Amelia’s Magazine | BTCV Green Gyms

My muscles are aching as I type, treatment my cheeks are glowing more than ever and I have a satisfied grin on my face…why?  I’ve spent half the day clearing woodland and sawing huge branches in the name of biodiversity and, no rx admittedly, doctor fitness…

hedge stage 1[All photos by Zofia Walczak]
Today I took part in my first ever Green Gym session, an initiative run by BTCV (the British Trust for Conservation Volunteers).  Funded by NHS Camden, the Green Gym is basically a combination of volunteering on biodiversity projects in London’s green spaces, getting a good work out and meeting new people.  As someone who detests gyms (positively loathes them), I was keen to find out exactly what these ‘Green Gym’ sessions entailed.  The thought of working out in a green area, fresh air and not doing exercise just for the sake of exercise appealed greatly. 

I have tried gyms extensively, and failed.  Gyms make me feel tired and bored.  The constant monotonous whir of exercise bikes and running machines, coupled with people in their own bubbles looking stressed and thinking about other things, monitoring their heart rates and counting every calorie they burn makes me depressed.  Likewise, seeing my reflection in the mirror-covered walls everywhere I turn, under the unflattering lights that make everyone (even the buffest-looking posers in the highest-end gym wear) look like sad, old potatoes, has made me finally admit to myself that gyms are not the answer.  After a run in the park (rare, lately) I always feel energised and glowing, but the gym just makes me look and feel grey, sweaty and blotchy…more like I should be in bed on medication than like I’ve just had a 45-minute workout.Green Gym area

So here I was, on my way to Baker Street, battling severe delays on the circle line, and modelling some of the least fashionable garments in my wardrobe.  I was wearing a pair of old, black hi-top trainers (NB these were my dad’s old pair from his engineering work, not of the retro ilk).  I had baggy woollen long-johns underneath some rather tired looking tracksuit bottoms tucked into long green and red thick woollen socks, about 3 jumpers, big fat bright green men’s fleece gloves, an old bright pink scarf, and a men’s waterproof jacket.  Chris, the organizer, had warned me to dress warm and prepare to get muddy.  For a second, as I stood on the packed London tube, it struck me that I might bump into an ex in this less-than-attractive get-up, but I soon felt liberated, and everyone else started to seem over-dressed!

Today’s green gym session was in a blissfully serene, snowy, slushy, empty Regent’s Park.  It’s incredible how the grey, heavy sky which is a permanent backdrop to the London skyline actually looks so beautiful and poetic in a wide open space, a background for the silhouettes of huge old oak trees and their twisted branches. 
trees sky

Super-keen, but with no idea of what I was letting myself in for, I skipped insouciantly into The Hub, a cafe/sports area in Regent’s Park, where I was greeted by the smiling faces of the group I’d be working with.  There were a few more newbies so I wasn’t on my own, but mainly people who had already been to a few sessions.  After quickly filling us in on what we might expect they praised us for being hardcore enough to have our first green gym session in the current muddy and cold conditions.  Apparently it’s all much easier and more pleasant in summer…

After a brief introduction we wandered to the site that Green Gym participants will work on in the next few weeks.  It was so easy to talk to everyone, and it was such a mixed group.  There were people who had been referred by the NHS (the scheme is a physical and mental well-being initiative as much as a ‘green’ one), editors and anthropologists who had been made redundant, new graduates and people on volunteering schemes…in all we were about 16 or 17 people, though I’m told groups number between 20 and 30 in spring and summer.

clearing

We started off with a warm-up, and then Chris from BTCV explained the tools we’d be using and went through health and safety…basically, the saws and shears used for cutting up big boughs and clearing huge twisted areas of extra-thick bramble are not to be chucked and swung around carelessly if you want to come out intact!

Laurent, who had done the warm-up, showed us around the area, and explained more or less what our aims were.  The area had once been a meadow, but was now covered in thick, intricately interwoven ivy, bramble and deadwood. Ivy is a great habitat on trees, Chris explained, but on the ground it acts as a thick barrier preventing birds from finding food.  One of the key aims of BTCV is to enhance biodiversity, which the UN has decided to dedicate this year to (see International Year of Biodiversity).  We would also be clearing and thinning-out the south-facing side of the space, allowing trees and plants to receive more sunlight rather than it being blocked out by dead branches.  The best branches would be used to start making a deadwood hedge.

sawing

So we got to work, with smaller groups working in different sections.  I worked with Catherine, a nutrition graduate who was taking up volunteering after finding it impossible to find work.  It was also her first session, so we stumbled along and asked lots of questions together.  With over-enthusiastic use of the huge shears, we quickly cleared a very messy area of the woodland, forming a huge pile of dead branches, bramble, weeds and ivy.  Any doubt that an indoor gym session would have actually been a better workout soon disappeared; there is not a single muscle in my arms or back that escaped un-used!  

