Amelia’s Magazine | William Morris – Story, Memory, Myth at Two Temple Place: Exhibition Review

William Morris Story Memory Myth Will Pryce
Photography by Will Pryce.

This William Morris art exhibition in a neo-Gothic mansion on the bank of the Thames is exactly the kind of visual feast you might expect. The venue – Two Temple Place – is a new gallery on London’s art map, with the aim of showcasing publicly-owned art from regional collections across the UK. In this case, the contents of the inaugural William Morris: Story, Memory, Myth exhibition hail from the William Morris Gallery in Walthamstow, under redevelopment until July 2012. If you are familiar with Morris’ work, this new setting and exhibition according to narrative influences will shed new light, and if you have never seen his artwork or books, you are in for a unique selection of some rarely-seen and astonishing pieces.

William Morris Story Memory Myth Romance of the Rose
Detail of The Romance of the Rose embroidered frieze by Edward Burne-Jones and William Morris. Linen embroidered with silks, wools and gold thread. Embroidered by Margaret Bell and her daughter Florence 1874-82. Copyright William Morris Gallery, London.

A cursory stroll through the exhibition makes it easy to understand the sympathy the opulent setting holds with Morris’ work. The mansion’s original owner William Waldorf Astor wanted a house ‘which would personify literature’ and with the help of Gothic Revival architect John Loughborough Pearson he realised this dream in 1895. Similarly, the exhibition focuses on the narrative threads through Morris and his associates’ careers, and rooms are divided along literary thematic lines. At times it becomes challenging to take in the extraordinary artworks and their intricate backdrop at the same time, but this a minor complaint: once your eyes have adjusted, you become accustomed to this sense of overawe.

William Morris Story Memory Myth Love Leading the Pilgrim
Love Leading the Pilgrim through the Briars from The Romance of the Rose embroidered frieze by Edward Burne-Jones and William Morris 1874-82. Linen embroidered with silks, wools and gold thread. Embroidered by Margaret Bell and her daughter Florence. Copyright William Morris Gallery, London.

The Lower Gallery is about the inspiration Morris and his friend and fellow artist Edward Burne-Jones drew from 14th century poet Geoffrey Chaucer’s works. There are several trial pages, preparatory drawings, studies and stained glass panels, but most visitors are rightly drawn to the exquisite embroidered friezes based around Chaucer’s translation of The Romance of the Rose, an influential text from the Middle Ages. The five rarely-seen panels making up Morris and Burne-Jones’ artistic reinterpretation of the poem consist of linen embroidered with silks, wools and gold thread – they took an amazing eight years to complete and are just back from being conserved at The Royal School of Needlework. I adored the dancing female allegorical figures depicting the Virtues, Beauty’s gold wings and the Love Leading the Pilgrim Through the Briars panel with its dizzying briar rose patterns. And don’t miss The Pilgrim at the Heart of the Rose, a moving tapestry of pale greens, taupes and golds depicting the moment in the story where the pilgrim finds the ‘rose’ – a female figure – and reaches out to her.

William Morris Story Memory Myth Will Pryce
Photography by Will Pryce

As you round the corner, you encounter an incredible central staircase of carved mahogany, flanked by characters from The Three Musketeers, and a frieze above depicting scenes from Shakespeare. Look down, and you are surrounded by a marvellous floor of marble jasper, porphyry and onyx – it’s the stuff of dreams.

William Morris Story Memory Myth Design for Medway
Design for Medway furnishing fabric, 1885. Pencil and watercolour on paper. Copyright William Morris Gallery, London.

William Morris Story Memory Myth Design for Acanthus
Design for Acanthus furnishing fabric, 1876. Pencil and watercolour on paper. Copyright William Morris Gallery, London.

Upstairs, an array of Morris-designed furnishing fabrics are on display, with an explanation of the role patterns played in his career. Works like Medway and Evenlode illustrate the influence of Morris’ relationship with the Thames on his work, and this is further underscored by the presence of the river just a few metres away. We learn that Morris was particularly concerned to design patterns which could help hold memories and be passed down through generations. The scrolling acanthus design was one he used frequently, linking him back to the Ancient Greek tradition, another enduring motif was The Holy Tree, representing life and creation.

My highlight pieces were the Cinderella and Beauty and the Beast with swan border tiles from 1862. These function as ceramic storyboards, delicately painted in vibrant colours, and are exactly the type of tile any fairy-tale lover would want installed in their house. Equally wonderful were the bright Brer Rabbit furnishing fabrics based on the Afro-American folktale and featuring repetitive rabbit patterns hidden amongst flowers, plants and vines.

William Morris Story Memory Myth Beauty and the Beast tiles
Beauty and the Beast tile panel with swan border tiles, 1862. Hand-painted on tin-glazed earthenware Dutch blanks. Painted by Lucy Faulkner for Morris, Marshall, Faulkner & Co. Copyright William Morris Gallery, London.

Eventually you will encounter the main event, the Great Hall, where it’s amusing to try and spot the twelve characters from Sir Walter Scott’s Ivanhoe, including Robin Hood and Maid Marion, in carved and gilded mahogany. The centrepiece is the embroidered wall hanging Pomona, depicting the Roman goddess of fruit trees, referred to here as the ‘Apple Queen’. The acanthus leaves, grapes and blossom are breathtaking, and you can just about see the swishing of her dress as she catches the gathered apples in its folds. Next to her is the Woodpecker tapestry about Picus, who was transformed into a woodpecker by Circe because he didn’t reciprocate her love.

William Morris Story Memory Myth Will Pryce
Photography by Will Pryce

William Morris Story Memory Myth Woodpecker tapestry
Woodpecker tapestry, 1885. Made by Morris & Co. Copyright William Morris Gallery, London.

In the last section are Icelandic saga-inspired pieces and published editions of Morris’ The Earthly Paradise, for which he created wood blocks to illustrate the unrealised book, The Story of Cupid and Psyche.

William Morris Story Memory Myth Cupid Going Away
Cupid Going Away, 1866. Illustration for ‘The Story of Cupid and Psyche’ in The Earthly Paradise by William Morris. Wood engraving. Copyright William Morris Gallery, London.

You can also examine works created in response to the Arthurian legends, such as the gorgeous The Story of Tristram and Isoude stained glass panel about the love story between the Cornish knight and Irish princess – the vibrant green, red and yellow light is mesmerising.

William Morris Story Memory Myth Arthur and Lancelot glass panel
Design for King Arthur and Sir Lancelot stained glass panel, 1862. Black and sepia washes and pencil on paper. Copyright William Morris Gallery, London.

William Morris Story Memory Myth St George
Saint George and the Dragon, 1868. Gouache on paper. Copyright William Morris Gallery, London.

If there is an overall message to take away from this exhibition, it might be about the wonderfully adaptive and collaborative process which storytelling takes across mediums and centuries. Visitors will have much to add in terms of their own knowledge and fondness for the stories told, do get along to tell your part –on until 29 January 2012.

Opening hours
10am – 4:30pm Monday, Wednesday, Thursday, Friday, and Saturday.
12 – 5pm Sunday
Closed on Tuesdays.

Free admission. See my listing for full details.

Categories ,Acanthus design, ,Ancient Greek, ,Beauty and the Beast, ,Brer Rabbit, ,Cinderella, ,Circe, ,Edward Burne-Jones, ,Geoffrey Chaucer, ,Ivanhoe, ,John Loughborough Pearson, ,neo-gothic, ,Pomona, ,Royal School of Needlework, ,Shakespeare, ,Sir Walter Scott, ,The Earthly Paradise, ,The Romance of the Rose, ,The Three Musketeers, ,Tristram and Isoude, ,Two Temple Place, ,Will Pryce, ,William Morris, ,William Morris Gallery, ,William Waldorf Astor, ,Woodpecker tapestry

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Amelia’s Magazine | New Designers 2013 Surface Design for Fashion and Interiors: The Best Graduate Designers

floral antlers by Lucy Madeleine
One of the great thing about surface design as a discipline is that it encompasses so many design possiblities. Here’s my round up of the rest of my fab discoveries at New Designers 2013, encompassing wall art, textile design for clothing, cushions, accessories and embroidery. At Notthingham Trent University I loved these floral antlers by Lucy Madeleine.

New Designers show 2013-Isabelle Gallagher
This lovely art deco architectural print is by textile designer Isabelle Gallagher.

New Designers show 2013-natalie wilkins
Accessory designer Natalie Wilkins created these extraordinary collars out of paper. She rather oddly shares the same name as another 2013 graduating fashion designer called Natalie Wilkins from Birmingham City University, who I discovered on a google search – what are the chances?! Well worth a look too!

New Designers show 2013-Chak Yan Alex Kwan
MA Textile Design Innovation designer Chak Yan Alex Kwan titled this wonderful design Reborn.

animal cushions for kids by Verity Sparks
These animal cushions for kids are well cute, by Verity Sparks at Somerset College, who already runs a successful business, Sparks Clothing, in partnership with her mum.

New Designers show 2013- - charlotte buller
At Falmouth University Charlotte Buller had fun with giant 3D embroidery and beading.

New Designers show 2013-lily emma tennant
Bespoke woven trims by Lily Emma Tennant of Loughborough University. She won an award for her pretty display, made using old books as shelves.

Amelia Constance Seale
Outrageous fun: these 80s style collage feature ricrac designs are by Amelia Constance Seale, who specialised in knitwear at Central Saint Martins.

New Designers show 2013-Elizabeth Ashdown
In fact, fancy embellishments were everywhere – another stunner came from Elizabeth Ashdown, who had created a collection of hand woven Passmenterie.

New Designers show 2013-George Morgan
George Morgan presented intricately woven panels of lightweight woods. He wasn’t sure what commercial application these might have but I could see them as beautiful room dividers.

wall piece by Rachael Hopper
This bright neon wall piece is by Rachael Hopper.

New Designers show 2013-Silvia Imbergamo
Silvia Imbergamo displayed this intriguing primary coloured 3D design.

3D paper art by Emilie Osborne
More paper art by Emilie Osborne
I adore this amazing 3D interior art based on optical illusions and mathematical nets by Emilie Osborne from Arts University Bournemouth. Either piece would be a fitting centrepiece for any room wishing to make a statement!

New Designers show 2013-Krishna Odedra
Krishna Odedra at De Montford University was another designer seduced by the possibilities of woven strips of fabric. The beautiful results have applications for both fashion and interiors.

Grace Sheldrick embroidery
I discovered the delightful 3D embroidery of Grace Sheldrick at the Royal School of Needlework. I had no idea such a college still existed, but it makes me hopeful that the old handcrafting arts will not only survive but thrive in the years to come. She has also used her embroidery skills to create jewellery that mimics the natural formations of gems, which you can buy these over on etsy.

Phew, that is finally it for my New Designers part one reviews, still New Blood and part two to go though! *Many of these images first appeared on my instagram feed, where you can view my pick of design graduates as I find them.*

Categories ,2013, ,3D Design, ,accessories, ,Amelia Constance Seale, ,Arts University Bournemouth, ,Birmingham City University, ,Central Saint Martins, ,Chak Yan Alex Kwan, ,Charlotte Buller, ,De Montford University, ,Elizabeth Ashdown, ,embroidery, ,Emilie Osborne, ,Falmouth University, ,fashion, ,George Morgan, ,Grace Sheldrick, ,Interiors, ,Isabelle Gallagher, ,Krishna Odedra, ,Lily Emma Tennant, ,Loughborough University, ,Lucy Madeleine, ,Natalie Wilkins, ,New Designers, ,Notthingham Trent University, ,Passmenterie, ,Rachael Hopper, ,Reborn, ,review, ,Ric-Rac, ,Ricrac, ,Royal School of Needlework, ,Silvia Imbergamo, ,Somerset College, ,Sparks Clothing, ,Verity Sparks, ,Woven trims

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