Amelia’s Magazine | Stars and Sons – Interview

stars and sons brighton mike interview

Hailing from Brighton (there’s a veritable smorgasbord of great bands coming out of there at the moment, thumb aren’t there?), order Stars and Sons are an indie pop band who specialise in fun-filled tunes packed with extra layers, of instruments and noises. A bit like a very nice cake, in a way – a musical cake. I chatted to lead singer Mike about his band and their dancing triangles.

Hi Mike – you are Mike, right? How did Stars and Sons begin?

Yep, I’m Mike. I basically started the project off in a dark bedroom, recording stuff on dodgy software, and then realised it needed to go somewhere other than my bedroom so I got in Stuart, Sandy, Paul, and later on Luke, because apparently playing live is quite important. And it’s nice to have the company!

Who does what then in the band?

I play piano, Luke and Sandy play guitar, Stuart’s on drums and Paul plays bass. We’ll hopefully expand a bit when time and money come our way. The thing with our songs is that they’re quite densely recorded and it’s hard to recreate that live – there’s glockenspiels and strings flying around. The energy makes up for it, really, of all us playing together live, that kind of makes up for any lost details at the moment.

Listening to your songs they do seem packed with quite a lot of things for indie pop – would you call yourselves indie pop, or something along those lines?

I’m happy with that. I called it pop for a while but a lot of people met that with disapproving looks, but I don’t care really.

That happens sometimes – quite snobby, isn’t it?

Yeah, I mean, I just want to make catchy music, though sometimes I don’t make catchy music – there’s a lot of balance there. I like pop, that’s all.

You’ve just finished recording your debut album – how did that go?

It went really well! It was really stressful because I’ve come from a position where I had endless hours of being able to record things and mix things and program things and suddenly we have two weeks in a studio, and you record things and you don’t really have much time for judgement as to whether it’s fine or not. That sort of pushes parts of you to be more spontaneous. It was a great experience, but still, stressful.

You were working with Dave Eringa. Did it help to work with an experience producer?

It did, it did. He’s into big-sounding things, massive drums, big guitars, that sort of thing, and he really rocked up the recordings a bit. They were a little bit sterile before, just being recorded in my room.

He’s worked with people like Ash

Yeah, and Manic Street Preachers, and even Tom Jones. He told about this time he was recording with Tom, setting up the microphones and things, and asked him what kind of microphone he wanted. “The biggest one you got!” he said. So they just started recording and Tom Jones was clipping and peaking on the signal but he couldn’t really turn it down… I think it turned out fine in the end.

The single you’ve just put out is ‘If It’s Good For Me’ – the video looks like it was a lot of fun to make.

Hah, yeah, it’s one of those things we tried to spend a lot of time over. Matt is very much into his video production, and he spent a long time thinking about props and shots and trying to make it interesting. It’s fun doing that kind of thing, a change from just doing the music.

What’s your next single going to be?

‘Future Proof’ should be the next one, we’ve just been making the video for that…

Ah, what’s that one like?

Well… there’s some dancing. Some dancing triangles.

Dancing triangles?

Yeah. Um. Well, it’s pretty weird, because it’s shot in this MTV sort of style, whereas before we’ve tried to keep things in quite a DIY style. We’ve got a new director, Jess Stead, doing this video. It’s going to look slick, but it’s going to weird too.

When’s the album actually out?

Not entirely sure yet – it’ll be online first, before the physical release. About a month after ‘If It’s Good For Me’ is out, I think. Just get it out there, and hopefully then it’ll slow build.

You’re on the XFM playlist now, I noticed, which is pretty good.

I’m chuffed with that, yeah. The single isn’t something that I’d consider conventionally radio-friendly, a verse-chorus song. I guess it is in its own way, but the other songs there are more conventional, maybe, but I think it’s a nice introduction. Getting radio play is definitely nice.

Any festivals lined up so far?

We’re playing a small festival in Leicester, but nothing else booked just yet though we’ll be hopefully setting those up soon. And we’re playing London this Saturday [the 3rd], that’s our next big show.

Ta, Mike, and good luck.

Cheers!

(You can catch Stars and Sons this Saturday at Carnivale this Saturday – check listings for more details)

Categories ,Ash, ,brighton, ,Dave Eringa, ,Future Proof, ,Home Recording, ,ian steadman, ,If It’s Good For Me, ,Indie, ,Indie Pop, ,Jess Stead, ,Manic Street Peachers, ,Mike Lord, ,Radio, ,south coast, ,Stars and Sons, ,Tom Jones, ,XFM

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Amelia’s Magazine | Album Review: Get Well Soon – Sarabeth Tucek

SARABETH TUCEK BY CHANDRA VIOLA 1
Illustration by Chandra Viola

This morning I woke up sick – emotionally and physically sick. And upset with myself, cheap because I knew that partly it was my own fault. The early spring sun and the frizzy breeze that would invite everybody else to go out and enjoy the fresh air just didn’t work for me. And in this antithesis of moods between me and the environment outside my room, tadalafil I put on Sarabeth Tucek’s Get Well Soon. And for the first time (despite having listened to it for so long since I got the pre-release in the post) I appreciated it fully.

The second album of the Florida-born, buy information pills Brooklyn-based actress-turned-singer is a therapeutic album indeed. After the success of her self-titled debut two years ago, the fragile songstress got overwhelmed by the fame and things started to precipitate. And apparently the death of the father made her touch the bottom. But music came into help and rescued her from the dark abysses of depression. Music as self-therapy, then. But despite the introspectiveness of the album, the 12 tracks that form the narrative of Get Well Soon address to every soul that can empathise with them, and their message has a healing power for everybody who’s open to let it in. Easy comparisons come to mind when listening to Get Well Soon – Cat Power, Neil Young, Big Star and even The Breeders, just to name a few. But there’s something truly unique about Sarabeth Tucek, that may lie in the genuineness of her grief that transpires from the notes and shades of her voice and hits the heart.

SARABETH TUCEK BY CHANDRA VIOLA 3
Illustration by Chandra Viola (website under construction)

The opening track ‘The Wound and The Bow’ is a little prelude to the album while ‘Wooden’ truly sets the mood for the whole record, with its enchant of mournful games of chords gently plucked that intertwine with Sarabeth’s bittersweet voice until it opens in a warm old school rock anthem Pink Floyd would be proud of. ‘A View’ is another little gem of melanchonic sweetness. Voluptas dolendi, the Latins would say. ‘You and I, we share a view’ the lyrics go. And I look at the view through my window – a cheeky cloud attempts to cover the sun, but a ray pierces through and I wonder whether ‘he’ is enjoying the same spectacle from wherever he might be in this moment. When ‘The Fireman’ – a autobiographical ballad describing a dream Sarabeth had about her father –  kicks in with its more upbeat tempo, I start thinking about my own dad. And I suddenly realise I miss him and his funny grumpiness that has always got on my nerves causing one too many unnecessary arguments.

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State I Am In.

‘Things Left Behind’ is in my opinion one of the most heart-breaking songs of the entire album, a sadness that’s hard to bear – ‘you wished yourself right off the map into the air / and if I’m looking hard, you’re above me now / hanging on some little star’ – but Sarabeth’s voice gets so gentle and touching that it makes it impossible not to listen to it 3 times in a row. ‘State I Am In’ opens with languid droney guitars, another classic rock tribute. It’s one of the most upbeat tracks of the whole album, and seems to prelude to the songwriter’s personal resurrection from Hell, which is confirmed by the splendid ‘Rising’ – ‘through a break in the window I can see something is shining’. I can see it too.

SARABETH TUCEK BY CHANDRA VIOLA 2
Illustration by Chandra Viola

This morning I was sick, I said. And I knew that part of the blame for this was mine. Illness is all about inner pain. And the more you mourn about your pain, the worst it gets. Sometimes you only need to recognise your faults and absolve yourself to feel better. ‘I knew I was sad / I recognised it was bad / but now looking back / I see my mind, it was cracked’, the lyrics of the startling Get Well Soon go, accompanying me to the final redemption. The sun is caressing my cheeks through the window. I open it, and let the fresh air come in. The birds sing along the last notes of the eponymous closing track. I jump on my bicycle and go to join my friends at the park. I’m well now. Thank you, Sarabeth.

Get Well Soon music video
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Sarabeth Tucek will play at Camden Crawl and will headline a show in London at the Slaughtered Lamb on May 19th. She’s also beein added to the bill of End Of The Road Festival in September and also Oxfordshire’s Wood Festival in May. Get Well Soon will be out on Sonic Cathedral on 11th April 2011. A gem not to be missed.

Categories ,album, ,Bob Dylan, ,Brian Jonestown Massacre, ,brooklyn, ,Camden Crawl, ,Chandra Viola, ,Death, ,End of the Road, ,Florida, ,Folk Rock, ,Forgiveness, ,Get Well Soon, ,guitars, ,Music as therapy, ,Pink Floyd, ,Redemption, ,Sarabeth Tucek, ,slaughtered lamb, ,Sonic Cathedral, ,Wood Festival

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