Amelia’s Magazine | Royal College of Art Show One 2010: Photography and Printmaking

aniela-murphy_yeslab
Illustration by Aniela Murphy/NeltonMandelton.

The Yes Men began when founders Mike and Andy received an invitation intended for the director-general of the World Trade Organisation – via their fake WTO website – to attend a gala event. They emailed Michael Moore to take the invite up, unhealthy approved but when a reply was not forthcoming went themselves, and thus their legendary actions began. Now they’re looking to spread the joy of their ‘Yes-tivism’ with the creation of the Yes Lab project to train others in their headline-provoking methods. Though they deplore the media, drowning us in “fake information, spun by those who follow the profit motive in order to sell us on crazy ideas that we all sort of believe even though we know better,” they believe that HEADLINES MATTER when they’re used to tell the truth. Well. Not the truth. The version of reality so completely opposite to the truth that the truth is forced to come out of hiding and wave its pale head above the parapet. Ironically, they’ve recently been accused of “devaluing information, making it hard to tell what is real from what is fake.” Because the mainstream media is the bastion of truth and objective reporting. Yeah, right.

The Yes Men defend their devious behaviour by saying that it’s needed to achieve “a condition of honesty”. When they interrupt meetings and conferences to highlight the failed logic of the free market they push their actions to the most “sinister, corrupt and disgusting” lengths to force people to confront their own twisted morals. To then have audiences simply agree has taught them just how much needs to be done. So, after twelve years of faux-press releases, bumbling around in Survivaballs and campaigning continuously against Dow on behalf of Bhopal, the Yes Men want to get the rest of the population involved and for this they’ve instead created the Yes Lab to help activists all over the world bring our most crazed creations to life.

aniela-murphy-yesmen
Illustration by Aniela Murphy/NeltonMandelton.

The Yes Lab runs in part like the current Fix the World Challenge website, where most of Andy and Mikes’ tips and tricks are given away and you can find like-minded individuals around the world to work with, but this time the Yes Men plan to work directly with the groups and organizations who come to them, providing guidance and training, linking them up with other useful people and checking in with projects until they succeed. The aim is to provide resistance so that when Obama or Cleggeron find themselves cornered by industrial lobbyists they will be able to point out of the window, where we’ll all be camped, naturally, and say “Sorry, I can’t do what you’re asking me to do – those people won’t let me.” It’s no secret after all, that if we all get it together and push in the same direction, even under different names, the government has to listen, and change does get made. The main focus of the Yes Lab, and the Yes Men, is to pressure elected officials, companies and corporations until they make the changes we want to see happen.

With the $50,000 they hope to raise through generous donations the Yes Lab could run for an initial period of six months, with actual staff doing the leg work involved in organising the facilitation of these projects. The Yes Men aren’t just begging for money though, oh no. If you’re not already motivated to give a little after reading about the dangers of the “policies that place the rights of capital before the needs of people and the environment” and the Yes Men’s plans to “kill capitalism before it kills us… before the next generations inherit a world where hunger and violence are the norm in a rapidly fraying civilization” then perhaps a few Yes Men goodies might perk your interest. For a mere $10 you can have a sincere, if mother-scaring, thank you. $25-$100 helps clear out their office, if you fancy a heap of junk alongside copies of The Yes Men Save The World (read our review here) and the Good News edition of The New York Times. $400 is a date with Survivaball model Rocco Ferrer. $1000 for a brainstorming session. $5,000 gets you a Survivaball. $30,000, really, turns into a 2-3 day retreat in the secret catacombs of Paris, checking out underground murals, chilling out with heaps of bones if you’re into that sort of thing. (Guess I’d better start saving.)

If you can’t quite jingle that out of your sofa, then even if you only have a few minutes per day the Yes Men suggest you can make a difference. Taking the time to write to elected officials, joining protests, giving money to great organisations (ahem, cough, etc) and joining social networks to spread the word of these great organisations (cough, cough, ahem, etc) all help, so head over to the Yes Lab, sign up for the newsletter and start telling all your friends to turn over their couch cushions and drop some pennies into the Yes Men’s piggy bank. You never know, you might win a Survivaball. Then who’ll be laughing when England floods, huh? Oh wait. Yeah. No-one.

Amelia met the Yes Men last year when they came to London town. You can read all about it here. And remember to check in with the Yes Lab.

You can also follow the Yes Men on twitter. Of course.

aniela-murphy_yeslab
Illustration by Aniela Murphy/NeltonMandelton.

The Yes Men began when founders Mike and Andy received an invitation intended for the director-general of the World Trade Organisation – via their fake WTO website – to attend a gala event. They emailed Michael Moore to take the invite up, viagra but when a reply was not forthcoming went themselves, and thus their legendary actions began. Now they’re looking to spread the joy of their ‘Yes-tivism’ with the creation of the Yes Lab project to train others in their headline-provoking methods. Though they deplore the media, drowning us in “fake information, spun by those who follow the profit motive in order to sell us on crazy ideas that we all sort of believe even though we know better,” they believe that HEADLINES MATTER when they’re used to tell the truth. Well. Not the truth. The version of reality so completely opposite to the truth that the truth is forced to come out of hiding and wave its pale head above the parapet. Ironically, they’ve recently been accused of “devaluing information, making it hard to tell what is real from what is fake.” Because the mainstream media is the bastion of truth and objective reporting. Yeah, right.

The Yes Men defend their devious behaviour by saying that it’s needed to achieve “a condition of honesty”. When they interrupt meetings and conferences to highlight the failed logic of the free market they push their actions to the most “sinister, corrupt and disgusting” lengths to force people to confront their own twisted morals. To then have audiences simply agree has taught them just how much needs to be done. So, after twelve years of faux-press releases, bumbling around in Survivaballs and campaigning continuously against Dow on behalf of Bhopal, the Yes Men want to get the rest of the population involved and for this they’ve created the Yes Lab to help activists all over the world bring our most crazed creations to life.

aniela-murphy-yesmen
Illustration by Aniela Murphy/NeltonMandelton.

The Yes Lab runs in part like the current Fix the World Challenge website, where most of Andy and Mikes’ tips and tricks are given away and you can find like-minded individuals around the world to work with, but this time the Yes Men plan to work directly with the groups and organizations who come to them, providing guidance and training, linking them up with other useful people and checking in with projects until they succeed. The aim is to provide resistance so that when Obama or Cleggeron find themselves cornered by industrial lobbyists they will be able to point out of the window, where we’ll all be camped, naturally, and say “Sorry, I can’t do what you’re asking me to do – those people won’t let me.” It’s no secret after all, that if we all get it together and push in the same direction, even under different names, the government has to listen, and change does get made. The main focus of the Yes Lab, and the Yes Men, is to pressure elected officials, companies and corporations until they make the changes we want to see happen.

With the $50,000 they hope to raise through generous donations the Yes Lab could run for an initial period of six months, with actual staff doing the leg work involved in organising the facilitation of these projects. The Yes Men aren’t just begging for money though, oh no. If you’re not already motivated to give a little after reading about the dangers of the “policies that place the rights of capital before the needs of people and the environment” and the Yes Men’s plans to “kill capitalism before it kills us… before the next generations inherit a world where hunger and violence are the norm in a rapidly fraying civilization” then perhaps a few Yes Men goodies might perk your interest. For a mere $10 you can have a sincere, if mother-scaring, thank you. $25-$100 helps clear out their office, if you fancy a heap of junk alongside copies of The Yes Men Save The World (read our review here) and the Good News edition of The New York Times. $400 is a date with Survivaball model Rocco Ferrer. $1000 for a brainstorming session. $5,000 gets you a Survivaball. $30,000, really, turns into a 2-3 day retreat in the secret catacombs of Paris, checking out underground murals, chilling out with heaps of bones if you’re into that sort of thing. (Guess I’d better start saving.)

