Amelia’s Magazine | Ninja Turtle Sex Museum by James Unsworth: A Review

James Unsworth penis hole

I first came across James Unsworth on the walls of the Royal College of Art. His MA final show stood out like, web well, an erect penis. His work is known for erect penises, and poo, and sexual depravity in many different guises. A true modern day harbinger of the grotesque, James draws on the most bestial parts of human nature to create awesome works of art.

Last month I unexpectedly came across his work on the walls of uber trendy fashion shop Machine-A, and then by chance I stumbled across the closing throes of his first solo exhibition at the Five Hundred Dollars gallery in Vyner Street. It featured the finely detailed line drawings he is so well known for, and so much more….

Machine-A James Unsworth wallpaper
James Unsworth wallpaper in Machine-A.

Vyner Street on First Thursday is a ridiculously busy hum of art scene activity which I tend to avoid, but last week I made it along to meet some friends. “Is there anything worth seeing before I have a pint?” I asked. “Well, there’s some Teenage Mutant Ninja Turtles fucking,” was the reply. A gigantic bell rang in the recesses of my mind… as soon as I turned in the door I instantly recognised Unsworth.

James Unsworth ninja tshirt

It’s typical of James Unsworth to create an entire exhibition out of a 1980s cartoon for children: mutated and subverted and turned completely on it’s head. On one side of a small booth at the front of the first room a glass cabinet displayed mugs for each of the turtles… shitting in mid air. I have no idea what the names of the turtle characters are since their heyday was a bit late for my childhood, but I have no doubt that many visitors to the gallery recognised them. “I have a big problem with the elitist aspect of most art galleries,” James Unsworth told Jayne Helliwell in 2007 for issue 08 of Amelia’s Magazine. “I want my work to appeal to a wider audience outside the art elite.”

James Unsworth Ninja Turtle Sex Museum2
James Unsworth Ninja Turtle Sex Museum4
Scenes from Ninja Turtle Sex Museum, the book, available for £15.

And so it made perfect sense to sell gift mugs, t-shirts in pizza boxes, stickers and art books. Within the booth was James himself, watching over the room as hoards of people wandered around, some talking loudly about how repulsive and terrible his art was. None of it, of course, phased James in the least. In an interview with Don’t Panic he claimed that “I enjoy watching people looking at my work; it’s a voyeuristic pleasure.” The greatest offence would be to pass by his work unmoved. After all, he didn’t paint a two metre high Ninja Turtle defecating beneath an erect penis in order to avoid controversy.

James Unsworth talks to guests
James Unsworth talks to gallery-goers.

It’s testimony to James Unsworth’s singular vision that the room was full at all times, with queues of people waiting their turn to poke an eye to the head of said erect penis in order to view a movie of four men dressed up in green plastic to look like turtles squirting semen-like paint all over each other and into anus like crevices as they carved at each other with fake retractable knives covered in ketchup goo. Another turtle offered up his anus as an alternative viewing platform for the film, stumpy bleeding severed legs held aloft. We wondered at the fun James and his friends must have had in the creation of this video art.

turtle power james unsworth
A still from Ninja Turtle Sex Museum: the movie.

“The Ninja Turtles just got back from Bangladesh and are waiting for the pizza to arrive, one of them finds the deadly ecstasy next to their stinking mattress in their sewer lair. You thought drugs were fun, right? But who could have imagined the horror and panic that find would bring? When they decide to take them with their beer and pizza, it all begins well, they dance. But soon they turn to fighting each other, the fighting turns quickly to lustful and murderous activity… Previously they had all wanked on the pizza too.”

The last part of this statement says it all really – James just loves to reach the epitome of grotesque bad taste, and then pile yet more on top.

James Unsworth defecating turtle
James Unsworth ninja asshole
Peering through the holes.

One wall was lined with beautifully decorated ceramic plates, severed turtle heads surround by decorative patterns of flowers and bloody carving knives. Prints lined up on a wall showed men with putrefying eyeballs kissing laughing penises, turtles in masks rimming each other, and lots and lots of wanking.

James Unsworth turtle plate
A decorative plate.

Naked ladies touched themselves in what would be an erotic manner if it weren’t for their green wrapped turtle heads with bulging cartoon eyes peering through the instantly recognisable headband, an empty box of beer worn as triumphant headgear.

Naked girl turtle head James unsworth
Naked girl turtle head James unsworth-beer

And yet, I couldn’t find any of this repulsive or even offensive. Amusing, yes. A thought provoking commentary on our obsession with violence and sex? Certainly. Alongside a sheer amazement at his dedication towards such a whole-hearted re-imagining of pop culture characters that were such a big part of his generation’s childhood.

And I wasn’t alone, for amongst the feigning of disgust there was much hilarity in the Five Hundred Gallery, and an insatiable need to keep looking. James Unsworth forces us to confront the basest elements of humanity by transferring the unthinkable onto anodyne childrens’ cartoon characters. Then making a joyful song and dance about it.

James Unsworth Ninja Turtle Sex Museum
James Unsworth Ninja Turtle Sex Museum
Scenes from Ninja Turtle Sex Museum, the book.

“Our new exhibition is about Ninja Turtles with big cocks, sex and death and it’s all free! It will be absolutely the best exhibition you have ever seen. No mistake. It’s a violent, exhibition full of taboos. It’s up to you to see it or not. Are you ready?”

Unfortunately it’s all over now. But do go check out his website, where you can buy some suitably disgusting prints. No doubt there will be some pooing Ninja Turtle mugs for sale on there some time soon.

I Am Poor, I Am Boring by James Unsworth
I Am Poor, I Am Boring by James Unsworth.

Categories ,First Thursdays, ,Five Hundred Dollars, ,James Unsworth, ,Jayne Helliwell, ,Machine-A, ,Royal College of Art, ,Teenage Mutant Ninja Turtles, ,Vyner Street

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Amelia’s Magazine | Nestled at Deptford X Arts festival

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All photographs © Olga and Ania Mici?ska

One cold rainy morning back in October consisted of a trip down in the direction of Deptford to check out the 12th Deptford X Arts festival. After frequent wrong turns, viagra 100mg map gazing, standing in the map, asking for directions I stumbled into the Viewfinder Photography Gallery and the work of Ania and Olga Micinska.

The exhibition also happened to be part of two other cultural festivals running concurrently: Photomonth and the Big Draw.

Despite the rain and TFL’s apparent desire to make journeys between the East and the South East as difficult as possible, the work of the Micinskas’ was a pleasure to behold.

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The series of photographs depicts one or another of the twins bending their bodies into a variety of urban architectural features that are synonymous with most if not all European Cities. Accompanied by the titled “Nestled” the twins appear to have made a nest in the most unlikely of urban locations.

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The series lends to the impression or question of humans being out of place in the environment of our own creation; the uncomfortable metropolis appears difficult for the body to experience at ease. This feeling of disjunction within the urban jungle is never more apparent than when a tourist, new in a big city, is reliant on maps and blockbuster sightseeing spots to navigate their way through various city planners’ ideas of a navigable livable city.

Appropriately it is this position of the tourist from which the Micinska’s leap into their project: “we didn’t exactly deny our tourist status; on the contrary we thought about our situation more insightfully and the state of being home for a long period of time.”

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Examining the relationship between tourist and traveler they portray their journey through that of the tourist snap, albeit less of a snap more of a lengthy mediation on what it is to inhabit a city through their medium format Pentacon SIXTL and Yashica (6 x 6 format). These cameras’ physical presence extends the body’s circumference of a space.

The Twins never reveal in which city or country they inhabit during the photographic series. Instead architecture bleeds into architecture, undercarriage into undercarriage. We inhabit a world where the only flowers exist in carefully constructed flowerpots along the sides of the road.

