The pop-up shop does what it says on the tin, buy appears in a different location for a limited time, so you have to be quick to get in and see what’s inside. But make the effort as you can find a plethora of goodies from new designers and artists, hand picked from exotic locations all around the world. The store also supports the East End charity Kids Company, so you’ll be doing your bit to help as you shop.
Thursday 11th December
Enjoy an evening of late-night shopping on London’s trendiest street, as well as rumageing through all that vintage, there will be refreshments on hand and special Christmas gifts available only on this night.
The Bizarre Bazaar
Sunday 21st December
Boss Hog, Luminaire, London
Jon Spencer (as in Blues Explosion) and his wife Cristina Martinez front this long-standing blues-rock outfit.
Tuesday 9th December
Kong, Buffalo Bar, London
Art-noise, cool as Manchester band, heavy on the guitars.
The Miserable Rich, Wedgewood Rooms, Portsmouth
Folky, orchestrated Brighton group, with links to Lightspeed Champion.
Sixtoes, Big Chill House, London
Cinematic, spooky blues-folk with a melancholy Eastern European edge.
Wednesday 10th December
Little Death, Club Fandango @ 229, London
Cool, cosmopolitan London band playing psychadelic tinged noise-pop.
Land of Talk, Water Rats, London
Thursday 11th December
Good Books, Proud Galleries, London
Mike Bones, Old Blue Last, London
One man and his guitar.
Friday 12th December
Rose Elinor Dougall, Barfly, Cardiff
Pretty girl music from this ex-Pipette. Still very pop but less of the sixties girl group rip-offs.
Free Fridays: Brute Chorus, La Shark, Josh Weller, 93 Feet East, London
Bonkers hair (Josh Weller) and outfits (La Shark) will abound at this FREE night featuring up-and-coming bands including Brute Chorus who will presumably play new single ‘She Was Always Cool’.
Saturday 13th December
Herman Dune, The Deaf Institute, Manchester
Perennial Parisian folksters on tour to promote new album ‘Next Year in Zion’.
Glissando, Holy Trinity Church, Leeds
Dreamy and ethereal. Should be lovely in a church.
Sunday 14th December
King Khan and The Shrines, Hoxton Bar and Grill, London
Wild soul stage show.
Stereolab, Black Box, Belfast
Long-standing lounge/electronic post-rock with female French singer.
Getting up at 6am on a cold Saturday morning may be unthinkable to some -but for myself and fellow fashion enthusiasts, information pills the Angels Vintage and Costume clothing sale was more than enough motivation for the long, look early trek over to Wembley….or so we thought. The queue turned out to be VERY long… a 3 to 4 hour wait we were told. Despite our earlier determination, it was too long for us and we gracefully admitted defeat, leaving behind a growing queue of seriously hardcore shoppers.
One of those hardcore shoppers was ameliasmagazine.com’s very own Music Editor, Prudence Ivey, here’s her take on it, “Leaving the house at 6.30am, we were in the queue by about 7.15am and, although in the first 500, we were nowhere near the front. Some people – vintage shop buyers – had been there since Friday afternoon. There was a really friendly atmosphere, you could tell these people were true vintage fiends, as there was not a scruffbag in sight, it was all red lipstick and glamourous outfits despite the ungodly hour.
When we were allowed in, after just over an hour of wating, there was virtual silence and heads down as people rifled through the cardboard boxes packed with clothes on the floor. A cloud of dust filled the room after about 10 minutes, most of the clothes were in a bit of a state and everything I ended up with turned the water black when I put it in to hand-wash, not to mention my black snot… A quick sort through, try on and swapping session with my friend, along with some excellent packing meant that I left with 18 items of pretty decent, some of them really excellent, vintage finds for a measly £20. One of my favourite shopping trips EVER.” (above and below is Prudence modeling her two of her wonderful buys)
So now I wish I had stayed in the queue – but my day was not wasted, I found a far more inviting alternative, which boasted the benefits of being a. inside and b. no queue! It was the first London edition of New York magazine BUST‘s Christmas Craftacular.
Set in the St. Aloysius Social Hall in Euston, a mixed group of cool crafty kids, cute guys and even grannies filled the aptly dated-yet-cozy bar, and the Shellac Sisters played classic retro tunes on their wind-up gramophone, which added to the kitsch atmosphere. Having taken off in New York over the last 4 years, the Craftacular event has now come to British shores and brings together craft sellers, knitting circles, badge making stations and of course, lots of cake!
Tatty Divine turned into doctors for the day and set up their very own ‘craft clinic’ offering advice and tips to craft novices or lovers.
An ArtYarn Guerilla Graffiti Knitting Crew even set up a training camp, where boys sat happily next to their teachers, learning how to knit one, pearl one and Random Monkey Designs offered lessons in cross stitch.
With a packed out venue and buzzing crowd, it’s likely that (and we hope) the Craftacular event will become a regular date in the British calendar.
Monday Dec 8th
It seems most exhibition spaces in this area begin like this, drugs in someone’s flat. Every day this week at 79a Brick Lane, viagra 100mg there will be an exhibition of seven separate artists (one for each day) alongside a selected feature film, including the likes of Saturday Night Fever, North by Northwest, and The Truman Show. It starts at eight and ends when the film does. For a more detailed itinerary, check here. Admission is free.
Tuesday Dec 9th
A Family in Disguise, by Yu Jinyoung has been extended at Union on Teesdale Street and is worth a look, if not only for the fact that entering the exhibition is a surreal experience in itself. Not a curator to be seen, and with a camera that links the room to their gallery in Ewer Street, you are alone in a haunting room with this disparate family of forlorn faces. Ring the buzzer and take a look.
Wednesday Dec 10th
Indian Highway is the new exhibition starting today at the Serpentine, describing itself as a snapshot of the vibrant generations artists working across the country today, well-established artists shown besides lesser known practitioners. Using a array of medias they are threaded together with a common engagement with the social and political, examining complex issues in contemporary India such as environmentalism, religious sectarianism, globalisation, gender, sexuality and class. It runs until Feb 22nd.
Thursday Dec 11th
Hermetic Seel is a new exhibition by Shane Bradford opening on Wednesday at the Vegas Gallery. It might just be satisfying to see fourteen historical art encyclopedias subjected to Bradford’s “post-Pollock” dipping technique.
Friday Dec 12th
Here’s what one of our writers said of Omnifuss’ last exhibition: In the heart of Dalston, down the end of a small alley road was a large garage with a little door. Through this door, a group of 24 artists showcased their work. Sculpture, music, performance and photography took place in the old car workshop that was far away from the usual pristine white walls of gallery spaces and created a rustic, and inspiring location for this exhibition. With flame heaters to warm those tootsies, and the symphonious sound of a violinist haunting the open rooms, I found myself immersed in the eclectic furniture and art… Downstairs is their new exhibit, an exploration of domesticity in its rawest states through sound, sculpture, video and installation, and by the sounds of it is worth a visit.
Saturday Dec 13th
Awopbopaloobop. Artists listen to music, everyone listens to music. Lyrics are etched into our minds whether we want them there or not, and we can’t help but allow them to inform our everyday. Awopbopaloobop (I just like saying that word) is an exhibition at http://www.transitiongallery.co.uk/index.html, asking a host of artists to produce based on a favourite song lyric. This exhibition is coming to an end, (21st of Dec), so go and see it if you haven’t already. The space itself is worth the trip, and it’s fun to walk around a gallery with a song-sheet in your hands!
Brian Aldiss’ short story, drug “Super-Toys Last All Summer Long”, this to which the exhibition “Super-Toys” makes reference, abortion tells the story of a mother and her android son in the overcrowded world of the future who, however hard they try, cannot find a way to love each other. It makes love seem like a human malfunction, a flaw which can never be imitated. But moreover it captures the feeling of dismay when two people who know that they should love each other realise they can’t – that they fundamentally don’t know how. The android boy, who questions whether or not he is real, seems more humane than his human mother; who sends him to be repaired for the flaw from which she herself suffers. Love cannot be programmed; but is a lover not someone who says all those things that you want to hear, like an automated machine?
So with high expectations of an exhibition dealing with the strange interaction between humans and machine, fantasy and reality, love and compromise; what I found was initially disappointing. The notions the story had alluded to, the emotions and the complexity of them, were not to be found. Machine ducks floating in a pond, a room of human shaped stuffed objects lying mundanely on the floor; flashing machines dancing in a square box; all interesting to look at, but lacking explanation. The most interesting part of the exhibition was the nightmarish, garish and lurid room that followed, full of toys ripped apart: toys with two head, toys mutilated and deformed by visitors, and all in the name of art. With shelves and window ledges packed already, I was invited to create my own monster from a pile of rejected toys. There was something sinister about being instructed to rip the head off a teddy bear; glue Barbie legs where paws should be; and to work at a designated workstation. Despite the visual pleasure and hands on aspect of super-toys, it seemed to be an exhibition full of concept without real content. But maybe that’s what it allows you to do; to explore you own memories of love, childhood, playfulness and ultimately rejection; and realise that everyone else feels the same way too.
Dispersion is a patchy affair. Curated by the director of the Chisenhale gallery Polly Staple, hospital it features seven artists working from different locations, view tied together under the banner of an examination of the ‘circulation of images in contemporary society….in our accelerated image economy’. This seems a fairly sound starting point, although a bit nebulous and too wide in the sense of the number of artists that could be described as grappling with these issues.
Recycling and colliding of images is examined most clearly in Anne Collier’s photographs. Iconic posters, complete with creases, walk the line between multiple realities; but unlike other work in the show, the centre of power lies not in some theoretical hinterland but in the jarring sensation between seeing the photograph of the image and the image itself. Again this is hardly a new idea but it is well executed. The twin set of images a box of photos of the sea provides a further layer of tension between the natural and man-made.
Most of the the other works are films. Seth Price’s ‘Digital Video Effect:Editions‘ (2006) , juxtaposing high and low cultural references (such as those barriers still exist), feels like an early 90′s MTV insert in its scope and complexity. Mark Leckey, now with the epithet ‘Turner Prize Winner’, is due to give a one off lecture/live performance ‘Mark Leckey in the Long Tail‘ in January tackling the similar ground, hopefully to better effect.
A better example of the film work on display is Hito Steyerl’s fascinating ‘Lovely Andrea’ (2007). This is an engaging documentary-esque look at a Japanese bondage artist, cut with scenes fom Wonder Woman cartoons and ‘backstage’ footage of the creation or recreation of scenes, calling the whole film’s authenticity into question. This could have led to a horribly self reflexive pile of mush but is actually a taut and gripping set of mixed narratives.
Henrik Olesen’s computer printed images mounted on blackboards, ‘some gay-lesbian artists and/or artists relevant to homosocial culture V,VI.VII’(2007), a collection reappropriated around queer history, touched on interesting ideas; a collection of female portraits by female artists from Renaissance onwards, for example. But the sum of its parts felt lazy and, like the rest of the show, he veers into hectoring or frustrating silence instead of fostering conversation between the work and viewer.
This is a problem, but one the ICA can absorb better than other cultural centres. The institution was founded as an ‘adult playground’ and this remit naturally involves risky and challenging work, which sometimes works and sometimes doesn’t. Dispersion is a perfect encapsulation of this.
The disjointed art punk of San Fransisco’s Deerhoof is pretty brilliant on record but I’d heard it was even better live and so couldn’t wait to see them at ULU on their only UK date this year. Their music is disarmingly simple sounding, online loved by music aficionados and 10 year old girls alike – my kid sister loves Panda Panda Panda and Milkman almost as much as any Girls Aloud single. Perhaps I should have sent her along to review the show. It would have been easier for her to convince the people on the door that she was called Prudence Ivey (the name I was under on the list) than a scruffy and definitely male reviewer. They thought I was a street-crazy.
Achieving such wide-ranging popularity is an impressive feat considering that, sick underneath that childlike simplicity, their songs consist of complex structures alongside fragments of dissonant guitar thrash/twang and improvisation. However, seeing Deerhoof is no overblown, intellectual chore. They manage to be simultaneously clever, loud and cartoonishly entertaining and enlivened ULU with a set that encompassed a lot of new album material alongside some stuff to keep the old school fans happy.
The crowd were particularly receptive to old favourite Milkman, along with the Yo La Tengo-in-a-parallel-universe sounds of new album Offend Maggie – a title that always gives me the mental image of an outraged, pre-dementia Margaret Thatcher. There were clipped drums ahoy, along with Deerhoof’s twinkling wire to fuzz guitar textures. Satomi’s vocals, all coy and Japanese, were accentuated by goofy hand gestures – a fitting accompaniment to her surreal and playful subject matter. The whole band were really tight and surprisingly enthusiastic after fourteen years playing together. I can’t wait to see them again.
For anyone wanting to brush up on their climate science, drugs I thoroughly recommend this charming animation by Leo Murray.
The friendly and clear narration takes you steadily through the various chemical processes that are happening on our planet in it’s present climatic state. Without being overly ominous, the film warns how these processes, unchanged for millions of years, are being disturbed by man-made CO2 emissions and may be heading towards a tipping point where we will be plummeted into a place of no return. This definitely ‘isn’t about polar bears anymore!’
I found it really helpful for clarifying some terminology, the science bits- told in a simple way- are up- to- date, and it projects a statement of encouragement, not one of doom. The prospects are scary but we’re lucky to be the generation who could prevent them from happening.
To vote for Wake Up Freak Out then Get a Grip in the Aniboom Awards 2008 click here.
For anyone wanting to brush up on their climate science, buy information pills I thoroughly recommend this snappy animation by Leo Murray.
The friendly and clear narration takes you steadily through the various chemical processes that are happening on our planet in it’s present climatic state. Without being overly ominous, the film warns how these processes, unchanged for millions of years, are being disturbed by man-made CO2 emissions and may be heading towards a tipping point where we will be plummeted into a place of no return.
I found it really helpful for clarifying some terminology, the science bits- told in a simple way- are up- to- date, and it projects a statement of encouragement, not one of doom. The prospects are scary but we’re lucky to be the generation who could prevent them from happening.
To vote for Wake Up Freak Out in Aniboom Awards 2008.
No Equal clothing are a company who don’t pander to press agendas and celebrities, sick instead they are refreshingly focused on working with new and exciting design talent and helping charities.
They also know how to throw a party – and it was good cause central. In the first room of The Russian Club Studios was a display of logoed t-shirts and hoodies, website like this made in collaboration with three emerging illustrators– Yann Le Bec, Thibaud Herem and Jean Jullien.
10% of the sales – not just profit – of this No Equal apparel are being donated to three charities, which No Equal Clothing are supporting, Kidsco, Addaction and XLP. To mix up the mediums and give some background to the collaborations, there was also a video installation showing the three artists at work.
In the second room, as part of their desire to champion new designers, No Equal clothing held a silent auction (of which all profits go to Kidsco, Addaction and XLP) for the London College of Fashion. Seven of LCF’s undergraduate students working for the college’s Centre for Sustainable Fashion created collections that were environmentally and ethically conscious and these were being sold.
The auction is also a possible reason for the eclectic mixture of guests. East London kids hung out with men in suits (in separate groups obviously) in the sparse concrete venue created an unusual atmosphere, you could have been in an underground club, art gallery or exclusive couture shop.
The students collections were varied and interesting, Michela Carraro (pictured below) used hemp based fabrics sourced from small family run businesses to create a romantic chiffon-esque collection, while Manon Flener created deconstructed / reconstructed garments made of pieces of fabric pieced together with studs. She says her motivation for the collection was to reduce waste in fashion; each piece can be put together in a different way to make many garments.
Supporting the Fashioning the Future programme at LCF, which encourages designers to think about the environmental imapct of their work, No Equal clothing are actively championing eco-friendly designers of the future and with their own clothing label, bucking the greedy fashion trend by giving a percentage of profits to charity. Good work all round.
Last week the Earth team at Amelia’s Magazine went along to the Friends House in Euston to listen to a report made by the Public Interest Research Centre (PIRC). The issue was climate change and the information it uncovered was alarming.
As a self-confessed newbie to these sorts of events I must admit to harboring uneasiness about feeling out of place in a room full of swampys. But my silly preconceptions were immediately flattened.
Lead by a panel of speakers expert in their field, story the atmosphere at the Friends House was alive with people from all manner of backgrounds but united in the opinion that climate change is a matter of urgency.
Chairing the debate was Christian Hunt who kicked off by asking the audience a few questions. 99% raised their hand when asked whether they would describe themselves as environmentalists. Roughly 70% would say they had some knowledge of climate change while roughly 20% would say they had lots of knowledge on the subject. 99% of us responded yes we did like his t-shirt that read ‘don’t give up.’
The first to speak from the panel was Kevin Anderson from the Tyndall Centre for Climate Change Research. He started with a clear message: the question of climate change is a humanitarian one. While the U.K. and E.U’s definition of a dangerous climate change as 2°C per annum may be an adequate threshold for us in the western world, it is not nearly small enough to safeguard the rest of the world.
It is the southern hemisphere, containing the world’s poorest, that is targeted the most by global warming in it’s present state, with people dying on a daily basis. Therefore it is an ethical decision about how much we care about the world’s weakest as to how and when we go about dealing with the climate.
He went on to say that the entire climate change debate needs an urgent rethink when taking into account the latest emissions data. The planet is heating up at an even faster rate than we thought, and our government seems to be denying this is happening by following the miscalculated advice from the Stern Report and not pumping in nearly dosh needed to implement a strategy that will radically cut back our emissions.
But Kevin Anderson pointed out there may be a silver lining to retrieve from the present economical situation. History has shown us that larger emission reductions occur when there is economic turmoil. I guess this has something to with cut backs in industry forced by a plummeting economy. When the Soviet Union collapsed, for example, there was a record drop of 5% per annum.
Tim Helweg-Larson, the director of Public Interest Research Centre bounded onto the platform next. So this is where it gets rather technical but don’t worry, Tim’s clear and straightforward delivery meant that even my mind didn’t drift into thinking about what I might eat for tea.
He showed us a series of images showing the levels of sea ice in the arctic in 1979 and in 2007 and I was taken back to those pretty pictures in my school science lab…Predictably the more recent images contained a much larger surface area of dark gloominess.
These dark regions absorb more heat. This additional heat penetrates 1500km inland across a plain of perma-frost. This stuff is harmless if left untouched but once melted, its carbon content-which is twice the amount of the entire global atmosphere-is released into the air. Yep that means even more bad stuff is added to the high intensity of CO2 that started this whole malarkey.
The knock-on effect going on in the arctic-known as the triple melt- is steadily destroying the climatic state of the entire planet. Soon we will reach the point where we will no longer be within the realm of temperatures that enable things to grow and humanity to survive (known as the middle climate). If this isn’t scary enough this tipping point is likely to peak sooner than we thought; as early as 2011 to 2015.
George Momboit was next to speak. Hello. His exuberance for the cause was exciting…ooh la…did you know he has been shot at, shipwrecked and pronounced clinically dead? Well he was very much alive that evening as I listened – intently- to his practical, if ambitious, advice to the government to stop fannying about and introduce a ‘crash program of total energy replacement.’
He whizzed through a series of steps geared to cut our emissions by 20% by 2012 and more thereafter. But those wild curls, brisk demeanor and air of academic brilliance were just a little distracting. Without getting too carried away I managed to jot down the key points of this radical plan:
1. To train up a green army of builders that is equipped to build more energy efficient homes
2.A mass subsidy program to re insulate homes
3.Replacement of power plants
4.Re engineering of roads to cater better for cycles and coaches
5. To Cap number of landing spots for airports so that by 2030 the maximum number of flights is 5% of current levels.
6.Agriculture should be devoted to the most efficient carbon saving schemes
7.He summed up with the statement that lowering demand for fossil fuels should happen simultaneously with lowering their supply and we need to dramatically cut oil and gas exploitations.
