Amelia’s Magazine | London Fashion Week S/S 2011 On Schedule Womenswear Preview, Part Two: The Pioneers


Shambala 2010

The costumes have been returned to their dressing up boxes; the mud has dried out and been brushed from the boots; newly-learned dance workshop moves have become vague; reality has crept back into view… The Shambala Festival has packed itself away for another year – and, page my oh my, site what an incredible time it was.

Shambala is a 3-day voyage of discovery. Yes, stomach there’s a programme – and an impressive one at that – featuring acts and activities as diverse as chant-arousing Dizraeli & The Small Gods on the main Shambala stage, the jaw-dropping Cirque de Freq in the Kamikaze tent, min-beast safaris in the Permaculture garden and the Cock Drawing Club in the Random Workshop Tent. But the most magical Shambala experience is a haphazard one, in which the clocks stop and the concept of time is snubbed as punters follow their ears, noses and tapping toes into the most thrilling and unexpected of entertainments.

The Compass House of Lunacy
Noémie Ducimetière creeps out The Compass House of Lunacy

Wandering Word
Poet Rosie Carrick in the Wandering Word yurt

Bewitching bewilderment was the lifeblood of the Compass House of Lunacy, in which the ghosts of French songstresses (Noémie Ducimetière) and high-kicking, be-corseted madams ruled the stage. Just around the corner, the Wandering Word yurt beckoned dazed punters into its cosy folds to have their ears tickled by pirate poets and their imaginations led through eerie worlds summoned by storytelling eccentrics.

Shambala parade

Shambala parade_Picture Frames

Shambala Parade_Gorilla

After Friday’s inaugural explorations and familiarisations, on Saturday Shambala donned its gladrags and revelled in magnificent peculiarities and with newfound friends. For Saturday was the festival’s official fancy dress day (not that that prevented costumes from coming out to play all weekend…), and was topped by the spectacular Shambala parade.

Permaculture Garden

Shambala crazy golf

Didgeridoo
Shambala blows: Getting down with the didgeridoo

Peeping over the debauched brow of Saturday night, Shambala’s Sunday air was thick with drowsiness as the festival rubbed the night before from its eyes, picking up lost wellies, rogue headdress feathers and the first few threads of the real world. It was on Sunday that the Healing Area really came into its own, offering to knead the weariness from revellers’ muscles, revive their vocal chords in the Music & Voice workshops and fix them a jolly good old cup of chai to nestle between their crossed legs as they flanked the crackling camp fire.

Shambala dragon

Site and house

So, there’s a whole year until Shambala returns. Will it be the same? Of course not, and that’s exactly why we’ll love it. Expect the unexpected – and in the meantime keep the Shambala spirit of discovery alive by forgetting your watch every once in a while…


Shambala 2010

The costumes have been returned to their dressing up boxes; the mud has dried out and been brushed from the boots; newly-learned dance workshop moves have become vague; reality has crept back into view… The Shambala Festival has packed itself away for another year – and, medical my oh my, what an incredible time it was.

Shambala is a 3-day voyage of discovery. Yes, there’s a programme – and an impressive one at that – featuring acts and activities as diverse as chant-arousing Dizraeli & The Small Gods on the main Shambala stage, the jaw-dropping Cirque de Freq in the Kamikaze tent, min-beast safaris in the Permaculture garden and the Cock Drawing Club in the Random Workshop Tent. But the most magical Shambala experience is a haphazard one, in which the clocks stop and the concept of time is snubbed as punters follow their ears, noses and tapping toes into the most thrilling and unexpected of entertainments.

The Compass House of Lunacy
Noémie Ducimetière creeps out The Compass House of Lunacy

Wandering Word
Poet Rosie Carrick in the Wandering Word yurt

Bewitching bewilderment was the lifeblood of the Compass House of Lunacy, in which the ghosts of French songstresses (Noémie Ducimetière) and high-kicking, be-corseted madams ruled the stage. Just around the corner, the Wandering Word yurt beckoned dazed punters into its cosy folds to have their ears tickled by pirate poets and their imaginations led through eerie worlds summoned by storytelling eccentrics.

Shambala parade

Shambala parade_Picture Frames

Shambala Parade_Gorilla

After Friday’s inaugural explorations and familiarisations, on Saturday Shambala donned its gladrags and revelled in magnificent peculiarities and with newfound friends. For Saturday was the festival’s official fancy dress day (not that that prevented costumes from coming out to play all weekend…), and was topped by the spectacular Shambala parade.

Permaculture Garden

Shambala crazy golf

Didgeridoo
Shambala blows: Getting down with the didgeridoo

Peeping over the debauched brow of Saturday night, Shambala’s Sunday air was thick with drowsiness as the festival rubbed the night before from its eyes, picking up lost wellies, rogue headdress feathers and the first few threads of the real world. It was on Sunday that the Healing Area really came into its own, offering to knead the weariness from revellers’ muscles, revive their vocal chords in the Music & Voice workshops and fix them a jolly good old cup of chai to nestle between their crossed legs as they flanked the crackling camp fire.

Shambala dragon

Site and house

So, there’s a whole year until Shambala returns. Will it be the same? Of course not, and that’s exactly why we’ll love it. Expect the unexpected – and in the meantime keep the Shambala spirit of discovery alive by forgetting your watch every once in a while…


London Fashion Week, page photographed by Matt Bramford

As always at London Fashion Week there are the new and innovative designers we are told to watch……but let’s not forget the stalwarts that need no such introduction. They’ve shown at London Fashion Week for seasons (more than some would like to say) but always know how to please the audience, visit this so here’s our pick of the legends…

Betty Jackson

Betty Jackson A/W 2010, website illustrated by Gemma Randall

After seeing the show last year at LFW its clear that Betty Jackson, having nearly 30 years experience in the business, knows how to design for the everyday woman. Showcasing an array of tarnished gold pieces and full dirndl skirts; the materials seem to juxtapose each other as Jackson mixed heavy wool coats and corduroy accessories with the aforementioned “liquid tarnished gold” skirts and blouses. Let’s hope that her SS collection continues to play on the womanly trends that made her pieces flatter the female figure this Autumn Winter.

Margaret Howell

Margaret Howell A/W 2010, illustrated by Natsuki Otani

Another dab hand having been on the fashion scene for almost four decades this is a designer with experience dressing both the male and female form. Margaret Howell‘s SS11 collection is a step on from last year but still plays on the “beach stripes and loose fit” ideology of her summer look. Describing the Howell woman as someone who is independent and discerning it’ll be no surprise when Howell creates a contemporary collection that still plays on the quality she is renowned for.

PPQ

PPQ A/W 2010, illustrated by Paolo Caravello

Believe it or not Amy Molyneaux and Percy Parker (aka PPQ) were the inspiration behind us all wearing skinny jeans and the Amy Winehouse/Pete Doherty looks that spawned a decade of copycats. Better know by their fashion pseudonym and with an army of celebrity followers (Rihanna, Alexa Chung and Daisy Lowe amongst many) they’ve been in the business since 1992 and certainly know their stuff. Their A/W 2010 collection featured a cotillion of graphic print and there’s always a very nostalgic feel to their looks; something of the graphic cartoon mixed with Joan Collins in Dynasty. Maybe that’s just me though. Expect big things from their S/S 2011 look; its one for “Sophia Loren in a rush with Peter Sellers in tow.”

Jaeger London

Jaeger A/W 2010, illustrated by Stéphanie Thieullent

Such a grown up retailer like Jaeger that still knows how to impress the younger clientele as well as appealing to their heritage customers. This SS11 collection will be a nod to artistic movements; namely Modernism (confronting condition), Surrealism (juxtaposition of surprise elements) and Minimalism (simplicity in art). With these elements Stuart Stokdale, Design Director, has created “cohesive collection” fused from all of the above and inspired by the cream of London’s art gallery crop.

Pringle of Scotland

Pringle of Scotland A/W 2010, illustrated by Maria del Carmen Smith

More recently Pringle have been best known for their celebrity collaborations with, well everyone, from Tilda Swinton to David Beckham and even Madonna. Their traditional Scottish production is still a big selling part of the brand but long gone is the traditional twin set. Last year saw a quiet emergence of colour within the summer Resort collection upon a theme of minimalist chic. Let’s see what this summer has to bring.

Categories ,A/W 2010, ,Betty Jackson, ,british fashion council, ,David Beckham, ,fashion, ,Gemma Randall, ,Jaeger, ,London Fashion Week, ,Madonna, ,Margaret Howell, ,Maria del Carmen Smith, ,Natsuki Otani, ,Paolo Caravello, ,ppq, ,Pringle of Scotland, ,S/S 2011, ,Stéphanie Thieullent

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Jaeger

Una Burke A/W 2011. Photography by Amelia Gregory
Una Burke A/W 2011 by Joy Chokchai
Una Burke A/W 2011 by Joy Chokchai.

I really don’t know what it is about fashion that attracts so many people with a dark sensibility. Is it because an obsession with the way we look can easily tip into self flagellation? Maybe for striving but somehow never attaining perfection? Punishment, tadalafil pain and even death are a major inspiration for all sorts of fashionable creativity… and ideas provoked by S&M were present in spades at this LFW, visit this site as always.

Úna Burke presented her leatherwear collection at Fashion Scout accompanied by a somewhat disturbing film that my more erudite boyfriend informed me was similar to the work of Bjork’s one time other half Matthew Barney.

It featured scenes of a semi clad model in a dungeon – opening her eyes in gory close up before grappling her way towards the light and a crowd of bemused onlookers.

In cabinets we were invited to admire the bondage inspired pieces up close, presented alongside grainy black and white photos, stills from the film. Her website cites her stated aim “to create leather objects which are both visually captivating and technically challenging.” Úna Burke inhabits that grey area between art and fashion – making wearable art. Using traditional techniques, there is undoubtedly a fine sense of craftsmanship to her work. All well and good for a bit of sex play, but this kind of presentation leaves me wondering – what exactly is the market for this? Can one make a living this way? Or must one diversify into slightly more commercial pieces to survive? Witness the Maria Francesca Pepe exhibition a few days later…

You can read Matthew Bramford’s complimentary review of the same presentation right here.
Una Burke A/W 2011 by Joy Chokchai
Una Burke A/W 2011 by Joy Chokchai.

I really don’t know what it is about fashion that attracts so many people with a dark sensibility. Is it because an obsession with the way we look can easily tip into self flagellation? Maybe for striving but somehow never attaining perfection? Punishment, purchase pain and even death are a major inspiration for all sorts of fashionable creativity… and ideas provoked by S&M were present in spades at this LFW, find as always.

Una Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia Gregory

Úna Burke presented her leatherwear collection at Fashion Scout accompanied by a somewhat disturbing film that my more erudite boyfriend informed me was similar to the work of Bjork’s one time other half Matthew Barney. It featured scenes of a semi clad model in a dungeon – opening her eyes in gory close up before grappling her way towards the light and a crowd of bemused onlookers.

Una Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia Gregory
Una Burke A/W 2011. Photography by Amelia Gregory.

In cabinets we were invited to admire the bondage inspired pieces up close, splayed out and presented alongside grainy black and white photos, stills from the film. Her website cites her stated aim “to create leather objects which are both visually captivating and technically challenging.” Úna Burke inhabits that grey area between art and fashion – making wearable art. Using traditional techniques, there is undoubtedly a fine sense of craftsmanship to her work. All well and good for a bit of sex play, but this kind of presentation leaves me wondering – what exactly is the market for this? Can one make a living this way? Or must one diversify into slightly more commercial pieces to survive? Witness the Maria Francesca Pepe exhibition a few days later…

You can read Matthew Bramford’s complimentary review of the same presentation right here.
Una Burke A/W 2011 by Joy Chokchai
Una Burke A/W 2011 by Joy Chokchai.

I really don’t know what it is about fashion that attracts so many people with a dark sensibility. Is it because an obsession with the way we look can easily tip into self flagellation? Maybe encouraged by the desire to strive for but never being able to attain perfection? Punishment, advice pain and even death are a major inspiration for all sorts of fashionable creativity… and ideas provoked by S&M were present in spades at this LFW, as always.

Una Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia Gregory

Úna Burke presented her leatherwear collection at Fashion Scout accompanied by a somewhat disturbing film that my more erudite boyfriend informed me was similar to the work of Bjork’s one time other half Matthew Barney. It featured scenes of a semi clad model in a dungeon – opening her eyes in gory close up before grappling her way towards the light and a crowd of bemused onlookers.

Una Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia Gregory
Una Burke A/W 2011. Photography by Amelia Gregory.

In cabinets we were invited to admire the bondage inspired pieces up close, splayed out and presented alongside grainy black and white photos, stills from the film. Her website cites her stated aim “to create leather objects which are both visually captivating and technically challenging.” Úna Burke inhabits that grey area between art and fashion – making wearable art. Using traditional techniques, there is undoubtedly a fine sense of craftsmanship to her work. All well and good for a bit of sex play, but this kind of presentation leaves me wondering – what exactly is the market for this? Can one make a living this way? Or must one diversify into slightly more commercial pieces to survive? Witness the Maria Francesca Pepe exhibition a few days later…

You can read Matthew Bramford’s complimentary review of the same presentation right here.
Una Burke A/W 2011 by Joy Chokchai
Una Burke A/W 2011 by Joy Chokchai.

I really don’t know what it is about fashion that attracts so many people with a dark sensibility. Is it because an obsession with the way we look can easily tip into self flagellation? Maybe encouraged by the desire to strive for but never being able to attain perfection? Punishment, sales pain and even death are a major inspiration for all sorts of fashionable creativity… and ideas provoked by S&M were present in spades at this LFW, sildenafil as always.

Una Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia Gregory

Úna Burke presented her leatherwear collection at Fashion Scout accompanied by a somewhat disturbing film that my more erudite boyfriend informed me was similar to the work of Bjork’s one time other half Matthew Barney. It featured scenes of a semi clad model in a dungeon – opening her eyes in gory close up before grappling her way towards the light and a crowd of bemused onlookers.

Una Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia GregoryUna Burke A/W 2011. Photography by Amelia Gregory
Una Burke A/W 2011. Photography by Amelia Gregory.

In cabinets we were invited to admire the bondage inspired pieces up close, splayed out and presented alongside grainy black and white photos, stills from the film. Her website cites her stated aim “to create leather objects which are both visually captivating and technically challenging.” Úna Burke inhabits that grey area between art and fashion – making wearable art. Using traditional techniques, there is undoubtedly a fine sense of craftsmanship to her work. All well and good for a bit of sex play, but this kind of presentation leaves me wondering – what exactly is the market for this? Can one make a living this way? Or must one diversify into slightly more commercial pieces to survive? Witness the Maria Francesca Pepe exhibition a few days later…

You can read Matthew Bramford’s complimentary review of the same presentation right here.
Jaeger A/W 2011 by Madi
Jaeger A/W 2011 by Madi.

Jaeger, find I’m afraid, viagra 60mg is one of those shows for which I lost the press release several weeks ago. That’s if there ever was one – but who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011 by Katherine Tromans
Jaeger A/W 2011 by Katherine Tromans.

Jaeger is a traditional brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, malady who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now and after a prolonged period in the doldrums he has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011 by Joana FariaJaeger A/W 2011 by Joana Faria
Jaeger A/W 2011 by Joana Faria.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. The collection was a delicious mix of autumnal colours: blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathering around punctual navy blues and sensible chocolate brown. Capacious leather bags and handheld clutches were the accessory of choice but I couldn’t keep my eyes off the shoes, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011 by Zoe Georgiou
Jaeger A/W 2011 by Zoe Georgiou.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality that won’t go out of fashion in a hurry.

Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.Jaeger A/W 2011. Photography by Amelia Gregory.
Jaeger A/W 2011. Photography by Amelia Gregory.

