Amelia’s Magazine | An Interview with Dougald Hine of Uncivilisation: The Dark Mountain Festival

A couple of weeks ago, medications I was sifting through work emails and idly wondering how my forthcoming weekend was going to shape up; it seemed to be taking on the familiar pleasures of the default setting – drinks, pilule lazing around Shoreditch Park, case catching a gig or two, having a coffee at Columbia Road flower market; the same old same old essentially, and then an email dropped into my inbox that quickly made me revise my plans. It was from Ben, an old friend of Amelia’s Magazine from French-Music Org, and Liz from Brittany Tourism who were both involved in the French music festival des Vieilles Charrues in Brittany, and wanted to know if Amelia’s Magazine was interested in coming along to check it out. Being a champion of all kinds of festivals, both in England and abroad, but at the same time staying true to the ethics of not flying wherever possible, I was pleased to see that the festival encourages all non-flight forms of travel, and had a good deal with Brittany Ferries worked into one of the ticket packages that also includes transfers to and from the festival. I had a quick look at the line-up, which included performances from Phoenix, Midlake, The Raveonettes, Fanfarlo, Dan Le Sac vs Scroobius Pip and Julian Casablancas. Then I checked my ipod and saw that apart from a little Francoise Hardy and Charlotte Gainsbourg, it was woefully lacking in French music and decided that this Gallic version of Glastonbury could be my guide to France’s vibrant music scene, especially seeing that Chapelier Fou, Revolver, Indochine, Fefe and the brilliantly named Sexy Sushi were all headlining. So that was that. All I needed to do was grab my trusty pillow and I was off to France! A few hours later, after a bumpy ferry ride that unfortunately took place on the windiest day of the year, I found myself in the picturesque town of Carhaix, home of the festival, and about 45 minutes inland from the coast.

Sune and Sharin of The Raveonettes give us a shock and awe performance.

Watching The Raveonettes with my friends – wet and bedraggled but happy.

It was straight to the festival and to the front of the crowd to watch The Raveonettes do a typically kinetic set of howling, fuzzy guitar riffs, liberally sprinkled with lots and lots of noise. Just how the audience like it. The Danish duo, made up of Sune Rose Wagner and Sharin Foo are a dark force to reckon with and played an incredibly tight set, featuring songs from their fourth album, In And Out Of Control. I hadn’t see them play before and I came away thinking that the bands waiting in the wings such as Pains of Being Pure At Heart, Crystal Castles and Vivienne Girls still have a long way to go before they steal the crowns off of these two. Later I managed to get in some talk time with Sune who refused the offer of dinner with his bandmates in favour of shooting the breeze over mugs of vodka cranberries for a whole hour. (Interview to come in the next few weeks)

The next day, when I was a little less exhausted from twelve straight hours of travelling, and no sleep, I was able to properly explore the festival and see it through renewed eyes. Truth be told, it was refreshing to find myself at an overseas festival. The crowd were relaxed, extremely friendly (stand next to any random group of strangers and within a few minutes you will be conversing away happily in a garbled mix of Franglais) and the FOOD (and drink)! It doesn’t matter how many boutique festivals are springing up over England, festival des Vieilles Charrues trumps us with champagne bars all over the site (to be sipped insouciantly while you watch French rock gods Indochine) and food tents which can provide you cheese plates and fruits de la mer to go with your choice of wine. It being slightly earlier in the day, I was trying out the regional cider which was so tasty it practically made me weep, and made my way over to watch the Fanfarlo set. Unexpectedly, this was probably my favourite performance of the festival. Having toured constantly for the past year (watch the mini documentary on their website which painfully documents their incessant and exhaustion-inducing schedule), the performances of the songs from their 2009 release Reservoir have taken on a whole new level. Each band member seamlessly flitted between a myriad of different musical instruments; no-one ever held onto a guitar, trumpet, violin, mandolin or musical saw for more than a few minutes before doing some musical-chairs. I’m not sure how well France was aware of Fanfarlo, but the full audience loved every song they played, and noisily demanded an encore – which unfortunately they didn’t get, but then, the band do only have about twelve songs in their back catalogue.

