Amelia’s Magazine | Dem Collective: designed in Sweden by Annika Axelsson and Karin Stenmar

Ciel S/S 2011 by Jo Cheung
Sarah Ratty of Ciel was one of the first designers to engage in ethical practice in the UK. She set up the label Conscious Earthwear in the early 90’s before creating the Ciel brand in 2005. She currently also works as a design consultant and advises the Soil Association on sustainable issues.

How do you design your garments?
Each collection has its roots in the way I have developed as an eco fashion designer over the last twenty years. I usually start with fabrics, buy information pills then I think about what garment shapes will best fit into the current zeitgeist and I combine these with my own influences from contemporary art, travel, history and nature. I use as many innovative approaches as I can in fabrication and cutting techniques, as well as using the naturally diverse fabrics from a range of indigenous locations, which are made and developed in situ.

What is the best way to design ethically?
Within eco design there is inevitably some compromise but I always do my best to find the best materials to achieve the desired outcome. I use fairtrade materials and organic fabrics from factories in Europe and South America, all of which comply with fair labour laws as set out by Labour Behind the Label. We use azo-free dyes, which do not use harmful metal mordants to fix the colour. Heavy metals are highly polluting and contribute to toxic soil runoff if not treated correctly. We have recently started to bring some production back to the UK and we conduct a lot of our work via Skype to reduce our carbon footprint.
Ciel S/S 2011 by Jo Cheung
Ciel S/S 2011 by Jo Cheung.

Sarah Ratty set up the label Conscious Earthwear in the early 90’s before creating the Ciel brand in 2005, viagra buy which we profiled in the print version of Amelia’s Magazine. She currently also works as a design consultant and advises the Soil Association on sustainable issues.

How do you design your garments?
Each collection has its roots in the way I have developed as an eco fashion designer over the last twenty years. I usually start with fabrics, pilule then I think about what garment shapes will best fit into the current zeitgeist and I combine these with my own influences from contemporary art, travel, history and nature. I use as many innovative approaches as I can in fabrication and cutting techniques, as well as using the naturally diverse fabrics from a range of indigenous locations, which are made and developed in situ.

What is the best way to design ethically?
Within eco design there is inevitably some compromise but I always do my best to find the best materials to achieve the desired outcome. I use fairtrade materials and organic fabrics from factories in Europe and South America, all of which comply with fair labour laws as set out by Labour Behind the Label. We use azo-free dyes, which do not use harmful metal mordants to fix the colour. Heavy metals are highly polluting and contribute to toxic soil runoff if not treated correctly. We have recently started to bring some production back to the UK and we conduct a lot of our work via Skype to reduce our carbon footprint.
Ciel S/S 2011 by Jo Cheung
Ciel S/S 2011 by Jo Cheung.

Sarah Ratty set up the label Conscious Earthwear in the early 90’s before creating the Ciel brand in 2005, and which we profiled in the print version of Amelia’s Magazine. She currently also works as a design consultant and advises the Soil Association on sustainable issues.

How do you design your garments?
Each collection has its roots in the way I have developed as an eco fashion designer over the last twenty years. I usually start with fabrics, diagnosis then I think about what garment shapes will best fit into the current zeitgeist and I combine these with my own influences from contemporary art, travel, history and nature. I use as many innovative approaches as I can in fabrication and cutting techniques, as well as using the naturally diverse fabrics from a range of indigenous locations, which are made and developed in situ.

What is the best way to design ethically?
Within eco design there is inevitably some compromise but I always do my best to find the best materials to achieve the desired outcome. I use fairtrade materials and organic fabrics from factories in Europe and South America, all of which comply with fair labour laws as set out by Labour Behind the Label. We use azo-free dyes, which do not use harmful metal mordants to fix the colour. Heavy metals are highly polluting and contribute to toxic soil runoff if not treated correctly. We have recently started to bring some production back to the UK and we conduct a lot of our work via Skype to reduce our carbon footprint…

Read the rest of this interview with Ciel in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
Ciel S/S 2011 by Jo Cheung
Ciel S/S 2011 by Jo Cheung.

Sarah Ratty set up the label Conscious Earthwear in the early 90’s before creating the Ciel brand in 2005, information pills which we profiled in the print version of Amelia’s Magazine. She currently also works as a design consultant and advises the Soil Association on sustainable issues.

How do you design your garments?
Each collection has its roots in the way I have developed as an eco fashion designer over the last twenty years. I usually start with fabrics, viagra 40mg then I think about what garment shapes will best fit into the current zeitgeist and I combine these with my own influences from contemporary art, ampoule travel, history and nature. I use as many innovative approaches as I can in fabrication and cutting techniques, as well as using the naturally diverse fabrics from a range of indigenous locations, which are made and developed in situ.

What is the best way to design ethically?
Within eco design there is inevitably some compromise but I always do my best to find the best materials to achieve the desired outcome. I use fairtrade materials and organic fabrics from factories in Europe and South America, all of which comply with fair labour laws as set out by Labour Behind the Label. We use azo-free dyes, which do not use harmful metal mordants to fix the colour. Heavy metals are highly polluting and contribute to toxic soil runoff if not treated correctly. We have recently started to bring some production back to the UK and we conduct a lot of our work via Skype to reduce our carbon footprint…

Read the rest of this interview with Ciel in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
Dem Collective by Michelle Urvall Nyren
Dem Collective by Michelle Urvall Nyren.

You were founded in 2004, nurse with the aim of becoming a profitable company that treated people and environment fairly. How have you put this into practice?
We are very close to the whole production chain, sildenafil from the cotton fields in Gujarat to our ready-to-wear garments. We have also started our own garment factory in Sri Lanka, where we can ensure good salaries and working conditions. All our fabric is fairtrade certified and eco labelled.

What defines a Dem Collective garment?
The design is very important – we make good-looking clothes that customers want. To be frank, the least environmentally friendly garment is the one that no one wants to wear… so our clothing is basic, timeless, and of good quality. We are happy that our customers call us and tell us that a t-shirt they bought five years ago is still in use, and hasn’t fallen apart, or gone out of fashion.

Dem Collective by Michelle Urvall Nyren
Dem Collective by Michelle Urvall Nyren.

Who are the designers you work with? How do the collaborations happen?
It is an important part of the Dem Collective ethos to work with a string of different designers; Maja Jakobsson, Maria Andersson, Camilla Jernmark. Our latest collaboration is with Josefin Lassbo. Both Karin and myself are very open about our lack of design experience, so we like to work with others. Most of our collaborations start out with the designer contacting us.

Why is it a bad idea to use genetically modified cotton?
There is still not enough data on the impact of genetically modified crops on the environment, the soil and the people. But one thing we do know is that they provide three harvests a year and that is really draining on the soil, which means increased use of pesticides and chemicals. And designer seeds are hugely expensive so farmers are more likely to fall into debt…

Read the rest of this interview and see more illustrations of Dem Collective’s clothing in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Annika Axelsson, ,Camilla Jernmark, ,Chemicals, ,Cotton Fields, ,Dem Collective, ,Designer Seeds, ,Eco fashion, ,Ethical Fashion, ,fairtrade, ,Gujarat, ,Josefin Lassbo, ,Karin Stenmar, ,Maja Jakobsson, ,Maria Andersson, ,Michelle Urvall Nyrén, ,pesticides, ,Ready-to-wear, ,Sri Lanka, ,sweden, ,Timeless

Similar Posts:






Amelia’s Magazine | Christmas Guide 2012: Artist & Designer Christmas Cards

Matthew Land Christmas Cards
Christmas card by Matthew Land.

Christmas is nearly upon us, yes really. And to start my lengthy round up of gift recommendations for the entire family I firstly give you a fab selection of artist cards: available to buy (more or less) direct from the artist.

Matthew Land Christmas Cards
First up, it was hard to choose which of Matthew Land‘s cards to include as thy are all so pretty but I settled on this one (and the opener) as the family scene resonates with me these days. Matthew was indeed inspired by ‘the joy, innocence and excitement of the festivities we recall from childhood.‘ In his designs he has ignored the tawdry trappings of a modern Christmas, simplifying things and concentrating on the best bits of Christmas in a traditional way. Here here!

madi illustration bahhumbug
Madi Illustration has gone for a cute yet contemporary look, incorporating hand-created typography. Her Bah Humbug card was created for those who don’t really enjoy Christmas; something that might appeal to them a little more than the usual card, and putting a smile on their face.

Livi Gosling foodie christmas cards
Livi Gosling has created a stunning collection of 6 cards themed around edible Christmas treats.

Nicholas Darby Holly Card
Nicholas Darby combines bold shape and detailed line work with hand produced textures. The cards themselves are then printed using 100% recycled Mohawk stock. I particularly like this dashing set of Holly leaves and berries, but he also does a fine line in the ever popular Matryoshka dolls.

JoanneHawker-RedBirdHouse
Forget santa and his reindeers, send something a little different this Christmas! Joanne Hawker‘s Pack of 6 Bird House Christmas Cards show little birds with perfectly decorated little homes, patiently waiting for their stockings to be filled full of presents! She has also produced a range of line art cards, designed for bespoke kiddie colouring in.

stacie swift xmas cards
Christmas cards by Stacie Swift were inspired by traditional motifs and imagery; hand drawn illustration combined with a simple colour palette give them modern appeal.

elisa mac christmas card
Elisa Mac was inspired by seasonal imagery and festive colour schemes to produce a collection of traditional cards with a contemporary twist.

rebecca rawlings
Rebecca Rawlings‘ bright cards have been finished off by hand with glitter to add a bit of extra Christmas sparkle.

Emma Cowlam Anna at the Rink
Emma Cowlam‘s illustrated Christmas cards are currently stocked at the Rizzoli Bookshop, Somerset House where she is showing her original stitched illustrations as well as prints. The Somerset House Christmas Arcade pop-up shop also stocks her illustrated ceramic tableware which was a result of her successful application to a Handmade in Britain open call out.
 
louise jenkins artic animals
Illustrations of the mystical Arctic Fox and Polar Bear by Louise Jenkins have been hand painted in beautiful decorative style using water colour and Gouache.

Jenny Robins xmas cards
Jenny Robins has created a collection of colourful Christmas cards inspired by Christmas carol lyrics.

Chloe Bonfield christmas cards
Chloe Bonfield is offering a range of tasteful watercolour Christmas cards, and a personalised service for that special someone.

Why not pick your favourite cards and shop straight from your artist of choice this year? Just think how much your friends and family will appreciate such an individual choice.

Categories ,Arctic Fox, ,Bah Humbug, ,birds, ,ceramics, ,Chloe Bonfield, ,Christmas, ,Christmas cards, ,Elisa Mac, ,Elisa MacDougall, ,Emma Cowlam, ,etsy, ,Guide, ,Handmade in Britain, ,Holly, ,illustration, ,Jenny Robins, ,Joanne Hawker, ,Livi Gosling, ,Louise Jenkins, ,Madi Illustration, ,Matryoshka dolls, ,Matthew Land, ,Nicholas Darby, ,polar bear, ,Rebecca Rawlings, ,Rizzoli Bookshop, ,Somerset House, ,Somerset House Christmas Arcade, ,Stacie Swift

Similar Posts: