across the world. One place I had not heard about is called Arcosanti, in the Arizona Desert. It’s been a work in progress since 1970, a vision of the Italian architect Paolo Soleri, who invented the concept of “arcology” – where buildings are designed to interact with the living environment. What remains is a brutalist masterpiece and there are plans afoot to complete the rest of the dream.

London Book Fair- Idea Books

Over at Gestalten I had a cheery chat with Lee who works down the road in Spitalfields. Two books in his roster really caught my eye, The Upset compilation of young artists, and Flowerhead by Olaf Hajek. He also introduced me to the second issue of Elephant magazine; produced by Marc Valli of Magma Books, who I am more used to dealing with concerning sales of Amelia’s Magazine. It’s a beautifully produced affair by someone who is up to his eyeballs in the design world every day of the week.

London Book Fair-The Upset, Gestalten
London Book Fair-Flowerhead, Olaf Hajek, Gestalten

Black Dog woo-ed me onto their stand with a new title, The Front Room: Migrant Aesthetics in the Home. As well as being intrigued by the assimilation of different cultures I’ve always loved a bit of kitsch, so this looks like a thoroughly fascinating book that I hope to be able to review.

London Book Fair- The Front Room, Blackdog

As the witching hour fell I wound along the aisles, snaffling a peanut here, a glass of water there (yes really, I didn’t take advantage of the free wine.) A few people said with resignation that the fair seemed very quiet but everyone was sanguine as to the reasons why. It will be interesting to see how the lack of visitors from further afield impacts book sales in the long run – but most predict far busier fairs in New York and Frankfurt later this year.

London Book Fair- empty stand

In the meantime if you would like to stock Amelia’s Anthology of Illustration in your shop, please get in touch with Central Books or for international buyers, Idea Books. Or alternatively just drop me an email.



Categories ,Amelia’s Anthology of Illustration, ,Arcosanti, ,Arizona, ,Black Dog, ,Canapes, ,Central Books, ,Diggers and Dreamers, ,Earls Court, ,Elephant magazine, ,Eyjafjallajökull, ,Gestalten, ,Idea Books, ,London Book Fair, ,Magma Books, ,Marc Valli, ,Olaf Hajek, ,Paolo Soleri, ,The Front Room, ,The Upset, ,Volcano

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Amelia’s Magazine | And So I Place You in the Setting Sun: An Interview with Laurel Simmons of MayMay

May May by Novemto Komo
May May by Novemto Komo.

MayMay is Laurel Simmons of Arizona, now resident amongst the new folk milieu of Oregon. Her debut album And So I Place You in the Setting Sun is a beatific ode to her grandmother; a melodic showcase for Laurel’s beguiling vocals. I caught up with Laurel to find out what inspired her solo debut.

And So I Place You in the Setting Sun MayMay album cover
Your album came out in June, what has the response been like and what have you been up to since then?
We’ve been pleasantly surprised by the words shared about our music so far. It has been encouraging. Since the album was released and we returned from a tour in Japan in June, I married in July and have been enjoying the warm summer months in Portland with bikes, friends and a canoe that we were gifted for our wedding.


Congratulations! You also play with chamber folkband Loch Lomond – what are they currently up to?
Actually, though we are all still great friends, I don’t play in in Loch Lomond any longer. I left a few years ago to pursue MayMay more seriously.    

maymay by sandra contreras
MayMay by Sandra Contreras.

How did you come to leave Arizona and end up in Oregon? What is the best and worst of both places?
I moved to Oregon to experience a new place, one that I was drawn to for years before moving. The best parts of Oregon have been found in its music and proximity to the ocean. Living near water has been such a treat. The worst is by far the rain and long, dark winter months. Being from Arizona, I have never grown accustomed to the Northwest bleakness. The best of Arizona is the beautiful desert terrain and the roots that I have there (two of my favourite things in the world) and the worst…. well, I’m not huge fan of the current immigration reform policies in effect. While enjoying my life in Oregon, I am always pining after Arizona.

All is Still

The record pays particular homage to your grandmother the wonderfully named Barbara Mae May – why was she so special?
Oh where to start an answer for that one……. For most of us, I suppose a grandmother is innately special…. an extension of our mother or father. Grandma May was a tender hearted and fiery lady with a magnificent laugh. I was so drawn to her for these traits. She loved her family more than anything else and you knew it! She also represents a time of life that was simpler than now. Whenever I smell an apricot I think of her and the apricot trees in her yard.

MayMay
Your music making process has been likened to a religious experience, why do you find it so cathartic?
It seems like most people have some way that they experience catharsis. Music has always been my way of processing and expressing life’s deep emotion. Also, I have always been fascinated with the presence of that which is unseen; the wind, a feeling, sound… for me music is as close as breathing… a place where God dwells.

Live at Soup

What was the process of producing your album?
Nicholas Marshall, Raul Pastor Medall and I have played music together for years in other projects; Sabertooth and Rauelsson. I was always writing music on the side, while playing with Loch Lomond, Sabertooth and Rauelsson. When I had enough material to begin recording And So I Place You in the Setting Sun Nicholas and I began tracking, Raul soon became a huge part in the process as well and we would just meet every weekend to track, arrange and record. All three of us lent a hand in the instrumentation and overdub arrangements. Definitely our favourite task was the vocal harmonies. We have always felt a deep connection when singing together. When all was done with mixing, we shared it with our friend Nils Frahm of Durton Studio in Berlin and we were honoured to have him work his mastering magic.  

Setting Sun

When can your UK fans see you live and where?  
We are planning a European tour for the Spring next year. We look forward to sharing details soon.

And So I Place You in the Setting Sun is out now on Flau. Find MayMay on facebook here.

Categories ,And So I Place You in the Setting Sun, ,Arizona, ,Barbara Mae May, ,Durton Studio, ,Flau, ,Laurel Simmons, ,Loch Lomond, ,MayMay, ,Nicholas Marshall, ,Nils Frahm, ,Novemto Komo, ,Oregon, ,Rauelsson, ,Raul Pastor Medall, ,Sabertooth, ,Sandra Contreras

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