Amelia’s Magazine | Snarfle is One: Celebrating Baby, Motherhood and Work

Snarfle by Kirbi Fagan
Snarfle by Kirbi Fagan.

A few weeks ago my baby Snarfle celebrated his first birthday, so now seems like a good opportunity to look back on my first year as a mum running this website: after all Amelia’s Magazine has always reflected what is happening in my life.

Snarfle Sheep Cake by Claire Kearns
Snarfle’s Sheep Cake modelled on one of his favourite fluffy toys, by Claire Kearns.

I know it’s the biggest cliche of all, but nothing, nothing, can prepare you for becoming a parent. So when I was pregnant I made a big effort to prepare only for the birth, imagining that I would follow my instincts like every other mother down the millennia and everything beyond would just fall into place somehow. Sink or swim, right? I read nothing about parenting and bought the bare minimum, instead making good with second hand offerings from relatives and friends. Then all my great birth plans were thwarted… and I was left with a baby.

Snarfle and me swimming
Snarfle was ripped out of my stomach covered in poop, whisked away for tests, prodded and poked, and for the first days kept apart from me in a plastic bed, a huge cannula held aloft in his tiny hand. For the first month breast milk was forced into him via various artificial methods, and yet I instinctively knew I wanted to be as close to him as possible, and soon discovered that the common parlance for this is ‘Attachment Parenting‘. I even started reading a book about it. The world of parenting is rife with differing opinions, but my approach has been to follow what feels instinctively right: I always think about what we might have done for many thousands of years before we had so many gadgets to help us out, believing this to best from an evolutionary perspective. This has meant that I breastfeed on demand and intend to continue until he wants to stop, I carry him wherever I can, we sleep together most nights, I have followed baby led weaning techniques, we are learning baby signing, he wears non-disposable nappies (most of the time) and I have made attempts at elimination communication…

First birthday by Bethany Wigmore
First birthday by Bethany Wigmore.

Those endless baby bits and bobs scared me so much before I gave birth that I could not even look in a brochure, never mind go into a store. So many buggies to chose from! We have a family hand me down but we rarely use it. I was determined to get by with as few purchases as possible, which was probably why we had no clothes small enough for Snarfle when he arrived. He was so tiny that the only sleepsuit that fit properly for the first few weeks was a tiny scrap of material that my mother found in a charity shop. Inevitably, our lives have since filled up with baby paraphernalia.

Snarfle One by Jane Young
Snarfle is One by Jane Young.

Before birth my baby could only ever be an abstract notion: in fact although I have always loved children (and have spent a lot of time being a leader on FSC children’s camps) I never much liked babies – that is, before my own arrived. I had imagined them boring so avoided time with them, and in more recent years they have made me feel a bit sad as I feared I would never have one of my own. So nothing prepared me for the visceral physicality of having a baby: falling in love with this tiny person who is all my own creation, who has remained so closely attached to me as he has woken up to the world. Breastfeeding on demand, co-sleeping (sleeping in the same bed) and baby wearing have helped make motherhood an intoxicating physical experience that I will miss as he grows up and away from me: I now understand why some women are addicted to babies.

Baby Snarfle by Kim Jenkins
Baby Snarfle by Kim Jenkins.

And the love I feel for Snarfle is unquantifiable despite the many hard and tedious parts of being a new mum. Even when rocking him for hours every night (he is not an easy sleeper) I stand there and think: this, this, is amazing. He’s my greatest creative project, this little person who has somehow appeared in this world as though he was always meant to be, perfect, somehow, despite the flaws of his parents, despite his demanding ways. This time, it will be over so soon. I love every aspect of being a mother and feel I have to soak up every moment, for before I know it he will be 18.

Rainbow Cake by Christine Charnock
Rainbow Birthday Cake by Christine Charnock.

I started working again two weeks after Snarfle was born, with him sleeping against me as I typed. We didn’t leave the house until some time later: I was scared about how I would cope with him in the outside world when he seemed so precious and vulnerable. In the beginning getting on with work was relatively easy – he slept so much that I became very good at multi-tasking. But things change rapidly when you have a small baby and this year has passed ridiculously fast, routines constantly shifting to adapt to Snarfle‘s needs. Seen from afar it seems daunting, but you manage, there’s no alternative. Despite the constant tiredness and many small frustrations I have never been bored. I love learning a new skill and this is no exception – I have found the process of becoming a mother endlessly fascinating.

Neopolitan birthday cake by Jo Ley
Neopolitan birthday cake by Jo Ley.

I started work as a lecturer at Middlesex University one day a week in January (I am lucky enough that Snarfle can stay with my parents, so we commute down to their house in South London). This means that work on Amelia’s Magazine is squashed into ever decreasing time slots: currently these include a two hour stretch in the morning (if he sleeps) and after he goes to sleep at night, until I am too knackered to continue. My creativity has gone into overdrive and I have big plans for the magazine yet little time to carry any of my ideas out, but my frustrations are tempered by the knowledge that this time is so short and so precious: even though my mind may drift it is more important for me to be present with Snarfle than building my business. I have at times been jealous of other mums revelling in maternity leave for a full year, but ultimately I feel blessed that I can carry on being a (nearly) full time mum for much longer. I could not have had a child and sent him straight into the care of others – I want to be with him, to watch him grow. To listen to the birds together, help him learn animal sounds and primary colours (his current interests), and tend to our little garden now the weather is warming up. Baby sessions are now full of other mothers who have their own businesses… and lots of childminders and nannies.

Snarfle Oh Baby London space invaders bodysuit
So Snarfle is one year old, and I will continue the juggling act that I have created for myself, for much as I love being a hands on mother I always knew I could not only be a mum; my work will always be important too. I find myself increasingly drawn to the idea of home schooling (to the chagrin of my partner and family) but I don’t know how I would manage it. All I know is that I feel ridiculously blessed by my situation, and so thankful that Snarfle has entered my life.

Snarfle with elephant
I’ve already written about the joy of using real nappies, and over the coming weeks I will be blogging about other specific baby-related things such as baby wearing, breastfeeding, cosleeping and elimination communication. I’ll also be sharing with you the best lesser known clothing brands and makers of lovely unusual toys. I might even share my Quiet Book craft ideas, if I ever finish it. I’m writing about these things because there have been many times when I have scoured the internet, hoping to find more advice and information about my choices of parenting… so if this is a subject that is dear to your heart stay tuned, these writings will be popping up in between my other design focused blogs.

Categories ,Attachment Parenting, ,Baby, ,Bethany Wigmore, ,Breastfeeding, ,Christine Charnock, ,Claire Kearns, ,Co-sleeping, ,Elimination Communication, ,FSC, ,Jane Young, ,Jo Ley, ,Kim Jenkins, ,Kirbi Fagan, ,middlesex university, ,Parenting, ,Quiet Book, ,Real Nappies, ,Snarfle

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Amelia’s Magazine | Snarfle is One: Celebrating Baby, Motherhood and Work

Snarfle by Kirbi Fagan
Snarfle by Kirbi Fagan.

A few weeks ago my baby Snarfle celebrated his first birthday, so now seems like a good opportunity to look back on my first year as a mum running this website: after all Amelia’s Magazine has always reflected what is happening in my life.

Snarfle Sheep Cake by Claire Kearns
Snarfle’s Sheep Cake modelled on one of his favourite fluffy toys, by Claire Kearns.

I know it’s the biggest cliche of all, but nothing, nothing, can prepare you for becoming a parent. So when I was pregnant I made a big effort to prepare only for the birth, imagining that I would follow my instincts like every other mother down the millennia and everything beyond would just fall into place somehow. Sink or swim, right? I read nothing about parenting and bought the bare minimum, instead making good with second hand offerings from relatives and friends. Then all my great birth plans were thwarted… and I was left with a baby.

Snarfle and me swimming
Snarfle was ripped out of my stomach covered in poop, whisked away for tests, prodded and poked, and for the first days kept apart from me in a plastic bed, a huge cannula held aloft in his tiny hand. For the first month breast milk was forced into him via various artificial methods, and yet I instinctively knew I wanted to be as close to him as possible, and soon discovered that the common parlance for this is ‘Attachment Parenting‘. I even started reading a book about it. The world of parenting is rife with differing opinions, but my approach has been to follow what feels instinctively right: I always think about what we might have done for many thousands of years before we had so many gadgets to help us out, believing this to best from an evolutionary perspective. This has meant that I breastfeed on demand and intend to continue until he wants to stop, I carry him wherever I can, we sleep together most nights, I have followed baby led weaning techniques, we are learning baby signing, he wears non-disposable nappies (most of the time) and I have made attempts at elimination communication…

First birthday by Bethany Wigmore
First birthday by Bethany Wigmore.

Those endless baby bits and bobs scared me so much before I gave birth that I could not even look in a brochure, never mind go into a store. So many buggies to chose from! We have a family hand me down but we rarely use it. I was determined to get by with as few purchases as possible, which was probably why we had no clothes small enough for Snarfle when he arrived. He was so tiny that the only sleepsuit that fit properly for the first few weeks was a tiny scrap of material that my mother found in a charity shop. Inevitably, our lives have since filled up with baby paraphernalia.

Snarfle One by Jane Young
Snarfle is One by Jane Young.

Before birth my baby could only ever be an abstract notion: in fact although I have always loved children (and have spent a lot of time being a leader on FSC children’s camps) I never much liked babies – that is, before my own arrived. I had imagined them boring so avoided time with them, and in more recent years they have made me feel a bit sad as I feared I would never have one of my own. So nothing prepared me for the visceral physicality of having a baby: falling in love with this tiny person who is all my own creation, who has remained so closely attached to me as he has woken up to the world. Breastfeeding on demand, co-sleeping (sleeping in the same bed) and baby wearing have helped make motherhood an intoxicating physical experience that I will miss as he grows up and away from me: I now understand why some women are addicted to babies.

Baby Snarfle by Kim Jenkins
Baby Snarfle by Kim Jenkins.

And the love I feel for Snarfle is unquantifiable despite the many hard and tedious parts of being a new mum. Even when rocking him for hours every night (he is not an easy sleeper) I stand there and think: this, this, is amazing. He’s my greatest creative project, this little person who has somehow appeared in this world as though he was always meant to be, perfect, somehow, despite the flaws of his parents, despite his demanding ways. This time, it will be over so soon. I love every aspect of being a mother and feel I have to soak up every moment, for before I know it he will be 18.

Rainbow Cake by Christine Charnock
Rainbow Birthday Cake by Christine Charnock.

I started working again two weeks after Snarfle was born, with him sleeping against me as I typed. We didn’t leave the house until some time later: I was scared about how I would cope with him in the outside world when he seemed so precious and vulnerable. In the beginning getting on with work was relatively easy – he slept so much that I became very good at multi-tasking. But things change rapidly when you have a small baby and this year has passed ridiculously fast, routines constantly shifting to adapt to Snarfle‘s needs. Seen from afar it seems daunting, but you manage, there’s no alternative. Despite the constant tiredness and many small frustrations I have never been bored. I love learning a new skill and this is no exception – I have found the process of becoming a mother endlessly fascinating.

Neopolitan birthday cake by Jo Ley
Neopolitan birthday cake by Jo Ley.

I started work as a lecturer at Middlesex University one day a week in January (I am lucky enough that Snarfle can stay with my parents, so we commute down to their house in South London). This means that work on Amelia’s Magazine is squashed into ever decreasing time slots: currently these include a two hour stretch in the morning (if he sleeps) and after he goes to sleep at night, until I am too knackered to continue. My creativity has gone into overdrive and I have big plans for the magazine yet little time to carry any of my ideas out, but my frustrations are tempered by the knowledge that this time is so short and so precious: even though my mind may drift it is more important for me to be present with Snarfle than building my business. I have at times been jealous of other mums revelling in maternity leave for a full year, but ultimately I feel blessed that I can carry on being a (nearly) full time mum for much longer. I could not have had a child and sent him straight into the care of others – I want to be with him, to watch him grow. To listen to the birds together, help him learn animal sounds and primary colours (his current interests), and tend to our little garden now the weather is warming up. Baby sessions are now full of other mothers who have their own businesses… and lots of childminders and nannies.

Snarfle Oh Baby London space invaders bodysuit
So Snarfle is one year old, and I will continue the juggling act that I have created for myself, for much as I love being a hands on mother I always knew I could not only be a mum; my work will always be important too. I find myself increasingly drawn to the idea of home schooling (to the chagrin of my partner and family) but I don’t know how I would manage it. All I know is that I feel ridiculously blessed by my situation, and so thankful that Snarfle has entered my life.

Snarfle with elephant
I’ve already written about the joy of using real nappies, and over the coming weeks I will be blogging about other specific baby-related things such as baby wearing, breastfeeding, cosleeping and elimination communication. I’ll also be sharing with you the best lesser known clothing brands and makers of lovely unusual toys. I might even share my Quiet Book craft ideas, if I ever finish it. I’m writing about these things because there have been many times when I have scoured the internet, hoping to find more advice and information about my choices of parenting… so if this is a subject that is dear to your heart stay tuned, these writings will be popping up in between my other design focused blogs.

Categories ,Attachment Parenting, ,Baby, ,Bethany Wigmore, ,Breastfeeding, ,Christine Charnock, ,Claire Kearns, ,Co-sleeping, ,Elimination Communication, ,FSC, ,Jane Young, ,Jo Ley, ,Kim Jenkins, ,Kirbi Fagan, ,middlesex university, ,Parenting, ,Quiet Book, ,Real Nappies, ,Snarfle

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Amelia’s Magazine | An interview with Antonia Parker: Amelia’s Colourful Colouring Companion featured artist.

Antonia Parker
The lovely Antonia Parker has contributed artwork to several of my books now. This time she was inspired by the multitude of lanterns that adorn her house to create a beautiful colouring page for Amelia’s Colourful Colouring Companion. She tells us about her current work practice and fitting creativity around motherhood, a challenge I can well relate to.

Antonia Parker Amelia's Colouring Book Douple Page Spread
Antonia Parker
What is your double page inspired by?
I have all these gorgeous lanterns at home that I adorn the house with for parties and Christmas and I thought it’d be nice to sit down and paint them. They’re so bright and colourful and ‘zang-y’! I thought about putting them outside and fireflies having a flutter about, so I’ve got all these insects having a sneaky after-party!

Antonia Parker
House Of Holland A_W 2014 by Antonia Parker
How did you put the artwork together?
I used gouache, collage and colouring pencils for my full-colour illustration and had a great time using different widths of nib for my colouring-in page. I planned out the picture in pencil first to make sure I was using the space how I wanted. I love drawing in detail in pen, so using different nib-widths was fun. It’s not often I get the opportunity to make a black and white illustration. With the colouring-in page, I used gouache and colouring-in pencils.

Pam-Hogg-SS14-Antonia-Parker-Amelias-Magazine-web
Antonia-Parker-The-Birth-Of-Miley-web
You are a multi-disciplinary artist – what are you favourite mediums to use and why?
I like to make things. It might be organic forms painted in gouache, wonky drawings in my travel sketchbook, glossy fashion illustrations, lumpy ceramics, cutting up and collaging together old polaroids or creating props for my day job. Artwork-wise I’m in a time of transition. I used to mainly work in acrylic paint on acetate, and that is mostly what people ask me for, but it is such a structured way of working that I felt like I was just churning them out. So I have moved more recently into gouache and pottery, and less people and more organic forms, because I wasn’t sure I was stretching myself enough. Sometimes they’re great, and I think ‘why did I limit myself to people for so long?‘ and other times I see how far I have to go. I never studied ceramics or gouache at art college, which is possibly why they are so fascinating now – making pottery is such a different process, and uses my brain in a different way! I love it! I still have so much to learn, and it is a bit challenging not knowing how the work will look at the end of the firing process – but it’s an excellent excuse to keep making and produce better batches every time. My degree was graphic design, specialising in illustration, but I’m not a naturally neat person – so I think pottery suits me much better – getting messy and crossing my fingers about what comes out after a firing. It’s relaxing in a way that I don’t often find drawing is anymore – although I suppose that is the flip-side of trying to make a career out of a passion.

Antonia Parker NW board up close
Antonia Parker NW Boards in Progress
Since becoming a mum, how has your approach to art and creativity altered?
I also had a baby a few months ago, so I’m settling into a new stage of life. Whilst she’s small, so far I’ve found I need to be slow for all of us. When she was 10 weeks old, amongst a few other things, my husband and I found out that we were losing our jobs at the end of the year, and it threw off what had been quite a lovely start to parenthood. I needed to put myself apart from it and be in tune with my baby, which has meant taking more time out than I had originally intended. In January I’ll restart classes at my local adult education centre so I have access to a kiln again. My concentration span is much lower at the moment. It was a challenge to make this piece, and made me realise that at this moment in time, I just want/need to go at my baby’s pace. With this project I had to really make something I wanted to make, (getting to paint in my favourite shades of gouache and delicious line-drawing) as I felt guilty making her sit watching me and her toys and just getting on. She was grumpy, and I just had to stop sometimes and be with her. It’s a frustrating pace to work at…. I can manage balancing house jobs and picking up the threads of things I was doing in the times I get, but sitting down and working is very challenging! I have so much admiration for mothers who are actually focussing on and achieving things besides their babies; I do not feel like one of them at the moment! It is sort of easier now she can crawl and occupy herself for a few moments, but then you have to run and check they’re playing with something safe. There is a reason that childcare exists! Currently I take my sketchbook around with me, and draw the odd thing when I get the opportunity.

The Mucky Hound Dog Walkers Betty by Antonia Parker web
Antonia Parker The Mucky Hound Logo Vinyl on Vehicle
What have been some of your most recent projects, can you tell us more about them?
Most recently I created desert and cacti scenery for New Wine conference, six 1.2 x 2.4m paintings. These were a huge undertaking as my baby was 3 months old, but with the help of Lily, James and Becky, we made them happen! When I’m painting like that, I try to take quite a relaxed ‘we’ll just see how they turn out!‘ approach, but you have to know what’s happening so your team can help you! I did a lot of drawing, mixing paint and painting by numbers so that it could carry on when I was feeding or getting her off to sleep. My logo for The Mucky Hound (one of my first forays into animal drawing) has been translated into vinyl and is driving around Tunbridge Wells as they pick up local dogs for walks. In my own work, I have also been making cacti in gouache and clay. When working with clay, I like to make small sculptures and slabs to illustrate using underglaze. I’m inspired by the things that excite me – so with this piece beautiful, colourful lanterns, things which are interesting to draw e.g. cacti variety of shapes and detail to draw, pottery: just a different way of working from how I have before and loving growing my understanding of it.

Antonia Parker
Antonia Parker
You’ve been involved in a few of my books now, what is it about them that keeps you coming back?
They tend to be interesting briefs: after I graduated, I made mostly fashion illustrations, and having always been interested in the environment, how could I not get involved in promoting sustainable fashion? Your last book ‘That Which We Do Not Understand‘ was inspired by your miscarriages – I had lost two babies myself and finally understood the grief. If we’re all silent about our losses, we’re part of the loneliness you might feel afterwards. I was pregnant at the time and was able to create something that hopefully, cautiously-optimistically spoke to others.

Antonia-Parker-St-Justin-web
Where do you live and what else excites you besides art?
I live in Tunbridge Wells with my husband and daughter and I’m lucky to know some fantastic local artists and makers. I love gardening (currently I am waiting for the rain to stop so I can plant my spring bulbs!) I am also very interested in rights issues, like genital mutilation and female sexuality, and now of course all of the work/family balance things that I’ve always followed are becoming more of a reality for me! I try not to bore on about my baby’s reusable nappies, but I love them! I have quite a nurturing day job focussed on children and their communities, but I find that I am also interested in women and their lives as mothers-to be and parents, and then of course fathers and how they find their way to fatherhood without the biological changes women go through, and also, how they support mothers. Can you tell that I’m spending my Maternity Leave doing a lot of thinking?!

Antonia Parker Anyone for Pimms

There are just a few hours left to secure your copy of Amelia’s Colourful Colouring Companion, featuring the work of Antonia Parker and over 40 other international artists. Visit my Kickstarter page here.

Categories ,#ameliasccc, ,Adult Colouring, ,Amelia’s Colourful Colouring Companion, ,Antonia Parker, ,ceramics, ,Coloring, ,Colouring Book, ,Fashion Illustration, ,interview, ,kent, ,Kickstarter, ,Motherhood, ,New Wine, ,Parenting, ,Pottery, ,That Which We Do Not Understand, ,The Mucky Hound, ,Tunbridge Wells

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Amelia’s Magazine | An interview with Johan Lindström: Amelia’s Colourful Colouring Companion featured artist.

DudeLove_Lila
Swedish illustrator Johan Lindström is a multi-talented father of three who trained in animation but also draws, knits and sews. For Amelia’s Colourful Colouring Companion he was inspired by varied modes of transport to create a fantastical road full of people from all walks of life.

Johan Lindström
Johan Lindström
I believe you only came to illustration relatively recently – why only now and what were you doing beforehand?
I´ve always done creative things like drawing, painting, knitting and sewing, and when I was little I wanted to be a fine artist. But during art school I discovered computer graphics and wanted to learn more so I went to a 3D graphics program at the university and fell in love with animation. After graduation I worked as a character animator in the games industry for several years and when I one day found myself without a job I decided to start freelancing as an animator. Being a freelancer made my creativity explode and I started to draw and paint again for the first time in years and I realised that what I had really wanted when I was little wasn’t to be a fine artist but an illustrator!

Johan Lindström
Tourists_JohanLindström
How do you juggle your commitments to your family with being an illustrator?
I have always considered it a great advantage for me to have children in my life. I became a dad in my early twenties and that influenced me to become more structured than I was before and definitely more focused on what ever I take on. One of my biggest inspirations are my children, they remind me of what´s important in life and I try to spend as much time as I can with them and since I’m freelancing I now got the freedom to do that.

Malesport_JohanLindström
Man_JohanLindström
Who taught you to knit and is this a common thing in Sweden? what kind of things do you make?
Haha, no I don’t think it´s that common in Sweden to knit, not for guys at least. My mom taught me when I was in my teens, I just thought it was cool to be able to design my own winter clothes. Since it´s cold and snowy for six months a year here in the north, warm hats, gloves, and scarves are kind of a big deal.

Johan Lindström
What is it about the handmade touch and happy accidents that you think make a good outcome?
When I was younger I could spend hours and days on remaking my drawings and paintings, I was never satisfied with the result. It was a big turning point to realize that (for me) it´s the imperfection that tells the story and makes art interesting. I try to keep my work as handmade as possible, I love the happy accidents and wonky feeling of a not-so-perfect drawing. So I usually draw and paint everything by hand and scan it and then put it together digitally.

Astronauts_JohanLindström
I discovered your work on instagram and invited you to take part in this open brief, what is your favourite thing about using instagram?
I guess it´s for the same reason that I love illustration and animation – using images to tell stories. Instagram is a great place to meet new people around the world that share the same passions in life and it has become my number one source of daily inspiration.

FourBirds_JohanLindström
What kind of animated videos do you make?
I mainly do motion design and explainer videos for companies and advertising agencies. A long term goal is to start doing more personal work within animation too, and further integrating my illustration style in my animations.

Johan Lindström
Who do you design patterns for?
I hope to design patterns for companies to be used for fabrics and home decor in the future, but at the moment you can find my patterns at Spoonflower and Society6.

Men_JohanLindström
You have said that you like to explore the roles of gender in your illustrations, why is this important to you and how do you set about doing this in your personal work?
We live in a society that still wrestles with inequality, which is quite apparent in visual language where men and women are often portrayed differently. I try to break these stereotyped patterns in my illustrations to challenge the norm of genders. As a man it also feels relevant to challenge the idea of masculinity that I think can be harmful to both society and people in many ways, but also (the lack of) fatherhood in art is something that interests me a lot.

Emotions_JohanLindström
Why have you decided to portray men as reptiles and lizards in your series about the way men deal with their feelings?
Well I wanted to do illustrations about the absurd notion that men can’t express their feelings by nature or that we don’t have the same need for them as women do. I thought portraying us as lizard men with our lizard brains made the absurdity even more obvious.

DoubleSpread_JohanLindström
Who is featured in your artwork for my colouring book and where did you find your source material?
I love drawing real life people doing real life stuff and I think it´s funny how different ways people choose to get from one place to another, so I did an illustration where different people uses different ways of transport. My references and inspirations are a mishmash of my own photos, library book and the good old internet.

Mopeds_JohanLindström
Enjoy Johan Lindström‘s work and that of so many other talented artists in my upcoming colouring book Amelia’s Colourful Colouring Companion, available soon from Kickstarter!

Categories ,#ameliasccc, ,Adult Colouring Book, ,Amelia’s Colourful Colouring Companion, ,Coloring, ,Coloring Book, ,Colouring, ,Colouring Book, ,Fatherhood, ,Gender, ,illustrator, ,instagram, ,Johan Lindström, ,Kickstarter, ,Parenting, ,pattern, ,Society6, ,Spoonflower, ,surface design, ,Swedish

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