Amelia’s Magazine | An interview with Kaja Szechowsko: Amelia’s Colourful Colouring Companion featured artist.

Kaja Szechowsko
Kaja Szechowsko is a Polish illustrator and jewellery designer who was inspired by her range of necklaces to create a surreal double page for Amelia’s Colourful Colouring Companion featuring Siamese twins. She tells us about the woodland of Lodz, aleatory concepts that have inspired a book she is making, and the idea of travelling through life as a hitch-hiker.

Kaja Szechowsko
Why did you decide to study sculpture and how has that informed the way that you design and create art today?
I attended a preparatory course for drawing at my university, and I was rather thinking about choosing graphic arts later. One day I lost a doll that I had pinned to my bag. It was a plush miniature of me that I had sewn and I called it my Voodoo Doll. I was upset and when I went in to my course the next day, I told my friend about the loss. And to my surprise he said: “Really? I saw it sitting on a pedestal in the hall. I thought you had an exhibition.” And there I found her, and so I found my place. I feel that the biggest thing I learned while studing sculpture was a way of thinking, of analysing my work, and making myself question it as if I was somebody else. All the rest is some kind of sensibilty that remains the same, regardless of medium.

Kaja Szechowsko
Where do you go for an injection of inspiration in the city of Lodz?
It’s difficult to say now, it’s somehow the city of my past, and everything reminds me about something that I don’t need anymore. As for today my favourite place is the forest on the outskirts, near my parents hause. It’s neutral enough and meaningless to feel comfortable.

Kaja Szechowsko
You run a jewellery brand called OMG! Jewels – how did you learn how to make jewellery, what features in your current range and how are the pieces made?
My jewels are just miniature sculptures. I didn’t take any special courses. It all started with a necklace portrait of my flatmate’s dog that I made for her birthday. It turned out so cool that I decided to make some more. The first collection is made up of necklaces featuring different kinds of creatures such as unicorns, holy sheep, slugs, meat-eating plants and animal skulls. Some of them are a little creepy, others are just lovely, however all of them are at least a little kitsch. I can reveal that the new collection will be even more freaky and will use an illustration medium.

Kaja Szechowsko double spread
Who or what inspired your colouring page artwork?
One of the necklaces I have made for OMG! Jewels features my favourite Siamese doll, who is also the protagonist of my colouring pages.

Kaja Szechowsko
You’ve moved around a lot in the past few years – what has taken you across Europe and what have you done to keep your creativity alive on the go?
Generally, I have terrible feelings that I’ll suffocate if I stay in one place too long. Usually there is some small indication that I follow. Once I found a little Eiffel Tower below my feet. Another time, I read about a place in one of Roberto Bolaño‘s books. And so on. It seems like a childish play, or maybe it’s just a selective subconscience, but I find it magical. I try to work in the conditions in which I find myself; it’s a little hard and I’d like to improve that point of the story. I was working in an artistic recidency and I have had some other temporary studios, but I feel now I need another quality of working calmness.

Kaja Szechowsko
What is your preferred process to create an illustration?
I work mainly with traditional techniques using paints and crayons. I like this process, I find it relieving. I use the computer only to put things together. Generally I wouldn’t really mind a life without a computer. I feel it destroys all the magic, both in life and art.

Kaja Szechowsko
Who is your new illustrated book Bad Herbs aimed at and what kind of ideas will it feature?
It’s definitely aimed at adults. It’s based on an aleatory concept that I invented. The drawings are only a pretext. It’s more or less about randomness and choice. But I cannot reveal more, because then, there won’t be a surprise anymore :).

Kaja Szechowsko
Where are you based now and what are your plans for the future?
Currently I’m not based anywhere at all. I’m just passing my mental SPA holidays in my parents hause, stroking my beloved cat Alisek and planning the brightest ever future. I’ve just left Barcelona with a deep conviction that I’ll never go back again, although I left all my stuff there. It’s irrational, but typical for me. I have a lot of plans for the future! When I finish the book it will surely satisfy my illustration hunger, and I’d like to go back to creating my mechanical toys, which I have abandoned for some time. And then travel, travel and look for the new adventures, and somewhere in the middle build a place where I can rest and work in peace.

Kaja Szechowsko
What was the most inspiring part of your travels?
It was surely the aspect of the unknown and the whole range of possibilities open to me, the uncertainty about what will happen and the complete certainty that something (whatever) will happen. I love the idea of life as a kind of hitchhicking experience. Another thing is that I like a change of scenery (or at least a scenography), at that point when I’m catching myself looking, but no longer seeing. When I getting used to something, it’s like the first sign I am getting languid.

Kaja Szechowsko 02
Where else do you look for inspiration?
In the dreams. I’m really good at remembering my dreams. Currently I’m trying to learn some techniques of lucid dreaming, to have still more fun. However as for now, the result has been completely the opposite and I just fall asleep immediately or don’t remember anything at all.

Preorder your copy of Amelia’s Colourful Colouring Companion to arrive in January and don’t miss out on the opportunity to colour unique artwork created by 44 artists from all over the world. Just click here.

Categories ,#ameliasccc, ,Alisek, ,Amelia’s Colourful Colouring Companion, ,Bad Herbs, ,Colouring Book, ,etsy, ,interview, ,jewellery, ,Kaja Szechowsko, ,Lodz, ,poland, ,Polish, ,Roberto Bolaño, ,Voodoo Doll

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Amelia’s Magazine | Album review: Lymes – Goodbye Bangkok, and interview with Richard Gilbert

Voodoo Doll - Lymes by Janneke de Jong
Lymes – Voodoo Doll by Janneke de Jong.

Goodbye Bangkok was one of those wonderful surprises that landed in my musical inbox late last year. From first single Train to Penang – a mournful tune backed by a full orchestra – to the twinkling horns and swooping cellos of Welcome, the album is an elegiac treasure chest of unusual tunes inspired by Richard Gilbert‘s occasionally difficult time in Thailand. Despite harrowing subject matter there is real beauty in this collection; highlights include the duelling banjos that introduce love song The Fool, and a husky male voice submerged by honeyed female vocals in Voodoo Doll. Every song is an unexpected delight. A real find of 2011.

Lymes single cover
Your debut album came out last September, what has been the reaction? Any pleasant or unusual surprises?
Well, it has all been pleasant really in that it reached a couple of places I never expected it would – BBC 6 Music has played tracks off it a few times and Clint Boon of XFM made it his featured album of the day, which was very nice, as is he. It was a pleasure to simply be in touch with a pop star that features in my own record collection! I originally intended to record this album with my musical ‘other half’, Simon Andrew, and not promote it at all. It was just for our own enjoyment. It was intended to be a download only release with no marketing at all. We were artists in the purest sense! No bullshit, just the music. I still don’t feel comfortable pairing the 2 activities together. So it was my intention to leave it sitting there in cyberspace, ready for any random passersby to enjoy or not enjoy. Anyway, in the 11th hour, my arm was twisted, partly by me, into doing more of the promo work. And I started to enjoy it because it gave birth to Mollusc Records that I set up with a few mates and off we went. There is more to nurture now than just Lymes. The most pleasing thing for me is that, for those that have bought / received a copy of the album, they talk about the lyrics first of all. I was very anxious about the lyrics. They needed to be interesting and not vague because I knew I wanted to explore songs with upfront vocals and in a talking style.

Lymes - The Fool by Abi Hall
Lymes – The Fool by Abi Hall.

What was the name of the band that you were in during the 90s? And why did you decide to go it alone for awhile?
I was in a noisy band called The Mandelbrot Set. Loads of wah wah and distortion. I packed it in because we had not written any good songs for a few months. I was too impatient. And when I left the band, I realised I had a huge void in my life. I had no job, no degree. So off I went to get the quickest degree I could and then to Thailand, which certainly filled my life with colour.

Be My Dead Wife

The subject matter was inspired by your personal encounters whilst living in Thailand…. how did these find their way into a musical format?
This was a key concern for me. The music was writing itself nicely, with my multi-instrumentalist partner Simon and me with the recording gear. The songs were stockpiling with mumbled vocal takes and no finished lyrics. I needed a theme for inspiration and when I wrote one set of lyrics about Thailand, Be My Dead Wife, I was really happy with them. And I was able to write a set of lyrics very quickly. Often in one sitting. I was also very keen on storytelling in music as opposed to nebulous lyrical imagery, where the singer is another instrument…..I spent a lot of time listening to Johnny Cash whilst out there. This probably opened my mind to storytelling.

Lymes Goodbye Bangkok cover
What prompted the move to Thailand in the first place? You were there for 6 years which is a long time… can you tell us about some of your more interesting experiences? How did you stay alive, ie what was your work during that time?
As I said above, the big void left by not being in a band led me out of the country. It was supposed to be Argentina but I followed a mate to Bangkok after we did a TEFL course. I started off teaching English but quickly moved into market research in the grocery industry. Zzzzz. Some stories are in the album and the lyrics are all printed in the cover sheet. And there is no flowery stuff going on. Very direct I think. In addition to these? I have written a few things down here and deleted them. Sorry! It’s the usual stuff you would expect to see in Thailand; drugs, corruption, passport dealing, working without work permits, vehicle smuggling and ringing, prostitution, tourists and fresh expats getting duped, loutish behaviour, boiler rooms, grotesque sex shows (anybody care to see a go-go dancer shaking a coke bottle, sticking it up her bum, bending over and spraying the audience? No, thought not.), endless road traffic accidents and most sadly, child trading /smuggling. This is something that I could not put on the album. Although the lyrics are observational. the delivery and music add the appropriate vibe. I doubt I’d ever finish it if that were the story. To summarise, a sleezy English chap ran an English Language school but was also allegedly buying children from Orphanages on spec and selling them to Chinese people that were not able to have their own children. At least that is what I was told by others that knew him better than I. To just know the face and name of someone that might get involved in that troubles me. Writing songs about how great the food is and how lovely the people are doesn’t seem to work as well lyrically. But the food is amazing and the people are lovely!

Lymes by Rosemary Cunningham
Lymes by Rosemary Cunningham.

You have said that songs start life in your phone voicemail at about 6am in the morning. Is that because you phone yourself in a half asleep slumber? Has this occurred under any strange circumstances, or in a strange place?
Kind of! I often wake up with song parts going through my head. I am usually convinced they are someone else’s. I sing them into my own voicemail before I forget them, so yes I am barely awake when it happens and then I ask everyone later if they recognise it…… the cellos on Welcome, for example, came about in this way, as did the violins on Voodoo Doll.

Welcome

Voodoo Doll

Lymes_WindChimes By Jardley Jean-Louis
Lymes – Wind Chimes by Jardley Jean-Louis.

Your first live performance was with the Hull Philharmonic Orchestra in October, which is quite a major deal! How did that come about? Any special things you had to adapt when performing with such a large amount of musicians?
That was the hardest gig I ever did. First gig with Lymes and my first gig since the 90s. I wanted to do something special, not just play the local clubs. And several Lymes songs had orchestral parts in them that would have left the song bare without orchestral instruments. We started planning this show 3 years ago. It is really tough getting people to come together for your music when you have hardly any money. But the Hull Phil were really nice people to work with and it certainly opened everyone’s eyes seeing the 2 genres coming together when no one had done anything like it before. We ended up with a chamber orchestra of around 22 players. It was a great success in the end. Amazing really, because we had to manage the show ourselves and many things were going wrong, increasingly so on gig day….. and we were trying to focus on the music.

Lymes_by_Geiko_Louve
Lymes by Geiko Louve.

Who else is Lymes?
Ah. I’m glad you asked about that. Simon is the other one and the musical backbone to this album. He has a lever arch file with hundreds of songs in it and we still have not gone through them all to see which ones need to be worked on. The 2 best songs on the album are The Fool and Train To Penang. He wrote the music for both of them. He is a very good drummer, a good keyboard player and a competent guitarist. There is also musical pedigree in his family. His brother is perhaps my favourite drummer of all time and had some success with Kingmaker in the early 90s.

The Fool

Train To Penang

My favourite story about Simon is that, while watching his brother having a really good time in Kingmaker, opportunity knocked on his door in the shape of an invitation to a drumming audition for a World Party tour in America. And he turned it down because he thought their music was boring!

Lymes
When can people next see you live, and are you doing any festivals next summer?
We are planning another big show, this time with a gospel choir. We just need to find one that will not be too concerned about the lyrical content and lack of Jesus worship in our songs. We are also waiting to hear if we are on the bill for the Great Escape festival in Brighton in May. Fingers crossed on that one.

Goodbye Bangkok is out now on Mollusc Records.

Goodbye Bangkok

Categories ,Abi Hall, ,Clint Boon, ,English Language, ,Geiko Louve, ,Goodbye Bangkok, ,gospel, ,Great Escape, ,Hull Philharmonic Orchestra, ,interview, ,Janneke de Jong, ,Jardley Jean-Louis, ,Johnny Cash, ,Kingmaker, ,Lymes, ,Mollusc Records, ,review, ,Richard Gilbert, ,Rosemary Cunningham, ,Simon Andrew, ,Thailand, ,Thailand Be My Dead Wife, ,The Fool, ,The Mandelbrot Set, ,Train To Penang, ,Voodoo Doll, ,Wind Chimes, ,World Party, ,XFM

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