Amelia’s Magazine | London Art Fair 2010

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Thomas Allen, view Unreachable, viagra 100mg 2009, adiposity Chromogenic Print, 20 x 24 inches, Courtesy of Foley Gallery

I always get rather excited about large art fairs or exhibitions as you have hours of perusing and inspiration ahead of you and the hum of conversation in the air adds to the buzz.  The annual London Art Fair features over 100 galleries promoting 20th Century British art and focuses predominantly on painting while also featuring photography, drawing, installations, video art and print editions.

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Photograph courtesy of Lil Wizz

Formally the Royal Agricultural Hall, The Business Design Centre was saved from demolition in 1981 and re-invented as an exhibition, trade and conference centre and is certainly a spectacular cavernous venue for a large gathering of galleries and art dealers.

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Isabel Rock, Lord Foster, 2009, Pen ink and collage on print, Courtesy of Bearspace

One theme did catch my eye as being on-trend – paper-cut illustration.  It has taken the art world by storm.  You are probably familiar with Rob Ryans illustrations, currently being featured in every commercial format from magazines to packaging.  Well, it appears that the fine art world have a penchant for paper-cut art as well.

IMG_3330Photograph courtesy of Zanny Mellor

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Wild Waters 2009, courtesy of Georgia Russell, Cut 19th-century engraving in acrylic case, 28 x 30.75 x 2.5 inches

England & Co were showcasing the artists’ books of Georgia Russell, who has taken her scalpel for a walk in the library!  She transforms books, music scores, maps, newspapers and photographs, giving each a new lease of life.  Her three-dimensional book works are created by hand-shredding every page in a book and distilling them in bell jars or perspex boxes, allowing the viewer to take a different meaning from the original title. Evolution and Natural Selection reacts well to this method of presentation, dithering somewhere between museum artefact and artwork. Choosing such an eminent title obviously ensures collect-ability but Russell’s deconstruction of Charles Darwin’s famous publication is quite a find, seeming to have animal fur spilling it out of it.

IMG_3289Photograph courtesy of Zanny Mellor

The Sims Reed Gallery was exhibiting some exquisite screenprints by Eduardo Paolozzi, which had me dissecting and digesting their infinite layers, geometric patterns and cacophony of colours for some time.  His surrealist mish-mash of subject matter creates very interesting compositions that sometimes resemble plan views of cities or a diagram of the inner workings of machines.  So layered and complex are his prints that you could not get bored of having one of those on your wall.

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John Piper, Sea Buildings, 1938, Oil, pencil & ripolin on canvas laid on panel, 12 x 16 inches, Courtesy of Richard Green

Diagrams and maps are perhaps the perfect marriage of fact and interpretation, science and art.  As artists, we visually document the world around us and map-making appears to be one of those visual forms which encompasses our desire to find the truth but also to create with our hands.  Jason Wallis-Johnson, also represented by England & Co tirelessly produces mesmerisingly detailed maps based on a number of cities around the world.

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Jason Wallis-Johnson, Imaginary Cities 2002, Pencil and ink on paper

His drawings are not direct but transferred from carbon paper, giving them a soft elegance untouched by hand.  The 3-dimensional pieces are even more captivating.  They are created by pin-pricking black carbon paper and setting them on lightboxes, giving the drawings a glow that more than realistically depicts night-time aerial photographs of the cities which he obsesses over.  Such detailed work has led to him being collected by The British Musueum and the V&A to name a few.  It seems that his work, like Georgia Russell’s can’t make it’s mind up as to whether it is art or artefact, 2 or 3 dimensional.

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Photograph courtesy of Lil Wizz

Categories ,Art dealers, ,contemporary art, ,drawing, ,Eduardo Paolozzi, ,Exhibition Review, ,galleries, ,Georgia Russell, ,Highbury Islington, ,illustration, ,installations, ,Isabel Rock, ,Jason Wallis-Johnson, ,John Piper, ,london, ,London Art Fair, ,photography, ,rob ryan, ,The british Museum, ,The Business Design Centre, ,The Sims Reed Gallery, ,Thomas Allen, ,video art and print editions.

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Amelia’s Magazine | Man Like Me headline the Garage in Highbury Islington on 11th February 2010

Man Like Me illustration by Jenny Robbins
Man Like Me illustration by Jenny Robins

Man Like Me headlined a Mean Fiddler gig at the Garage in Highbury Islington on Thursday last week. (I’m sorry but I can’t bring myself to call this venue by it’s new spangly sponsored name…. R. R. R. no I can’t. Sorry. It’s a grim energy drink, that’s all I’m gonna say.) I like Man Like Me – hence their appearance in issue 09 of Amelia’s Magazine, and their contribution to my Positive Futures USB compilation – so I went along to check them out.

Johnny Langer, singer
Johnny Langer, singer

Arriving fresh from singing Schubert with my hands over my ears at my weekly singing lesson (apparently I have a very musical ear which means I am constantly overanalysing and adjusting the tone of my voice, fact fans) I immediately ran into someone I knew at the head of the long line snaking out of the club – I’d totally forgotten that my friend Dan is now part of Man Like Me, so some friends had come down to check him out. I’d sort of arranged to chat with singer Johnny Langer before the gig but this proved fairly impossible in the cramped dressing room which I’d say is designed for four people at a push. Man Like Me are now a ten strong live band. Go figure. Glamourous new female singer Jessie recognised me instantly, remembering that she met me through a mutual friend. Blimey it’s a small world. Looking very fabulous in a short sequinned dress, she was debating what size flower she should wear in her hair. Large, we all agreed. Large suits Man Like Me.

Jessie, singer with Man Like Me
Jessie, singer with Man Like Me

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It’s been awhile since I hung out backstage and I had quite forgotten the mania of a young band before a large gig. Amid the vodka tonic jollity they posed against the beautifully beige walls, Johnny musing over how much he enjoyed creating the tune, Oi John What’s Going On, which appeared on my Positive Futures compilation; a song that wasn’t fixated on love or getting twatted, as most of his creations tend to be. One new recruit to the band is Johnny’s dad, himself a record producer. I asked how long he’s been playing with his son. “I’ve been playing with him since he was a baby!” We chortled at how wrong this could very easily sound.

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Dan, I like your glasses

My friend Dan joined the Man Like Me circus last year, bringing along his three piece brass section the JJ Horns, and embarking immediately on a seminal trip to Corsica, playground of rich Parisians. From there the next gig they went to was in glamourous Hitchin in Hertfordshire, something of which Dan is particularly proud. Donning suits and dark glasses the JJ Horns are a dapper foil to Johnny’s charity shop aesthetic.

Dan and the JJ Horns
Dan and the JJ Horns

With the band fully psyched to go I headed out into an audience of particularly young looking creatures, whereupon my friend Anna introduced me to her 14 year old nephew (she has 8 nieces and nephews, I am SO JEALOUS. I am not even an auntie yet!) It turns out that this was officially an underage gig and popping back to the bar I chuckled at the changing demographic. Youth, looking suspiciously drunk on sneaked in booze, getting sweaty up front; oldies (music industry and proud parents) loitering with clutched beers near the back.

Bulked up with layer upon layer of clothing, Johnny arrived on stage hidden behind a clutch of Lidls bags before heading straight into a typically lively Man Like Me set. To the delight of the female fans he proceeded to strip off slowly, from trenchcoat to silly jumper to t-shirt saying Deaf School to bare naked slim chest – leaving a pair of boxers and large deerstalker hat for last, stood astride a ladder, proclaiming to the audience. Such was the excitement that within seconds some irritating wench had clambered onto a pair of shoulders and was blocking our view of Johnny. Perhaps unsurprisingly this same lass was then responsible for a stage invasion of one during the final song. What a yawnsome cliche this has become.

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Johnny has a delicate feral beauty that can easily command the attention of a large crowd. As a seer of contemporary life he sings of what he knows best: London Town, being a Single Dad (he really is, with a daughter just 3 years old), of Gucci and doughnuts, falafel and crap TV. Things we can surely all relate to (or hope to escape, if you’re a young lad and don’t quite fancy being a father yet) all imparted with a good dose of humour (just check out their videos for a sense of where they’re at) and a jaunty sing-along tune. The presence of the JJ Horns has brought a fatter dimension to their sound, with Dan happily bouncing along to the choreographed dance moves “I learnt them in a night” and Jessie providing an admirable foil to Johnny’s bouncy stage persona.

I last saw Man Like Me at Secret Garden Party a few years ago and I had forgotten how much fun they are live, with a good cache of tunes that move along at a cracking speed. The sweaty audience was clearly in agreement; they obviously have a sturdy fanbase who are looking forward to the release of a new album as much as I am.

Categories ,garage, ,gig, ,Highbury Islington, ,JJ Horns, ,Johnny Langer, ,Live Review, ,London Town, ,Man Like Me

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