It feels like of Montreal (who are actually from Georgia) have been around for even longer than their eleven years. They’ve never really felt the fickle grip of hype, instead remaining a constant presence; on mixtape compilations, at parties and in music blogs. Shamefully, their part-of-the-furniture demeanour has meant that I’m only familiar with a handful of their hits, having never felt the impulse to dig deeper and geek up on all of their releases (and boy are there releases; in just over a decade they’ve produced nine studio albums and six EPs). So tonight as we head into Digital, just off the pebbly shore of Brighton beach, I can honestly say that I have no idea about what will be store for us over the next three hours, but I can’t wait to get inside.
Casiokids at Brighton Digital
While coats are swapped for raffle tickets and bar trips hastily made, Norweigen eletropoppers Casiokids take to the stage in a burst of bright, primary coloured lights and Cheshire-cat grins, fiddling about with the wires that extend out of the countless electronics and snake around their lace-up pumps. The self-named ‘electro troupe’ stand huddled in a close group enshrouded in equipment, energetically clapping their hands and throwing out jaggedy, pulsing dance moves. The music is vigourously dynamic but they appear relaxed as they spin out perky electro soundscapes, drenched in positivity and good times, as the stage is soaked in blocks of red, blue and green light.
Before of Montreal make an appearance, the atmosphere ascends; even the soundcheck is watched by the surrounding crowd with all the excitement normally reserved for an unexpected rendition of an old favourite, not the usual “one-two-one-two”. After being thrown into darkness, the lights eventually rise to depict a guy in a tiger mask standing center stage, setting the tone for the theatrical extremities that will follow. All members then appear to ‘She’s A Rejector’, dressed to the nines in glitter, dark shades, and ruffles, looking like a bemused circus group that have somehow got lost on their way to a carnival in outer space. It shouldn’t work, but it does, and I have to remind myself that this is a band who released their latest record, ‘Skeletal Lamping’, in various bizarre formats, including jewellery and bags.
Of Montreal at Brighton Digital
Frontman Kevin Barnes never stops moving, always pointedly alert as he bops around and dramatically strips off his shirt. He performs one song sat high on someone’s shoulders and even manages a costume change. The band play their way through tracks from albums including Skeletal Lamping, The Sunlandic Twins and Hissing Fauna…, as pigs, ninja’s and buddahs dance across the stage and with band members, which is slightly disturbing and fantastically theatrical. Due to the many incarnations of of Montreal over the years, their music comes in various forms – it sometimes verges on a ramshackle of unpredictable indiepop, then swins into funky afrobeat, and then just when you think you’ve got them pinned down, they throw in some psychadelic grooves to prove you completely wrong.
Of Montreal at Brighton Digital
For of Montreal a concert isn’t merely a runthrough of numbers but a grand performance; a chance to challenge perceptions and revel in insanity, dressed up and down and bringing their world onto the stage with them. As we leave I overhear a girl telling her friend, “My expectations were so high, but that has totally gone past anything I’d expected. It was incredible”, perfectly summing up the evening.
Categories ,Casiokids, ,Indie, ,Live, ,Of Montreal
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