Whenever we found a thicker, straight and strong branch, we would cut it to size (about 5 feet) to make stakes for the hedge.  The stakes needed to be sharpened at one end and hammered into the earth, and then long bendy branches would be woven around the stakes.

weaving

The session was split into two, with a tea and biscuits break in the middle.  The hard work meant a re-fuel was definitely on order, and we got to mingle and chat again.  We got back to work, sawed and sheared and chatted some more, and when 2 o’clock came around most people didn’t want to stop.  This kind of work can be so refreshingly addictive if your workout ‘routine’ is usually a mind-numbingly repetitive set of excercises you have stuck to on and off for seven years.

I initially planned today to be a one-off trial, but it would be ideal to continue.  The sessions will be held in the same place for the next few weeks, on Tuesdays and Thursdays from 11-2.  Some people come to every session and some come along sporadically; there’s no pressure to commit but people seem to keep returning.  To sign up for a session you can go to BTCV’s website, send them an email, and they’ll reply with all the joining info. The Green Gym certainly beats running around in circles in my small local park, but the disadvantage is that you can only really take part if you don’t work 9-5 full-time. 

I spoke to Chris after the session, and he told me some more about what BTCV is up to this year.  Green Gyms are soon to start in four other boroughs, and Camden Council is also funding a BTCV Carbon Army project to plant orchards in council estates.  To be selected for the scheme, residents of the estates had to express and prove an interest, since they will be planting the fruit and berry trees themselves with guidance from BTCV, starting their own vegetable patches, and later taking care of them.  It is a way to get people working together as much as an environmental and local food initiative.  We are so  removed from most food production now that this will be a great way to start democratising the process again.  Having grown up on an inner city estate myself I can definitely appreciate the scheme and it will be interesting to see where it goes.  

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Ducks recklessly ignoring Police ‘Do not cross’ signs

I’ll be going along to the setting-up of one of these orchards in the coming weeks, so will write up about the experience.  For now though, I really really need to go and stretch some more.  I have a slight fear I won’t be able to move when I roll out of bed tomorrow morning… but at least I’ll have spent the day breathing fresh air and surrounded by green leaves rather than grey concrete…bliss.

Categories ,Biodiversity, ,bramble, ,BTCV, ,camden, ,Carbon Army, ,climate, ,conservation, ,deadwood hedge, ,environment, ,Green Gym, ,ivy, ,NHS, ,orchards, ,permaculture, ,Regent’s Park, ,UN, ,Volunteering, ,Year of Biodiversity

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Amelia’s Magazine | Earth Listings: 2nd – 8th November 2009

Taylor Wessing Photographic Portrait Prize 2009

Diamond Tears by Verena Paloma Jabs at Tatty Devine

PANIK – CHANGING FACES

6 NOVEMBER – 28 NOVEMBER 2009 PRIVATE VIEW THURSDAY 6.30 – 9PM
26 ARGYLE SQ. ENTRANCE FROM ARGYLE WALK LONDON WC1H 8AP

Calaveras: Mexican Prints for the Day of the Dead

Make It Print It Pack It Ship It

Check out the range of talks and discussions this week, treat there is a chance to vent some anger at some cops in a more legitimate manner than normal as well as plenty of events pushing for action on a deal at the Copenhagen Climate Change Talks.

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Illustration by Anneka Tran

Architecture and Climate Change – The Sustainable City
Tuesday 3rd November 2009 ?

Acclaimed architect, visit planner and former Mayor of Curitiba, Jaime Lerner, discusses his visionary ideas concerning cities and their future. Lerner’s talk will look at design in structuring urban growth as well as focusing on the importance of public transportation as well as engaging with some of the key issues affecting the built and natural environment now and in the future.

Time: 6.30pm
£8, £5 concession
Venue: RIBA, 66 Portland Place, London W1B 1AD
?Website: http://www.architecture.com

Fast Facilitation – An action-packed taster course
Wednesday 4th November 2009

Getting a group together focusing on environmental issues in your neighborhood, or looking to take a new role in a discussion group? This course is suitable for people with little or no experience of facilitation. This course aims to help you design, facilitate and evaluate meetings or workshops that engage and include all participants effectively in order to achieve desired outcomes.

Time: 9.30am – 5.00pm
Venue: 212 High Holborn, London, WC1V 7BF
Website: http://www.the-environment-council.org.uk/training.html

Establishing a food forest: the Permaculture way
Thursday 5th November 2009?

An inspiring and practical film from permaculturist Geoff Lawton about the potential of permaculture forest gardening to design abundant human ecosystems. Part of a programme of film and events to accompany C Words: Carbon, Climate, Capital, Culture – an exhibition by artist-activist group PLATFORM and their collaborators.

Venue: Arnolfini, Bristol
Website: http://www.arnolfini.org.uk/whatson/exhibitions/details/416

Met open discussion about policing of the G20
Thursday 5th November 2009

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The Met police will be hosting a public meeting about policing of the G20 demonstrations, chances for people to vet their anger, frustration or glee at seeing protestors get beaten up. The police will be answering questions and making sure the media see they are taking some initiative, although I’m sure continuing their oppressive tactics away from the spotlight.

Time: 9.30am – 12.30pm
Venue: London’s Living Room, City Hall

Climate Emergency Copenhagen forum
Saturday 7th November 2009

Looking everything we need to do to stop climate change in it’s tracks, 10% cuts by end 2010 and the case for emergency action. Creating a million climate jobs by end 2010, decarbonising our transport fast and looking at the Copenhagen talks, and the deal we need and the deal we’re likely to get. Plus plenty of workshops on the day.

Venue: South Camden Community School, Charrington St., London, NW1 1RG
?Time: 12 – 6pm
Website: www.campaigncc.org

Put People First G20 Counter Conference
Saturday 7th November 2009

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The Put People First G20 Counter Conference will bring together academics, activists, campaigners, unions and policy makers to debate alternative policies to promote jobs, justice and a safe climate. Following on from earlier this year, where we marched in our tens of thousands to demand the G20 Put People First. However, we’ve seen nothing but a return to business as usual.

Time: 10am – 5.30pm
Venue: Central Hall Westminster SW1 9NH
Website: http://peopleandplanet.org/navid8537

Green Sundays
Sunday 8th November 2009

Bored with lazy Sunday afternoons? Why not go down to Green Sundays at the Arcola Theatre and explore environmental issues in a relaxed and chilled out manner? The event provides an opportunity for like-minded people to get together to learn about the planet while listening to live world music, film, spoken word, games and discussion.

Time: 3:00pm – 7:30pm
Venue: Arcola Theatre, 27 Arcola St, London, E8 2DJ
Website: www.greensundays.org.uk

Categories ,10% cuts, ,Activists, ,arnolfini, ,bristol, ,C words, ,campaigners, ,Capital, ,carbon, ,climate, ,Climate Change, ,Climate Emergency Copenhagen forum, ,Culture, ,earth, ,environment, ,Facilitation, ,g20, ,Green Sundays, ,listings, ,Met police, ,permaculture, ,Put People First, ,sustainable, ,unions

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Amelia’s Magazine | Carbon Conversations Courses, London

Angel3Courtesy of George and Betty Woodman and Marian Goodman Gallery, pills New York

When I hear the word Surrealism, for sale instantly the likes of Salvador Dali, approved André Breton, André Masson and Max Ernst come to my mind. Well I can now add Frida Khalo, Leonora Carrington, Eileen Agar and many more female Surrealist artists to that male dominated list, thanks to Manchester’s Art Gallery! Their current exhibition, Angels of Anarchy, sets out to not only celebrate the works of female artists but to educate and inform those who know little (people like me) or nothing at all about the important role females played in the Surrealist movement. How about that?

Angel Courtesy Private collection, Dilbeek, Belgium © DACS 2009

The exhibition covers five main categories within Surrealism – Portrait/Self-Portrait, Landscape, Interior, Still Life and Fantasy; the medium used ranges from sculpture to photography to film and the more traditional oil on canvas. Thanks to Salma Hayek’s performance in the eponymous film, Frida Khalo -who features in both Portrait/Self Portrait and Interior – is probably the name most will recognise but you will not be disappointed with the other lesser-known artists on display.

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Courtesy ADAGP Paris, Musée National d’Art Modern – Centre Georges Pompidou. Courtesy Photo CNAC / MNAM, Dis. RMN / courtesy  Jacques Faujour

The most interesting piece comes in the form of film by photographer/filmmaker Lola Alvarez Bravo -who incidentally went to school with Frida and was one of her closest friends. The 30 seconds (approx) of rare footage is left untitled but is captivating from start to end, not least thanks to the presence of Frida herself; the artist is more stunning on film that I had imagined. There is no audio in this eerie film and it’s quite foretelling that Frida is welcoming death into her home in the shape of an innocent looking girl; this was shot when Frida was in ill health and I thought this was one of many nice surprises within the exhibition. Bravo documented much of Frida’s life and she went on documenting even after her death; there is a poignant shot of Frida’s room after her death (Frida’s Room 1954), where her wheelchair, paintbrushes, a self-portrait and a picture of her husband are strategically placed in order to sum up her life. This particular scene left a lump in your throat!

Fini_Le-Bout-du-MondeCourtesy Manchester Gallery

Another big name featured in the exhibition is Eileen Agar – whose Angel of Anarchy (1936-1940) mixed media head dress is featured alongside its opposite number Angels of Mercy (1936-1940) – only two surviving pieces of four, are portraits of Joseph Bard (her husband) and to see them both is quite magical. Angel of Anarchy is wrapped in rich African bark cloth decorated in Chinese silk, beads and osprey and ostrich feathers and has a decadent aura about it. Angel of Mercy is quite the opposite but none less impressive to its corresponding part, using only her skills to sculpt the piece and her hand to paint it.

Agar_Angel-of-AnarchyCourtesy Manchester Gallery

Whist big names like Kahlo, Agar, Oppenheim and Cahun are used to encourage people to visit the exhibition the lesser known artists really do shine and in some cases surpass their well known counterparts. Kay Sage’s beautiful black and white, landscape photography will lead you into the word of the extra-ordinary within the ordinary – her vision of seeing something interesting within what seems to be an ordinary landscape impressed me a great deal! Leonora Carrington’s self portrait (1937-1938) will immediately grab your attention as it did mine; I faced this one particular piece for a good10 minutes and I must admit I was truly transfixed and consumed in my trail of thought! This, in my opinion, is by far was the best self portrait (oil on canvas) in the entire show. I felt deep sympathy for Carrington and I was left wondering and wanting to know more about this wonderful talent.

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Courtesy Banco de Mexico Deigo Rivera & Frida Kahlo Museums Trust, Mexico DF / DACS 2009

The exhibition is over teeming with beautiful oils on canvas and sculptures that include a rarely seen Lee Miller torso cast that has only even been exhibited once before. Surrealist literature is present in the form of Leonora Carrington’s En Bas ( Down Below 1945) a memoir of her emotional journey after Max Ernst is arrested by the Nazis which leads her to being institutionalized in a mental hospital in Spain. There are video instillations by Francesca Woodman documenting herself exploring the female form and a beautiful interpretation of ‘There was a Miller on a River’ (1971), by Eva Svankmajerova. This old folk song tells the story of a young soldier returning home after 20 years. His parents do not recognise him, rob and murder him; once they realise it was their son they take their own lives. Such a brutal act is given a beautiful lease of life in Svankmajerova’s gorgeous illustrations.

Oppenheim_SquirrelCourtesy Manchester Gallery

Another nice surprise is the room ‘Teenangels’ in which the Manchester Art gallery has teamed up with art students from Levenshulme High School who have came up with their own Surrealist inspired artwork. I would have happily been left to think they were part of the Angels of Anarchy exhibition had I not seen the sign! Seeing interaction between a prestigious art gallery like Manchester’s and GCSE art students topped the exhibition off perfectly.

All in all this was a good exhibition which ran from the 26th of December 2009 to the 10th of January 2010. Penny Slinger describes her work as ‘a protest against females being seen as mere objects at a male’s disposal’. This exhibition sets out to break the notion that Surrealism is a male dominated movement and it does so successfully. Without the likes of Frida Kahlo, Claude Cahun, Edith Rimmington, Meret Oppenheim and the rest of the female Surrealist featured in the exhibition I doubt very much that women in art would be where they are today. They helped the female cause for decades to come and paved the way for equality in Art. They proved that chicks can do what guys do… and dare I say in some cases even better? If you were one of the lucky few who visited the show then you surely came away enlightened, informed and inspired by those surrealist amazons…just like I did.

Visit www.manchesterartgalleries.org/angelsofanarchy for more information.
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Want to reduce your carbon footprint in 2010, order  with a group of lovely people, more about  AND reduce your overdraft by saving some money on energy bills?  The Carbon Literacy Forum are co-ordinating free Carbon Conversations courses across several London boroughs, starting in February 2010…

If you are a tad tired of always being against things and would like to start doing something more positive and creative when it comes to environmental issues, but don’t want to go it alone, then this course may well be for you.Transition-Town-Training

Image courtesy of transitiontowns.org

The Carbon Literacy Forum is co-ordinating a 6-session course starting in January, which will help participants reduce their carbon footprint.  Facilitators from various Transition Towns, including Hackney, Stoke Newington, Highbury, Waltham Forest, Primrose Hill and other environmental groups will be involved.  The course will be run in groups of 8-10 people with fortnightly meetings consisting of a mixture of information, group discussion, and learning activities. The aim is to “understand the issues around climate change and carbon reduction, and learn practical ways to reduce carbon and save energy and money”.  So, not a bad idea for the post-Christmas overdraft and loooong wait until next payday either then!!  Plus, DIY-ing with other people is much more fun than reading books and apocalypse-predicting articles, and figuring out how you’ll ever do anything by yourself. 