If you can’t quite jingle that out of your sofa, then even if you only have a few minutes per day the Yes Men suggest you can make a difference. Taking the time to write to elected officials, joining protests, giving money to great organisations (ahem, cough, etc) and joining social networks to spread the word of these great organisations (cough, cough, ahem, etc) all help, so head over to the Yes Lab, sign up for the newsletter and start telling all your friends to turn over their couch cushions and drop some pennies into the Yes Men’s piggy bank. You never know, you might win a Survivaball. Then who’ll be laughing when England floods, huh? Oh wait. Yeah. No-one.

Amelia met the Yes Men last year when they came to London town. You can read all about it here. And remember to check in with the Yes Lab.

You can also follow the Yes Men on twitter. Of course.

aniela-murphy_yeslab
Illustration by Aniela Murphy/NeltonMandelton.

The Yes Men began when founders Mike and Andy received an invitation intended for the director-general of the World Trade Organisation – via their fake WTO website – to attend a gala event. They emailed Michael Moore to take the invite up, there but when a reply was not forthcoming went themselves, healing and thus their legendary actions began. Now they’re looking to spread the joy of their ‘Yes-tivism’ with the creation of the Yes Lab project to train others in their headline-provoking methods. Though they deplore the media, drowning us in “fake information, spun by those who follow the profit motive in order to sell us on crazy ideas that we all sort of believe even though we know better,” they believe that HEADLINES MATTER when they’re used to tell the truth. Well. Not the truth. The version of reality so completely opposite to the truth that the truth is forced to come out of hiding and wave its pale head above the parapet. Ironically, they’ve recently been accused of “devaluing information, making it hard to tell what is real from what is fake.” Because the mainstream media is the bastion of truth and objective reporting. Yeah, right.

The Yes Men defend their devious behaviour by saying that it’s needed to achieve “a condition of honesty”. When they interrupt meetings and conferences to highlight the failed logic of the free market they push their actions to the most “sinister, corrupt and disgusting” lengths to force people to confront their own twisted morals. To then have audiences simply agree has taught them just how much needs to be done. So, after twelve years of faux-press releases, bumbling around in Survivaballs and campaigning continuously against Dow on behalf of Bhopal, the Yes Men want to get the rest of the population involved and for this they’ve created the Yes Lab to help activists all over the world bring our most crazed creations to life.

aniela-murphy-yesmen
Illustration by Aniela Murphy/NeltonMandelton.

The Yes Lab runs in part like the current Fix the World Challenge website, where most of Andy and Mikes’ tips and tricks are given away and you can find like-minded individuals around the world to work with, but this time the Yes Men plan to work directly with the groups and organizations who come to them, providing guidance and training, linking them up with other useful people and checking in with projects until they succeed. The aim is to provide resistance so that when Obama or Cleggeron find themselves cornered by industrial lobbyists they will be able to point out of the window, where we’ll all be camped, naturally, and say “Sorry, I can’t do what you’re asking me to do – those people won’t let me.” It’s no secret after all, that if we all get in together and push in the same direction, governments will eventually have to listen, and changes will happen. The main focus of the Yes Lab, and the Yes Men, is to pressure elected officials, companies and corporations until they make the changes we want to see happen.

With the $50,000 they hope to raise through generous donations the Yes Lab could run for an initial period of six months, with actual staff doing the leg work involved in organising the facilitation of these projects. The Yes Men aren’t just begging for money though, oh no. If you’re not already motivated to give a little after reading about the dangers of the “policies that place the rights of capital before the needs of people and the environment” and the Yes Men’s plans to “kill capitalism before it kills us… before the next generations inherit a world where hunger and violence are the norm in a rapidly fraying civilization” then perhaps a few Yes Men goodies might perk your interest. For a mere $10 you can have a sincere, if mother-scaring, thank you. $25-$100 helps clear out their office, if you fancy a heap of junk alongside copies of The Yes Men Save The World (read our review here) and the Good News edition of The New York Times. $400 is a date with Survivaball model Rocco Ferrer. $1000 for a brainstorming session. $5,000 gets you a Survivaball. $30,000, really, turns into a 2-3 day retreat in the secret catacombs of Paris, checking out underground murals, chilling out with heaps of bones if you’re into that sort of thing. (Guess I’d better start saving.)