Fanfarlo talk about life on the road and divulge the little known fact of lead singer Simon’s childhood love of ham radios.

Traditional Breton music. Everyone knew the dance moves but me.

Night time gave me a chance to flit between the bands playing. I watched Midlake, the indie Texans who are fast gaining popularity over on this side of the pond, serenade the audience as the sun set, their hazy Americana sound drifting over the breeze and through the fields. Then it was a hop, skip and a jump to watch Sexy Sushi, the raw Parisian rap of Fefe and – I didn’t see this coming – some traditional Breton music involving some old men, a couple of accordions and a lively crowd who were all versed in the dance moves that accompany the traditional folk style. Then the midnight hour was upon us and the audience was heading in droves to watch Phoenix, who are clearly the prodigal sons of France. I’ve heard before that some of the French don’t appreciate the fact that Phoenix record all of their tracks in English, as opposed to their mother tongue, but there was no such bad feeling in the crowd that stood around me that night, sending waves of love and adulation towards the stage which prompted lead singer Thomas Mars to briefly lie on the stage in slightly dazed wonder at this epic night.

It was frustrating to have to leave on Sunday, as I missed performances by Pony Pony Run Run, Julian Casablancas and Etienne De Crecy, but work commitments dictated an early departure. Nonetheless, I had such a great time that I am already planning next years Festival des Vieilles Charrues (which will be the 20th anniversary of the festival). Brittany was the perfect setting for such a chilled festival, and a welcome addition to the festival calendar.

Way back in 2007, click Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, for sale who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!

Watch the feature for Barnacled Warship here:
YouTube Preview Image

Go to Johnny’s MySpace and website for lots more, including his newly released tour dates.

Dougald Hine by Asli Ozpehlivan.

In May, search Dougald Hine, visit this co-founder of new literary movement The Dark Mountain Project organised Uncivilisation in Llangollen, Denbighshire. The three day festival of music, writing, thinking and doing was an astounding success, challenging the preconceived notions that our current way of living can be made ‘sustainable’. I caught up with him for a post-festival chat…

How are you feeling now the festival is over?
I’m exhausted and still piecing together what exactly happened, but it feels like it was something big and worthwhile.

Were you pleased with the turnout?
We had 400 people over the weekend, which was as many as the site could handle – and a real mixture of those who already felt deeply connected to Dark Mountain, those who were sceptical but wanting to engage, and those who were just curious to find out more.
Dark Mountain by Emma Raby
Dark Mountain by Emma Raby.

What were you wanting the audience to gain from the experience?
We wanted people to come away with a sense of the conversations going on around Dark Mountain and the spirit of the project.
Explain the dark mountain project in layman’s terms:
Dark Mountain invites people to think about what we do, if it turns out that our way of living can’t be made “sustainable”. It’s also about questioning the stories we tell ourselves about our place in the world, about progress and our ability to control nature. What if the mess that we’re in – ecologically, economically, socially – is rooted in those stories?

How easy was it to handle being a speaker and the organiser?
It wasn’t easy – I was living on four hours sleep a night, at the limit physically and emotionally, after the most intense few months of my life. Looking back, we really needed a larger team around the festival, but that’s hard when you’re doing something for the first time. We’ve had a lot of people getting in touch since who want to help organise future events.
time-to-look-down (dark-mountain)-by-Mags-James
Time to Look Down by Mags James.

How did you get the guest speakers involved?
For me, a great event should be a mixture of people you’ve wanted to see speak or perform for years and people you’ve never heard of, but who turn out to be amazing. It’s hard to choose highlights, but Jay Griffiths and Alastair McIntosh were particularly important voices for me – as were Vinay Gupta and Luke Concannon. There were things which, in hindsight, we might have done better. The main stage was too male-dominated – and we needed more convivial spaces for conversation and participation. But I was pleased with the contrasts between the speakers and the interweaving of ideas and performance. I just wish we could have spread it out over three weeks, rather than having to cram it all into three days.

Were you aiming for a specific ‘sound’ for the festival?
One of the surprises after the manifesto came out was how strong a response we got from musicians and songwriters. Chris T-T and Marmaduke Dando both have songs inspired by Dark Mountain on their new albums, while Get Cape. Wear Cape. Fly. has been involved from very early on. So the festival sound was shaped by the places where the project has struck a chord. There’s a lot of common ground with some of the powerful folk stuff going on with people like Jon Boden and Chris Wood, who was our ideal choice to close the whole weekend. But there was a real diversity of other sounds, whether it was delicate jazz ballads from Billy Bottle or hilarious death blues from Bleak.

Dark Ruins by Lisa Stannard.

There seemed to be a lot of misunderstanding in the media about the purpose of the festival. Why do you think it was so hard for some people to understand?
Well, firstly, because Dark Mountain is work in progress – it’s a conversation, an exploration, not a single line of argument or a political platform. Most campaigns and movements deliberately try to distill what they’re doing to simple soundbites. That’s not a priority for us, because we’re trying to hold open a space for difficult conversations, for figuring things out together, rather than claiming to have a set of answers. Secondly, the stuff we’re talking about freaks people out. If you try to talk about the possibility that we might not go on getting richer, living longer, having hot and cold running electricity 24-hours-a-day, people think you’re predicting – or even hoping for – some kind of Mad Max scenario.
Are there plans for another festival?
Paul and I are still recovering! But we’ve already been contacted by someone who’s planning a four-day Dark Mountain gathering in Scotland this autumn, which is great.

There is no Plan B by Lisa Stannard.

You can read our original listing for the Dark Mountain Festival here.

Categories ,Alastair McIntosh, ,Asli Ozpehlivan, ,Billy Bottle, ,Bleak, ,Chris T-T, ,Chris Wood, ,Dark Mountain Project, ,Dougald Hine, ,Emma Raby, ,festival, ,Get Cape. Wear Cape. Fly., ,Jay Griffiths, ,Jon Boden, ,Lisa Stannard, ,Luke Concannon, ,Mad Max, ,Mags James, ,Marmaduke Dando, ,Uncivilisation, ,Vinay Gupta

Similar Posts:

Amelia’s Magazine | Larmer Tree Festival 2011 Review, Friday: Bellowhead, Russell Kane, Yoga, Bane

Russell Kane by Finn O’Brien.

Larmer Tree Festival 2011 review tom leadbetter
We woke up early on Friday at Larmer Tree Festival, order baked out of our tent by the brilliant sunshine… and turned up to witness the very end of the traditional morning yoga session on the main lawn… hundreds of people sat on mats in front of the Garden Stage in what has apparently become a Larmer Tree ritual. That was swiftly followed by Tai Chi… see if you can spot Tom Leadbetter. I’m gutted I didn’t get to sample these classes, viagra but rain was to blight Larmer for the rest of the weekend.

Larmer Tree Festival 2011 review Polly and the Billets Doux, <a target=hospital ” title=”Larmer Tree Festival 2011 review Polly and the Billets Doux,” width=”480″ height=”480″ class=”aligncenter size-full wp-image-45956″ />Larmer Tree Festival 2011 review Polly and the Billets Doux,
Polly and the Billets Doux by Claire Kearns
Polly and the Billets Doux by Claire Kearns.

First act of the day for me was Polly and the Billets Doux, first encountered at Wood Festival a few months back.

Larmer Tree Festival 2011 reviewLarmer Tree Festival 2011 review
Their laid back bluesy folk was the perfect accompaniment to a lazy morning with the Guardian (rather amusingly the locally run general store had heaps and heaps of the Grauniad and, for variety’s sake, about three copies each of every other paper…they know their market alright).

Larmer Tree Festival 2011 reviewLarmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review crochet
Larmer Tree Festival 2011 review crochet
Larmer Tree Festival 2011 review dish
During our daily walk through the woods we discovered more interesting stuff… natural dye techniques from foraged plants with Francesca Owen, a bell tent devoted to knitting and crochet, a lovely little cake parlour called Dish.

Larmer Tree Festival 2011 review HEALING
Larmer Tree Festival 2011 review HEALING
Of course I looked longingly inside all the healing tents…mmmm….massage. Didn’t have one though.

Larmer Tree Festival 2011 review cutashineLarmer Tree Festival 2011 review cutashine
Larmer Tree Festival 2011 review cutashine
Cut A Shine Barndance by Hollie McManus
Cut A Shine Barndance by Hollie McManus.

Then we popped over to see my old band Cutashine teach barndancing in the Big Top.

Larmer Tree Festival 2011 review the spreeLarmer Tree Festival 2011 review the spree
Outside I was intrigued by indie anthems from Devon based The Spree. Searching for them online proved a major problem though!

YouTube Preview Image
Turns out Spree is a popular band name… when I did finally locate them I rather handily found this video of them playing the ARC, which I missed

Larmer Tree Festival 2011 review arts tentLarmer Tree Festival 2011 review arts tentLarmer Tree Festival 2011 review arts tentLarmer Tree Festival 2011 review arts tent
Larmer Tree Festival 2011 review arts tent
A quick scout around the arts tent revealed a wealth of grassroots creativity.

Larmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circusLarmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circus
The fine weather continued as children learnt circus skills alongside parents. But we had another destination: Bane, in the Daytime Club Larmer.

Larmer Tree Festival 2011 review Bane Joe BoneLarmer Tree Festival 2011 review Bane Joe Bone
Performed as a one man show by Joe Bone (with a little atmospheric help from guitarist Ben Roe) this was an outstanding blend of fill noir, graphic novel, mime and comedy, as narrated by fictional hit man Bruce Bane. An absolute must see if you get the chance.

Larmer Tree Festival 2011 review The Joker & The Thief,
Back on the stage we listened to The Joker & The Thief, with some excellent sax driven blues tunes… but why the American accent? You’re from London! Someone has been listening to just a bit too much Kings of Leon

Larmer Tree Festival 2011 review -Goodnight Lenin
Larmer Tree Festival 2011 review -Goodnight Lenin
Larmer Tree Festival 2011 review -Goodnight Lenin
Larmer Tree Festival 2011 review -Goodnight Lenin
Goodnight Lenin by Sumi Senthi
Goodnight Lenin by Sumi Senthi.

Then to visit our friends Goodnight Lenin, with whom I’ve been conversing since I first heard them at Wood. They were as charming as ever ‘We never used to be a cabaret act but we’re branching out…‘ They gave away a signed Bookcrossing book… by Jeffrey Archer, and totally wowed the relatively laid back daytime audience: I had to part the crowds when I went to say hi to them in the Songlines signing tent afterwards.

Larmer Tree Festival 2011 review Mama Rosin
Larmer Tree Festival 2011 review Mama Rosin
Mama Rosin must be one of those rare French speaking bands to appeal to Brit audiences. The Larmer Tree crowd thoroughly enjoyed the folky accordion driven tunes of this three piece.

Larmer Tree Festival 2011 review -Kidnap Alice
Larmer Tree Festival 2011 review -Kidnap Alice
We missed My First Tooth for tea (there was a generally very high standard of food on offer at Larmer Tree) but I could hear some beautiful boisterous sounds wafting out of the ARC. Then it was time to see friends in Kidnap Alice, fronted by (unsurprisingly) a girl called Alice – whom I have known for sometime, but had absolutely no idea could sing so amazingly fiercely well. Also in the band are banjo player Joe Buirski, double bassist Felix and other assorted old time musicians who make up the current version of Cutashine. My friend Dan (also known as Danimal for reasons best not mentioned here) was present on accordion – which he seems to have taught himself in the blink of an eye. Well well impressed… particularly by their own Appalachian inspired foot stomping anthems. ‘How come no one’s dancing… are you dead?‘ importuned their dungaree clad mandolinist. I can see his point. Definitely worth checking out live.

Larmer Tree Festival 2011 review Bellowhead
Larmer Tree Festival 2011 review Bellowhead
Larmer Tree Festival 2011 review Bellowhead
Bellowhead by Amy Rogers
Bellowhead by Amy Rogers.

Friday’s big band was Bellowhead… fronted by Jon Boden, with whom I used to attend folk singing Glee camps (well before the term Glee became fashionable) It’s funny because back then he was a right stickler for sticking to prescribed folk techniques, but Bellowhead takes trad folk and blows it right out of the water with a high octane jump up and dance hoedown of a show. I think that for many festival goers this was an absolute highlight of Larmer Tree this year – it was certainly one of mine. Bellowhead have gone out on a limb with something completely unique and different and it works amazingly well. I suppose I should have known where Jon would eventually go when he turned up on camp one year and played a superb fiddle version of Hit Me Baby (One More Time) by Britney Spears.

Larmer Tree Festival 2011 review Kidnap Alice
Kidnap Alice by Claire Kearns
Kidnap Alice by Claire Kearns.

There’s a certain beauty in the way that both Bellowhead and Kidnap Alice have grown in part out of a love of fireside singing on FSC camps – Joe and Dan of Kidnap Alice have taken traditional American tunes of the type we sing and turned them into something totally new, whilst Jon Boden has played around with traditional British songs for Bellowhead. And at Larmer Tree they were programmed up against each other…

Larmer Tree Festival 2011 review -Ozomatli
Larmer Tree Festival 2011 review -Ozomatli
Larmer Tree Festival 2011 review -Ozomatli
Ozomatli were something of a let down straight after Bellowhead, but then I’m not the biggest world music fan.

Larmer Tree Festival 2011 review -James Acaster
Larmer Tree Festival 2011 review -Tom Wrigglesworth
Comedy was compered by a double hatted James AcasterTom Wrigglesworth was on first and I’m ashamed to say I can’t remember much of it… probably because I was sat squished into a small blob on the floor with no view of the stage: the tent was absolutely rammed.

Larmer Tree Festival 2011 review -Russell Kane
Larmer Tree Festival 2011 review -Russell Kane
Luckily I found a boyfriend’s lap in time for Russell Kane, who was my unreserved comedy highlight of the festival. He leapt on stage with a brand new look clearly prompted by a break up that formed the backbone of much of his material… a spinning whirlwind of peroxide blonde quiff and tight jeans. There were many ‘postmodern’ digressions into some hilarious anecdotal stories about the middle class Jemimas whom he had overheard at the festival and I’ve honestly not laughed so much in ages. His hyper energetic set was totally up my street, probably in part because it reminded me of my own manic presenting style (ask anyone who’s seen me talk or call a ceilidh) but also because I could relate so closely to his material… I’ve had my heart totally and utterly broken, and I recognise so many of his traits in other men who would never so honestly admit to their feelings. Want. To see. Again.

Larmer Tree Festival 2011 review
Overheard the next day: a group of posh Devonshire teenagers (pretending they knew how to hold a fag) discussing what Russell Kane meant by the word ‘totes’ peppered liberally through his set – they were convinced he meant Tilly or Antonia. ‘Definitely, yar.’ Hilar.

Larmer Tree Festival 2011 review poetry Polly Malone
Polly Malone performing in Lyrical Lostwood.

Larmer Tree Festival 2011 review tunnel vision
Before bed we took a last minute walk through a ghostly installation in the woods… bubbles of light floating past us as we negotiated the laurel tunnel to the sounds of Brian Eno. Tunnel Vision was put together by Ulf Mark Pedersen.

Categories ,Amy Rogers, ,Appalachian, ,ARC, ,Bane, ,Bellowhead, ,Ben Roe, ,Big Top, ,Bookcrossing, ,brian eno, ,Camps, ,Claire Kearns, ,Cutashine, ,Daytime Club Larmer, ,Dish, ,Finn O’Brien, ,folk, ,Francesca Owen, ,FSC, ,Garden Stage, ,Glee, ,Goodnight Lenin, ,Guardian, ,Healing, ,Hit Me Baby (One More Time), ,Hollie McManus, ,James Acaster, ,Jeffrey Archer, ,Joe Bone, ,Joe Buirski, ,Jon Boden, ,Kidnap Alice, ,Kings of Leon, ,Lyrical Lostwood, ,Mama Rosin, ,My First Tooth, ,Ozomatli, ,poetry, ,Polly Malone, ,Russell Kane, ,Songlines, ,Sumi Senthi, ,Tai Chi, ,The Joker & The Thief, ,The Spree, ,Tom Leadbetter, ,Tom Wrigglesworth, ,Tunnel Vision, ,woodland, ,World Music, ,Yoga

Similar Posts: