Amelia’s Magazine | Raw Talent University of the Arts Graduate Fashion Show: Review

Jeyanthy Balakrisnen by Ruth Joyce
Jeyanthy Balakrisnen by Ruth Joyce.

Raw Talent kicked off their graduate design exhibition at the Hoxton Gallery with a catwalk show featuring hand selected designers from the University of the Arts. Despite a shaky start and numerous amateurish glitches (poor lighting, dodgy models & questionable styling, stop and start music, no designated photographer’s pit) I was glad I stayed until the end, for there were a few really promising collections on show.

Raw Talent fashion show 2013-cindy zhang
Cindy Zhang of the London College of Fashion creates delicate leather accessories.

Raw Talent fashion show 2013-seung youn lee
Raw Talent show Seung Youn Lee by Rebecca Elliston
Seung Youn Lee by Rebecca Elliston.

From Central Saint Martin, Seung Youn Lee‘s Dr. Gentle and Mister featured pleated paper skirts and ruffs inspired by historical costumes.

Raw Talent fashion show 2013-dian luo
Raw Talent fashion show 2013-dian luo
Dian Luo of Central Saint Martin‘s jewellery course showcased beautiful light up LED necklaces, inspired by the shape of cactuses.

Raw Talent fashion show 2013-Lorna Doyle
Lorna Doyle was inspired by hoarding to create dishevelled pleated dresses covered with abstract prints.

Raw Talent fashion show 2013-Jeyanthy Balakrisnen
Raw Talent fashion show 2013-Jeyanthy Balakrisnen
Raw Talent fashion show 2013-Jeyanthy Balakrisnen
Raw Talent fashion show 2013-Jeyanthy Balakrisnen
Raw Talent fashion show 2013-Jeyanthy Balakrisnen
My favourite collection of the evening was a colourful ruffled affair from Jeyanthy Balakrisnen of the London College of FashionLost and Found was inspired from a plethora of sources, including the streets of India and the Amish communities of America.

Raw Talent fashion show 2013-Lena Strelets
Raw Talent fashion show 2013-Lena Strelets
Raw Talent fashion show 2013-Lena Strelets
Raw Talent fashion show 2013-Lena Strelets
Lastly, Lena Strelets of London College of Fashion showed a collection inspired by Russian icons. She’s previously showed in Russia and clearly has some cash behind her for this was full of beautiful embroidered details and delicate stitching. Lena took a turn on the catwalk at the end, wearing extremely high sparkly heels that vied for attention with the extravagant wigs worn by her models.

Read my review of the rest of the Raw Talent exhibition here.

Categories ,2013, ,Central Saint Martin, ,Cindy Zhang, ,Dian Luo, ,Dr. Gentle and Mister, ,fashion, ,Hoxton Gallery, ,Jeyanthy Balakrisnen, ,Lena Strelets, ,London College of Fashion, ,Lorna Doyle, ,Lost and Found, ,Raw Talent, ,Rebecca Elliston, ,review, ,Ruth Joyce, ,Seung Youn Lee, ,University of the Arts

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Amelia’s Magazine | Raw Talent University of the Arts Graduate Design Show: Review

raw talent performance art
Last week I went along to the opening night of Raw Talent at the Hoxton Gallery in Shoreditch, hosted by We.Create International. Alongside strange goings on such as the sight above (mostly naked silver painted man with a strawberry on his head, anyone?) I discovered a host of interesting new talent from across the University of the Arts.

Viola Yoo raw talent jewellery
Viola Yoo ring
My favourite finds, rightly given pride of place near the entrance to the show, were a set of stunning and unusual jewellery designs titled Multiplicity by Viola Yoo. In close up the exotic coral formations reveal miniature metal traps filled with jewels. Viola has had an illustrious career prior to completing an MA in jewellery design at Central Saint Martins, winning a host of competitions. I’ll be intrigued to see how she translates these beautiful designs into saleable items.

Silent Propaganda by Sam Woolf
This man with a monkey head was part of a collaged papercut series named Silent Propaganda by Sam Woolf.

Fascinating World by Lucinda Chang
Fascinating World by Lucinda Chang (Chelsea College of Art & Design) featured a ceramic tableaux inspired by the plight of the coral reefs.

Joe Mallender
I wasn’t sure if this pretty lady was created as a fashion illustration, but she sure works as one. By Joe Mallender.

Ceramics by Kevin Iat Sien Yeung
These architectural ceramics are by ‘Kevin’ Iat Sien Yeung.

Dennis Song brass jewellery CSM
Dennis Song brass jewellery CSM
Dennis Song brass jewellery is extreme and possibly unwearable, but looks great in photos: apparently this mouthpiece is inspired by surrealism & the beauty of death. He is another graduate of CSM.

raw talent nibbles
Finally, special mention must go to the home made nibbles laid out in foil trays at Raw Talent – I highly recommend pretzels stuffed with peanut butter & dipped in chocolate!

Next up, my review of the in-house fashion show. If you are a creative graduate and wondering what to do next, don’t forget to check out Amelia’s Award, there are a few days left to enter! Follow me on instagram to see my graduate finds first.

Categories ,2013, ,Amelia’s Award, ,Central Saint Martins, ,Chelsea College of Art & Design, ,Dennis Song, ,design, ,Fascinating World, ,graduate, ,Hoxton Gallery, ,jewellery, ,Joe Mallender, ,Kevin Iat Sien Yeung, ,Lucinda Chang, ,Multiplicity, ,Raw Talent, ,review, ,Sam Woolf, ,Silent Propaganda, ,University of the Arts, ,Viola Yoo, ,We.Create, ,We.Create International

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Amelia’s Magazine | Exhibition: El Ray

Ally Rosenberg: Agnosin

Earlier this week Amelia’s Magazine visited El Ray, information pills the exhibition curated by Oliver Cronk and Ben Westley Clark. Where we came across the incredible soft sculptures of Ally Rosenberg, viagra 60mg a lovely chap who took the time to talk us through the making of these pieces.

Titled Agnosin, the work developed from Ally’s experience of visiting a neurology ward and the sad comedy of loosing the ability to connect what your seeing to its prescribed function. Perhaps it is part of our coping mechanicism that we laugh at moments of sadness and discomfort, it is this moment of confusion these sculptures visulise.

The sculptures’ form bends the viewers understanding of what we accept as recognisable human form; parts of anatomy are drapped across clothes hangers whilst others lie slumped on the floor. The sculptures are adorned with an every day object not usually associated with bodily functions, their presence drawing attention to the delicate existence of humanity and its understanding of our environment. The viewer is forced to consider the narrow understanding we have of an object’s functionality, and how when it is removed from the context in which we understand it we laugh…. Yet sadly, this loss of understanding can happen all too easily.

Ally Rosenberg: Agnosin

A fantastic use of what previously was a sadly abandoned space – nothing shows the recession clearer than the rapid expansion of hollowed out buildings – the exhibition El Ray reinvigorates an old Colourama Factory. One of the exhibition organisers; Oliver Cronk, took some time to answer a few of my questions…

What was the idea behind El Ray?

El Ray was an idea I had to showcase work that I really like which is going on in art schools. It’s Degree Season, but the shows are so much to take in and I thought a simpler, ‘edited’ version might be a way to put people’s points across away from the clamour of institutions filled with people.

Declan Corbett: “Machine for A Creative Man”

Did you, yourself find the disused printing factory?

I live in Colorama, which was opened by some old friends… I am the first to use the gallery space and hope to keep it running as long as people are interested in putting work there.

How did you approach the artists featuring in the exhibition?

Most of the artists I have known for some time and we’ve been in discussions about collaborations. Others I found online and some were recommended by friends… Due to the showcase nature of the show, more were in the running than there was space, but luckily some people became suddenly unavailable at the eleventh hour. The final stream-lining process was comparatively easy, although there were, of course, one or two conflicts regarding curation…

Bruno Osolio: History of the World

You were previously involved in Artport; does this exhibition have any connection or has the focus of work presented changed?

I founded Artport with Caitlin Sheperd, Holly Gregson and some other friends, to work some play and performance into protests which were being organised at the time by Tamsin Omond… The current work is not directly connected with Artport, although there are certain points of relation in the general ethos of both projects.

Oliver Cronk: Bruises

What have you been up to between Airport and El Ray?

I’ve been studying on a vocational art course at Byam Shaw called Fine Art: Skills and Practices, which is largely skills based and involves placements with practicing artists, gallery work and community. Sadly the course has been slammed into premature closure by the hulking and at times thoughtless behemoth which is Central St. Martins and it’s leader, Elle Reynolds, made all but redundant. At the same time Byam Shaw sadly becomes CSM Archway (at least in official documents).

Thanks to the nature of this course I was able to go to a residency of sorts in Cairo, where I worked as part of an outreach project called Sawa at the Townhouse Gallery . I was trying to work out a book exchange between the Townhouse and INIVA, although sadly this fell through as did a performance event which I was hoping to throw in collaboration with Adham Hafez and his Trans:Dance project. This event did fall through but I was able to perform with Adham at the Italian Cultural Institute.

Declan Corbett: “Machine for A Creative Man”

What’s your background?

I studied Oriental Studies: Spanish and Arabic at Cambridge with the intention of moving into Fine Art after having graduated. Prior to this I was in Barcelona for a little over a year making art and writing in some of the many occupied houses there. Cambridge was quite distracting although I did manage to exhibit some work at cafes and also help found a project called The Shop with Paloma Gormley and Lewis Jones, which now seems to have become quite successful.

I was lucky inasmuch as my degree included a year abroad, during which I was able to study printmaking, collage and other applied art forms in Madrid and Cairo.

“Public spaces will be accessed and reclaimed in order to find a voice which is often stifled by political and corporate collusion.” Has the following statement (from Airport listing) influenced your decision to use an empty building, where the business has perhaps disappeared due to the economic climate of the last few years?

I am fascinated by this economic, political and environmental climate and am both scared and thrilled to watch some of the big bad boys going down (bye bye BP! Good riddance.) The decline of Colorama as a company is saddening, as is stumbling through the assorted debris which they left behind, however, to have an opportunity to use such an incredible space is exciting. So yes, the previous statement and the current project influence each other mutually, and although Colorama is essentially private I do hope to open it as much as is feasible to find this voice which is so often stifled – i.e. when the Deepwater Horizon catastrophe is held off to page 17 of the press, or when Israel guns down innocent people and gets it written up as “potential public relations disaster” (the BBC, courtesy of John Pilger in the Daily Mirror 02/06/10)

Allie Furlotti

Where the artists invited to respond to a singular theme?

No, my feeling was that people should exhibit their own practices, perhaps even old work which they have been unable to exhibit as yet. The next Colorama show will hopefully be entitled ‘Beginning of the End of the Age of Oil’, include work by fantastic artists such as Jenea Okuefuna and Peter Kennard and will work to a more specific submissions process – contact me for further detail.

El Ray, whilst slightly off the beaten track is an excellent insight in the depth of artistic practice happening both inside and out of the Art Institutes.
Take some time out from the never ending Degree Show season (or scrum as I like to fondly call it) and spend a quiet minute with the strong selection of work on display. It is a triumph of a show as you barely notice the curation, (a positive) as teach work has enough space to breathe whilst being part of a collective whole.

Four pieces to watch out for: Ben Westley Clarke’s The Politics of Youth, Kitty Zinovieff’s Ya Shishan, Declan Corbett, Machine for A Creative Man, in which beautiful tiny scribblings are created from the vibrations of a speaker as a CD softely plays. Finally take a moment with Oliver Cronk’s Bruises a meditation through cross stitch of a moment of pain.

The exhibition runs until 17th June, do not miss!

Categories ,’Beginning of the End of the Age of Oil’, ,Ben Westley Clark, ,Byam Shaw, ,Central Saint Martins, ,Colourama, ,El Ray, ,Oliver Cronk, ,peter kennard, ,Ruskin, ,Southwark, ,University of the Arts

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