Amelia’s Magazine | Thirty Years of Ally Capellino at The Wapping Project

little comets

Photos by Jazzy Lemon

It’s not often that a support band makes your ears prick up and pay attention; too often I’ve been to gigs where sub-standard support acts make the wait for the headliners feel that little bit longer. I doubt in their short career that Little Comets have ever had that problem.

They caught my attention when they supported the Noisettes on their national tour last year, and so it was exciting to see the band headline the Joiners in Southampton last week.

Little Comets are already favourites with the music press after a few well publicised stunts such as playing on the Metro, purchase or in the bakery isle of the local Marks & Spencer store, sales in their hometown of Newcastle. Their single ‘One Night In October’ reached No. 1 in the independent singles chart, so they’ve already got a relatively huge following.

It was the busiest I’ve seen the Joiners; it was a room full of sweaty, drunk lads who were all pretty excited for the band to start. When Little Comets play live they breathe life into their bouncy, poppy songs. It’s impossible not to get caught up in the fun of their live sets. At such an intimate venue, the gig really felt like we were watching something special.

Yes, Little Comets are a guitar band and that’s nothing new, but their songs and the way they approach them really are. In a genre that’s been done to death already, Little Comets are unexpectedly unique. In half an hour they convinced me that there is a future for guitar bands; something that no one has been able to do for a good year or so.

The audience sang along to pretty much every song as the band bounced their way through their perfectly formed pop-tracks such as ‘Friday Don’t Need It’ and ‘Adultery’, but it was ‘Joanna’ that really stood out. Unlike their other guitar-pop tunes, this a capella track quietened the room. It’s the song that sets them above their contemporaries and proves they’re not just four guys playing poppy lad-rock. They’re not a grown-up version of McFly, they’re a group of proper musicians who write proper lyrics and know how to engage the crowd.

Someone in the crowd shouted up to singer Rob, confessing that his girlfriend loved him. Rob got a lot of love that night; a couple of tracks in someone shouted that they loved him too. His witty responses, which were quicker than a heartbeat, had the crowd laughing throughout the set. Little Comets are the kind of band that will do well during the festival season. The fun they radiate is infectious and I can imagine nothing nicer than dancing in the afternoon to one of their sets.

They won over my friend whose CD collection extends to a collection of Now albums and the Glee soundtrack If they can do that, I have no doubt they’ll charm their audiences on the rest of the tour, and wherever else they get to play this summer.

Illustration by Aniela Murphy

The other Saturday I took a little trip down to The Wapping Project to see the rather splendid Ally Capellino exhibition. Completely under-publicised, drugs I have to thank Susie over at Style Bubble for bringing it to my attention. I’m a huge fan of this understated label, and I often pop into their store on Calvert Avenue in Shoreditch to salivate over their rather wonderful bags, rewarding myself with a coffee at Leila’s afterwards.

Turns out I’m a mere moment from The Wapping Project too, so I popped down with a couple of pals, only to be told by a florist, who shall remain nameless, that the exhibition was closed due to a wedding. Saddened, we stood outside hoping that we could at least get a glimpse through the window. LUCKILY, the director of the WP ushered us in. The wedding wasn’t due to start for a while (the International Sales Director of Topshop’s wedding, none-the-less, lah-de-dah) so we had twenty-two minutes to zip round.

The Wapping Project is ‘an idea consistently in transition’ and is set in the Wapping Hydraulic Power Station. Its interior remains pretty much as it would have done when in commercial use, with power hydrants and various power station ephemera still clinging solidly to the floors, around which the space is managed. During the evenings, the main room is transformed into an a la carte restaurant, and said wedding looked pretty incredible.

In the lower, darker, damper room, the Ally Capellino exhibition occupies the entire space. The central exhibition, made from recycled doors and different types of wood, tells the story of this intriguing brand, encircled by portraits of various fashionistas modelling different luggage and apparel.

Ally Capellino is the baby and brainchild of Alison Lloyd, began in 1980 (obv, being its thirtieth birthday). It’s gone from being a very small operation to an acclaimed British leather label. In her own words, she’s gone from ‘young designer to old bag lady’ and this exhibition sees Alison take a nostalgic and sometimes ‘embarrassing’ trip down memory lane.

The essence of Ally Capellino is predominantly British, with sneaky and slight European influences – often the simple style of the Scandinavians. The choronilogical exhibition explains, in just the right amount of detail, the progression of the label year-on-year.. The focus is it’s creative bag and luggage range, with clothing peppered here and there.

The label was originally set up as a clothing brand, and some of the examples on display of early garments are a total treat. It’s only been the past ten years where the accessories have shone through and become the stronghold, but the label has produced some exciting and innovative clothing throughout its existence.

There were graphic patterns, floral prints and neat tailoring in the 1980s:

…While a more futuristic style came through in 1990s with clean lines and masculine shapes:

…and childrenswear has remained fun and hip, reflecting the styles of the mens and womenswear whilst remaining playful:

The focus of the exhibition is the ‘bag wall’ – a huge wall dedicated to said bags – a mixture of new styles and vintage examples sent in by dedicated followers of the brand. Each bag has it’s only story to tell and numbers attached to the bag link to a wall of numbered stories. The essence of the brand is it’s focus on quality – some of these bags, which appear relatively new, are twenty years old for God’s sake!

Rupert Blanchard is behind the recycled, industrial look of the exhibition, and he shares Alison’s ‘passion for salvage and dread of waste’ and nothing looks out of place in this historical landmark.

There’s also a great selection of press material and advertising spanning the whole Ally Capellino era, with some great menswear advertisements, photographic thumbnails, and Vogue featured-in cards:

What does the future hold for the brand? Well, more of the same, please. With a host of collaborations with the likes of the Tate galleries and Apple, I expect there’ll be more of this in the pipeline. And what to say of the bags? Well, hopefully these beautiful creations, in a variety of subtle leathers and complimentary materials, will be produced for years to come.

Head down to the exhibition fast because it’s not on for long – go on, you’ll have a whopping time, even if fashion’s not necessarily your bag. (With puns like these, I should really work in Wapping for a certain tabloid newspaper.)


Illustration by Aniela Murphy

Check out all the important deets here.

Categories ,Alison Lloyd, ,Ally Capellino, ,Apple, ,Bags, ,Calvert Avenue, ,fashion, ,Hipstamatic, ,leather, ,Leila’s Café, ,Recycled wood, ,Rupert Blanchard, ,Salvage, ,shoreditch, ,Tate, ,The Wapping Project, ,vogue, ,wapping

Similar Posts:






Amelia’s Magazine | Art Listings:

You know those rainy afternoons when you sit indoors, dosage information pills flicking through the pages of any number of trashy magazines and getting suddenly, order inexplicably excited at the idea of fashion? Or, try more accurately, at the idea of brilliant style. It’s enough to make you want to plunge head first into the glossy pages and never return. That’s the effect it has on me, anyway. I trace my fingers around the outline of a beautiful silk bolero, sigh wistfully over the idea of a chunky knotted belt and a chiffon dress. ‘If only,’ I think ‘if only I could own all of these things, perhaps then my life would be complete’ (did I mention that I also have a mild tendency towards hyperbolic exaggeration?)

In the cold light of day, of course, I would not be more complete with these things, what I would actually be is more like everybody else. It is so rare that I find something that isn’t run-of-the-mill, that when I do I feel it my duty to shout about it from the rooftops. Only I heard rooftops were dangerous, so I decided to use Amelia’s blog instead.

Projects Design Wear is a perfect little gem nestled in the heart of Nottingham city centre among the style-seekers and just left of the cool kids. For years this little boutique has been charming all and it’s not just because of the effervescent mixture of clothing. Walking into Projects is like being folded into an enormous bear-hug by a large and much-loved Uncle. Their staff are friendly, remember who you are and are always on hand to personal-shop for you until one of you drops.

projects%203.jpg

Settled in amongst the dark wood furnishings and lashings of vibrant paint is a sartorial feast for men and women alike. The first floor houses menswear. If you like bright colours and bold statements, ask for House of Gods and !Solid t-shirts. If casual with a twist is more your style, then you’ll be happy to pore over the offerings from Raygun. And an absolute must is their selection of denim. Now, I’m not a man, but I know some, and I have been shopping with a few. I know how maddening guys find it searching for individual jeans. Made out of proper denim, and in proper denim washes, Projects’ selection is perfect for boys who don’t want a tag on their arse, but still want their togs durable and fashionable. What more could you ask?

projects%20jeans.jpg

Well, you could ask for another floor, laden with women’s clothing so pretty you could cry. Lovely changing rooms with real curtains (none of this fabric-not-quite-meeting-cubicle tosh) are waited on by lovely ladies. Stock ranges from cute cardigans to chic evening wear and takes in everything in between as well. There are printed t-shirts and slouchy knits from Numph and high-end gloss from Naughty (check out the black sheen dress). There are these things sitting happily alongside the sort of effortlessly elegant dresses that you always see on other people and can never actually find for yourself. I found them, and I am bequeathing them to you.

Not only this, but there is (be still my beating heart) a glorious range of jewellery. Not just any jewellery mind, but pieces from none other than her majesty; Vivienne Westwood. A rare find indeed among the usual gaggle of costume pieces, and a fine way to top an otherwise genius little store. Ladies must also be sure to check out the selection of men’s scarves downstairs. I have several, and I love them all, equally.

Projects
is not only a clothes shop, it is also a platform for new talent, happily selling for local designers, like Bantum (the I Love Notts t-shirts continue to fly of the shelves). It is this commitment to innovation and this willingness to give a leg-up to emerging new talent that has planted the shop firmly in the hard hearts of all of us Midlanders. I offer wild applause to Projects for its unique take on fashion and for delivering what we all secretly want: simple, affordable, wonderful clothes that not everybody else will have. And when recession looms, it’s ever-more important to invest in the interesting, independent places.

Images courtesy of Projects Design Wear
Have a greener Christmas!

Thursday 20th – Sunday 23rd November

side effects +Bargehouse+Street%E2%80%A8+South+Bank, malady +%E2%80%A8London, this +SE1+9PH&sll=37.0625,-95.677068&sspn=44.60973,74.794922&ie=UTF8&z=16″target=”_blank”>Bargehouse, ?Oxo Tower Wharf?, Bargehouse Street? South Bank, ?London, SE1 9PH

11am – 7pm
?Entry £1: Kids go free!

ethical_christmas_emporium1.jpg

Not feeling particularly Christmassy just yet? A visit to the Bargehouse this weekend may change all that…With three floors boasting over forty stalls, the Ethical Christmas Emporium will include the likes of Divine Chocolate, RSPB, Shared Earth, Zaytoun, The World Music Network, Malika, Jump 4 Timbuktu, Earthscan Publishing, Pants to Poverty, Planet Silver Chilli, Manumit and The Hemp Trading Company. The event will bring together the very best in Fairtrade, ethical, sustainable and environmental gift ideas around!

Enjoying this magical time of year can be wonderfully eco-friendly; Shopping here not only provides an escape from the busy high streets, but the secure knowledge that every stall is working under a Fairtrade ethos, making sure producers around the world all have something to celebrate this Christmas.
The atmosphere is lovely, and everyone seems to be smiling as the event opens on the Thursday. Discounts are available as many stalls have cut their prices specially for this event.

ethical_christmas_emporium2.jpg

Shopping is not the only thing on the agenda at this event, a local Youth Club Choir from Ghana will be entertaining the crowds via live satellite link-up. Kids entry is free and while there they can enjoy lots of specially created activities- Green Santa will be there too to spread some ethical Christmas joy! Grown ups will also be able to delight in food tasting, films, informative talks, music and much more…

The Ethical Christmas Emporium is being hosted by Hand Up Media , the ethical publishing & media company which promotes Fair Trade and ethical lifestyle issues in a positive, stylish and empowering way to consumers across the UK and beyond.

oxo%20tower%20wharf.jpg
The Oxo Tower Wharf

fairtrade%20copy.jpg

Monday 24th November
Anything that makes the art world seem a little more accessible is always nice, cure and an open-submission painting competition is one such an opportunity. The Marmite Prize for Painting is a biannual exhibition at Studio 1.1 in East London. Perhaps you’ve entered yourself, or you’d like to get a glance at some of the entries before the winners are selected. The exhibition opens today and runs until the end of the week.
monday1.jpg

Tuesday 25th November
There will be dancing, there will be porcelain deer skulls, and there will be bird houses, a hundred of them in fact. The Wapping Project, a Hydraulic Power Station turned multi-purpose exhibition space that now hosts an exploration on the social and cultural phenomenon of the British Season. Turning the Season will run until the 28th of February, and it’s free.