If you can’t quite jingle that out of your sofa, then even if you only have a few minutes per day the Yes Men suggest you can make a difference. Taking the time to write to elected officials, joining protests, giving money to great organisations (ahem, cough, etc) and joining social networks to spread the word of these great organisations (cough, cough, ahem, etc) all help, so head over to the Yes Lab, sign up for the newsletter and start telling all your friends to turn over their couch cushions and drop some pennies into the Yes Men’s piggy bank. You never know, you might win a Survivaball. Then who’ll be laughing when England floods, huh? Oh wait. Yeah. No-one.

Amelia met the Yes Men last year when they came to London town. You can read all about it here. And remember to check in with the Yes Lab.

You can also follow the Yes Men on twitter. Of course.

RCA show 2010 entrance
Wowser! the entrance to the 2010 RCA graduate show.

The Royal College of Art has really gone to town for the graduate shows this year: there’s a huge SHOW sculpture around the entrance to the college in the same neon orange as their invite that ensures you’re not gonna miss the location if you’ve never been before.

The MA graduation shows are always a very mixed bag – the RCA lays claim to the pick of the creative crop, symptoms but despite much lauded links with the creative industries I find that many of its students still very much have their head in the clouds when it comes to producing something that will appeal to more than a few people. This morning I only had time to get around the printmaking and photography exhibitions so will leave the rest to another time, if I find it. Within the photography section I was only really moved by the work of Noemie Goudal – who had pole position right next to the free teas for press in the entrance hall stage right. Her strongest piece is Les Amants (Cascade), which shows a waterfall in a woodland artfully recreated with some draped plastic. I won’t try to paraphrase the abysmal entry in the RCA catalogue describing her work but it’s obviously a commentary on the presence of humans in nature, and I always like that kind of thing.

Noemie Goudal Les Amants (Cascade)
Les Amants (Cascade) by Noemie Goudal.

In printmaking I walked straight past the work of Cordelia Cembrowicz, though I should have seen her giant Climate Rush inspired print straight away – it’s an event I remember well. The last big Climate Rush action to inspire the masses took place in June 2009 when we organised a huge bike rush which ended with a blockade of Westminster Bridge right outside Parliament (read about it here), and the print depicts Cordelia astride the famous statue of Boudicca. It makes me sad to see work inspired by Climate Rush and these artworks feel a bit like a memorial to a certain place and time that has now passed. Still, they serve as a reminder of how much we achieved before the group (as it was then) imploded under Tamsin Omond’s drive to reach her next goal – becoming MP for the constituency of Hampstead and Kilburn as head of her own political party, To The Commons. She failed, but I’m sure she has a new plan in the pipeline.

boudicca Cordelia Cembrowicz
Boudicca (Deeds Not Words) by Cordelia Cembrowicz.

Still, our clothes and actions were always going to be ripe for artistic plundering and Cordelia (who joined us for a couple of actions) has done an admirable job of producing some wonderful lithographs inspired by photographs of various associated members of Climate Rush. I particularly love the one of Tracey – who will be well known to those who have campaigned against Heathrow in Sipson – grasping at a clutch of planes.

tracey Cordelia Cembrowicz
Tracey by Cordelia Cembrowicz.

And the print showing a crouched Brenda, fist to the sky in front of a decorative Shell rondel, is simply stunning. Just look at the detail on Brenda’s proudly displayed armpit hairs! Around her dead yellow canaries are sploshed against some psychedelic swirls; presumably inspired by our No New Coal Awards back in February 2009, *sigh* those were the days. And there’s Cadi, smoke stacks billowing out of her multiple heads on a stained glass window designed for a new look Westminster.

brenda Cordelia Cembrowicz
Brenda by Cordelia Cembrowicz.

RCA show 2010 Cadi
Detail from a stained glass window showing Cadi’s mulitple heads, by Cordelia Cembrowicz.

What a shame it all went tits up.
Moving swiftly on….

I was most intrigued by a group of tables set up with various kitchen implements and paint, but had to have the concept explained to me. In a flight of fancy the like of which you can get away with at the RCA, Helen Murgatroyd has set up her own homespun cottage printing industry utilising kitchen implements and other familiar domestic objects to create a traditional looking screenprint of a plate on a checked table cloth, rendered special by the process that produced it. She must be doing something right because she has just had her entire graduate collection bought up by Terence Conran.

RCA show 2010 Helen Murgatroyd
Part of the installation by Helen Murgatroyd.

Another printmaking graduate that caught my eye was David Orme, whose work so reminded me of Luke Best that I asked if he’d had him as a tutor. He hasn’t, but has heard the comparison before. I particularly liked his decorative use of metallic foils in a group of voyeuristic illustrations inspired by tourism, but was unable to take a decent photo. The work on his site showcases an altogether different style.

RCA show 2010 David Orme
Detail of a work by David Orme.

Next to him Olenna Mokliak showed large lithographs etchings and aquatints of weird monsters with extendable fingernails and ballet shoes. Very weird, I like a lot, but she has made the unforgivable error of not creating a website before her graduate show. Who tutors these people?! Fail!

I AM AFRAID I’VE HAD TO REMOVE THIS WORK – SEE COMMENT BELOW.
Detail of a work by RCA show 2010 Olenna Mokliak.

Downstairs my trip was curtailed still further when I bumped into a friend that I haven’t seen in over a decade. I studied fashion textiles with Philippa Wagner at the University of Brighton and she is now a top trends forecaster, living with her young family in sunny London Fields. She too was enjoying the Hackney Parks for Life festival with her kids last Saturday when a gang shot a passer by who was innocently enjoying a picnic just like us. More like Parks for Death me thinks. It was nice to catch up, albeit briefly, and I just had time to take in the work of Sun Ju Lee – stunning shadow-like prints made with great delicacy on fishing wire, almost lenticular in appearance. Unfortunately not translated well into 2D.

Sun Ju Lee RCA
A Practiced Place by Sun Ju Lee.

Part one of the RCA show continues until 6th June 2010. It’s open from 11-8 daily at the Royal College of Art, Kensington Gore, London SW7 2EU. Admission is free.

Categories ,Bike Rush, ,Climate Rush, ,Cordelia Cembrowicz, ,hackney, ,heathrow, ,Lithograph, ,London Fields, ,MA Graduate Show, ,Noemie Goudal, ,Olenna Mokliak, ,Parks for Life, ,Philippa Wagner, ,photography, ,printmaking, ,Royal College of Art, ,screenprint, ,Show One, ,sipson, ,Sun Ju Lee, ,Tamsin Omond, ,Trends forecasting, ,University of Brighton, ,Westminster Bridge

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Amelia’s Magazine | How to Attract the Opposite Sex: an art seminar/dating opportunity from Details on Request

vampireweekend by Patty Bowman
nila raja explaining by kellie black
Nila Raja by Kellie Black.

Last Thursday I was in Broadway Market to review one of a series of intriguing talks organized by Details on Request, information pills a group of curatorial East London artists, ambulance for Amelia’s Magazine. The talk I’d been asked to cover was about How to Attract the Opposite Sex. Not having had much luck myself recently with attracting and retaining boyfriends, I was eager to find out if there was anything new I could learn.

There was a pretty lively atmosphere in Broadway Market when I turned up for the open air talk, on the pavement outside Off Broadway, the popular and trendy bar hangout, frequented by the more fashionable London Fields locals. Despite the fact that the talk had been delayed from 8pm til 9pm for various reasons, the atmosphere in Broadway Market was perfectly suited to the subject matter, with everyone gathered in a frivolous and light-hearted summer evening mood, jostling outside the bar in anticipation of what promised to be an entertaining discussion. It was also First Thursday of the month which is open gallery night in Hackney, meaning that the crowds were drifting up from Vyner Street towards London Fields in search of alcohol and social interaction.

Nila Raja, who is the striking and exotically beautiful lead singer of Nila and the Rajas hosted our evening discussion. She began by saying to us that whether we attract the opposite sex or not depends so much on the alignment of ‘chance factors like the weather, the flowers, the trees, whether the sun is shining’…

Antonia-Parker-How-To-Attract-The-Opposite-Sex
Illustration by Antonia Parker.

She then selected one guy and one girl from the group to pose as models. Taking the girl she asked her to walk as she normally would in front of us. Nila then summoned her back and asked her to pin back her shoulders and stick out her chest before attempting the same entrance again. This time her posture was noticeably improved. “Look”, exclaimed Nila, “See what a difference something that simple can make to how you present yourself?”

Nila then took the bearded man in his khaki military jacket with shiny brass buttons, complimenting him on his bold fashion sense and explained how he could get a girl on her own at a party, by asking her if she wanted to come outside for a smoke with him. Some of us guffawed out loud at this suggestion, because the unhealthy stigma attached to smoking and the bad breath linked to it, is anathema to most people nowadays. But some of us conceded that smoking was still seen as sexy by some because of Bogart and Hollywood movies.

What Not To Say Kayleigh Bluck
What Not To Say by Kayleigh Bluck.

She asked the guy if he would recognise the tell tale signs indicating whether a girl fancied him or not? Nila said that one indication is when a girl flutters her eyelashes at you before gazing directly into your eyes. Another is when she directs her gaze briefly towards the man’s crotch and then back up to his face. There were lots of giggles at this point. Nila then posted a large sheet of white paper on the wall outside the bar and asking the assembled throng what, in their opinion, were the ‘do’s’ and ‘don’ts’ of dating conversation – in particular, first dates.

Antonia-Parker-How-To-Attract-The-Opposite-Sex
Dos and Don’ts by Antonia Parker.

A nervous titter ran through the crowd and everyone looked at each other, as if to say, yeah, we’ve all been here before. Under Don’ts we soon had a list defining the more obvious off -limit topics of conversation: babies, marriage, PMT and periods, ex-boyfriends, talking about yourself too much, talking about work too much, family and DEATH (which for some reason was in capital letters). Under Do’s we had, ask them about: what he/she likes to do in their spare time, for fun; travelling; football, sport (if dating a bloke); topics he or she is knowledgeable about in order to make them feel attractive and the focus of your attention.

Most of the ideas on the list were fairly westernized, for example in terms of taboos around avoiding discussion of marriage and babies ahead of marriage and babies. As one woman confided to me, “This is not a problem in the arab world.” The subject matter was mostly familiar to all of us and not particularly original or ground-breaking, however the interactive nature of the talk acted as a catalyst that sparked off a peculiar chain of reactions in the assembled crowd, leading to some amusing consequences.

Holding Hands Kayleigh Bluck
Holding Hands by Kayleigh Bluck.

An Australian bloke who told us he was travelling the world, started to interrupt Nila in order to support her by giving the male point of view on dating. He jumped up and down in his surfing shorts and flip-flops with such enthusiasm, he might as well have been a ballerina on point, flailing his arms and speaking expressively to the crowd. “Yeah”, he exclaimed, “I’m a traveller and talking about travelling with blokes is good. I mean everyone’s travelled somewhere haven’t they? and you’re bound to get a response with that.” The next thing I heard he’d disappeared downstairs into the gents toilets for some action with a mystery blonde he’d met that evening. One of the friendly crowd I’d met on a bench outside the bar had stumbled in on the pair of them next to the fishtank in the gents loos.

A minute later a friendly-faced young man appeared at my shoulder with his bike, asking me what the talk was about. He said he’d been passing on his bike and seen the crowd and was curious to know what was going on. I filled him on on the details but he seemed much more interested in where I was from, what was I doing there and what did I get up to in my spare time? It suddenly occurred to me that I was being picked up by a stranger. Soon we were discussing my choir – The Hackney Secular Singers. He told me he was the lead singer in a band and would like to come along to our choir rehearsals to try out some time. Before I knew it we were exchanging details and I was the stunned possessor of his mobile phone number and email address. I returned to the very friendly and pleasant group of four strangers with whom I’d been chatting earlier who were sitting on a bench outside the bar. They bought me a beer and then, as we wended our way back towards Hackney Road, one of them insisted on getting me alone so that he could ask for my phone number, telling me he was a ‘free agent’.

amelia and the friendly man by kellie black
Amelia and the Friendly Man by Kellie Black. Just imagine this is Jemima folks. Because it was actually her… slight misunderstanding by Kellie. I was a bit confused about why the illustration looked so like me – turns out it is me!

I concluded that I may not have learnt a great deal from the talk in terms of technique or ideas about how to catch a man, but that its location, the timing, the open air setting and the boulevard style of delivery meant that it was more than likely you would achieve the endgame of attracting some one of the opposite sex, simply by being there – which is half the battle, after all. It had also been a really fun way to spend my evening.

Couple Kayleigh Bluck
Couple by Kayleigh Bluck.

For more information about Details on Request see their website: they’ve got lots more going on throughout August.

Categories ,Antonia Parker, ,Broadway Market, ,Details on Request, ,First Thursdays, ,hackney, ,Hollywood, ,Kayleigh Bluck, ,Kellie Black, ,London Fields, ,Nila and the Rajas, ,Nila Raja, ,Off Broadway

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Amelia’s Magazine | How We Are Attracted To Things: an art seminar from Details on Request

details on request attraction seminar kerry hyndman
All photography and illustration by Kerry Hyndman.

Saturday night saw the end of a series of seminars on ‘irrelevant learning’ organised by Details on Request (which we listed here), who are a small collective of artists in East London. Hosted by ‘creative technician’ Andrew Jeremy Houghton-Robinson, it was two hours of ‘debate’ that explored the idea of how we are attracted to things. Sold as a conversation about the effect advertising can have on us, the public, it became a messy exchange of thoughts and the Gossip Café’s charming garden was left resembling a chaotic classroom.

details on request attraction seminar kerry hyndman

Houghton-Robinson was quick to utter the philosopher’s mantra of “there are no right answers”, but if he’d had one it wouldn’t have been taken seriously anyway. As he sought to outline his theory with a series of basic illustrations and loose metaphors about good and evil you could sense everyone was wishing they were watching the music drifting across from the Little London Fields festival up the road. But on he went.

illustration attraction seminar by kerry hyndman

We must be aware of the dark arts used by advertising, Houghton-Robinson warned before showing us a clip of the eerie child snatcher from Chitty Chitty Bang Bang. “So do you think advertising is a child snatcher then?” Bingo. We’d hit the jackpot. And as the rain began to sneak through the assorted umbrellas gathered above us it seemed as good a time as any to make for the exit. Houghton-Robinson looked a little downbeat as he ended the session but in truth he’d done a valiant job at sparking debate in front of an unforgiving audience.

YouTube Preview Image

Details on Request will be running further performance and live art in the park in London Fields on Saturday 28th August. Details here.

details on request attraction seminar kerry hyndman




Categories ,Andrew Jeremy Houghton-Robinson, ,Broadway Market, ,Chitty Chitty Bang Bang, ,Details on Request, ,Gossip Cafe, ,Kerry Hyndman, ,London Fields

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