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Examining the photographs drew an awareness of the fragility of the human physiology and the hardness, which surrounds us on an everyday basis.

What is undeniable about this lovely photographic series is the presence of play within each of the photographs; hiding behind benches and in children’s playground brings a sense hide and seek into the proceedings.

What’s more this exhibition draws attention to the range of creative expression that is constantly being presented in London, whilst this exhibition fell into the jurisdiction of three cultural exhibitions, it also brought to my attention the variety of galleries present in South East London (Deptford/New Cross/Peckham area). Whilst much has been written about how South East is the new East, there is limited attention donated towards the actual quality of the work present in the South East. Deptford X threw open the doors of Bearspace and Pony gallery both of which feature bookshops and Pony even functions as a café.

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The current show at BearSpace is Goblet by Julia Alvarez

For more information about Deptford X please see  here.

Categories ,Ania and Olga Micinska, ,arts festival, ,Bearspace, ,Deptford art festival, ,exhibition, ,First Thursdays, ,Peckham, ,Photomonth, ,the Big Draw, ,Viewfinder Photography Gallery

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Amelia’s Magazine | How to Attract the Opposite Sex: an art seminar/dating opportunity from Details on Request

vampireweekend by Patty Bowman
nila raja explaining by kellie black
Nila Raja by Kellie Black.

Last Thursday I was in Broadway Market to review one of a series of intriguing talks organized by Details on Request, information pills a group of curatorial East London artists, ambulance for Amelia’s Magazine. The talk I’d been asked to cover was about How to Attract the Opposite Sex. Not having had much luck myself recently with attracting and retaining boyfriends, I was eager to find out if there was anything new I could learn.

There was a pretty lively atmosphere in Broadway Market when I turned up for the open air talk, on the pavement outside Off Broadway, the popular and trendy bar hangout, frequented by the more fashionable London Fields locals. Despite the fact that the talk had been delayed from 8pm til 9pm for various reasons, the atmosphere in Broadway Market was perfectly suited to the subject matter, with everyone gathered in a frivolous and light-hearted summer evening mood, jostling outside the bar in anticipation of what promised to be an entertaining discussion. It was also First Thursday of the month which is open gallery night in Hackney, meaning that the crowds were drifting up from Vyner Street towards London Fields in search of alcohol and social interaction.

Nila Raja, who is the striking and exotically beautiful lead singer of Nila and the Rajas hosted our evening discussion. She began by saying to us that whether we attract the opposite sex or not depends so much on the alignment of ‘chance factors like the weather, the flowers, the trees, whether the sun is shining’…

Antonia-Parker-How-To-Attract-The-Opposite-Sex
Illustration by Antonia Parker.

She then selected one guy and one girl from the group to pose as models. Taking the girl she asked her to walk as she normally would in front of us. Nila then summoned her back and asked her to pin back her shoulders and stick out her chest before attempting the same entrance again. This time her posture was noticeably improved. “Look”, exclaimed Nila, “See what a difference something that simple can make to how you present yourself?”

Nila then took the bearded man in his khaki military jacket with shiny brass buttons, complimenting him on his bold fashion sense and explained how he could get a girl on her own at a party, by asking her if she wanted to come outside for a smoke with him. Some of us guffawed out loud at this suggestion, because the unhealthy stigma attached to smoking and the bad breath linked to it, is anathema to most people nowadays. But some of us conceded that smoking was still seen as sexy by some because of Bogart and Hollywood movies.

What Not To Say Kayleigh Bluck
What Not To Say by Kayleigh Bluck.

She asked the guy if he would recognise the tell tale signs indicating whether a girl fancied him or not? Nila said that one indication is when a girl flutters her eyelashes at you before gazing directly into your eyes. Another is when she directs her gaze briefly towards the man’s crotch and then back up to his face. There were lots of giggles at this point. Nila then posted a large sheet of white paper on the wall outside the bar and asking the assembled throng what, in their opinion, were the ‘do’s’ and ‘don’ts’ of dating conversation – in particular, first dates.

Antonia-Parker-How-To-Attract-The-Opposite-Sex
Dos and Don’ts by Antonia Parker.

A nervous titter ran through the crowd and everyone looked at each other, as if to say, yeah, we’ve all been here before. Under Don’ts we soon had a list defining the more obvious off -limit topics of conversation: babies, marriage, PMT and periods, ex-boyfriends, talking about yourself too much, talking about work too much, family and DEATH (which for some reason was in capital letters). Under Do’s we had, ask them about: what he/she likes to do in their spare time, for fun; travelling; football, sport (if dating a bloke); topics he or she is knowledgeable about in order to make them feel attractive and the focus of your attention.

Most of the ideas on the list were fairly westernized, for example in terms of taboos around avoiding discussion of marriage and babies ahead of marriage and babies. As one woman confided to me, “This is not a problem in the arab world.” The subject matter was mostly familiar to all of us and not particularly original or ground-breaking, however the interactive nature of the talk acted as a catalyst that sparked off a peculiar chain of reactions in the assembled crowd, leading to some amusing consequences.

Holding Hands Kayleigh Bluck
Holding Hands by Kayleigh Bluck.

An Australian bloke who told us he was travelling the world, started to interrupt Nila in order to support her by giving the male point of view on dating. He jumped up and down in his surfing shorts and flip-flops with such enthusiasm, he might as well have been a ballerina on point, flailing his arms and speaking expressively to the crowd. “Yeah”, he exclaimed, “I’m a traveller and talking about travelling with blokes is good. I mean everyone’s travelled somewhere haven’t they? and you’re bound to get a response with that.” The next thing I heard he’d disappeared downstairs into the gents toilets for some action with a mystery blonde he’d met that evening. One of the friendly crowd I’d met on a bench outside the bar had stumbled in on the pair of them next to the fishtank in the gents loos.

A minute later a friendly-faced young man appeared at my shoulder with his bike, asking me what the talk was about. He said he’d been passing on his bike and seen the crowd and was curious to know what was going on. I filled him on on the details but he seemed much more interested in where I was from, what was I doing there and what did I get up to in my spare time? It suddenly occurred to me that I was being picked up by a stranger. Soon we were discussing my choir – The Hackney Secular Singers. He told me he was the lead singer in a band and would like to come along to our choir rehearsals to try out some time. Before I knew it we were exchanging details and I was the stunned possessor of his mobile phone number and email address. I returned to the very friendly and pleasant group of four strangers with whom I’d been chatting earlier who were sitting on a bench outside the bar. They bought me a beer and then, as we wended our way back towards Hackney Road, one of them insisted on getting me alone so that he could ask for my phone number, telling me he was a ‘free agent’.

amelia and the friendly man by kellie black
Amelia and the Friendly Man by Kellie Black. Just imagine this is Jemima folks. Because it was actually her… slight misunderstanding by Kellie. I was a bit confused about why the illustration looked so like me – turns out it is me!

I concluded that I may not have learnt a great deal from the talk in terms of technique or ideas about how to catch a man, but that its location, the timing, the open air setting and the boulevard style of delivery meant that it was more than likely you would achieve the endgame of attracting some one of the opposite sex, simply by being there – which is half the battle, after all. It had also been a really fun way to spend my evening.

Couple Kayleigh Bluck
Couple by Kayleigh Bluck.

For more information about Details on Request see their website: they’ve got lots more going on throughout August.

Categories ,Antonia Parker, ,Broadway Market, ,Details on Request, ,First Thursdays, ,hackney, ,Hollywood, ,Kayleigh Bluck, ,Kellie Black, ,London Fields, ,Nila and the Rajas, ,Nila Raja, ,Off Broadway

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