Wednesday 26th November

You know how there’s always a kid in a film who’s Lego creations far out-strip the usual tower blocks of most children, well James Johnson-Perkins was certainly one such child, “I spent my whole life building imaginary universes with children’s building blocks”. At EXHIBIT until the 28th of December, he presents his solo show, 50 Robots. Come and see what one man can do with 2,800 construction blocks. Free.
Wednesday.jpeg

Thursday 27th November
Starting today, a group show put together by Stella Dore begins in their new gallery space at 42 Rivington Street, featuring the artists on their roster. It’s between 6 and 9 pm, and it’s called ‘Make-Over”.
Thursday.jpg


Friday 28th November

The Guardian has named him “Britain’s greatest cultural asset”, and after some 12 years of “painting on the doll”, amongst many other things, there’s no end to the volume work to show for this artist/author/poet/film-maker/singer and guitarist, phew! If you haven’t guessed, we’re talking about Billy Childish. Heroes of the British Art Resistance runs until the 23rd of December at the Aquarium L-13.
Friday.jpg


Saturday 29th November

The You Me Bum Bum Train – like nothing you’ve experienced!
If you try to describe this to someone (which you shouldn’t, don’t give anything away), you will sound like you are drawing from memory a nonsensical and fantastical dream, not something remotely tangible that could have actually happened in a 25 minute journey through a Shorditch warehouse. Reality is turned upside down as you are wheeled (as the sole participant) through fifteen distinct interactive scenarios, where over 70 artists act out micro-performances, leaving you to get as involved as you much as feel compelled to. “Designed to mentally and visually astound”, check, “leaving you overwhelmed and exhilarated” check, and check, and finishing the ride “in a totally different emotional state from the one you were in when you embarked on the journey”, most definitely true. It’s fifteen pound price is money well spent, and it runs every Saturday until the 20th of December. Go!
Saturday.jpg


Sunday 30th November

Behind the Shutters – muTATE Britain
The Shutters were lifted this Thursday to the three story disused warehouse that is the largest non-corporate exhibition space in London. With Mutoid Waste taking the ground floor, I got my first whiff of nostalgia for muddy fields (Trash City at Glastonbury), a sentiment of bubbling creativity that runs through the entire event. It’s a multi-media circus, lots of interactive art, and it’s set to change every week through it’s lifespan. This weekend the theme is “Deface Value”, featuring the likes of Tracy Emin and David Cameron alike (yup, the Conservative leader). It opens Friday, Saturday and Sunday between 1.30 and 10 pm.
Sunday.jpg

Categories ,Art, ,Billy Childish, ,exhibition, ,James Johnson-Perkins, ,Listings, ,muTATE, ,Stella Dore, ,The Guardian, ,The Marmite Prize, ,The Wapping Project, ,You Me Bum Bum Train

Similar Posts:






Amelia’s Magazine | Art Listings

Here at Amelia’s Magazine HQ this week we are all feeling rather revitalised, this salve with the prospect of spring safely in our sights and a stomach full of Easter eggs we thought what better time to share our energized disposition with you are faithful readers, and boy do I have a treat in store for you fashionista’s today.

josh_goot_01.jpg

It comes in the form of exciting new Aussie talent Fashion Designer Josh Goot, heralded as “modernisms new messiah” it’s enough to get anyone in the fashion sphere jumping up and down excitedly in their Chanel heels. Goot first catapulted his way into the fashion sphere in 2005 after winning Young Designer of the Year Award in Sydney, but only made his debut on the London fashion circuit at this years London Fashion Week with his S/S 09 collection

josh_goot_02.jpg

Goot studied Media Art and Production at Sydney’s University of Technology where he graduated in 1999. This background has shaped his distinctive approach to fashion design, renowned for his use of print and his minimalist aesthetic Goot has injected a healthy dose of artistic expression onto the catwalk.

josh_goot_05.jpg

Goots A/W 09 collection did not fail to get our taste buds flowing, paying homage to the natural world it’s an explosion of texture and colour. Heavily inspired by geology the collection focuses on organic lines and silhouettes.

josh_goot_03.jpg

Goot’s exquisite tailoring techniques come to the forefront in his A/W 09 collection. Enthused by the erosive textural quality of rock Goot uses angular tailoring with reverse contour lines to mimic the harsh lines that occur in sedimentary rocks. This masculine tailoring is then softened by his subdued use of colour; the palette is a hazy of distilled greys that merge with soft violets, yellows and blues to create quixotic and distinctly feminine pieces. His modernist aesthetic creates a look that is both functional yet expressive, with styles ranging from tailored jackets, panelled shirts to asymmetric tops and body con suits.

josh_goot_04.jpg

josh_goot_06.jpg

The most enthralling element to the A/ W collection has to be Goots Marble effect series. Audiences were mesmerised by the haze of colour gliding down the catwalk. To me it conjures old childhood memories of marbling from art class. I remember excitedly leaning over a tank of water mixing oil inks and eagerly gliding my stick through the water to create patterns. I was mesmerised by the beautiful hues merging together to create such vivid canvases of colour. Goot encapsulates this perfectly in his prints, which were created from large-scale digitally printed water coloured pieces.

josh_goot_07.jpg

After such awe inspiring pieces in his A/W collection I am eager to inspect what else Josh Goot has tucked up his sleeve. With stores such as Browns Focus in London and Marie Luisa in Paris already stocking his collections I have no doubt Goot is set to take the fashion sphere by storm!

DSC00141.JPG

Lewes’ quaint, story cobbled streets and Dickensian finery belie the town’s rebel status and heritage. Thomas Paine, ask 18th century philosopher and all round radical was a local while the annual bonfire festivities are the kind of Pagan perverse, politically loaded Wickerman shindigs that grab national newspaper headlines. Situated slap bang in the life-affirming environs of the Sussex Downs and home to Harvey’s ale, it’s easy to see why Lewes is something of a hippy haven – genteel on the outside, pretty bizarre on deeper investigation. The perfect host to the neo-psychedelic revolution. Or a place where a bunch of bearded dudes get to hang out and discuss obscure Nuggets. Either way, I was home.

DSC00076.JPG

The happening unfolded in the All Saints Centre, a church where, most appropriately, Pink Floyd played in 1966. Heightening the sense of lysergic lasciviousness that characterised the night was the mind mulching lightshow provided by locally sourced hero, Innerstings. Such visual freak-ery was offset perfectly by the evening’s DJs who, for the most part, dealt in psychedelic music of the guitar based variety. No bad thing, especially if the crate digger behind the decks is Richard Norris, whose set seemingly unearthed the kind of gems Lenny Kaye would kick himself for missing. As was the desired effect, this all blended perfectly with the live performances which served to give the evening a modernist sheen and kick several shades of shit out of any sense of nostalgia that pervaded. Take, for example, The Notorious Hi-Fi Killers, whose singer resembled Jerry Garcia but whose band kicked up a beautifully godless stoner-rock racket. (Un)natural heirs to Rocky Erickson’s throne perhaps, they tore their way through an acid-spanked set of psychedelic garage punk and sounded far bigger than you’d expect from three blokes from South London.

DSC00144.JPG

Having obliterated the dance floor of rug cutting psychedelic Mods, it was left to headliners, The Yellow Moon Band, to restore some kind consensual good will. This was entirely apt as the Yellow Moon Band’s founders are Jo and Danny, hirsute curators of the Greenman Festival. Consummate professionals to a hilt, they play note for note the majority of their recent (and peculiarly danceable) debut album, Travels Into Several Remote Nations Of The World. On paper, their Steeleye Span meets Slayer schtick looks decidedly unappealing but, bathed in a wash of kaleidoscopic lights and played out with merciless efficiency the Yellow Moon Band are a strangely alluring, downright compelling and very psychedelic experience. Just ask the mass of people throwing shapes and gyrating down the front. Pouring out into the graveyard post show, chatting with likeminded souls and new friends, it seemed Lewes had given birth to a new spring time institution, one worthy enough of taking its place next to the other grand traditions of this beguiling and beautiful town.
The Otesha Project team are an ambitious lot. They want to tackle climate change, more about poverty, cheap injustice, and educate thousands of young people on how to live a more sustainable lifestyle. Their weapon of action? The humble bicycle. You heard me! But the folks behind Otesha are a clever and forward thinking bunch. They can achieve more with a bicycle and a deceptively simple mission statement then most global corporations could possibly dream of.

OteshaCress%20on%20bike.jpg

OteshaMichelleOteshaSand.jpg

Back in 2003, the team that would go onto create the Otesha Project in Canada had recently returned from working in Kenya. Rather than being inspired by life in Africa, Jocelyn Land – Murphy and Jessica Lax were dismayed to find vast inequalities between the North Americans and the Kenyans. The extent of the unfair trading, irresponsible over consumption and labour exploitation that they witnessed left a bitter taste in their mouth but equally seemed too insurmountable a problem for two people to tackle. The feeling of powerlessness acted as a catalyst for their own personal change. On return to Canada they began to alter their lifestyles to reflect the change that they wanted to see in the world. And thus began the Otesha way of being. It’s a beautifully uncomplicated concept, and practically the only one that we can adhere to when all of the world’s problems seem too huge to tackle – that change can occur on the most massive scale by simply altering your own life – in other words, be the change! So this is what they did, and set off through Canada on their bikes, stopping off to make presentations to young people about the importance of social change. Seeing that this was a resounding success, and that they made over 250 presentations to more than 12,00 young people, Otesha was ready for more!

OteshaWW%20with%20scrap%20bike.jpg

This brings us to the Otesha Project UK, which promotes social change in a number of ways. The most well known way is through their cycle tours. I met with some of the team behind Otesha UK; Liz McDowell and Hanna Thomas recently, and they filled me in on these expeditions. Needless to say, I am not much of a cyclist, but even I was segmenting off part of my summer for the following year to join the next wave of cycle tours. So, for any of you that are interested in spending your summer doing something slightly different to the status quo, this is how it works. A team of volunteers (like yourself, or me after I have done a couple more spinning classes) cycle around a particular part of Britain for around 6 weeks; last year the venues included Cornwall and Wales; this year’s venues are East Anglia, a section of Scotland, and the coast of Wales. Whilst on the travels, the team stop off to speak at schools and communities about environmental and social sustainability. They don’t just speak; plays and workshops are also performed. Whilst on the road, the team record their experiences on journals and video recorders.

OteshaPerformance%20in%20field.jpg

There is a bit of a travelling circus element to it; and Liz and Hanna told me that the team clearly love what they are doing. Equally as important – the response from the groups that they speak to is always overwhelming. Many of the group return year after year; Otesha are good to their teams! As well as stopping off at schools, the team also have excursions organised for them. In Wales they get a couple of learning days at the Centre for Alternative Technology, as well as a visit to a permaculture farm. Those who head over to East Anglia get a chance to stay in a tipi at a Roman archaeological site. While this is all good fun, the skills that the team take away with them are invaluable. Getting a head start in public speaking, learning to work alongside and live with a large team of people – and maintain a great relationship with them – are attributes that can be taken anywhere.

When they are not cycling around Britain, The Otesha Project are working with groups of young people over longer periods of time to help create change in their local community. They work from the Otesha Handbook, which highlights issues such as Food, Money, Fashion, Energy, Trade and Transport. Last summer, Otesha worked with students in Tower Hamlets Summer University, who chose to do a project about food; specifically the issues of seasonable and organic food. The students approached local cafes, shops and markets to discover who was using organic, fairtrade food, and wrote to their MP’s asking that organic food be subsidised. This culminated with the students creating a Seasonal Summer Feast for their friends and family, which by all accounts was a great success.

OteshaDSC01722.jpg
(all images courtesy of The Otesha Project UK)

Other projects have included Getting Ethical About Fashion, held at the Princes Trust XL Club in Barnet, where students discussed issues in fashion that are often swept under the carpets, such as sweatshops, child labour, and the chemicals put in clothes. My favourite sounding workshop was the Dirty Weekend held at Goldsmith’s EnviroClub Community Gardens. Ok, so it was not that kind of dirty weekend, and it involved plans for creating a garden for the local residents and students, but at least the students still got their hands dirty!

The Otesha Project like to say that they are germinating good things, and it does seem that way. Everything that they do is for the benefit of the Earth, and the people who are inhabiting it. If you are interested in working with them, get in touch at:
info@otesha.org.uk
After last years’ unforgettable appearances from Bobby Digital, physician Felix Kubin, online Gay Against You and Agaskodo Teliverek amongst others, one cannot help but be wracked with anxiety about what they can pull out of the bag for this years’ follow-up Futuresonic Festival. The festival will be taking place between Thurs 14th – Saturday 16th of May, this year.

Taking a glimpse at the line up it promises to be something to rival last years’ festival unequivocally.

Starting off with Mexican electronic pioneer Murcof (& AntiVJ) with Jóhann Jóhannsson, the festival then dips its toe into Hip Hop with the New York collective ‘The Anti-Pop Consortium‘. From this we trawl through some dark and muddy psychedelic rock from Electric Wizard. A real highlight comes in the form of a one off performance from the legendary Philip Glass; playing Etudes and Other Work for Solo piano.

glass.jpg

Not to omit an audio assault from Ariel Pink with Marnie Stern and Crystal Antlers. It’s gonna be an absolute monster of a year for the futuresonic team.

Crystal%20Antlers1.jpg

“The best, most explosive, most all-encompassing Futuresonic music line-up to date, covering genres as diverse as dubstep, contemporary classical, lo-fi indie, electronica, deep house, math rock, leftfield hip-hop and italo disco.” – The Futuresonic team.

Some of the venues sequestered for the festival include the RNCM, The Deaf Institute and Urbis, where you will see “a celebration of musicianship and a salute to those who perform on the cutting-edge”.

rza.jpg
Photo by www.andthewardrobe.co.uk

With oodles of other events going on over the entire weekend including exhibitions, theatre productions and club nights, there’s no excuse to completely miss out, unless you’re in a coma that is.
You may not have heard much about My Tiger My Timing – yet – but I guarantee that you will be hearing their curiously titled name a lot more in the upcoming months. This is a band destined for success. Their songs are an irresistible mix of hypnotic dark alt pop and potent melodies . Sung by smart and self aware South Londoners, drugs they have a killer style, approved a strong image and are in it for the long haul.

MTMTvid2.jpg

I sat down with three members of the five piece recently, abortion Anna, James and Jamie, to talk about their debut single, ‘This Is Not The Fire‘, as well as their musical style and influences, and what it means to be geeky and sexy at the same time.

So, your new song, ‘This Is Not The Fire’ is released this week. Tell me a bit about the first single –
James: The song it’s quite rhythmic. It’s a dark pop song.
Anna: It is kind of about the moment that we are at now. With our lyrics, we want to be universal but at the same time not vague. The lyrics are about that moment when you know something that no one else does. It could be when you are about to unleash something; this is the moment when we are about to unleash the fire. But equally it is a personal song about the breakdown of relationships. We want people to be able to relate to the song as well as to be able to dance to it. Having an emotional side to the music is something that we try to do as well.

There is a brother and sister team here somewhere?
Anna: Yeah, James and I.

So who does what?
James: I play guitar and bass, and Jamie does the same. And we all sing. We have a new guy, Sebastian who is on synth, so we have now become a five piece. Which is logistically a bit difficult getting everyone in the car at the same time!

And you are all from New Cross, is that right?
Anna: Yes, we are based around there, and we formed just over a year ago. We were all in different bands; Seb was in The Cock N’ Bull Kid.

You have a good pedigree behind you – can you explain this?
Jamie: Andy Spence, who does the producing of New Young Pony Club has produced our new single “This Is Not The Fire’ , which was also up for single of the week on Radio 2 recently.
Anna: We lost out of the single of the week to Bat For Lashes – who we love, so that’s fair enough!
Jamie: There seems to be a Mercury Music Prize trailing us! (laughs) She beat us for Single Of The Week, and she was nominated for a Mercury Music Prize . Andy produced us, and he was also nominated. And we have just recorded with Joe from Hot Chip – who has also been nominated!

How did the Hot Chip connection come about?
Anna: We met him at a party – he knew our manager Brian, so we got chatting. We talked about the band name – we were named after a song by Arthur Russell. He was one of our initial influences, he was a New York based electronic artist; quite avant-garde. We bonded over that and he got in touch the next day.

MTMTPolaroid_Comp_4.jpg

You have a very strong image. There is a bit of an 80′s electro vibe going on, right?
Jamie: Our image is very important to us. You get up on stage and people are paying to come and see you, it’s almost disrespectful to ask people to watch a bunch of scruff bags jumping around! (laughs). It’s definitely important, it’s to do with us being quite exuberant. And our music is quite fun and vibrant, and that comes through with what we wear.
Anna: The whole visual side of things is very important to us, even beyond what were wearing on stage and in photos. We also want to incorporate light shows and visuals into our shows.
James: One of the things we decided early on with our visual side was that we wanted our images to be back to basics, using almost solely primary colours. So we are aiming to hone a streamlined, simplified look. We don’t adhere to a particular image or era. Overall though, it’s about putting on a show.

Are you all inspired by the same music?
James: No, it’s rag tag.
Anna: We are all big Blur fans though. It’s a mixture of pop and the dark stuff that we like. Happy Mondays, Primal Scream– we definitely like dark British pop music.
Jamie: Also, musically we are influenced by each other. There is a friendly one up-manship in the band. Especially with the brother and sister!

Anna, how do you find being the only girl in a band full of guys? Do you get to rule the roost?
Anna: I am a bit of a tomboy, so I feel like one of the guys most of the time. But I can get away with not having to lug amps – although I actually can do it (laughs)
James: It’s cause we a band of gentlemen. We have old fashioned values. (All laugh)
Jamie: Anna is definitely not out on a limb – she is the driving force!

MTMTvid1-1.jpg

There was a great description of My Tiger My Timing on your website – that you are geeky and sexy. Who is the geeky or sexy one, or are you all a bit of both?
Anna: We are all a bit of both, the two terms aren’t mutually exclusive.
James: We wear that oxymoron on our sleeve.
Jamie: We like the French phrase – “jolie/ laide”, which means ugly/ beautiful – the common definition about what is cool and sexy is so arbitrary.
Anna: We are making quite dancy music, quite rhythmic music but we are all quite…. white!.. so we are not particularly cool! (laughs!)
James: What’s wrong with being geeky? It’s part of the geeky thing to be into anything in an obsessive way, like how we are with music. And that is always going to come across with us.

Where do you see My Tiger My Timing heading? What are your goals?
Anna: We are writing an album, we hope to have the beginnings of an album by the end of the summer, and we are trying to tour a lot.
James: It’s rocketing along pretty quickly, we just don’t stop writing. If you had told us last year where we would be…. it’s mad, we wouldn’t believe it. We are doing festivals, we’re playing The Great Escape in Brighton, Hinterland in Glasgow and we have a few lined more lined up, and a few to be confirmed, which is all pretty exciting. As a band you don’t want to go into festival season and not be on the line up!
Anna: We have got a bit of an alternative band name, and every time I say it, people go “what?” (laughs) so one of my goals is that we so well known that we won’t have to say the band name twice! And we also want to champion the idea of British pop music.
In a world of fast fashion and cheap labour for inflated profit margins it’s sweet relief to meet a person who is wholly true to her craft. Xuan-Thu Nguyen (pronounced Swan-Toe nuhWEN) is a Parisian haute couture and prêt-à-porter designer whose approach to each isn’t altogether different; when it comes to materials and execution she spares nothing to perfectly produce the design in her head, stomach at times closing that typically wide divide between couture and ready to wear. Her mix of Old World skill and care with innovative techniques results in garments and accessories that are both exquisitely crafted and fashion-forward.

Thu offers us a glimpse into her work and explains what makes her pieces so extraordinary (with some prodding, and she’s very modest!)

contributer-6.jpg

Tell us a bit about yourself, Thu?

I was born in Vietnam and grew up in Holland. When I was 10 years old I wanted to become a florist, but I always wanted to design, so I decided to go fashion design school. Up graduating in 1999 I started my own label in Amsterdam before coming to Paris to open my boutique four years later, in 2005. I began showing my prêt-à-porter collections at Paris fashion week then added the haute couture, which I’ve been showing since July, 2008.

Can you take us through your creative process?

I design in my head, see the pattern and work out the adjustments before I begin putting anything together. In school I would do up the sketches after I’d made the garment! I have so many ideas, it can be difficult to focus on one thing and I have to separate my ideas and choose one direction. Sometimes the starting point is something as simple as a colour, a shape or a technique.  My creations are a mixture of modern and geometric pleated shapes with fragile and delicate accents like handmade embroideries. I use natural fabrics like 100% cotton, silk or wool which give the garment even more of a delicate expression.

contributer_1.jpg

contributer_2.jpg


Do you have a design team???

No, I design everything myself.??

Where is your prêt-à-porter made???

Some pieces, like the accessories, are made here in Paris. I do the first few myself. The prêt-à-porter is made in Holland. My parents own a textile factory there and the numbers I need are small enough that I’m able to produce there.

??Do you find that allows you to control the production???

Yes, I have some unique finishing processes that I’ve had to work hard to get right on the production side, but in the end I’ve gotten things made as I want them. I could have my clothes made in China, but for me, it’s not about bigger profits. ?

contributer_3.jpg


With that kind of commitment to detail in your prêt-à-porter it seems you blur the lines a bit between that and your haute couture collection, would you agree with this?

??You could say that. I will do some prêt-à-porter pieces like haute couture, like if I really want to use an expensive fabric or trim I will, or I might spend a lot of time to get the detail just right. Many of my pieces look very simple from the outside but have a lot of work on the inside. It’s not about making a big show of it; these are likely things that just the wearer and I will know. (Ed. note: Whilst browsing Thu’s Paris boutique I noticed some examples of this understated yet significant detailing: her placement of jacket side pockets, invisible button holes on shirts and the extensive finishing on the underside creates clean lines and gives the garment a polished simplicity. Truly chic.)

Your Fall/Winter 2009 collection is very light and summery; what was your thinking behind that?

I don’t really follow the seasons; I design what I want to at that time. Also, many people live in places where they don’t have winter or they need clothes for warm holidays, and I don’t want to restrict myself to working in just wools and dark colours or be dictated by a season. And we could all use some brightening up during the winter!

contributer_4.jpg

What’s next for Xuan-Thu Nguyen?

We’re working on launching the brand in Asia for 2010..

contributer_10.jpg

Xuan-Thu Nguyen will be showing her A/W collection at Paris Haute Couture week in July, so we can anticipate more inventive and truly beautiful clothes that will surely brighten the spirits, regardless of the season!

There is an iceberg. An iceberg of edgy London Jazz. Below the surface, prescription you will find a few dozen bands that are generally brilliant, boldly avant-garde, and built out of the same jazzy-family of a dozen people or so. There’s too much going on under there for me to say much more about it. Maybe another day. For, you see, the iceberg also has two peaks, and one of these peaks is the subject of this here bit of text. Not the wonderful Polar Bear, who were the token Jazz-nomination at the Mercury thingy a little while back, but Acoustic Ladyland, who shocked arty Hoxtonians into Jazz a few years ago with their stunning 2nd album, Last Chance Disco.

ALWareGoll.JPG
The ‘Land are soon to release their fourth album, and decided to try it out at The Lexington in Angel last week. It seems to be that each of this iceberg’s pointy bits has a different helmsperson, and on this one, it is saxophonist Pete Wareham. Whether through choice or Musical Differences Syndrome, Pete has replaced 50% of the band. Tom Herbert has been downsized to Ruth Goller, who is far more punchy and energetic. Where Tom used to slickly stand around like a cool pimp, fingering effortlessly, and pretending not to sweat profusely in his dapper suit, Ruth’s dressed for Reebok Step and premeditatedly lunges at her fretboard, like a wolverine. More dramatic still, is the replacement of Tom Cawley with Chris Sharkey, who doesn’t even play the same instrument. Tom and his hi-lo-fi Nord Electro synth were one of the defining features of Last Chance Disco. Sharkey is a guitarist. Is this the same band?

AL_Roch.JPG
Yep. Overall, the show came across as ploughing the same furrow as LCD, but with more heavy-heavy intensity and less melodic reliance and repetition. Drum-legend Seb Rochford plays it like Dave Lombardo of Slayer would play it. Anger is fun. Wareham gets caught up in that vibe, honk-honk, then bollocks to tonality, hurtles through the Ornette Coleman barrier, and parpsqueaks about in the Zornosphere. Ruth’s knotted brow keeps it all together until, until, STOP! The song’s over, we made it, it was good. It’s all tense, 94% of the time. I’m going to call it Agit-Bop.
And the guitar is a real surprise. Sharkey has noodly fingers. He can scribble across the strings with precision and flair, but he’s a texture guitarist. A line-up of pedals laid out before him makes it possible for you to think that Tom Cawley’s ghost has been zapped into a boutique stompbox. It’s bizarre how similar he can sound. It’s that same distorted, imbalanced end-of-level-baddy sound, but with a completely different note-sense: Cawley was Duke Ellington riffing as petulant teenager. Sharkey is kind of Jeff Beck or maybe LA Rocker lead-soloing as electro-sophisticate. In fact, Sharkey probably has a wider range of sounds in his repertoire. I wasn’t expecting it to work, but it does.

AL_WareShark.JPG
Yet this is a deja-vu moment for me. I caught AL gigging a preview to their last album, Skinny Grin, in 2007.So I know that the live sneak peek is not necessarily what you’ll get on the CD with Pete’s gang. That show gave me the impression that they’d turned metal and more relentlessly intensely consistently so (with a couple of single-aimed guest vocalist tunes). But when the album came, it was awash with depths far beyond LCD, depths that simply hadn’t been in the teaser-gig, that couldn’t have been there. While some of the CD’s high points came across well, like Road Of Bones or Red Sky, others weren’t represented (check out Hitting Home [swoon] or The Rise [swoon again]) So, it is with much confidence that I can say I haven’t really got a clue what the new album’s going to sound like. But this band is tight. Ruth and Seb have a lot of fun, and Pete and Chris are pretty cleverly interacty, too (deep within the iceberg, you will find these two in The Final Terror, in which they perform Olivier Messiaen’s complex, modernist, classical masterpiece, Turangalila – pretty highbrow for apparently chaotic punk-jazzwits). So I’m expecting gritty, pounding, intense bombast. But I’m also expecting a surprise.

Album #4 is expected in July. Meanwhile, Kinder Eggs are available at your local shop.
I have to concede that I was unduly dismissive when I made the presumption that online shopping was a lost cause. Since jumping up and down excitably last week about innovative online shop Your Eyes Lie, look I have unearthed another, order yes another! Tremendous online shop to grace you with! Supersweet is an online lifestyle magazine come shop that fuses alternative fashion, art and underground music while showcasing fabulous designers, unique accessories and alternative Womenswear.

The first to catch my eye on the site was kitsch Jewellery brand Alex and Chloe, heralding from the sunny shores of LA this duo have been producing their zany cut out acrylic designs since 2004. Evoking an almost juvenile yet undeniably cool approach to jewellery, pieces range from nautical anchors to vibrant pink octopuses! To top it all off there is 50% off for most of the collection so pendants average at about £15 pounds each! So get your skates if you want to bag a bargain!

OCTOPUS.jpg

alex_chloe.jpg

Another favourite has to be shoe designer Lise Lindvig. I don’t know if I am alone in this but I have been witnessing my wardrobe ebbing into obscurity as I try in vain to find anything that can pass as spring attire. It’s that kind of tran- seasonal stage where you’re contemplating the repercussions if you wear that skirt without tights. It’s a complicated season spring, we are finally banishing away our winter woes and embracing the sun like our long lost relative! So when I saw lindvig’s vibrant designs nothing seemed to encompass the whole ethos of spring more accurately. The Danish designer’s vibrant yellow wedge heels exude warmth. I can just see myself hop footing to work on a spring’s morning in this delightful pair!

LISE_LINDVIG.jpg

The team at Supersweet have such a diverse array of talented designers under their belt it’s hard to squeeze them all in. The most vivacious addition to their collection has to be Womenswear designer Teerabul Songvich. Heralding from Thailand, Songvichs Middle Eastern roots resonates in his work; each piece is an explosion of colour and form. You feel as if you have unearthed a unique treasure trove brimming with sequins and vivid fabrics. Each piece is highly intricate and comprehensive, beautifully crafted from diverse materials such as leather and sequins to create a gradient of beautiful tones. With iconoclastic fans such as Bjork and the late Isabella Blow to boot I would definitely be boasting my socks off I was him!

teerabultexture.jpg

supersweet_02.jpg

picture_supersweet.jpg

teerabul.jpg

Another designer to stand out from the herd in is Brazilian designer Alexandre Herchcovitch. His designs are a floral tour de force, teaming classic paisleys against traditional floral motifs with voluminous ruffles and bat wings. It’s sheer Bohemian indulgence. You just want to clad yourself out in a Herchcovitch piece grab your straw hat and tent and hop foot down to the nearest green field!

supersweet_04.jpg

SUPERSWEET_06.jpg

It’s safe to say Supersweet is a definite hazard to my bank balance, with such a myriad of talented designers it’s hard not to just want it all. If only money did grow on trees………………………..
Ciaran-Begley-April-2009-0094.jpg

You know, drugs some nights you just know it’s going to turn into a big one… and so it was yesterday. An early evening outing to view my friend’s exhibition in Stepney turned into a marathon drinking, scrabble-playing and snogging-cute-boy-in-the-kitchen session that carried on into the wee hours. It’s been a long time since I last did that. And it was a lot of fun.

Ciaran-Begley-April-2009-0041.jpg

But this blog isn’t about my debauched Thursday night – it’s about Ciaran Begley‘s model railway overpass. Ciaran is like most boys – he gets excited about things that other people (namely girls) find it hard to countenance. Like inventing new origami shapes and playing warlock board games. And he particularly loves his Hornby Dublo model railway overpass. So much so that he found funding to build it scaled up to fit snugly inside a railway arch. For the past two weeks Ciaran has been holed up with his plywood and his saws in the Hold & Freight art space, assisted by aforementioned cute boy. He’s been living, breathing railway overpass and archway.

Ciaran-Begley-April-2009-0005.jpg

Ciaran-Begley-April-2009-0048.jpg

Last night was the unveiling of this project, Overpass/Underpass, and the look of glee on Ciaran’s face said it all. He was a man insanely happy to have achieved what on the face of it seemed fairly perverse, but in the world of art is perfectly possible if you’ve enough of a mind to do it.

Ciaran-Begley-April-2009-0028.jpg

I had to wind down the back roads through the housing estates so typical of this area to find the Hold & Freight gallery, where a welcoming fire had been lit on a raised bit of scrubland. There was wine and beer. Forget the hi falutin’ galleries of the west end, this is why East London is justifiably famous for its art.

Ciaran-Begley-April-2009-0056.jpg

In a nice little turn of events Ciaran helped to clear rubble from the space – rented for a brilliant £50 a month fact fans – when curators Amal Khalaf and Tom Trevatt set up the gallery just under a year ago. And he helped to construct the cunning toilet in a crate – much cosier than it sounds. Hold & Freight will be wrapping up in just over a month – the landlords quite like the newly refurbed archway and they’re putting the rent up, as is wont in these matters. Like Ciaran’s art piece the space is transitory.

Ciaran-Begley-April-2009-0107.jpg

We were encouraged to walk up the overpass, which was built to a 1:4 scale. This meant that the steps were too small for our big clumpy human feet, and so we took pigeon steps up to the top, hunching to shuffle along under the exposed brickwork of the archway – an oddly discombobulating experience! I like my installation art to be interactive, and this certainly was. The scaled up overpass is imbued with a subtle pathos in its simplicity – looking the mirror plywood image of the Hornby Dublo model lovingly placed on a table, surrounded by tealights and, erm, beer.

Ciaran-Begley-April-2009-0039.jpg

The model is heavy and slightly worn – I wonder who played with that overpass back in the 60s – what small boy or larger man had so much fun with model trains? Now we were having fun with a larger version. For me the wonder of this piece is that we never really grow up – we always want to play, in whatever form that might take.

Ciaran had asked our choir – the ramshackle Hackney Secular Singers – to sing and so as the gallery filled out we took advantage of the fabulous acoustics to belt out Denis by Blondie. We progressed from railway arch to local pub, and from there returned to Ciaran’s flat for more. Needless to say my head hurts today, but the impromptu nights out are always the best ones.

Overpass/Underpass will be showing until May 3rd, so get in touch with Hold & Freight if you want to view it. And keep an eye out for their last few shows and closing party – due to take place just as summer arrives. That arch hasn’t seen the last of me!

Ciaran-Begley-April-2009-0087.jpg

Eleven Howland Presents Robert Dowling

Robert Dowling
The artist visually explores the boundaries between painting and sculpture using two and three dimensional arrangements.

Eleven Howland LTD, more about 11 Howland Street, information pills Fitzrovia, find W1T 4BU
20th March – 25th April 2009

rob1.jpg


The Dog Show, The Cat Show

A collection of Dog and Cat paintings and drawings from the 19th century to the present day.

Hepsibah Gallery, 112 Brackenbury Road, London W6 0BD
2nd Apr – 22nd Apr 09

r2.jpg

Dress 2

Following 2008′s Skirt 1 exhibition comes Dress 2, a collaboration between the Wapping Project and the Fashion Department of the Fine Art Academy at Antwerp.

The Wapping Project
, Wapping Wall, Wapping, E1W 3SG
Monday 20th April – 3rd May 2009 from 12:00 – 22:30, Free

r3.jpg

Alternative Fashion Week

Alternative Fashion Week in Spitalfields Market is a free event that showcases works by innovative emerging young UK designers.

Spitalfields Market, 109 Commercial Street, Whitechapel E1 6EP
Wednesday 20th April- 24th April 2009, from 12:00 – 15:00, Catwalk shows start daily at 1.15pm

r4.jpg


Student Illustration Exhibition

A selection of graphic and illustration works by the London college students.

Well Gallery
, London College of Communication, Elephant & Castle, London SE1 6SB
20th Apr – 24th Apr 2009, 10.00am – 6.00pm, free.

rob4.jpg


The Photographic Object

The exhibition takes a look at various approaches to the photograph as ‘object’, and combines it with different methods such as overlaying, stitching, cutting, piercing, punching or moulding the works.

The photographers’ gallery
, 16 – 18 Ramillies Street, W1F 7LW
Apr 24th – 14th June 2009

rob5.jpg


New to DACS

New to DACS brings together sculpture, ceramic, drawings, paintings, prints and photography by members of the Design and Artists Copyright Society (DACS).

The Kowalsky Gallery at DACS, 33 Great Sutton St, London EC1V 0DX
4TH February – 24th April 2009, Mondays to Fridays 10am- 5pm

ROB6.jpg

Categories ,Alternative Fashion Week, ,Antwerp, ,ceramic, ,Commercial Street, ,DACS, ,drawings, ,Dress 2, ,Elephant & Castle, ,Eleven Howland, ,Fine Art Academy, ,Hepsibah Gallery, ,Howland Street, ,London College of Communication, ,paintings, ,photography, ,prints, ,Robert Dowling, ,sculpture, ,Spitalfields Market, ,The Cat Show, ,The Dog Show, ,The Kowalsky Gallery, ,The photographers’ gallery, ,The Wapping Project, ,Wapping, ,Wapping Wall, ,Well Gallery, ,Whitechapel

Similar Posts: