Amelia’s Magazine | We Choose To Jamboree!

Having been sent out to document the subterranean goings on of a typical East London night out; pop up speakeasies, hypertrendy bars that inexplicably merit write ups in the New York Times, warehouses and disused car parks that receive a midnight makeover to become party locations for the coolest of the cool, it’s natural to be a bit… over it sometimes. When every venue starts competing to out-hype the next one, and the prospect of turning up at a bar where you don’t feel obliged to state your credentials and connections to be allowed entry seems like it’s too much to ask, the urge to just call it a night and go home often seems overwhelming. Until I discovered You Choose Jamboree, that is.

Refreshingly, You Choose Jamboree would fit into none of the categories above. Instead, it’s more like an organic, self-sustaining music and social enterprise that often feels as if it’s powered by good will and community spirit. Essentially, the premise is simple and back to basics. A secret, not revealed until the night venue plays host to musicians who have been previously voted for on the events website; if you want to come to the night, you get to choose the music. The genres of musicians who perform are diverse and eclectic; West African string, cello, experimental folk, acapella choir and jazz fusion are all styles that have already taken to the stage. For an event that is still in its infancy, it has already introduced Londoners to a range of artists and bands that were crying out for exposure. When I pitched up at You Choose Jamborees November outing, I (along with 300 others) was serenaded with the gentle acapella harmonies of Stac and her all-female choir, treated to a typically gorgeous and lush set from Laura J Martin (which had the crowd so hushed and mesmerised that you could hear a pin drop) and finished the night with a rousing performance from Nick Mulvey, normally part of the Mercury Award shortlisted Portico Quartet, but for this occasion he only needed his guitar to create chords that blended Malian blues and Flamenco and had everyone cheering for more.

There is something else that sets You Choose Jamboree apart from the rest London’s frenetic nights out; it’s unbelievably friendly and completely free of pretension and attitude. It’s apparent the moment you step into the door – to actually be cheerfully welcomed into a venue – what’s that all about? There is a reason for this, and it lies in the roots of You Chooses genesis. The night began as a house party in the wilds of Muswell Hill; home to the three Jamboree creators, Chris, Phil and Barney. The trio run firmly under the radar, and normally shy away from drawing attention to themselves, preferring to let the night speak for themselves. However, being incredibly inquisitive sort of girl, I wanted details!

“We used to put on house parties in our flat, and we had musician friends who were of an incredibly high calibre like Portico Quartet play in our lounge ” Chris explained, adding that there is only so long that a (loud) party like that will go unnoticed by the council. By the time said authorities had put a stop to the merriment, the guys had accumulated a motley crew of friends, fans, and musicians who had no intention of breaking up the fun; so when a perfect setting was literally stumbled upon one boozy night in Dalston, You Choose Jamboree got its break into the big wide world. The venue might have expanded, but the ethos remained the same; ” It’s an extension of our lounge” Chris adds;  “our house has always had an open door policy.” Staying true to this theme, the guys pitch up at the beginning of a You Choose Jamboree night with the contents of their lounge and decorate the space with lamps, plants,fairy lights and rugs. While it remains a word of mouth enterprise, and technically a secret one of that, the night is resolutely inclusive and welcome to all. Although they are loathe to over-brand this home brewed venture, they are happy to introduce it to new pastures. This summer, they will be involved with Hackney Council who are running a ‘Parks For Life’ programme to get local residents back into local parks. In typical Jamboree fashion, they are charmingly old-school with their ideas. “We want to reuse bandstands and just rock up with a PA system and a generator and put musicians on” Phil tells me, and outlines plans for various dates in Stoke Newingtons’ Springfield Park, London Fields and Shoreditch Park. (More details will be revealed when we get them).

In the meantime they are happy to let the Jamboree naturally evolve into new directions. “We are learning as we go along” Phil happily admits. “The main aim is to make sure that everyone is enjoying themselves, but also to be really respectful towards the audience and the musicians.”  “Until I think we have done a perfect gig, where everything falls into place we will keep persevering.” adds Chris.  “It’s a magic equation that we are always trying to look for.” You Choose are all for encouraging more audience involvement; they have a page on their website called “The Hat”, where anyone can contribute ideas. One particular concept that they are keen to run with is where the audience, i.e us, curate the night. So if anyone wants to have a event with say, all Malian music, or even a barn dance, the guys will gladly put it together.  This Saturday sees the next installment of the Jamboree; having won the votes this round are  Moulettes, who describe themselves as a ‘folk-stomping, barn-storming swingin’ quartet, featuring an orchestra of cellos, bassoons, guitars, kazoos and five-part harmonies’. Also headlining are the Amber States, who are slightly more sedate in the musical style, but no less delightful. Made up of Southern style harmonising vocals, as well as guitars and cellos (it must be a cello night!), The Amber States are definitely my band to watch in the upcoming months. If you haven’t managed to get your name on the guest-list, check out their Facebook page on ways that you might be able to squeeze your way in (they really are ever so thoughtful). If not, then just keep an eye on their website for all the upcoming dates. It’s a big shame if you have missed out on You Choose Jamboree so far, but at least you know now.



Categories ,dalston, ,folk, ,friends, ,fun, ,live, ,london, ,portico quartet, ,shoreditch, ,you choose jamboree

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Amelia’s Magazine | We Fell To Earth – An Interview

We Fell to Earth1

We Fell To Earth are comprised of former UNKLE component Richard File and Queens of the Stone Age, there and Mark Lanegan, collaborator Wendy Rae Fowler. They met in the studio during sessions for UNKLE’s ‘War Stories’ album and embarked on a beautiful journey together of making music. The result is heart sweltering shoegaze that’ll transport your weary leather-clad bones to the Californian desert. Wendy tells us a little bit more about the band in some quick fire questions.

What attracted you to making music with each other?

W: I suppose a likeminded desire to do something outside our respective comfort zones.

How have your individual musical journeys led you to We Fell To Earth?

W: Ultimately I think it was the mutual desire to do something different that brought us together, but it definitely helps that we had friends in common who orchestrated events which led to our first meeting.

What did you want to achieve with We Fell To Earth?

W: We wanted to make hypnotic music with strong rhythm sections.  We’re always looking for a great groove, something to get lost in.

Three of your tracks have been picked up by US TV shows. What would you like to see one of your songs be the soundtrack to?

W: We would LOVE to score an entire film for Guillermo Del Toro.  I love his movies. They have just the right balance of fantasy and reality to warm your bones.

We Fell To Earth

What is your favourite part of the creative process with We Fell To Earth?

W: Firstly, building the rhythm sections – I need that to get inspired for what needs to happen next…  Also finding accidental sounds and using them in unusual ways.

Your tracks really sound like they come into their own live. Tell me about your live shows, would you agree?

W: Thankfully I do agree.  Rich and I pretty much recorded the majority of the album on our own, so we were very curious to see what would happen in a room with other musicians when it came time to bring the thing to life.  One of my favourite things about playing music is the live element.  Although it can be nerve wracking, there’s nothing quite like the energy you feel coming from a group of people on stage who are there because they want to be.  That, I believe, is what brings such life to the show. The sound is pretty intense live, the rhythm section is always driving.  Our drummer is usually playing at least 2 parts at the same time.  We needed 2 drummers, instead we have one genius drummer.

A shared influence of yours is Krautrock. Are there any others? Or ones not shared?

W: Krautrock is definitely the strongest shared influence.  There are others, we both have a love of loads of sounds from the 60s, post punk, and early rock-n-roll, a bit of Shoegaze. There are bands that have had a massive influence on me that are maybe a little too out there, or maybe a bit too rock-n-roll at times, for Richs’ taste, like The Sensational Alex Harvey Band and the same goes for me regarding him in the electronic department, for example Kraftwerk. Don’t hate me, Simon Says was forced on me as a child.

Most affecting artist or inspiration in your work?

W: For starters… Link Wray, Can, Grace Slick, Nick Cave, the weather, sounds Rich makes with synthisizers, coffee.

What does the future look like for We Fell To Earth?

W: Lots of live stuff!  We start a tour with Air on November 25th. We are currently promoting our new single “Deaf” which comes out on November 16th

Last record you heard and liked?

W: New, The Flaming Lips “Embryonic”. Old, Them “The Story of Them featuring Van Morrison.”

Best place that your music careers have taken you?

W: On one end of the spectrum, Joshua Tree in California, and on the other, the UK.

Best way to spend downtime?

W: Wrapped in a warm blanket on a very comfortable couch, sipping a warm beverage, accompanied by my family and my animals.

New single “Deaf” is on Monday 16th November.

Categories ,can, ,interview, ,krautrock, ,mark lanegan, ,queens of the stone age, ,shoegaze, ,the flaming lips, ,unkle, ,We Fell to Earth

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Amelia’s Magazine | Interview with Swedish singer Cornelia about new single Aquarius Dreams

Cornelia by Lisa Stannard
Cornelia by Lisa Stannard.

New music sensation Cornelia was introduced to me by Manchester based illustrator Lisa Stannard, abortion who features in Amelia’s Compendium of Fashion Illustration.

Cornelia's Aquarius Dream by Fawn Carr
Cornelia’s Aquarius Dream by Fawn Carr.

Cornelia is a talented singer, songwriter and producer who hails from Sweden but is now based in London. Her new single Aquarius Dreams was released a few weeks ago, accompanied by a wonderful animated video. Let’s find out more…

Peaceful Intensity for Cornelia by Joanne Oatts
Peaceful Intensity for Cornelia by Joanne Oatts.

How do you know our lovely Lisa Stannard? One of the featured illustrators in my new book told me about you…
Lisa fluttered into my life by coincidence, sharing common friends and flowers. Her distinct laughter and lashes swift as butterflies’ wings made me curious. They say creative hearts draw to each other.

Cornelia by Finn O'Brien
Cornelia by Finn O’Brien.

How did you growing up in a remote rural location affect your creativity?
?Growing up on a barren island gave me a big, colourful palette to play with. No physical instruments or tools except my piano. But a lot of sky, lone walks and time to read books.

Cornelias by Sam Parr
Cornelias by Sam Parr.

How did you get from Sweden to London? There must have been some steps in between…
?A few years back I followed the path from Stockholm to Barcelona, where I met some of my first London friends. They persuaded me that London was the city for me. I started exploring this curious melting pot, and eventually moved here.

cornelia Aquarius Dreams
Photography by Christopher Hunt.

What was your previous band called and how would you describe it in three words?
I’ve been in many musical constellations, but only one traditional band before I decided to explore music on my own. It was called Popshop. I remember I didn’t really like that name, it made us sound like something plastic. Which we weren’t. But I liked my band. It was naïve, charming and a good learning curve.?

Cornelia by Jane Young
Cornelia by Jane Young.

In starting your own label you have planted your own ‘savage seed’ in order to control your own destiny. What have been the best and hardest things about this process?
?You can never fully control your own destiny? But you can plant your creativity where it has the potential to grow freely, organic and unique. The trick is to find the right soil, and it took me a long time to get settled.

What happens on Camp Mozart? Are you planning to release other musician’s music too? Do you produce for others?
I write songs for others. Maybe because I like the challenge. And I hope to put out more music by other musicians but there will be a time and place for that.

Cornelia_Jellyfish_by_Lina_Hansson
Cornelia by Lina Hansson.

Who or what inspires you vocally?
Hauschka’s music. It makes me sing. ?

Aquarius Dreams by Jane Young
Aquarius Dreams by Jane Young.

You are inspired by the hip hop and electronic scenes – how did you get involved with these?
Music comes to you a bit like friends do. You have a few things in common but still there’s something interesting and different with them that you want to find out more about.?

YouTube Preview ImageAquarius Dreams

How was the video made for Aquarius Dreams?
The video is made by Martyn Thomas from Stitch That. Martyn used stop motion techniques with each frame of film sketched by hand, then individually photographed against a backlight. It’s the work of a champion. Everything of flesh and blood in this video is sketched by hand like they are made up beings, whilst dead things like metal robots or lampshades looks perfectly real. I guess I’m trying to describe how it can be to get caught up in your own creativity and loose concept of reality.

Cornelia by Sally Jane Thompson
Cornelia by Sally Jane Thompson.

What are you doing for the rest of your summer? Any recommendations?
I’m rehearsing my live set, supporting Portico Quartet in London in August. I’m slowly finishing my album with my co-producer Utters and I’m also working on some productions with Scratcha DVA for his next album. I’ve been travelling so much this spring that I’m going to try and stay put for a bit. Enjoy that I’m living in one of the most culture hectic capitals of the world, not too far away from some stunning nature scenery.

Cornelia by Camille Block
Cornelia by Camille Block.

A long walk around the lake district is one of the most soothing yet energising things I’ve done in my life. If anything that’s my recommendation.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,animation, ,Aquarius Dreams, ,barcelona, ,Camille Block, ,Camp Mozart, ,Christopher Hunt, ,Cornelia, ,Fawn Carr, ,Finn O’Brien, ,Hauschka, ,Jane Young, ,Joanne Oatts, ,Lina Hansson, ,Lisa Stannard, ,London Kills Me, ,Martyn Thomas, ,Popshop, ,portico quartet, ,Producer, ,Sally Jane Thompson, ,Sam Parr, ,Scratcha DVA, ,singer, ,songwriter, ,Stitch That, ,stockholm, ,Swedish, ,Utters

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Amelia’s Magazine | An interview with James Morgan, director of the video for Cucurucu by Nick Mulvey

Nick Mulvey by Kaja Szechowsko

NIck Mulvey by Kaja Szechowsko.

Nick Mulvey, former founding member of Portico Quartet, releases new single Cucurucu accompanied by a stunning video shot on Nihiwatu beach in Indonesia by National Geographic director James Morgan, filmed in March 2013. Nick says: “I felt this song needed a video with wide expanses. Space to wonder. I didn’t have to look too far for the right film maker – James is a friend of mine, and I’ve loved his work for National Geographic. I knew he’d understand what I was after and have something special in his vaults…” So we caught up with James Morgan to find out more, and see further examples of his beautiful photography.

Can you tell us a little about the locations in this video – how did you come across them and is there any interesting history behind any of the locations?
All the footage for this video was shot on the island of Sumba in Indonesia. I was there in March last year shooting a documentary about the practice of ritualised violence and local esoteric beliefs. You can see more about that here. The opening shot is actually of a shaman gathering sea worms at dawn from the ocean, the colour of the sea worms serves as an augur of the coming harvest. For Cucurucu we decided to focus just on the story of these two boys riding their horses at the beach. 

Sumba-Pasola-by James Morgan

Two young boys and their horses play in the ocean in Nihiwatu, Sumba.

Can you tell us a bit about the boys and their horses?
The two boys are called Laiya Kula and Honga Dedu, we met them in a village in eastern Sumba. I’ve worked in Indonesia on and off for a few years so have a reasonable grasp of the language, I was also working with a producer and frequent collaborator, Johnny Langenheim, who is based in Bali and speaks Indonesian fluently. The horses are what makes Sumba unique in Indonesia, as I understand it they’re a result of Sumba’s place on the old sandalwood trade routes to China and Arabia. Now they’re very much a part of the culture. On another day we were invited to the funeral of a wealthy local landowner where a huge number of pigs and buffalo were slaughtered and, in testament to the man’s status, a horse was also killed quite violently. It was hacked to death with machetes and ran around for a good few minutes, it’s entrails splashing out onto the crowd, before it finally died. I find things like that hard to watch but in a lot of ways its less haunting than getting our horses vacuum packed and passed off as beef lasagne. 

Sumba-Pasola-man chewing betel by James Morgan

Ratu Dangu Duka chewing betel before the Pasola in Sumba, Indonesia.

How did working with Nick come about and how did you come to work on this ‘Cucurucu’ track?
I’ve known Nick for a few years and always been a big fan of his music so I was very excited when an opportunity came up to collaborate. 

Sumba-Pasola-man in hut by James Morgan

Tradition dictates that Almarhum Keledepiku must throw the first spear in the Pasola, a responsibility that he has inherited from his ancestors.

Is this the first music video you’ve been a part of, and if so how did you find melding the images with the music?
Yes, this is the first music video I’ve done. The past few years I’ve been focused on long term investigative photojournalism stories looking at underreported environmental and human rights stories. But even with that work, I’ve always been trying to push the boundaries of multimedia, combining sound and visuals to create a more atmospheric form of journalism. Music videos are definitely something I’m keen to work more on. I’m planning this year to keep up the journalism but also to explore more experimental areas that allow me to create more richly textured and layered films. 

To see more photography and film by James Morgan visit: www.jamesmorgan.co.uk Cucurucu is released on 3rd March 2014 through Fiction Records.

Categories ,Almarhum Keledepiku, ,Cucurucu, ,director, ,Fiction Records, ,Honga Dedu, ,Indonesia, ,interview, ,James Morgan, ,Johnny Langenheim, ,Kaja Szechowsko, ,Laiya Kula, ,National Geographic, ,Nick Mulvey, ,Nihiwatu, ,Pasola, ,photographer, ,portico quartet, ,Ratu Dangu Duka, ,Sumba

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Amelia’s Magazine | Interview with Swedish singer Cornelia about new single Aquarius Dreams

Cornelia by Lisa Stannard
Cornelia by Lisa Stannard.

New music sensation Cornelia was introduced to me by Manchester based illustrator Lisa Stannard, abortion who features in Amelia’s Compendium of Fashion Illustration.

Cornelia's Aquarius Dream by Fawn Carr
Cornelia’s Aquarius Dream by Fawn Carr.

Cornelia is a talented singer, songwriter and producer who hails from Sweden but is now based in London. Her new single Aquarius Dreams was released a few weeks ago, accompanied by a wonderful animated video. Let’s find out more…

Peaceful Intensity for Cornelia by Joanne Oatts
Peaceful Intensity for Cornelia by Joanne Oatts.

How do you know our lovely Lisa Stannard? One of the featured illustrators in my new book told me about you…
Lisa fluttered into my life by coincidence, sharing common friends and flowers. Her distinct laughter and lashes swift as butterflies’ wings made me curious. They say creative hearts draw to each other.

Cornelia by Finn O'Brien
Cornelia by Finn O’Brien.

How did you growing up in a remote rural location affect your creativity?
?Growing up on a barren island gave me a big, colourful palette to play with. No physical instruments or tools except my piano. But a lot of sky, lone walks and time to read books.

Cornelias by Sam Parr
Cornelias by Sam Parr.

How did you get from Sweden to London? There must have been some steps in between…
?A few years back I followed the path from Stockholm to Barcelona, where I met some of my first London friends. They persuaded me that London was the city for me. I started exploring this curious melting pot, and eventually moved here.

cornelia Aquarius Dreams
Photography by Christopher Hunt.

What was your previous band called and how would you describe it in three words?
I’ve been in many musical constellations, but only one traditional band before I decided to explore music on my own. It was called Popshop. I remember I didn’t really like that name, it made us sound like something plastic. Which we weren’t. But I liked my band. It was naïve, charming and a good learning curve.?

Cornelia by Jane Young
Cornelia by Jane Young.

In starting your own label you have planted your own ‘savage seed’ in order to control your own destiny. What have been the best and hardest things about this process?
?You can never fully control your own destiny? But you can plant your creativity where it has the potential to grow freely, organic and unique. The trick is to find the right soil, and it took me a long time to get settled.

What happens on Camp Mozart? Are you planning to release other musician’s music too? Do you produce for others?
I write songs for others. Maybe because I like the challenge. And I hope to put out more music by other musicians but there will be a time and place for that.

Cornelia_Jellyfish_by_Lina_Hansson
Cornelia by Lina Hansson.

Who or what inspires you vocally?
Hauschka’s music. It makes me sing. ?

Aquarius Dreams by Jane Young
Aquarius Dreams by Jane Young.

You are inspired by the hip hop and electronic scenes – how did you get involved with these?
Music comes to you a bit like friends do. You have a few things in common but still there’s something interesting and different with them that you want to find out more about.?

YouTube Preview ImageAquarius Dreams

How was the video made for Aquarius Dreams?
The video is made by Martyn Thomas from Stitch That. Martyn used stop motion techniques with each frame of film sketched by hand, then individually photographed against a backlight. It’s the work of a champion. Everything of flesh and blood in this video is sketched by hand like they are made up beings, whilst dead things like metal robots or lampshades looks perfectly real. I guess I’m trying to describe how it can be to get caught up in your own creativity and loose concept of reality.

Cornelia by Sally Jane Thompson
Cornelia by Sally Jane Thompson.

What are you doing for the rest of your summer? Any recommendations?
I’m rehearsing my live set, supporting Portico Quartet in London in August. I’m slowly finishing my album with my co-producer Utters and I’m also working on some productions with Scratcha DVA for his next album. I’ve been travelling so much this spring that I’m going to try and stay put for a bit. Enjoy that I’m living in one of the most culture hectic capitals of the world, not too far away from some stunning nature scenery.

Cornelia by Camille Block
Cornelia by Camille Block.

A long walk around the lake district is one of the most soothing yet energising things I’ve done in my life. If anything that’s my recommendation.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,animation, ,Aquarius Dreams, ,barcelona, ,Camille Block, ,Camp Mozart, ,Christopher Hunt, ,Cornelia, ,Fawn Carr, ,Finn O’Brien, ,Hauschka, ,Jane Young, ,Joanne Oatts, ,Lina Hansson, ,Lisa Stannard, ,London Kills Me, ,Martyn Thomas, ,Popshop, ,portico quartet, ,Producer, ,Sally Jane Thompson, ,Sam Parr, ,Scratcha DVA, ,singer, ,songwriter, ,Stitch That, ,stockholm, ,Swedish, ,Utters

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