There are nine courses planned altogether – two in Highbury, two in Hackney, one in Waltham Forest, one in Angel, Islington, one in Westminster, one in Lambeth and one other to be confirmed. 

The purpose is for participants to learn how to monitor key areas of their carbon footprint, including home energy, travel and transport, food and water, and other consumption and waste, after taking part in a questionnaire at the beginning of the course to calculate their current carbon footprint.  You’ll also be encouraged to keep a brief, simple diary of the steps you take to reduce your carbon footprint.  By the end of the course you will have ideally created your own personal plan for reducing your carbon footprint, tailored to your own lifestyle.Hackney Transition Town flyer

The facilitators will also organize special workshops and talks, and you’ll get to borrow books and energy-monitoring equipment. An online network will also be set up for people who have been on the courses to share information, tips and discuss issues with other, and facilitators will also signpost members to public workshops, talks, local community groups, and relevant Council services.  All the organizers ask you to bring is enthusiasm and a willingness to ask questions and share your learning with the rest of the group! 

Importantly, once you have completed one of the 6-meeting courses, you will be able to start facilitating meetings yourself.  You will need to attend a half-day’s ‘facilitation workshop’, after which you can pair up with another facilitator and start organizing your own group.  It would be a super way to spread the initiative to more areas and regions. You could even tailor them to your particular area or interest, such as how to reduce carbon footprint in the creative industries (might also be a great way to network with like-minded people!).  The Carbon Literacy Forum will provide help and support to people looking to start their own meetings.

[Image courtesy of transitiontowns.org]

Participation in the London Carbon Conversations courses is free, apart from the £15 Carbon Conversations handbook you’ll need to get at the beginning to follow the course.  The book is very detailed and should come in handy long after you’ve finished the course, especially if you start your own meetings.

Hackney Transition Town Seedy Sunday flyer, by www.hollygregson.com/ILLUSTRATION.htmlIf you contact London Carbon Conversations, they will be able to advise which group is nearest to you.  If you can’t make the planned dates and times, you can mention which dates are most suitable for you. They will put you in touch with a group that hopefully meets at a more convenient time. 

If you live or work in Hackney, the local course will be held near Broadway Market, E8 on fortnightly Mondays, 7-9pm, starting from 8th February.

Alison Thorpe and Abbie Maxwell are facilitating The Hackney course, so to join the group or express an interest, email Alison[AT]phonecoop.coop for a Joining Form.  For more info on the London-wide initiative contact Tom Hitchman of the Carbon Literacy Forum at Tom Hitchman[AT]carbonliteracyforum.org.
[Hackney Transition Town Seedy Sunday flyer, above, by Holly Gregson]

I will be attending the sessions in Hackney, so even if you can’t make it for the course, I will try my best to keep you posted via the Earth section at Amelia’s Magazine!

Categories ,carbon conversations, ,Carbon footprint, ,climate, ,Climate Change, ,earth, ,Hackney Transition Town, ,Holly Gregson, ,london, ,Transition network, ,transition towns

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Amelia’s Magazine | Earth Listings

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You can’t help but smile at the sight of Jessy Pemberton, viagra treatment all rosy cheeks and red lipstick bold and bright, discount she is the picture of wholesome. The industrious girl with her fingers in many home-baked pies, bustled in to meet me for a quick juice in Fresh and Wild and talk ghosts, the weird and wonderous activities of the Pemberton clan, and illustration of course.

Since graduating from the Royal College of Art in knitwear design, Jessy has worked with the likes of Paul Smith and Jockey; exhibited alongside Tracy Emin and Mike Figgis; and worked with Cath Kidston on her book ‘Make!” – to name a few achievements. But it is when you come to look at her own illustrations that the world of Jessy Permberton springs to life, a fabric of its own woven together with home-made videos, a boundless imagination and a child-like sense of fun. I soon find that the simple question, so where do you get your inspiration from?, opens a window to this world, and all I am required to do is sit back, listen, and enjoy. By the time my carrot and ginger concoction gets to the lumpy bits, it is luckily only in my head that I say, ‘erm, adopt me?”

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Take Harold the Ghost; pictured above with younger twins Chloe and Amelia. He comes to aid of children in times of need, asking only a small payment by way of some toast. One story involves a boy who gets bullied for having big ears. The boy calls on Harold, by post, who comes to the rescue with a heavy dose of bully medicine by giving them gigantic ears … But the initial genesis of Harold came from one of the many home-made movies (featured below) made by the Pemberton siblings, on one of their annual trips to the Welsh countryside. It’s also worth looking at their very own zombie film, apparently inspired from watching Braindead a million times over in early years.

The illustration of below is mother Pemberton, who does not drive and is accustomed to going to and from antique sales with her bike and trailer; a habitual collector to which Jessy has followed suite. The French Girl and Cakes comes from another story, Bella and the Sky, into which her family appear in various guises, and the last is a drawing of her dad in younger years, who apparently is the only member of the family that does not partake in their creative activities, thank you very much.

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As the world of ghosts comes up against the straight-faced world of publishing we hope that Harold and friends will find thier way to tables and shelves soon. Jessy is also currently working on a top secret project with Rubbish Magazine. Keep your eyes peeled for her name during London Fashion Week.

Feel your modern cynicism just fall away as First Aid Kit‘s new EP begins. Drunken Trees summons folk songs of yesteryear and golden-tinged days-gone-by, hospital the ultimate antidote to credit crunchiness and war. The Swedish sisters have a knack of lulling you with their sweet sound until you wake, medicine revitalized by smart lyrics and a punchy chorus. Here they are at their harmonic best. The seven songs that unfold are the sort heard around bonfires with stars twinkling above, visit this site melody and words perfectly aligned.

First-Aid-Kit.jpg

The emphasis is on storytelling, playful one minute, subdued the next, ‘Little Moon’ gathers you around with ‘There’s a city at the top of the mountains…I used to go there as a child’ and the narrative rolls on from there. Each track melts into another and the enchanted tales keep coming. And with such song-writing, Joanna and Klara demonstrate a maturity beyond their teenage years. The balmy ‘Tangerine’ (lyrically reminiscent of Regina Spektor) is a gorgeous blanket of sound, recorded at home; ‘Jagadamba, You Might’ is notable as sing-along, dance-along folk.

It’s no wonder they’ve already earned a sparkling reputation in Scandinavia and are rapidly gaining a fan-base over here. Inevitable comparisons are with Joanna Newsom, and the girls cite influences as varied as Bright Eyes, Devendra Banhart and Vashti Bunyan. Listen carefully and their vocals actually owe more to Stina Nordemstam, albeit poppier and younger. There are low points: ‘Pervigilo’ is pretty, but on the dull side and overlong, the tunes are syrupy and won’t satisfy those with more savoury tastes. Many of the songs fade away rather than burn out. But these are matters of personal preference.

Drunken Trees
is bulging with extras, a bonus track, a much You-Tubed Fleet Foxes cover and a DVD of three songs recorded in a Swedish forest. Plenty to satisfy devotees, and an album and UK tour set for later in the year. If this taster is anything to go by, it’ll be full of pure, natural sound and mysteries you’ll just want to keep unravelling.

Tuesday January 27th

Every month, buy Future Shorts host a world cinema festival to celebrate the latest and greatest in global talent. This Tuesday at Favela Chic, pharmacy they will be looking back at the best of 2008. Highlights from the programme include music videos for Chemical Brothers, Gnarls Barkley and Utah Saints, Oscar nominated ‘I Met the Walrus,’ the animated illustration of a 14-year-old’s interview with John Lennon in 1969, youtube favorite ‘Peter and Ben’ and Rodeon Brodsky’s eccentric and warm ‘Tolya.’ It starts at six and costs five pounds.

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Wednesday January 28th

The Alan Cristea Gallery at 31 & 34 Cork Street are putting together a group show of four artists under the age of thirty who use film and photography as a source of inspiration for elaborate works on paper in other media. Katie Atkin for instance makes large-scale, intricate pencil drawings which she thinks of as slow-paced ‘re-enactments’ of what is shown in a photograph.

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Thursday January 29th

Henry VIII’s Wives is a collective of artists who met in Glasgow in the mid 90′s, now based all over Europe. Their first London show begins this week at the Pump House Gallery in Battersea Park. They are presenting two time-based installations; My Hysteria, and The Returning Officer. Although both projects are very different in approach Mr Hysteria informed and inspired the development of The Returning Officer, paving the way to an experimental use of narrative.

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Friday January 30th

Drifting Through the Ruins is the first solo show from Laura Oldfield Ford, beginning today at hales gallery. Oldfield Ford has become well known for her politically active and poetic engagement with London as a site of social antagonism. The main focus of this show is more than one hundred ink drawings that she has recently produced as part of an ongoing project chronicling the impact of regeneration on London. Her work has developed from the cheaply produced Zine, entitled Savage Messiah which has become a regular vehicle for her psychogeographic explorations of the metropolis.

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Saturday January 31st

New Art from the MIddle East is a new exhibition at the Saatchi Gallery bringing together 20 of the region’s most exciting artists in a survey of recent painting, sculpture and installation.

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For the next four months you can head down to the Design Museum in London and acquaint yourself with the work of fashion designer Hussein Chalayan, generic pictured below at his exhibition:

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In the 16 years since he graduated from the prestigious Central St Martins School of fashion and design, he has wowed with his innovative ideas and concepts that go far beyond making pretty clothes. He was twice (in 1999 and 2000) named British Designer of the Year, and his credentials were cemented in 2006, when he was awarded an MBE for services to the fashion industry.

Quite fitting then that he should have an exhibition dedicated to his career. For this, Chalayan picks key pieces from his collections throughout the years and demonstrates the thought process behind each one. Showcased is his cutting edge approach to embracing new technologies and his exploration of many disciplines to inspire the final garment, including architecture, science, philosophy and anthropology.

Below are examples of the stunning pieces from his work throughout the years:

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(from Panoramic A/W 1998 – collection explores losing individuality to the environment)

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(from Before Minus Now S/S 2000 – explores the relationship between mankind, technology and natural forces)

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(from Temproal Mediations S/S 2004 – collection explores genetic anthropology)

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(from Airbourne A/W 2007 – explores our fears of morality linked to weather cycles)

As well as fashion designing, Chalayan’s skills as a short film-maker are also displayed, Place to Passage explores the implications of speed on our psyche and looks at ideas of displacement. It involves an imagined journey from London to Istanbul. Being of Turkish-Cypriot origin, Chalayan frequently references his homeland in his work.
Another film, The Absent Passage was used by Turkey to represent the country in the 51st Venice Biennale, an international art exhibiton, it features the actress Tilda Swinton and explores issues of paranoia surrounding terrorism.

This exhibiton truly showcases Chalayan as a highly conceptual and unique design talent, who is refreshingly thought-provoking in his approach to fashion. A very interesting exhibition, which challenges us to consider more than just the final piece when we view a collection, this is one not to be missed.

Hussein Chalayan: From fashion and back
22 January – 17 May 2009
Tickets £8.50 / concessions £6.50 / students £5.00
Tuesday 27th January

Soil not Oil. An evening with Dr Vandana Shiva and Patrick Holden.

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The director of The Soil Association Patrick Holden joins Dr Vandana Shiva in discussion for the launch of her groundbreaking book ‘Soil not Oil.’
Patrick Holden is a champion of organic farming. He has been a spokesperson for the organic movement for over thirty years and he has the longest-established organic farm in Wales.
Dr Vandana Shiva has long been a major figure in environmental activism starting in the 70′s with her involvement with the non-violent Chipko Group who coined the term ‘tree-hugging’. Her latest book explains the connection between food insecurity, order peak oil and climate change. Condemning industrial agriculture and industrial biofuels, try she demands a return to core agricultural principles in order to achieve a ‘people-centred fossil-fuel-free future.’
Tonight looks to be a very interesting evening and a unique opportunity to hear two of the environmental movement’s most instrumental figureheads.

6.30pm at Hampstead Town Hall, medications 213 Haverstock Hill, NW3 4QP.

Tickets £10 Booking Essential.

Saturday 29th January and Sunday 1st February

The Big Art, Design and Handmade Sale hosted by Of Cabbages and Kings.

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Bargains in store and nick-nacks gallore. Lovingly made bits and bobs from Dainty Pretty Things, Off The Hook and Laurafullalah among others. Buy yourself something nice (a hairclip made out of popcorn perhaps?) or treat a friend to another bangle or simply goggle at stall after stall of sugary charms at cut-down prices.

10.30am-5.30pm at Abney Public Hall, 73a Church Street, Stoke Newington.

Saturday 29th January-Sunday 1st February

Climate Camp National Gathering

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Whether you have attended a camp or not, anyone interested in direct action against climate change is invited to attend a fun and productive weekend in the Oxfordshire countryside. An E-On face off and The Copenhagen Climate Conference will be among issues discussed as will plans for the annual summer gathering. Come along to learn more about such issues and to take an active role in the decision-making for the coming year’s agenda. Indoor accommodation is provided and wholesome vegan food will be on offer so I’m sure even the most accustomed townie will feel at ease (tents not necessary).

East Oxford Community Centre.

Categories ,Climate, ,Earth, ,Earth Listings, ,Organic

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Amelia’s Magazine | Ghost Forest: Trafalgar Square au natural

Yesterday a group of activists joined representatives from Canada’s First Nation communities to protest against RBS’s continued funding into Tar Sands.

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Tar sands is a particularly oily soil which is extracted by using huge open pit mining, price leaving huge 75 meter scars in the wake or by ‘In Situ mining’ which requires huge amounts of natural gas to operate.

Tar Sands extraction is also the dirtiest forms of oil, sildenafil producing 3 to 5 times as much Co2 per barrel as conventional oil, ambulance which shows a desperate attempt by corporations and governments to profit from oil no matter the cost to the environment.

These ‘oil sands’ are found predominately in Canada, which means the US can look to have less reliance on oil from conflict regions such as the middle East. However it doesn’t stop them trampling over Indigenous communities in Canada, polluting the soil, water, turning forests and ecosystems into desolate wastelands and pushing groups of people that have lived sustainably for hundreds of years into extinction.

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Eriel Tchekwie Deranger, of the Athabasca Chipewyan First Nation of Northern Alberta, noted: “The tar sands is the world’s largest and most destructive industrial development. “It is destroying an area of ancient forest larger than England. Millions of litres a day of toxic waste are seeping into our groundwater and we are seeing terrifyingly high levels of cancer in our communities.”

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The three women also from the First Nation communities had previously attended a meeting in Parliament to deliver an open letter to the Chancellor, Alistar Darling outlining the threat to their homes and were later planning to deliver the letter to an RBS representative.
Shouting and using megaphones they got their messages across and thanked all the people for coming down and showing solidarity with the movement.

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Role-playing, shouting and mass dying everyone else on the protest organised by People and Planet, aimed to get their message across on the busy street, plenty of leaflets were also handed out even a fair few press turned up as well as the bankers themselves coming out for their lunch.

RBS is one of the big payers investing into Tar Sands, which they plan to expand production on over the next few decades. What is worse is that RBS is public owned since the banks bailout in 2008. We are effectively funding human rights abuses from Tar Sands extraction through our taxes and our treasury.

The protest yesterday was calling for RBS to shift investments away from projects like the tar sands as well as investment into things like the controversial new coal power plants planned by e-on.

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 A few of the bankers obviously found it really funny that people would choose to lie on the street and not, instead wear a suit and tie and play with peoples money in the stock market, but hopefully with the continued presence outside the bank hopefully something might start getting into their heads.
Ghost Forest in Trafalgar Square is a well-timed art-installation taking place ahead of the UN conference on Climate Change from December 7 to 18, prostate involving 11, viagra 40mg 000 delegates from 192 countries. Ten tree stumps selected from seven indigenous species all with delightful exotic names are represented – Denya, viagra sale Dahuma, Danta, Hyedua, Mahogany, Wawa and three varieties of Celtis – and have been placed at the feet of the National gallery, right at the very centre of Western Industrialization. They are all with a rich and varied ecology and all with equally diverse uses by man; the Celtis Adolfi-Friderici is evergreen, but many of its leaves do fall during the dry season. It grows up to 100 feet tall and is of abundant forest availability.

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It is hard not to be moved by the contrasting sight of those stumps laid to rest on white concrete blocks close to the 196 feet-tall Nelson’s Column. Londoners know Trafalgar Square as a rather uninspiring and barren site inhabited by a swarm of pigeons and tourists. The place is now invaded with what appears to be sculptures for posh interiors. Or is it a vast graveyard of searing beauty? The Celtis is used for interior joinery, plywood, and furniture components back in its country of origin, Ghana. In Europe, it is mostly used in the coffin industry. At Trafalgar Square, it all looks like an odd burial site. Now Ghana’s trees have the good fortune of benefiting from the Voluntary Partnership Agreement. Artist Angela Palmer says: “Having lost 90% of its primary rainforest over the past 50 years, Ghana now exercises strict regulations in sustainable and responsible forestry. Last year it became the first country in Africa to enter the VPA (Voluntary Partnership Agreement) with the European Union in an effort to outlaw illegal logging.”

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Celtis and its friends do not end their epic journey in London; having traveled all the way from the tropics, they will travel to Copenhagen to remind UN employees that the removal of the world’s ‘lungs’ through continued deforestation needs to be dealt with without delay.

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Angela Palmer is an artist with convictions: “Many thinkers maintain that all art is political; politics touches all aspects of our lives. Life is about politics. And art is about communication, often transmitting unpalatable truths.” Breathing In, currently at the Welcome museum from the 20th of October to the 22nd of November 2009, is another one of Palmer’s projects currently in the capital. In April 2007 Palmer travelled to Linfen in Shanxi Province, China, home to the most polluted air on Earth, and then to Cape Grim on the northwest tip of Tasmania where there’s the purest air and water on Earth.

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The exhibition is a straightforward display of the results of her journey to capture the physical properties of climate change. The evidence is undeniable- the previously white outfits worn for a day now blackened by the unhealthy Linfen air, the dark face cleanser pads and air pump filters…the facts are brutal. There is an uneasy juxtaposition between the pristine green luscious Tasmanian rainforest and the cloudy, polluted, dusty and overpopulated Chinese streets. Angela Palmer’s art is good medicine for anyone still wondering what all the fuss is about Climate Change. You leave the building wanting to help a worthy cause.

Categories ,activism, ,art, ,climate, ,Climate Change, ,delegates, ,earth, ,ecology, ,exhibition, ,installation, ,london, ,National gallery, ,Trafalgar Square

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