Amelia’s Magazine | Vostok 5 at The Outside World Gallery: an interview with Darren Hayman

Bobik (Big Bull) by Darren Hayman.png
Bobik (Big Bull) by Darren Hayman.

Vostok 5 officially opens at The Outside World Gallery today. The exhibition pays respects to the animals and humans who have been into space, what is ed so I asked Darren Hayman what prompted him to explore such intriguing subject matter.

Malyshka (Little One) by Darren Hayman.png
Malyshka (Little One) by Darren Hayman.

How did you get together with your fellow Vostok 5 artists to create the concept of your new exhibition? 
I had thought of doing an exhibition for some time but didn’t have the courage to do it on my own. I wanted to share the risk with other musicians who do painting on the side. Although Sarah is perhaps an artist who does music on the side.

Can you tell us a little bit about each of the Vostok 5? Who are they and what was their specific area of interest in putting this exhibition together?

Paul Rains
Paul Rains is the guitarist in Allo Darlin and a songwriter in his own right in Hexicon. For the exhibition he has done bright, bold artwork about Alexei Leonov, a Russian Cosmonaut who took his drawing pencils into Space with him.

Vostok 5 duncan barrett
Earth by Duncan Barrett
moon Wernher Von Braunby Duncan Barrett
Duncan Barrett is from Tigercats. Tigercats play guitar music that you can dance to, honestly. Duncan has made beautiful lino cut prints of Wernher von Braun and Sergei Korolev, the US and Russian chief rocket designers.

Sam Vostok 5
Robert Rotifer space canteen
Robert Rotifer is a big deal in Austria and he might be one here soon. His new album was recorded by Wreckless Eric and is being released by Edwyn Collins in the Autumn. He painted Space monkeys.

Sarah Lippett Vostok 5
Sarah Lippett Vostok 5
Sarah Lippett is the best artist amongst us and her comic about the life of Yuri Gagarin is the most impressive piece in the exhibition. We all agree on that. She also plays bass in the dark, dense Fever Dream.

What was it that first fascinated you about space flight and how old were you? was there a seminal book that you read or movie that inspired your obsession and if so what?
I think for my age, being born in the 1970s it was the most natural thing to be excited about space travel. I can’t remember ever not knowing how the different sections of how an Apollo rocket worked. Star Wars in 1977 probably helped. The definitive book about space flight when I was growing up was Andrew Chaikin‘s A Man on the Moon.

Soviet stamp vostok 5
Do you collect space ephemera? and if so what kind of stuff do you have?
I have a lot of Russian Space Dog stamps that are in the exhibition but I lack the patience and stamina to be a proper collector.

Krasavka by Darren Hayman
Over the course of your research has there been any one story of an animal in space that has stood out and if so what was it?
Krazavka (Little Beauty) had a hell of a mission with Damka in 1960. Their mission was plagued with system failures and eventually their space flight was orbited but on decent their ejection seat device also failed and they landed with their capsule set to a 60 hour self-destruct. When their frozen capsule was discovered there were no signs of life and the rescuers were unable to gain access. The next morning however barks were heard and the dogs were freed.

Space dog stamp
What makes you most mad, on hearing the stories of these animals who were unable to make any decisions of their own?
Probably, the fact that in historical accounts you are told over and over again how much Korolev and the scientists loved the dogs. Coupled with the statues, stamps and tributes it strikes me that they are looking for justifications themselves.

Space dog stamp
You’ve been a vegetarian for many years, are there any other conscious decisions that you make in every day life which are affected by how you feel about animal cruelty? 
Actually it’s only two years. I became a vegetarian when I was 39 and as such this prevents me from being overly pious. I enjoy it though. I like having something to believe in but I hope my meat eating friends will confirm that I haven’t become a nag.

Belyanka and Pestraya by Darren Hayman
Belyanka and Pestraya by Darren Hayman.

I seem to remember that you have a dog: do you still have a dog? And do you have any other animals in your life at the moment, if so who?
Beulah is ten now but still seems very much like a young dog. She is the only animal in my life.

What can listeners expect to hear on the Vostok 5 commemorative album?
Despite having 5 different artists on it, it doesn’t sound like a compilation album. The shared subject matter provides a fragmented narrative. It’s sadder and more emotional than you might expect.

You have said that the exhibition is ‘for people who love rockets and animals‘. What is your hope for the future of animals in science?
Despite what I said earlier about not wanting to bug my meat eating friends my personal feelings about animal experimentation etc. have become increasingly hardline. I’m still finding my way through the ethics but I find it tough to see why human’s ever thought they were entitled to these assumed rights.

Space dog stamp purple
My thoughts about what we do in Space have changed a lot as I’ve gotten older as well. I can still access my childhood wonder but really I don’t care if we never go up there again now. Human’s, en masse, are such horrible creatures with what we do to each other. We don’t deserve the right to escape Earth and we certainly can’t afford it.

What else are you currently working on? Any exciting plans for the rest of the year?
The Ship’s Piano an album of piano ballads for people who can’t stand loud noises. Out in October. Christmas in Haworth, a six track mini Christmas album. The physical release of January Songs. It’s all go.

You can visit Vostok 5 until the 7th of September, and here’s my full listing.

Categories ,Alexei Leonov, ,Allo Darlin, ,Andrew Chaikin, ,Bobik, ,Damka, ,Darren Hayman, ,Dogs, ,Edwyn Collins, ,exhibition, ,Fever Dream, ,Hexicon, ,Krazavka, ,Malyshka, ,Monkeys, ,Paul Rains, ,Robert Rotifer, ,Rockets, ,Russian Cosmonaut, ,Sarah Lippett, ,Sergei Korolev, ,Space, ,Space Dogs, ,Stamps, ,Star Wars, ,The Outside World Gallery, ,Tigercats, ,Vostok 5, ,Wernher von Braun, ,Wreckless Eric, ,Yuri Gagarin

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Amelia’s Magazine | Review: Truck Festival 2011


Truck Monster Illustration by Barb Royal

Dancing like a loon to jungle music at 3am. Sitting next to a cornfield in the evening sunshine with a succulent burger in one hand and a cider in the other. No, for sale wait, getting some love from the Truck Monster…. no; feeling the love as the most perfect album in the entire history of recorded music was recreated live on stage…. I’m trying to sift through my favourite moments at Truck festival 2011, and I could sit here ad infinitum without coming any closer.

The weekend of July 22-24th is one of Summer’s prime time slots in the festival calender – if this was the telly, it would be the 7.30pm Eastenders or Corrie dilemma, so Truck has always run the risk of being overlooked by the bigger beasts of the festival scene, yet it has diligently carved itself a niche amongst good people who love great music. If I were to try to give Truck a unique selling point, I would say that it’s like attending the worlds hippest village fete (but with no pretentious ‘tude). Example? Next to the stage that Transgressive, Heavenly Records and Bella Union were curating the line-up, the local Rotary Club were serving up cups of tea and scones. At this rate, I wouldn’t have been surprised had I been served tea by a ray-bans wearing vicar.

This year, I brought a good friend who had previously only been to one festival (Glasto), so I was excited to see what she made of something a lot more intimate. Joining us for an all-too brief time was Amelia and her lovely boyfriend Tim, who I last saw at Wood Festival. Sharing the same ethos as Wood (which isn’t hard; they are run by the same family), Truck is a resolutely inclusive, family-friendly festival. Babies and tiny tots are held in high regard here, and are given plenty of fun activities and places to play, which must be a godsend for parents.

Illustration by Benbo


Amelia captures her crew in the early evening sunshine.


Photographs by Amelia Gregory

I noticed that Truck had expanded a fair bit, there were additions of a theatre space, a comedy and cabaret tent, (which I regretfully say that I didn’t give enough attention to – next year I promise!), as well as Wood Field, which was a little slice of Wood festival, curated by the Oxford Folk Festival and providing lots of environmentally friendly activities and workshops (and music of course)

Most of my time was spent by the Clash Stage. This was the place where Transgressive, Heavenly and Bella Union took turns in curating the days set list. I considered myself in safe hands with these three labels; the triumvirate of the independent music scene. I have nothing but respect and admiration for the people behind this. Not least because they nail it again and again and again. Transgressive had kicked proceedings off on Friday with acts like Gaggle, Peggy Sue, Johnny Flynn and Graham Coxon. Gaggle are a force to be reckoned with; I first saw the 20+ piece all-female performance art choir about a year ago at The Lexington and was completely transfixed. They exemplify everything great about being a woman; strong, loud, dynamic and passionate (with killer headgear), I found this photograph of Gaggle posing in the field above Truck to give you a sense of their presence.


photo by Andrew Kendall

Saturday was Heavenly Records turn to take care of us. When I was first really getting into proper music – after my Five Star faze – Heavenly were one of the first cases where I was intrigued by the label as much as the artists. Right from the get go, Heavenly had its finger on the pulse of the dreamy halcyon days of early 90′s indie-pop, underground and all matter of slightly letfield music. And they provided one of the biggest and unexpected highlights for me on Saturday night – Edwyn Collins. First of all, I had no idea how many songs of his I knew without actually realising who had sung them; of course his biggest hit was “A Girl Like You“, and his days with Orange Juice produced the glorious “Rip It Up And Start Again“, but apparently I’ve been singing along to many more of his hits over the last few years. Live, his set was faultless; it was energetic and fun and the audience were loving every minute. It was about halfway in that I suddenly remembered reading that Edwyn had suffered two strokes a few years ago and could not marry up the idea of suffering something so debilitating with the man on stage who was giving us such a wonderful show. After the weekend I learnt that after a stroke, a persons ability to sing can sometimes remain unabated. I left the set in absolute awe of this mans ability and talent.


photo by Andrew Kendall

Tearing ourself away from the Clash Stage for a hot second, we headed over to the Main Stage to catch Gruff Rhys who delivered a brilliant performance. I had never managed to see the Super Furry Animals live, so I was really happy to watch Gruff entertain us. Sensations in the Dark is one of those perfect songs where every second packs a punch – and it’s great to dance to. (Which we did of course).


Gruff Rhys Illustration by Barb Royal


Late Saturday night and the bars kicked into full swing, such as Kidstock (pictured above), home to several sambuca shots which fortified Anshu and myself for our next pit-stop – the Boxford dance tent. My lovely and kind friend Toby Kidd was DJing old skool jungle in a two hour set that led me to discovering that I can actually dance to jungle. (I’m well aware that photos exist that will disprove this belief, I’m just not going to show them to you).


Photo by Ian Taylor
Sunday was a blazing hot day and I spent the first part of the early afternoon watching bands from a horizontal position, whilst letting the good people at the Rotary Club feed me a late breakfast. (Not literally at the same time, that would be too sybaritic – even for me). Bella Union’s set was possibly my favourite over all, I loved Cashier No.9, who opened proceedings and have been playing a lot on 6Music recently. I hadn’t heard of Lantern’s On The Lake, but I really enjoyed their set – it was a mix of loud, jangly guitar and etherial shoe-gaze. In fact Lanterns took shoe-gaze to its most literal level – I didn’t get to see the lead singers eyes – she and her guitar were pointed resolutely at the floor, lost in the wall of sound that she was creating.

Alessi’s Ark is a favourite of Amelia’s Magazine and its contributors so I was eager to see her set as well. She has a sweet delicate sound that reminds me a little of Liz Fraser from Cocteau Twins, which is ironic seeing that the guitarists in the band founded Bella Union, the label that Alessi is signed to.


Alessi’s Ark Illustration by Barb Royal

While my friend went to chill out in the afternoon sunshine with a reflexology session, I made my way over to the Wood stage, where Rachael Dadd was performing songs from her new album Bite The Mountain. I’m feeling like a little bit of a Rachael groupie of late, having gone to both nights of her album launches, as well as watching the beautiful evening that she helped put on a few months ago to raise money for the Japanese tsunami appeal. So although I know most of her songs off by heart now, they still feel fresh with every listen.


Rachael Dadd Illustration by Tom Watson

The most epic part of the weekend took place on Sunday night. Over at the Main Stage, The Dreaming Spires were holding court. The band consists of Robin and Joe Bennett, the brothers behind Truck. Knowing these guys, I knew what they had up their sleeve after their blinding set, which made me very excited. So at 11pm, everyone rushed back to the Clash Tent, where alongside The Magic Numbers, Trevor Moss and Hannah Lou, and Sarah Cracknell of St Etienne, the band performed the entire album of Fleetwood Mac’s Rumours. From start to finish, every second was magical. The audience sang along for most of the songs, or danced furiously. Watching the album being performed live, it made me realise how sonically perfect Rumours is; the composition of each song is faultless. The songs were sometimes sung en masse, or the various bands would take it in turn to sing. Of course, it wouldn’t be Truck if the Truck Monster didn’t come on stage and dance behind the band, which added a suitably surreal touch to proceedings. It was one of those moments that can never be captured again, and I’m so glad that I got to experience such musical craftsmanship.
All of a sudden, the festival was over for me, as I had to rush home. My spies tell me that me that those who stayed danced late into the night (or early into the morning), drawing to a close a beloved festival that gets everything right.

Photograph by Ian Taylor


Some girls get all the luck. Photograph by Carolina Faruolo

Categories ,Alessi’s Ark, ,Bella Union, ,Cashier No.9, ,Clash, ,Cocteau Twins, ,Edwyn Collins, ,festivals, ,fleetwood mac, ,gaggle, ,Graham Coxon, ,Gruff Rhys, ,Heavenly Recordings, ,Johnny Flynn, ,Lanterns On The Lake, ,live, ,Orange Juice, ,Oxford, ,Oxford Folk Festival, ,Peggy Sue, ,Rachael Dadd, ,Rumours, ,Sarah Cracknell, ,St. Etienne, ,summer, ,Super Furry Animals, ,The Dreaming Spires, ,The Magic Numbers, ,Transgressive Records, ,Trevor Moss and Hannah-Lou, ,Truck Festival, ,Truck Monster, ,Wood Festival

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