Amelia’s Magazine | Art listings November 16-22

ghost forest

Angela Palmer’s Ghost Forest

Mediumly-interesting fact: Nelson’s Column stands at 169 feet. The relevance of this morsel? Angela Palmer’s new installation of rainforest tree stumps in Trafalgar Square, sale which would once have stood as tall as the Column but now are rather lower to the ground, pill more roots than trunks. Palmer’s work is intended to highlight the destruction of the rainforest. Much better than the 4th plinth people. That didn’t quite work did it?

braun record player dieter rams

Dieter Rams @ The Design Museum

The Design Museum is excellent because it gets down to business: if you can’t sit on it or reasonably hang it on the wall, use it to build bridges or fill a teacup, you won’t find it there. This ethos of substance as well as style echoes the title of the current Dieter Rams exhibition, “Less and More”. He was Head of Design at Braun and every time you see something ergonomic and pleasing to look at on an appliance, like an iPhone for instance, you can see his influence. His ten design principles:

Good design is innovative.
Good design makes a product useful.
Good design is aesthetic.
Good design makes a product understandable.
Good design is unobtrusive.
Good design is honest.
Good design is long-lasting.
Good design is thorough down to the last detail.
Good design is environmentally friendly.
Good design is as little design as possible.

Hiro-RBS

Illustration by Hiromasa Iida

C Words: carbon, climate, capital, culture @ Arnolfini Gallery in Bristol

I’m really looking forward to the Design Competition event at C Words this weekend, hope you are too! The public judging and prize-giving of a design competition for a rebranded RBS as the Royal Bank of Sustainability is convened and co-judged by Amelia Gregory. Artists and designers were asked to create logos or posters communicating something ‘new, possible and radical’.

C Words is a two-month build-up to Copenhagen, using a multitude of free events, installations and discussions to generate interest and action on the topics of carbon emissions, our changing climate, capitalist structures and the culture wars. More about active engagement than simply mulling over points, PLATFORM, a group of artist-activists, aims to question how culture will grow up in the context of a low-carbon future.

bob and roberta smith

Bob & Robert Smith @ Beaconsfield

Bob and Roberta Smith, who is actually one person, will be showing their/his works to celebrate and commiserate the end of their/his residency at the roomy “Factory Outlet” space at Beaconsfield in Vauxhall. Smith is known for painting signs and there are references to the previous usage of the space, as a “ragged school” for poor little boys and girls to learn to read, in the use of text.

cornelia parker

Passing Thoughts and Making Plans @ Jerwood Space

This exhibition at the Jerwood Space takes the tack that seeing the process behind an artwork is interesting in itself. This isn’t always the case – looking at the sketches for a work do sometimes make you grateful for the myriad choices the artist had to make to get it to the end result but it can also be a bit boring. This exhibition focuses (ha!) on artists who use photography as part of their process and escapes boredom by including interesting artists such as Cornelia Parker and Rachel Whiteread, whose work you can imagine hinges on perfect recollection of spaces. I am persuaded about this exhibition, but I will never be persuaded about “alternative versions” of songs at the end of special edition albums.

Categories ,Angela Palmer, ,arnolfini, ,Beaconsfield, ,Bob and Roberta Smith, ,C words, ,Copenhagen art, ,Cornelia Parker, ,Design Museum, ,Dieter Rams, ,Ghost Forest, ,jerwood space, ,Passing Thoughts and Making Plans, ,platform, ,Trafalgar Square

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Amelia’s Magazine | Balfron Tower by Ernő Goldfinger: Pop Up Opening with the National Trust

Balfron Tower
Last week I was invited to view the inside of the Balfron Tower in advance of a ‘pop up’ opening with the National Trust as part of Balfron Season. As a long term fan of Brutalist architecture I was excited at the prospect of seeing inside one of the famous Goldfinger tower blocks, so Snarfle and I trundled over to Langdon Park in Poplar, East London.

Balfron Tower Flat 130 interior bedroom
Balfron Tower Flat 130 interior kitchen
Balfron Tower Flat 130 interior kitchen table
Balfron Tower Flat 130 interior radio times
We were ferried up in the coffin shaped lifts (presumably built to accommodate emergencies… and deaths) before arriving on a top floor to view Flat 130, a maisonette flat once occupied by the architect Ernő Goldfinger for a few months after the block was built in 1968, apparently to demonstrate the benefits of high rise life. For the pop up the flat has been redecorated in an earnestly retro style by the Hemingways; think shag piles, Tretchicoffs and G Plan. Of course, I particularly liked the little illustrated details.

Balfron Tower Flat 130 interior bedroom 2
Balfron Tower Flat 130 interior living room
Balfron Tower Flat 130 interior pinball machine
Balfron Tower Flat 130 interior horses
The walkways in the sky are connected to the ‘service tower’ by suspended concrete paths, not the most salubrious of passages after nearly 50 years of use. Gosh I do love a brutalist building but I wouldn’t want to live in one: arrow like windows recall the defensive architecture of medieval castles, and the predominant view below is of the A12, from which we usually view this building at high speed, on our way to places more pastoral.

Balfron Tower windows
Balfron Tower view
Glenkerry House Goldfinger
We made our way home via Glenkerry House (above, a later Goldfinger addition to the Brownfield Estate), the Festival of Britain clock tower and Chrisp Street market, where we stopped to enjoy some street food and music from Paul Mosley.

Chrisp street graffiti

Sadly this is the swan song for Balfron Tower as social housing: the flats are being scrubbed up to be sold off on the ‘luxury’ market – far from what Goldfinger originally intended.

Tours with the National Trust take place between 1st-5th October and 8-12 October and are will include a discussion on the local area, modernism and the development of post war social housing. Book your ticket here if brutalism tickles your fancy.

UPDATE! Due to popular demand the National Trust have now extended the tours of Flat 130, Balfron Tower for a further two weeks. Grab your tickets now as they’re sure to sell out again soon.

Tickets are being released for 6 more days of tours, Friday to Sunday 17-19 and 24-26 October. Tours are on the hour, 11am to 4pm. Please note places on tours are ONLY available by booking in advance at here. To register interest in visiting with a local community or educational group please contact london@nationaltrust.org.uk.

Joseph Watson, Programme Manager of National Trust London – “The National Trust is delighted to announce that more tickets for the Balfron Tower are now being made available for the coming fortnight. As part of the extension, we are undertaking further work with local schools and community groups, inviting them to visit Flat 130 for free. I would like to record our special thanks to local residents for welcoming us and allowing us to extend the run.

Categories ,1968, ,A12, ,Balfron Season, ,Balfron Tower, ,Brownfield Estate, ,Brutalist, ,Chrisp Street, ,East London, ,Ernö Goldfinger, ,Festival of Britain, ,Flat 130, ,G-Plan, ,Glenkerry House, ,Hemingway, ,Langdon Park, ,National Trust, ,Passing Thoughts and Making Plans, ,Paul Mosley, ,Poplar, ,retro, ,Snarfle

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