Pretty rousing stuff…
Solar energy pioneer, Jeremy Leggett gave us a more buisnessy slant on what can be done for climate change especially in this current state of economic upheaval and an encroaching energy crunch (the I.E.A. predicts 5 years time). With people becoming increasingly disheartened by the government’s spending priorities, now’s the time to duck in and make a collective effort to re-engineer capitalism. He enforced the notion that money needs to go into building a carbon army of workers that would create 10 thousand new jobs and…cost a measly half a billion squid
Caroline Lucas, MEP for South East England and Leader of the Green Party, disheartened by the inertia of our government, shocked us all by urging ‘a massive campaign of civil disobedience.’ This prompted uproar amongst the audience and I must say it felt pretty inspiring .She went on to talk about Climate Rush, an activist group who take their inspiration from the Suffragette movement. Like the women who were denied the vote, their rush on parliament really is a demand for life itself. They also dress-up in fancy Edwardian petticoats, which sounds fun. But their theatricality is not without sincerity, direction and a passion to change the injustices that climate change is causing on humanity. Caroline Lucas’ speech stirred an energetic drive to ‘do something’ in me. She reminded us of the words of Emily Pankhurst ‘to be a militant is to be a privilege’ and something hit home. We are very lucky to not be totally powerless in this situation, as so many people across the world are, and it is possible to make our government listen to us, albeit with a bit of hard work. To find about the next climate rush action click here.
So I’ve dipped my toe into the murky sludge of our current climate. All the facts and figures might not have filtered through into this article but I hope if, like me, you previously thought this issue was for only for really clever people and maybe just a little put off by dreadlocks, you’ve realized that this is something we should all be aware of whether we want to listen to it or not, including our government.
As I left the Climate Safety talk to cycle home, I felt almost grateful for never bothering to learn to drive as perhaps in a small way it might make up for that stomach-sinking feeling of how terribly selfish I had been for only vaguely paying attention to news of melting popsicles and greenhouses.
The truth is I felt safe in the view that the really scary things won’t happen for a very long time, well after I’m buried in the ground and used for compost. Well I was wrong, it’s not our grandkid’s grandkid that’s going to feel the full force of climate change-it’s us.
We’ve searched online for hours to find these wonderful gift ideas for Christmas this year! Including solar powered fairy lights, advice recycled wrapping paper, rx sew-it-yourself dresses, fairtrade teddies and handmade jewellery.
First up on our list, and featured in Issue 10 of Amelia’s Magazine, we have wonderfully talented illustrator Kate Slater. She is one of many artists currently selling her work on etsy in the form of these gorgeous little accessories that she has made. Kate‘s illustrations come alive through the use of collage, mixed papers and wire for relief work.
Furtive Pheasant Brooch
Kate’s collaged pheasant has been remade into this lovely brooch. The original illustration has been printed onto durable shrink plastic and bejeweled with green diamantes. We love the idea of being able to wear Kate’s illustrations!
Buy the Furtive Pheasant Brooch here
Flighty Pheasant EarringsThese gorgeous quirky earrings also from original illustrations by Kate, made in the same way the brooch (above).They measure 6.5cm from the tail to the head and 7cm from the tip of one wing to the other. These earring hooks are nickel free.
Buy the Flighty Pheasant Earrings here.
Vegan Star Necklace
This cute necklace is made from recycled sterling silver, and the star is made of recycled copper. It is hand-stamped and perfect for all vegan stars!
Buy the Vegan Star Necklace here.
Recycled Aluminium Eco Chick Pendant
Made from recycled lightweight aluminium and also hand stamped! The metal chain and clasp are all from ethical sources too.
Buy the Recycled Aluminium Eco Chick Pendant here.
Golden Seduction Earrings by Amisha
Amisha is a new independent ethical jewellery label and we love these snake earrings made from gold plated recycled silver with blue sapphire eyes. All of Amisha’s jewellery is ethical and ten percent from each sale goes to the ‘Garden of Angels’ charity; a charity in Bahia in Northern Brazil set up to help with the pre-school care of poor children living in the Favellas.
Buy the Golden Seduction Earrings by Amisha here.
Large Cross Stitch Bicycle Badge
This lovely handmade cross stitch badge comes in four different colours (shown above). The button measures approx 2.5 inches across.
buy the Large Cross Stitch Bicycle Badge here.
Organic ‘Film Noir’ Knit Dress by Lovelina
Green is definitely the new black! Lovelina are currently selling their beautiful clothes though etsy.com and the ‘Film Noir’ Knit Dress is our particular favourite! Sweatshop-free and made from a blend of organic cotton and soybean, this wonderfully vintage inspired dress comes in many colours and makes a wonderful eco-Christmas Party dress!
Buy the ‘Film Noir’ Dress here.
Butterfly Dress Kit
Gossypium is a great place to buy gifts from! All the clothes on their site are high quality, fairtrade and made from biodegradable materials. They’re one of the great sites working with the idea of a zero-impact on the environment, and we’ve love this Butterfly Dress Kit. It is a sew-it-yourself organic cotton kit that comes with a lovely printed fabric and easy instructions to create one of three garments. You can make a blouse, a dress or a smock with or without pockets, and have the option of long or short sleeves; with nine different styles to choose from you are in total control of how your finished product looks!
Buy the Butterfly Dress Kit here.
Alpaca Fairtrade Slippers
These wonderfully warm fluffy slippers are the best way to keep your feet cosy this season. Handmade in Peru by a small co-operative, the local workers receive a high percentage of what you pay.
Buy the Alpaca Fairtrade Slippers here.
This little toy is perfect as a desk ornament, and is loads of fun for kids and grown ups! Working with as little light as from a desk lamp, the solar cells demonstrate how efficient modern eco technology is.
Buy the Solar Helicopter here.
Fairtrade Low Cut Sneakers by Ethletic
These 100% Organic Cotton Shoes come with a tough rubber sole made form FSC certified Rubber (the FSC stamp is on every sole)
They come in different colours including black and white low cut, white low cut , and green high top too!
Buy the Etheletic Sneakers here.
The Hemp Trading Company
Runner up at the RE:Fashion Awards this year for their environmental work, THTC produces ethical, eco-friendly clothing featuring designs by renowned graphic artists. And until the 18th of December they’re taking 25% off all orders when you use the code ‘GREEN CHRISTMAS’! Below are three of their newest designs, made from 70% bamboo and %30 organic cotton.
For more information visit www.thtc.co.uk
Men’s T-Shirt “All you can eat”
womens version: http://thtc.co.uk/shop.php?p=product_detail&id=293
Men’s T-Shirt “Evil Mac”
womens version: http://thtc.co.uk/shop.php?p=product_detail&id=254
Men’s T-Shirt “Fear Trade”
Biome Christmas Crackers
These Eco-Seed Crackers from Biomelifestyle.com are perfect. The exterior is made from handmade seed paper– which contains wildflower seeds inside the paper that can be planted once you’re done with them! Inside you get an eco-tip, a paper christmas hat, and a small handmade gift. The little fairtrade gifts are made by a co-operative of women in Kathmandu out of chemical-free felt and include brooches, finger puppets and christmas decorations.
Order you own set of Biome Eco-Seed Crackers here.
Outdoor Solar Powered Christmas Fairy Lights
These all-year-round lights are a great way to bring some green sparkle to your home! They’re waterproof and come with 8 different settings including flashing, continuous light patterns! The lights only come on when it’s dark (so about 3:30pm…) and the solar panel uses high grade Kyocera Solar cells that store enough energy to run for 10 hours, even on winter days! These lights are a bargain too at only £19.99!
Buy your Solar Powered Fairy Lights here.
Recycled Wrapping Paper
These 100% recycled wrapping papers are by Lisa Jones and come in many different styles! They are modernist and brightly coloured using vegetable inks.
Get some Recycled Wrapping Paper here.
Cardboard Cutting Table
This 100% Icelandic made brilliant cardboard table can be used as a meeting table, a cutting table (it comes with a laminated white surface top), a dinner table and a baby changing table! It’s portable and folds away to save space! (and comes with a handy 18% discount for design students!).
Buy the Cardboard Table here.
‘Woodsy The Owl’ Bib
This adorable bib is by etsy seller ‘cocoandmilkweed‘, consisting of Evan and Lila Maleah- a husband and wife team intent on creating lovely products for little and big people!
Woodsy has been handmade in a dark brown eco-felt that has been made from 100% recycled plastic bottles, and sewn onto a soft cotton woodgrain fabric. the entire bib has been backed with organic cotton flannel and lined with organic cotton and bamboo for extra absorption! All this detail has added to its appeal, and it even has a snap closure to make sure its little wearer isn’t able to yank it off!
Buy a ‘Woodsy The Owl’ bib here.
Dala Horse Stocking
The Christmas tradition of stocking has been brought into the 21st century by Erin ‘sewsewsuckurtoe‘ by using the folk art inspired Dala Horse. It is constructed out of eco-felt which is made from recycled plastic bottles and lined in cotton to make it strong enought to hold as many things as possible!
Buy a Dala Horse Stocking here.
Kenana Fairtrade Jungle Animal Teddies
(£16 each; Monkey, Zebra, Lion, Elephant and Leopard)
These cute fairtrade teddies are from a project which started in Njoro, Kenya in 1998 to provide income for women who were able to knit and spin wool. For more information about the project click here.
The teddies meet CE safety standards and about 11-12 inches long.
Buy a Kenana Fairtrade Jungle Animal here.
Amelia’s brother Sam Gregory is the Program Director of a human rights group Witness, viagra and this inspiring collective are front page YouTube news today, information pills in honour of the 60th anniversary of the Universal Declaration of Human Rights, with a video asking you what image or images have opened your eyes to human rights?
Witness are a group, based in New York, that use video and online technologies to expose human rights violations all over the world. By making videos of victim’s personal stories, they direct attention to injustice and promote public engagement and policy change.
Sam’s first up on the video (below), telling us that the images of a school teacher in East Burma hiding out in a forest with her children is one of the images that shows us we need to go further with our actions to help those whose human rights have been severely violated.
A video producer, trainer and human rights advocate, Sam’s videos have been screened at the US Congress, UK Houses of Parliament, The UN and in film festivals worldwide.
The group are also launching an online channel for these videos called The Hub. This is a new multi-lingual online portal dedicated to human rights media and action. It provides the opportunity for individuals, organizations, networks and groups around the world to bring their human rights stories and campaigns to global attention.
To find out more about Witness (www.witness.org) click here.
The non-existent morality faeries that do not sit either side of my head were in a fluster last Thursday. I took them down to a police auction in Bethnal Green, salve and for the entirety of my pedal there, they could not be resolved: surely there is something fundamentally wrong with capitalising on the lost and stolen goods of hapless victims, or worse still, liquidated assets, urgh! But then again, stolen … and retrieved; lost … and found. Where else would these items, long since departed from owners, go? I have nothing to say about liquidated assets, but apparently that’s next time – this week was reserved to lost and stolen goods only, courtesy of the metropolitan police; thanks.
Once we arrived, debates were dispelled and there was nothing to fluster about – it did not seem in the least bit seedy. This fortnightly event, put on by Frank G. Bowen Ltd Auctioneers and Valuers, two men both of whom are very friendly, one of whom looks like Santa Clause, takes place in an old air raid shelter, making for a strangely intimate and cosy affair. Potential bidders arrive early to browse, an advisable precaution seeing as nothing can be returned once purchased. I felt like the passer-by who steps into a regulars-only pub, my obvious excitement an instant give-away; but I tried my best to look like this was routine, and nestled myself in amongst the clutter on Lot 135, 1 wooden kitchen-table chair. Pensive brow in place, I concentrated on my catalogue sheet, my mind now settling to the bewildering list before me …
An initial glance reveals nothing of a surprise: bicycles, phones, cameras, and mp3 players; but it’s not long before you start to wonder … who steals a kitchen chair? A cupboard? An oak mirror overmantle (Lot 379)? The clothing list is the strangest of all: Lot 4: A pair of Ladies sandals, size 40; Lot 58: (non-specific) Ladies Clothing as bagged. One Lot contained a pair of jeans, a jacket, and a pair of trainers – all stolen from a single owner? How did that happen?
Against all inclinations, we ended up describing the place and the experience as a gem. Don’t go expecting to find vintage treasures, but there are amenities at a good price (surely I need a quad bike). And a few pointers: don’t let the excitement of bidding make you go for things for no other rational reason than the pleasure of raising your hand; careful of the man who will out-bid everyone for bikes; and don’t take a lunch break in the middle, thus missing that one item you’d circled in red that you were willing to spend forty quid on, and ended up going for under twenty, pah.
Don’t miss this excellent event tonight:
Cheshire Street Christmas Shopping
Friday 12th December
This Friday, case pop down to Cheshire Street as the whole street will be open to 10pm, cost so you can get your quirky Christmas gifts till late(ish) into the night and enjoy wine and nibbles while you do it. The shops will be offering exclusive discounts also, including 20% off on the night at I Dream of Wires. Amazing.
Frock Me! Vintage Fashion Fair
Sunday 14th December
Frock Me! vintage fashion should not be confused with the questionable television show of the same name hosted by a certain over-exposed designer and TV presenter. It is in fact a fabulous vintage fashion fair, and this Sunday, in the swanky surroundings of the Chelsea Town Hall you can pop down and pick up a genuine vintage garment.
They even have their own tea-room. What more could you want?
Open: 11am – 5.30pm
Admission: £4 (students £2 with ID)
Nearest Tube: Sloane Square / South Kensington
Christmas singles, diagnosis still the preserve of naff novelty acts, pill pop stars in trendy coats and X Factor winners, or newly fertile ground for acts that are unlikely to even get a sniff at the bottom of the charts? As the Top 40 becomes less and less of a barometer for success and following much-loved Christmas releases from the likes of Low and Sufjan Stevens, this year it seems that more and more indie bands are joining in on the act. But are any of them actually any good? And how to stop them seeming like lame commercial cash-ins in the style of the Christmas tunes of yore?
1. One way to quash accusations of rabid commercialism is to give your single away for free as Slow Club (see above) have done, with ‘Christmas TV’ offered as a free download in a spirit of seasonal goodwill to all mankind. A sweet little folk pop tune about travelling home for Christmas and snuggling in front of the Vicar of Dibley or some such, this is good for anyone feeling the pangs of seasonal separation. The boy/girl vocals chime prettily together in a song that has thematic echoes of ‘Driving Home For Christmas’.
2. Stay true to your signature style. If you’re usually a grumpy old misery guts, Christmas is no time to suddenly become cheerful just for the hell of it so why not whack out a truly miserable Christmas EP a la Glasvegas? A Snowflake Fell (And It Felt Like A Kiss) is the one to pull out when your Dad forgot to turn the oven down, your mum’s sobbing into her charred potatoes and your granny’s being cantankerous.
3. Restrict your mentions of the season to atmospherically wintery weather references a la The Leisure Society with their pretty waltz ‘Last of the Melting Snow’. Cinematic strings, romantic lyrics and a slightly more upbeat B-side in the form of ‘A Short Weekend Begins With Longing’. It’s available to download but it would be far more festive to buy one of the limited edition handmade copies in the spirit of wonky gingerbread men and glitter-glued everything.
There’s just one thing we’re a little bit worried about. Where are all the sleighbells???????
Now I know I sound like a purist, medicine but sometimes I wish Photoshop had never been invented. After seeing the ingenuity of the post-war artists featuring in Estorick’s ongoing exhibition, rx Cut & Paste: European Photomontage 1920-1945, I longed for the days when you could actually tell something had been done by hand. When skill was quantifiable – based on precision, patience and masterfully cut and mounted shapes; not down to your aptitude with adjustment layers, clipping masks and liquify tools. Of course these arguably require a well-honed set of digital skills within themselves, but Photoshop has cheapened photography to a certain extent. Unimaginably cool things can be done on it by anyone with a shard of creative impulse, so we can’t help but lose the eensiest bit of respect for the end product, no matter how groundbreaking this may be. Don’t you think?
Regardless, this is a little gem of a show. Small – with only around 25 pieces – it looks at the modernist manipulation of photomontage (in which cut-out photographs and fragments of newsprint from illustrated journals were pasted into drawings and paintings) by the Cubists, Futurists and Dadaists. There’s also a healthy dose of angular Russian Constructivism in there, so for such a small exhibition, they have all the seminal art movements of the early 20th Century well and truly covered.
Developed towards the end of the First World War by the Dadaists in Berlin (the word ‘photomontage’ was taken from engineering and film editing practices) it was a way of making art with a new kind of conceptual clarity. And grit. It was powerful and playful – there is one untitled image of Hitler and a devilish-looking Churchill quaintly enjoying a cup of tea together – and mixed mediums in a way which made people stop and look. And they still have that affect today.
All the works are beautifully balanced and composed. Italian Futurist Enrico Prampolini’s Broom (1922) is a punchy little piece with huge red circles and chunky text overlaid on a photo of a massive machine, while Gustav Klucis’ Spartakiada Moscow / All-Union Olympiad (1928) is packed with movement and angles so sharp you could cut your fingers on them.
Curated by Lutz Becker, Cut & Paste showcases work made almost a century ago, but which feels surprisingly fresh and modern. It’ll make you turn off your computer, pick up a pair of scissors and start attacking The Daily Mail like there’s no tomorrow. I think that’s always a good thing.
I’m not a person who wins things; Lady Luck is not my friend. Never has my name been picked from a raffle or hat, discount scratch cards always defeat me, and even when I tried to Derren Brown the ticket man at Walthamstow Dogs, “Look into my eyes, this is the winning ticket”, I still came away empty handed. So when my name was electronically selected for the Time Out Bus Tour, a heavily over-subscribed perk to First Thursdays, I was veritably excited.
I’m not sure what I imagined, a day of musing amalgamated in something entirely inconceivable bearing reference to the Playbus and set firmly beyond the realm of reality. This is the description from which I fabricated: Each month, join leading curators, writers, academics and artists on a guided bus tour visiting a selection of First Thursdays Galleries; and that’s precisely what it was, but I couldn’t help feeling a little disappointed when I saw a very ordinary looking bus waiting outside Whitechapel Gallery, a bit health & safety and sanitised, OAP visit to Hastings anyone?
If you were in fact there for a guided bus tour with leading academics, curators, and artists, and not for a bus of dreams, then you’d probably be satisfied. Four selected galleries, a talk from a curator in each, and the wealth of information that only a guided tour can give, adding much more depth to your engagement with the work. My favourite part was a six-strong bowling team that unofficially tagged along, following the bus in a Transit, and innocuously joining the talks wearing matching blue team shirts, names on the breast. I did feel a pang of jealousy at the scores of people casually strolling between galleries on Vyner Street, drinks in hands, hmmms and ahhhs at the ready. I’ll opt for a home made bicycle tour next time, but that doesn’t mean I don’t recommend this.
Now here’s a lovely story: One felt-making coffee morning in South London, three suburban mums discover a shared hoarding habit, a joy in rummaging through rubbish and a desire to make pretty things (with or without the use of felt). Out from the discarded chicken-shop boxes and begrudged lotto tickets emerged, not Oscar the Grouch (think Sesame Street) but The Skip Sisters.
These ladies really know how to make-do-and-mend, rescuing shabby bits and bobs found in skips and attics and revamping them into something truly lovely. 100% eco-friendly.
From now until Christmas Eve the Skip Sisters will be selling all sorts of treasures from the debris at 14 Northcross Road in East Dulwich. (Not open Mondays).
Clocks made out of tins…found in a skip!
Jewelry…found in a skip!
Necklaces made with real human hands…found in a skip!
At 3am on the morning of the 7th of December two mini buses, thumb a 1960s fire engine and just over 50 cold, eager and very excited protesters turned up at a gate near the long stay car park of Stansted airport. Calmly and attentively we piled out of the mini buses and began to swarm around the entry point. A security vehicle happened to be passing just as we arrived, which instilled some nervous butterflies in our stomachs, but there was no stopping us. Once through the fence panel with our wire cutters we marched, as if to a temporary ark of safety (which we were to construct), two by two, carrying the tools and materials we were to need. Our objective was to reach the taxiway and setup a Harris fence enclosure around us to which we would lock-on to for as long as possible. After 6am, which was when the first flight was scheduled for take-off, every minute was to count as extremely important – directly stopping the release of ridiculous amounts of CO2 into the earth’s atmosphere.
