Amelia’s Magazine | London Fashion Week Autumn/ Winter 2010 Catwalk Review: J Maskrey

J Maskrey shone through at London Fashion Week as one of the most individual shows I saw during my time there; no doubt a favourite. Producing a collection of ‘body jewellery’ is no doubt an original idea, viagra order but the works of art presented were so much more than that.


Photography throughout courtesy of Camilla Sampson

Stunning creations combining leopard print, pharm names, symbols and glitter swept down the catwalk in an array of twinkling designs and pumping music. Clothing-wise black dominated the colour palette, whilst the sparkling jewels added a playful, brightening edge. Statement shoulders popped up once again, as did pleating, incorporated into waist tied and bandeau mini dresses. Menswear combined huge fur headdresses with little else except J Maskrey’s stunning compositions of crosses, hearts, stars and more; all made up of the same shimmering body art. One item that caught my eye was a cute ‘love’ and ‘hate’ set that had been carefully presented across one of the female models’ hands.


As J Maskrey’s inspiration was primarily a 1932 film called, ‘The Mask of Fu Man Chu’, it came as no surprise to see aspects of the geisha tradition. Extravagant head pieces in the nature of fans dominated the second part of the women’s wear pieces, alongside major aspects of the sheer trend and a mini skirt with an incredibly manipulated hem. Where menswear consisted of a little more coverage there were black, cosy jumpers combined with elegant golden chains and clasps holding the front together. As the show progressed out came small 1920s style sequin caps, and what appeared to be strips of plastic around dresses that accentuated the female form. This was juxtaposed strongly against softer pieces, with heavy knitwear influences and aspects of crochet.


A female torso decorated with body jewellery that looked like splatters of dripping paint, and a rather revealing leopard print strip mini dress that glistened away throughout the finale were definitely outstanding pieces. J Maskrey’s originality is definitely something that many designers lust after, after all nobody wants to be the same. It was one show that definitely caught people’s attention, and as the show came to an end it was clear many had seen nothing like it before.

Categories ,Camilla Sampson, ,J Maskrey, ,London Fashion Week, ,‘The Mask of Fu Man Chu’

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