We were all so pleased to be doing something so direct; the feeling was one of pride in knowing that we were helping to facilitate discussions, raised levels of awareness, and aid to those directly suffering as a result of raised CO2 emissions in developing countries around the world. It really won’t be long before we are seriously suffering from our selfish actions, we need to look and focus on long-term rewards not short term ones. In reading the press coverage after the action I have been surprised to read a few comments by people who were disrupted – one man was quoted to say “Why couldn’t they have waited a few hours?” if we all adopt that approach where will we be left?
I will go on to strongly encourage non-violent direct action to be taken by as many of you reading this as possible, it feels so great to be there, in the heart of potential change, to be able to say “I have tried my hardest”. It is our future generation who will suffer, and personally I don’t want my children to be struggling as much as they will be if no “green” systematic changes occur.
At The Climate Safety Talk delivered at Friends House, Euston, a few weeks ago I became scared – and directly inspired by that very fear to act, with others feeling the same way, as soon as I could, as this seems to have the most impact. I am newly accessing this level of climate science through living with some of the most inspiring women I have had the pleasure to meet and we discuss this issue of climate change daily, and innovatively focus most of our energy in the direction of raising awareness and creating social change methods and access points. Tamsin Omond lives upstairs and is helping to organize another suffragette style Climate Rush at Heathrow on Jan 12th, which I invite everyone to attend. Beth Stratford, Mel Evans, who spoke to the press after the Stansted protests, and Clemmie James from the Drax 29 also inhabit this eco-warrior house.
This action came as an opportunity for myself and others to not just discuss what is happening, but directly and physically respond, and gain immediate results – we stopped 86 flights from leaving the airport and acted as a catalyst for many many discussions.
Stansted has on average at least one flight leaving its runway every minute during working hours generating a shocking 4.2 tonnes of CO2 every single minute! Aviation is the fastest growing source of emissions and already contributes at least 13 per cent of the UK’s total climate impact. In October controversial plans for an expansion of Stansted Airport were given the go-ahead by the Government. Airport owner BAA wants to increase passenger numbers from 25 million to 35 million a year and flights leaving the airport from 241,000 to 264,000 a year. Objectors say an expansion would damage the environment, but some unions said the proposal could bring new jobs. Do we really need new jobs in this sector, should the Government not be pushing for new green jobs to go along with its emissions reduction target? The target that has been broadly accepted by many bodies including our own Government is that a rise in global average temperature of more than 2C above its preindustrial value must not be allowed. If this airport expansion is really given the go-ahead there will be very little chance of us being able to achieve the targets.
Aviation is the fastest growing cause of climate change and a major threat to the earth and everything living on it. But rather than reining the industry in and trying to reduce demand for flying, the government is promoting it through tax breaks and through its plans for massive expansion at our airports: the equivalent of a new Heathrow every five years!
Plane Stupid demands a fundamental rethink of the government’s 2003 Aviation White Paper which predicts that air travel will treble by 2030: an increase in annual plane journeys from 180 million to 501 million.
We, as Plane Stupid want to see airport expansion plans scrapped, and an end to short haul flights and aviation advertising.
Discussions and presentations are important, as the information and science needs to spread as far and wide, and touch as many people as possible, but we need to follow contact with this information with direct action as nothing else seems to be getting the results we need as soon as we need them. The Government has been making empty promises of reductions in the levels of CO2 emissions, and as nothing has happened yet we want to directly affect this ourselves.
It’s Saturday and everything at the Eco-Design Christmas Fair in the Old Truman Brewery, pilule Brick Lane, is daubed in gloominess. Thanks to the amazing British weather, the Christmas spirit is not in the air as greyness bears down through the skylights and umbrellas drip a murky trail behind each visitor. We all gravitate towards a stall selling mulled wine, but the smell – delicious at first – soon mixes with the sickly sweetness of organic soap and incense.
The fair, now in its fifth year, brings together designers whose work is centered on sustainability and kindness to the environment, the products on sale range from clothing, jewellery, toys and furniture to edible shoe polish.
The best find of the day is Finnish designer Minna Hepburn. Hepburn looks and sounds like she is channelling Claudia Schiffer, and is selling her leftover designs from London Fashion Week’s eco-sustainable show ,estethica. Her clothes, all creamy Scottish lace and organic or fair trade silk embellished with found brooches, buttons, outshine neighbouring designs. (pictured below)
Around the relatively small space, recycled jewellery stalls clamour for attention. Rosie Weisencrantz‘s display is by far the most elegant; some of her work is even framed and mounted on the wall. (pictured below) Weisencrantz was a weaver for 25 years before becoming a jewellery designer, and her pieces hang on intricately woven string. She also likes to root around at markets and on ebay for antique brooches, which she transforms into one-off, textured necklaces.
Using an altogether different approach, Kirsty Kirkpatrick buys enormous bags of old jewellery and spends hours sifting through, detangling chains and picking out gems, before reassembling them into new designs. She uses recycled materials too, making geometric necklaces from wine and biscuit boxes. Kirkpatrick has a quick smile and soft Scottish accent, and is obviously proud of her “anti-landfill” label. (pictured below)
After Minna Hepburn, the rest of the clothing at the fair is a bit of a let down. T-shirts are in abundance, most sporting slogans and stencilled graphics like those by design collective Edge. (Their ethos: “We will make eco-fashion cool if it kills us”). (pictured below)
Overall, there was far more here for the eco-jewellery enthusiast than anyone else.
Karolin Schnoor has contributed some illustrations to our upcoming Earth blog ‘Tipping Point’. We loved them so much we decided to make her our illustrator of the week! Her work is being featured in this week’s issue of TimeOut.
Below are a few examples of her work, here and a little bit about her!
“I am originally from Germany and came over to London to study Illustration with a 5 month stint at a Parisian school in my third year. In my illustration work my main interest is narrative and characters and lately I have really enjoyed labouring over intricate folk-like patterns to contrast with my two-dimensional and quite simplistic drawing style.”
“I used to play it quite safe when it came to colours, physician using mainly pencil and occassional bits of red until I had a tutorial in my first year and my tutor called out rather exasperatedly: “What is missing here is colour! Colour!!” Since then I have gone a bit overboard sometimes but I think I am feeling more comfortable with colour now.
(screenprinted for Karolin’s degree show).
I was also rather obsessed with screenprinting at college and really miss it, but I think the process still informs the way I build my illustrations. At the moment I am freelancing, drawing, designing websites and I might be designing a book next year which I am very excited about.”
Monday Dec 15th
800feet is the new exhibition at sale 89490, see en.html”target=”_blank”>Space in Portsmouth, exhibiting the work of over 20 Portsmouth based artists, including painting, sculpture, photography, and film. Established in 1980 by graduates of the then Portsmouth Polytechnic, Art Space Portsmouth will soon celebrate 30 years of supporting, nurturing and retaining creative talent in the City.
Tuesday Dec 16th
Museum 52 hosts a one-off festive grotto beginning today and running until Saturday the 20th. The grotto will pool in a breadth of work, with over 30 artists exhibiting unique hand-made works from tea-towels to comics, films, and scarves. A percentage of all profits will go to shelter.
Wednesday Dec 17th
Lost in the Neutral Zone is an all day music and arts event. It runs between 2pm and 2am at the London and Brighton Pub on Queens Road in Peckham. There will be live music, spoken word, and zine stalls.
Thursday Dec 18th
“The Greatest sleeptalker in recorded history?” I would not imagine such a category to exist; who I wonder, is the second greatest sleeptalker in recorded history. I pointed you in the direction of Seventeen last week, but that was before I knew about the happenings in the basement, which is why I’ll recommend you to go again. So Somniloquent leads you into a dark basement of low ceilings and cubbyholes, where you are invited to sit back and listen to the surreal world as incarnated by Dion Mcgregor. Bizarre narratives and entire worlds were conjured by this man, only to be forgotten upon awakening, until somebody finally decided to put a tape recorder to the purpose. It runs until the 24th of January.
Friday Dec 19th
Head down to St Johns Church in Bethnal Green this Friday for Ghost, hosted by the Belfry Project and guest-curated by Sarah Sparkes and Ricarda Vidal, a spooky project that plays on the 1953 artwork by Marcel Duchamp entitled “A Guest + a Host = a Ghost”. The show will spread over the entire space, spilling from the cobwebbed dark alcoves of the belfry into the entrance hall, past the red velvet curtains and into the church. There will be performances, video, sound and scent installations, and later on, a program of artists’ films. Mulled wine and mince pies too!
According to the fountain of knowledge aka Wikipedia, ‘Fan death is a South Korean urban legend which states that an electric fan, if left running overnight in a closed room, can cause the death of those inside.’ Interesting… Whether this was the inspiration for the band name, I don’t know, but I do know that their tune, with its 70′s funky strings and Debbie Harry-esque vocal, mixed with 80′s synth beats, went down well in the party mix.
Our thoughts about the song were that, although it was fine accompaniment to our turkey and stuffing, it wasn’t a highly distinctive or original tune. As my housemate put it, “I’d dance to it if it was on in a club, if I was drunk, but I wouldn’t be bothered otherwise.”
I think she was being a harsh judge, although not groundbreaking, produced by club king Erol Alkan (who also provides a remix) Veronica’s Veil is a solid electro pop tune that interestingly merges the key sounds of my two favourite musical decades and deserves to be more than just background music.
Monday 15th December
Celebrate a goth Christmas headlined by bowlcutted eyeliner queens playing a weird and wonderful fusion of 60s and 80s guitar sounds in excellent monochrome outfits. Dark pop disco support.
The Boy Least Likely To, The School, Mia Vigour, Hoxton Bar and Grill, London
Christmas party from dreamy whimsical pop gang who are releasing a Christmas single this year.
Jason McNiff, First Aid Kit, 12 Bar Club, London
Amazingly precocious folk support from Swedish sisters with a combined age of all of about 11. The video of them singing and strumming in the woods is just beautiful.
Tuesday 16th December
Britpop stalwarts who’ve been around for at least a decade break out the indie, with support from up-and-coming, poppy Brooklynites TPOBPAH playing songs from their new album, out next Feb.
New folk extravaganza with performances from as many up-and-coming and up-and-come young folk stars as you can fit in one room. Many of them are either featured in the new issue of the magazine (out now!), or have been featured in the past.
Wednesday 17th December
A Thompson Family Christmas, Royal Festival Hall, London
More of a loosely interpreted folk family than blood relations (although it does feature his mother Linda and sister Kami), Teddy Thompson has organised this extravaganza in aid of Amnesty International.
Fall-inspired anti-folk, with psych-grunge support from Candythief and bluegrass.
James Yorkston, Luminaire, London
Part of the Scottish Fence Collective that also includes King Creosote and spawned KT Tunstall.
Thursday 18th December
The Black Angels, ULU, London
Fresh from their stint as Roky Erikson‘s backing band, this Texan quintet are bound to bring some warped Southern musical weirdness to ULU. Expect dark, driving stoner-rock sounds.
The Broken Family Band, The Accidental, End of the Road @ Cargo, London
Whistful, unassuming country-tinged tunes with a sense of humour.
Maximo Park guitarist playing material from his new solo album with an early Graham Coxon jangly lo-fi feel. Screaming Tea Party also offer more of their bonkers but sweet pop tinged punk sounds.
Friday 19th December
Dead Pixels, Bar Academy, London
Gloomy electro-pop with deadbeat female vocals.
Billy Childish and the Musicians of the British Empire, Boston Arms, London
Garage punk favourite returns with a new band but most likely a reassuringly familiar lo-fi sound.
Folk Idol: Nancy Wallace, Eva Abraham, James Macdonald, Laurel Swift, Downstairs at the King’s Head, London
The rules say wear a beard and sing a classic folk song in this presumably much calmer take on the annual autumnal hell that is X Factor.
Saturday 20th December
Gogol Bordello, The Roundhouse, London.
Everyone, including Madonna’s, favourite gypsy punk band tend to play pretty explosive sets, often culminating in Eugene Hutz crowd-surfing on a drum and other scrape and bruise inducing antics.
Metronomy, The Scala, London
An ideal Saturday night gig. Dress up, go out and dance dance dance to these electro faves.
Sunday 21st December
Sensible Sundays @ Lock Tavern: The Wild Wolves, The Social, Helouisa, Lock Tavern, London
The perfect end to the weekend/ beginning of real Christmas at this folky acoustic afternoon to evening. Look out for Helouisa, a uke-toting trio with the voices of angels, influenced by the likes of Emmy the Great and Peggy Sue and the Pirates. But then we would say that as the Luisa of their name is our very own art girl.
Joan Wasser – Singer, find songwriter, and violinist, and seemingly omnipresent force in the New York indie scene. Starting her post-music-school career in the Damnbuilders, Those Bastard Souls and Black Beetle, she has since racked up a very impressive CV. In 1999 she became a ‘Johnson’, featuring on the Mercury winning ‘I am a Bird Now’, Anthony Hegarty being a dramatically positive and calming influence on her both personally and musically.
The mishmash of folk milling around the Empire typifies Joan’s broad appeal. Clearly her talent knows no boundaries or subcultures which can’t be won over, which creates a delicious mix of middle-aged couples, muso types and uber-trendy lesbians.
She commands the stage with her sultry New York sassiness, giggling at the irritating and oh-so British heckles that makes you wish you could sod off and see her properly in New York. The first few songs, although technically perfect, seem to be missing something until suddenly, the weighty silence that fell in the fist few bars of ‘To be Lonely’ hit. Effortlessly, she pours the melody into the piano keys, which melt with the words and take you to her world. In fact, Joan’s world is very much Joan’s music. As an artist she is intrinsically linked to her history, her story, and it’s the subjectivity of her music that makes her so appealing. One of the most exhaustive sets I have ever seen, she pretty much played her entire back catalogue, including ‘Eternal Flame’, ‘Christobel’ and incredible Elliot Smith tribute ‘We Don’t Own It’.
Joan breathes, bleeds, feels and loves. Her solo work is very much her new beginning and the performance has this wonderful amalgamation of an accomplished, qualified, and experienced musician with something so fresh, tender, and pure. She’ll make you laugh, cry and fall in love all at the same time.
This was an event for the lovers of fun, more about performance, website like this spectacle, fascination and interaction, and was it all of the above…oh yes, most definitely!
Decompression celebrates the reuniting and collaboration of like-minded artistic individuals who are familiar with Burning Man and/or No-Where festival(s). They refer to the gathering as a reunion. The on-site setup lasts a mere two days, but artists, performers and choreographers work for just over a month in preparation for this one night. Decompression, Burning Man and No-Where describe their holistic key principles as:
• Self-expression: The freedom to BE in a creative and liberating space.
• Radical self-reliance: YOU are responsible for YOURSELF.
• No commerce: Bring it because you can’t buy it, give it because you can.
• Leave no trace: Create something from nothing, and leave nothing behind.
• Participation: Get involved, this is not an event for spectators.
I haven’t attended Burning Man or No-Where, but what I’ve heard from those who have is always so positive and inspiring. The two events have been said to be life changing, and are also said to stay within the hearts of all participators for life. The key principles lay down the ideals held centrally by most successful communities, and I feel this is really the way we need to all begin living.
Within a community you have so much support, so much strength-brought from everybody’s unique sets of gathered and nurtured skills and their desire to share them, a sense of shared purpose and the ability to achieve great things through all of the above points collectively. Greenpeace have published an Energy (R)evolution report which talks of energy solutions coming from local opportunities at both a small and community scale. Their focus is on us all working together to produce a sustainable model of living, and I feel that these events inspired by Burning Man, and Burning man itself of course, are celebrated examples of what it is to be and function within that method of collective habitation, energy production (homemade solar panels and water purifiers being a common site within the festivals), food and waste management. Theses spaces, allowing a coming together of similarly focused creatives, also allow a lot of focused discussion around important topics, and being an important topic, sustainable models of living get spoken about a lot. These people are trying to break down the barriers between people and to re-focus energy on shared living, creativity and innovation.
Burning Man (Nevada desert, California), No-Where (The site is situated in the region of Aragon in northern Spain between Zaragoza and Lleida desert, Spain) and London Decompression are events linked through concept, predominantly focusing on shared experience and expression, with an overwhelmingly strong foundation of creativity. There is a leave no trace concept, which after a week of partying and artistic workshops in the middle of the desert with thousands of other people can, as you will imagine, takes a little time-combing every square foot-they are not happy to leave a single sequin!
images from Genevive Lutkin-Burning Man 2007
I was working alongside three really good girl friends of mine to produce a recycled elephant sculpture, whose body acted as a tent and projector screen, and which offered an educational journey thought the mandala painting techniques originating from South India. Our elephant was exploring what you could create with rubbish, and how you could turn it into something beautiful, making people think about what they throw away. Wire coat-hangers, hanging baskets, stripped electrical wire and plastic milk bottles made up the body structure. The tent and 4 costumes were made from a few meters of bought fabric, but decorated with sections of old sari fabric we had been collecting for the last few years, the floor underneath the elephant was covered with saris, on which lay pots and pots of the brightest rangoli paint, 4 blackboards and lots of rangoli stencils.
Rangoli, also known as Alpana, Kolam and by other names is a traditional art of decorating courtyards and walls of Indian houses, places of worship and sometimes eating-places. The powder of white stone, lime, rice flour and other paste is used to draw intricate and ritual designs.
Although Rangoli art is Maharashtrian in origin, it has become quite popular all over the country. Each state of India has its own way of painting Rangoli. One characteristic of Rangolis is that it’s painted by commoners. On some special occasions like Diwali it is painted in every home, with or without formal training in Rangoli art. The art is
typically transferred from generation to generation and from friend to friend.
images from Monique Gregson-Hampi, South India, 2005
images supplied by Yolanda Yong-Decompression 2008
Sophie Rostas, of Café Cairo (a nomadic decorational and tea party troupe who put on beautiful nights at changing venues, since their South London site burnt down a few years ago) created a greatly entertaining performance based instillation called ‘Feast of Fools’, for which I aided her in costume making. The feast was held at a huge wooden table, constructed especially for the event, on which a dance was held, then a lavish feast of skipped food spread. A precession of fools in costume led an inquisitive crowd to the table. After a ballet performed by two beautiful dancers hatching our of eggs on the table, the performance began…an eager and excitable king sitting at the head of the table on a chair raised to be on-top of the table stomped a steady beat to which 8 dancers circled the table in rich, exquisite costume. The circling slowly declining from an orderly chair swap to hectic table clambering and mass interaction, not just with the other members of the dance, but with the onlookers, and as the order dropped the kings beat quickened pace, with him becoming more and more excited by the movement of his fools. It ended up with his passing out and being carried off the table, to return with a broom sweeping up the scraps of the feast a little later.
images from Joie De Winter-Decompression 2008
The Café Cairo nomadic troupe
The transformation for Decompression is quite incredible with its pace, transforming old railway arches, now used as car parks, into a rich artistic exploration. The artists can apply for funding directly from the organizers, who will try and cover up to 70% of their total spending on materials. This allows artists the freedom to work without being hindered by material costs, although a lot of the participating artists work with reclaimed materials, scavenged from here and there, the budget helps with necessities needed for the pieces. Imagine the space if you will…dark, large and cave like with each corner, section of the ceiling, large open space and doorway covered or filled with a different instillation, from huge art cars, costume camp, to water tanks for underwater ballet performances in gas masks, a tunnel of lust and love full of projections and erotic sounds, a photographer and his plush set awaiting visitors in extravagant and curious fancy dress in the corner of one room, a Drawing Booth by Interactive Instillation artist Joie De Winter and too many more instillations and art pieces to mention.
Joie’s Drawing Booth is a highly interactive performance based piece featuring set, concept, performance and makeup. It offers up an environment, which encourages social exploration through creative engagement. Rather than relying on the capturing of a moment and memory within a photo booth, she creates a richer version of this experience and celebrates the art of drawing as a social tool.
image from Joie De Winter-Decompression 2008
If jewellery is your gift of choice this year, page thanks to the internet there is an abundance of quirky and beautiful necklaces etc to get your hands on. If you want to make your choice extra festive, order here are some places that have brought out exclusive Christmas pieces. Snap them up fast as last postage date to places in the UK is the 19th December.
Parcel Bow Necklace, £33
Parcel Bow Earrings, £33
If you love to wear a necklace and have people admire it saying, “where did you get that from?” This is the place to go. Anyone would be very happy with a unique trinket from here, especially this seasonal necklace:
Ribbon Necklace, £9
Perfectly named, this charming online boutique has delicate and special items at very reasonable prices, including these gems:
Winging My Way back To You, £16.00
Dear Ones, £13.50
Now, although not strictly jewellery, these had to be included as they’re the epitome of Christmas cuteness!
Naori Priestly‘s animal pin cushions, £19.99 each
So go on, get the lady in your life a Christmas trinket she will treasure all year round.
Wetdog thrive on the chaotic; their debut longplayer Enterprise Reversal is a head-spinning, web giddy joyride of layered chants, sick sharp guitars and thick, viagra 60mg reverb-laced bass lines, all pushing, shoving and fighting each other for room on each of the record’s 22 tracks. But amid all of the pandemonium, there is a strong, swaggering melody to keep things ticking over and entrancing, jabbering lyrics that verge on inaudible, but still deviously drag you ear-first into the commotion.
Continually changing tempo from track to track, the record sways between the raucous and the slower, more sprawling thumps, but retains a definite style, neatly affixing the assortment of songs together as a whole. ‘8 Days’ swings between thudding bass and chanting multi-vocals and ‘Zah und Zaheet’ conjures up memories of Nirvana during the Bleach-era (if they had a yelling girl group in tow).
With most of the tracks never pushing past the 2 minute mark, Wetdog undoubtedly won’t be to everyone’s taste, but their strident and unabashed style and jumbled sound of The Slits stumbling over The Fall is certainly attention-grabbing and deserving of a listen.
With unduly brilliant timing the Climate Change secretary Ed Miliband called for a Suffragette-type movement to push forward political change on the very same day as the Plane Stupid Stansted protest.
“When you think about all the big historic movements, recipe from the suffragettes, physician to anti-apartheid, to sexual equality in the 1960s, all the big political movements had popular mobilisation,” said Miliband, quoted in the Guardian on December 8th. “Maybe it’s an odd thing for someone in government to say, but I just think there’s a real opportunity and a need here.” So, in the spirit of the Suffragettes we at Climate Rush thought it would be nice gesture to invite Ed Miliband and some of his governmental cohorts along to Dinner at Departures, at Heathrow on the 12th January at 7pm. (Terminal One, y’all) After all, shouldn’t he be supporting us?
So, today I toddled off to Westminster to meet my fellow Climate Rushers with the aim of hand-delivering a few invites to our Dinner, which is, of course, open to all. Tamsin was instantly recognised by a ‘friendly bobby‘ who merrily told us that the last time he saw her was on the top of Parliament.
Photocall with the Evening Standard done we headed off to Downing Street. Which was when we realised that hand delivering invites is clearly worthy of police intimidation; two coppers were soon tailing our every move.
Maybe they felt it was a good use of tax payer’s money to capture the features of our youngest recruit, who delivered a festive invite for Gordon Brown. (why not invite them all?!)
Next up was Ed Miliband himself, over at the Department of Energy and Climate Change. We weren’t allowed much further than reception, but had time to admire the big TV screen showing images of penguins and cute seals (endangered….. ahhhh) and oil rigs (hmmmm) I hope he gets his invite.
On our way up to see Geoff Hoon over at the Department for Transport (who will make the final decision over whether the 3rd runway goes ahead) we passed a hair salon with an entirely appropriate name.
For some reason the security guards seemed a bit wary of us, making sure that the door was firmly closed and bolted when we delivered the invite.
Not so over at Defra, where environment secretary Hilary Benn‘s personal secretary came down to meet us in reception and accept the invite – she asked who she could rsvp to and we realised we hadn’t included an address – woops! Perhaps we weren’t quite expecting such personal attention.
We have done our best to invite the people we think should come to our Dinner at Departures – the people who will ultimately decide whether a new runway goes ahead. Now it’s up to you to make your own statement about what you think should happen – join us, dress Edwardian, and bring food to share. More information can be found here and on facebook here.
An example by Maria Sagun.
The aim of this project is to, sildenafil “inspire debate and awareness about the destructive impact of consumer values on the emotional wellbeing of society.” Through the medium of art.
The exhibition will take place between 16th – 27th of March 2009 and currently there is a call for artists, so if you are any kind of visual or performing artist and think that you would find it a satisfactory challenge, here is the brief and requirements:
* Painful, contagious, socially transmitted condition of overload, debt, anxiety and waste resulting from the dogged pursuit of more.
* Placing a high value on money, possessions, appearances (physical and social) and fame, a failure to distinguish between what we need and what we want.
Consider that the excessive wealth seeking in consumerist nations lead to the unhappiness of its citizens and higher rates of emotional and mental distress.
The exhibition is submission based with a solid panel of high profile judges including author and psychologist Oliver James, Jonathan Barnbrook (Barnbrook Design) and Michael Czerwinski (Design Museum) who will assess the work and decide on the final entries.
We encourage performance, sound pieces, sculpture, photography and broad based visual arts. Entrants are invited to submit a proposal for work to be completed or existing work.
We will need
* A brief biography/CV
* Artist statement
* Samples of work: CD or digital pdf is preferred, but we will accept up to 10 images, 35 mm slides. (Please include a self-addressed envelope if you need the work returned.)
* Proposal including dimensions and technical specifications
Submit your entry by 30th January 2009 for the chance to be included in the exhibition. To submit work contact Hege Sæbjørnsen on 07734944685 or e-mail
Last week I gave you a dummy’s guide to the Climate Safety Report.
Round Two of my wising-up to climate science took place at The Wellcome Trust in Euston. It was an event run by TippingPoint, web an organization that sets out to provide up-to-date climate science to artists who might then go off to create something influenced by the knowledge they have ingested and further inspire the people that see their work. The idea is to spread the word to different sectors of society so that collectively we can start coming up with solutions to solve the problem.
We were greeted with a laminated nametag and a cup of mild coffee to prepare us for the (ahem) 5-hour lecture ahead of us. Here’s what I learnt…
Dr Chris West, medical Director of the UK Climate Impact Programme, was a lovely bear of a man with a comforting voice. He eased us into what would become a scientifically complicated afternoon (zzz) with The Basics. Wonderful. I felt gently steered from point to point and a few ‘basics’ were magically made clear.
Ta-daa…I now know about The Greenhouse Effect: This is when the hot and cold energy in the atmosphere is out of balance and causes the temperature here on earth to rise. The reason why there is this unbalance is because we are emitting too many (hot) greenhouse gases to cool that can’t cool the (hot) radiation that hits us from the sun. There is nowhere for these hot gases to go so they form a stuffy enclosure of concentrated heat around us, just like Kew Gardens.
Higher temperatures cause sea levels to rise and weather patterns to change dramatically. The point to which this cannot continue the aftermath is the problem this afternoon of presentations hopes to explore…
Anthony Costello, head of the Centre for International Health and Development at UCL, talked about the decrease in population of mountain marmots. Well sort of… he did say that it has been predicted 15-37% of species face extinction by 2050 as a direct result of climate change.
Climate change is ‘the global health problem of this century’. We know that Malaria transmissibility is set to increase significantly (hotter climate means more bugs to pass the disease about). Again he said that it is difficult to be certain how climate change will effect worldwide health but that research should focus on examining changing disease patterns, food security, human settlements and migration in relation to sea-level projections and hotter temperatures.
We then had a break and a chocolate biscuit or five. I perused the handouts tried to look insightful.
Tim Lenton, professor of Earth System Science at the University of East Anglia, concentrated on this phenomenon of Tipping Points that had been bugging me. What are they and when do they occur? Well, in a nutshell, a tipping point is a point of no return. If we carry on heating up the planet, scientists predict that we will reach a point where we will go over our limits and enter a new climactic territory –the characteristics of which are uncertain but it’s not likely to be very habitable.
There seems to be some dispute as to whether there is one global tipping point that would lead to ‘runaway’ climate change or many tipping points dotted around the globe. But Tim Lenton was all about multiple tipping points (dirty bugger) that may work in a domino effect.
The Big Ones are the disintegration of arctic sea ice and the melt of the ice sheet in Greenland. Not forgetting the die back of the Amazon rainforest, the collapse of the Atlantic, the Indian monsoon… He summed up with saying that the tipping element is an inevitable component of the earth system and, with this is mind, we should be building future societies that are adaptive and resilient to climate tipping.
Diana Liverman, director of the Environmental Change Institute came on stage apologizing for being attached to her blackberry. She was in fact keeping tabs on the Climate Change Conference in Poznan. This is when a group of people from the U.N. sits around a table and work out how to cut back on global emissions. The 1997 Kyoto Agreement runs out in 2012 so plans are being made now for a new agreement to be decided in Copenhagen in 2009.
As we know, recent climate science calls for much deeper cuts. The proposed cuts are 50% worldwide and 80% in industrial countries, 20% in Europe and 80% in the U.K. The new agreement is set to include developing countries (China, India and Brazil) who have previously had no commitment, and of course the big bad U.S.A.
It is also intended to reform the Clean Development Mechanism (C.D.M), a system whereby developing countries reduce their emissions and developed countries reach their emission targets through joint activities. So far it hasn’t worked very well and there needs to be a big change in the way countries are dealing with/failing to deal with their emission targets. But habits are deep rooted, if we are going to combat global warming, there needs to be a major transformation of our social system.
The question on everyone’s lips was ‘how?’ How do we create change on such a grand scale?
We had hoped that big natural disasters would prompt change but the U.S. government’s failure to do so when Hurricane Katrina hit has squashed that one. So now there’s more focus than ever on pushing for civil mobilization; if our government can’t do it, we can. The recession is seen also to change people’s attitudes. As we have evidence that our old ways are not necessarily working, there should be massive investment into new alternatives such as geo-engineering. The view that high emitting corporations should be attacked directly also got a few nods. Or, as one lady put it nicely, mass social change can be achieved through ‘experiment, extremity and engagement with people who are different. ‘
Looking like some kind of fringed and straggled Clairol advert from advertiser hell, abortion Vivian Girls prove you don’t have to be all surly snarls to have total rock attitude. Coming on stage beaming at the audience, help making polite requests to the sound guys, visit the Girls proclaim their bad-ass status through their plentiful tattoos and their music rather than through embarrassing rock star posturing.
Effortlessly cool, they launch into a blistering set, with flawless harmonies just about audible above their raucous guitars and tight drumming. There’s a surprisingly punk edge in the live set that’s not quite so apparent on the record and reveals something a little meatier behind the stock comparisons of Spector girl groups and shoegaze that constantly float around the band. Even the most pop number on the record, ‘Where Do You Run To’, has a heavy edge onstage and a Beach Boys cover is rendered almost unrecognisable by all the feedback, sung with the friendly insouciance of three girls who know they’re by far the coolest thing in the room.
A nice line in onstage banter, some audience participation via a telepathic transmission and an eagerness to mix with the plebs and join the party after the show, make Vivian Girls immensely likeable, which, combined with their brilliant music and engagingly dorky videos, makes me want to put their poster on my wall, their album on repeat and run away to Brooklyn so I can be their BFF.
Stepping into Transition Gallery at once feels intimate and personable, price an atmosphere suffused with the charm of its curators, store Cathy Lomax and Alex Michon. I went along to take a second look at the current exhibition, viagra approved Awopbopaloobop, and talk music, art, and fanzines with Cathy in the cosy gallery with marvelous views.
The First Thursdays Bus Tour had brought me to Transition for the first time a few weeks ago, where Alex’s proclamation, “we both have backgrounds in Rock n’ Roll” introduced us to Awopbopaloobop’s theme (I like saying it and hope you will too). Cathy’s response a week later was one of amusement and mild self-deprecation, “Alex’s is much cooler”, she says of her co-curator with a smile, who used to do clothes design for a host of bands in the 70′s, including The Clash. Cathy meanwhile was a make-up artist for the likes of Bjork and Kylie, and the front-woman of her own band, Shoot Dispute, earning the attention of John Peel, and just as much kudos I think.
Whilst they’ve often named exhibitions with song lyrics (with amiable consensus so far), the collusion between music and art now finds itself illuminated on the walls of Transition. The idea is simple and irresistible. Artists were invited to produce a piece of work inspired by a song lyric, the only criteria being a size restriction for the wall, and that it not include the written words themselves. “So much of the meaning is lost when you just see the words on a page,” she says, and I think of hours spent reading the albums sleeves of my favourite artists, “music is so visual”.
singing along with the lyric sheet
If someone were to make an album of all the songs referenced in Awopbopaloobop (an idea in the pipeline), you’d have one of the most bizarre and eclectic line-ups imaginable, with the likes of Johnny Cash featured alongside All Saints and Afrikan Boy (One Day I went to Lidl). Cathy explained that the link between artist and song was often one bewilderment as well as enlightenment; you listen to that? “It started to become clear that a lot of the music people chose was stuff they were listening to when they were in their early teens”, a notion that resonates when you think that finding your own identity in those years is so intrinsically intertwined with the music you listen to. It’s this that makes the exhibition feel so personal, a direct window to someone’s soul in a language we all speak. Artist’s also seemed to find it unanimously difficult to choose a song to work with. Cathy herself did not produce a work for the exhibition until the week prior to opening, when a pilgrimage to Memphis inspired an expression of searching and resolution, Trying to get to you – Elvis Presley.
Jasper Joffe Like a Virgin- Madonna
Cathy Lomax Trying to Get to You – Elvis
A comforting inspiration to anyone who does not like the idea of doing a single thing, Cathy has her fingers spread over many pies. The fusion between music and art finds further expression in the magazine Garageland, and the more personal fanzine, Arty, which she has been making since her time at St Martins. It is a refreshing antidote to dry academic writing about art (Alex’s words); and it’s also very pretty, fun, and entertaining (mine). Catch the both of them this weekend at Portobello Winterfest where they will have an exhibition space. And just one more time before I go, Awopbopaloobop!
Affectionately named Cat Butcher by friends for her love of jewellery big and bold, viagra 60mg Catherine Davison is a girl for whom bejewelling herself and others, is a lifestyle with a simple ethos at its epicentre, “it must be fun!” Quality control is herself as the test-dummy, “I won’t make it unless it’s something I’d want to wear”. She doesn’t bother much with new clothes but can’t resist a pair of earrings, and it’s no wonder when you learn of her weird and wonderful aspirations, “one pair of earrings for each day of the year”, she says earnestly, “I’m on number 260”. It gets better. For her upcoming wedding, she’s taking a Portuguese tradition from her heritage and added a Cat Butcher twist – every guest must bring her a necklace, and she will wear them all at once – a photo please!
She came to a Bethnal Green cafe to meet me donning a heavy chain with plastic pizza and chips attached, as well as large colourful earrings made from felt which we later coined “granny-sheek”. And that’s what it’s all about; taking something old/used/with it’s own set of baggage, i.e felt = grannies, and re-working into something completely different. She uses large array of materials including acrylic, ribbon, toy food, and lego … reinvention of the material world as she encounters it, the possibilities are infinite. She has made earrings from guitar picks and the keys from an old casiotone, and has a range of beautiful bowls made from old recycled records.
You can find her in amongst the stall holders at Camden Market on a Saturday, or online here, and next time you hear the words granny-sheek, remember where you heard it first.
It wouldn’t be a Christmas weekend without some sort of arts/crafts/design fair to attend and this time it’s the turn of the SUPER CHRISTMAS MARKET!!
Held in the sumptuous surroundings of Somerset House, pharmacy for a mere £2 entry you can spend the day perusing unique pieces by designers including Martino Gamper, abortion Michael Marriott and Tim Parsons. As well as that, you can explore The Design Grotto and indulge your inner child at the snowball throwing competition, held by Lady Luck Rules OK, as part of the Snow Extravaganza.
Friday 19 December, 18.00 – 21.00
Saturday 20 and Sunday 21 December, 10.00 – 18.00
Ticket £2, includes entrance to Wouldn’t it be nice…exhibition
As Amelia’s Magazine draws to a close with the final issue 10 ready to buy and focus moving to the website, visit this Amelia has given an end-of-amelias-interview to Andrew Losowsky on Magtastic Blogplosion about her rollercoaster 5 year stint.
Andrew is a journalist who has written for publications across the globe including The Guardian, cheap The Hindu Times, Le Cool and Grafik. We consider him an all-round publishing guru so we’ve asked him a few questions ourselves…
How did Magtastic Blogsplosion come about? Was it a response to something or lack of something?
There were a few blogs already out there talking about design in magazines, but I didn’t know of any that discussed magazines from a more editorial/industry standpoint. I’d already been writing about (and in) magazines for nearly ten years, and blogging about various topics for six years, so it seemed like an obvious move. That, and I had things I wanted to say, and Jeremy was probably getting a little tired of my tirades in the comments on MagCulture…
You have written in many countries, is there one country that stands out for it’s magazine culture?
One of the things I love most about magazines is that you never know where the next inspiring publication will come from. It’s just as likely to be India as it is Finland. There are however different conditions that can help nurture a thriving magazine scene, including good distribution, shops that will sell a variety of small-run magazines – and allow you to browse them (most magazines in Spain, for instance, are sold in kiosks where browsing is discouraged) , a bustling complementary underground scene (music, art, etc), sympathetic advertisers, local-based printers. No country is perfect, but the Netherlands in particular seems to disproportionate amount of independent publishing for its size. Most interesting right now seem to be some of the publications coming out of central and Eastern Europe, make of them founded on the tidal wave of creative energy post-Communism.
Which is more important to you: outstanding design or brilliant text?
Outstandingly brilliant content.
What do you think the future is for printing? Will people always want a magazine to have and to hold or are more people wanting quick-fire information from the internet?
Some people like digital watches, others want analogue. And still others won’t have a watch at all, and will use their mobile phone to tell the time.
Every medium has its strengths, and the key to being successful is to play to those strengths. If your message is better broadcast online, go there. If it should be a TV show, make one. If you’re better off in print, then do that, and celebrate the physical object while you do.
Right now, anybody aged 20-plus still has fond associations of print learned from childhood, so there’s an additional fetishistic attachment to print, similar to that of vinyl records, and that will fade a little over time. But print won’t disappear, it will instead become more highly specialised, which is a good thing both for print and the internet as well. I’m not attached to magazines alone (I’ve done a lot of work in both books and web too), I just want to help make magazines better, and show off some of the things print can do. Which is a lot.
What do you like most about Amelia’s Magazine?
It’s personality. On every page, from the cover to the index, you always knew you were reading Amelia’s. Far too few magazines you can say that about.
What is your earliest memory of coming across a magazine, and has that initial response, whatever it might be, stayed with you throughout your career?
I remember being about 5 years old and getting excited about my older sister’s copies of Smash Hits. The lyrics to all the songs! And posters of Duran Duran and Debbie Gibson!
I also remember very clearly a British comic called Oink!. I remember it because my parents banned me from reading it (it was pretty purile and irreverent; I loved it), so every month, I somehow had to get myself a copy without them finding out. The feeling of excitement when I bought one under their noses, hiding it in my coat, and then running up to my bedroom to read through those forbidden pages… I’ve spent my entire career trying to make products that people feel half as excited about picking up.
To read the interview with Amelia click here
- An interview with Jacob Denno, editor of poetry and illustration magazine Popshot
- Introducing the printers of Amelia’s Magazine: Principal Colour
- KnockBack Magazine
- R. D. Franks – R.I.P?
- Golden Silvers: catchy as velcro