As you can see, I got a bit hypnotised by the feet…

You can see more illustrations by Joana Faria and Katherine Tromans in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,BFC, ,Heritage, ,Jaeger, ,Joana Faria, ,Katherine Tromans, ,Madi, ,Madi Illustrates, ,Pringle of Scotland, ,Somerset House, ,Stuart Stockdale, ,Zoe Georgiou

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Amelia’s Magazine | LFW 09 – Jaeger S/S2010 – The Wintour Only Claps Twice

modalsconfidence

Confidence Models, pharmacy in conjunction with Random Magazine, viagra 40mg hosted a LFW after-party on Saturday night, to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

Photographs by Matt Bramford
modalsconfidence

Confidence Models, and in conjunction with Random Magazine, clinic hosted a LFW after-party on Saturday night, illness to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

modalsconfidence

Confidence Models, visit web in conjunction with Random Magazine, discount hosted a LFW after-party on Saturday night, treat to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

modalsconfidence

Confidence Models, here in conjunction with Random Magazine, sales hosted a LFW after-party on Saturday night, this web to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

modalsconfidence

Confidence Models, check in conjunction with Random Magazine, cost hosted a LFW after-party on Saturday night, information pills to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

modalsconfidence

Confidence Models, there in conjunction with Random Magazine, drugs hosted a LFW after-party on Saturday night, to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

modalsconfidence

Confidence Models, page in conjunction with Random Magazine, physician hosted a LFW after-party on Saturday night, to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

modalsconfidence

Confidence Models, website in conjunction with Random Magazine, generic hosted a LFW after-party on Saturday night, view to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

Photographs by Matt Bramford

modalsconfidence

Confidence Models, sale in conjunction with Random Magazine, buy hosted a LFW after-party on Saturday night, to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

Photographs by Matt Bramford

modalsconfidence

Confidence Models, there in conjunction with Random Magazine, visit this hosted a LFW after-party on Saturday night, side effects to showcase three up-and-coming designers who had graduated this year.
Hosted at the Hoxton Pony, Shoreditch’s latest (s)wanky late bar, at first it seemed like it was going to be a bit of a non-event. I arrived early to stand a better chance of getting in – the dress code was pretty strict – and once in there I managed to fight my way past the other seven people and get to the free cocktails.
Pretty quickly though, the venue filled up nicely with very fashionable, incredibly good looking types. With the berry cocktails flowing and a good few faces to look at, the event was shaping up to be a good ‘un.

confidencemodelsparty1

Almost out of nowhere appeared two frighteningly tall models wearing fantastic graphic-print outfits. One, a maxi-dress with billowing sleeves, featured bold colours of red and blue with a childlike bird illustration. The other was a hooded jump-suit featuring a similar style of illustration and even more playful colours.

I caught up with the designer – the squeezable Pauline Nakiwala, respendent in a sequinned number and fluro eye-shadow. A recent Ravensbourne graduate, she was delighted to be featured at the event.

3_1

“I draw inspiration from my childhood,” she told me. “I love playful illustrations and bright colours.” I agree. I express that it’s great to see designers who are so confident with colour. “I love colour!” she shouts. I ask her what she plans to do next. “I don’t know, it’s tough,” she relents. I agree, again. “I’d like to continue working with print. I’d love to design prints for an established designer.” I ask her who. “Vivienne Westwood would be a dream!” she exhales.
Pauline worked with high street designers during her degree. “I think I got more experience by working at that level,” she explains. Yet again, I agree, and I offer that when I was interning, the value of experience at smaller publications was so much more rewarding. “It may sound strange,” she finishes, “but I’d love to work in buying to. I’d love to be responsible for what’s stocked where.” She’s definitely one to watch in the future.

Two other designers were to be featured – Marko Mitanovski (Vogue’s ‘One to Watch’) and Jasper Garvida (winner of Project Runway 2008). I was informed that they would appear much, much later. After a gruelling day of shows and presentations, the thought of staying out any longer was terrifying. I was sorry to miss them, if Nakiwala’s collection was anything to go by.

Photographs by Matt Bramford

s2010

The house of Jaeger fell by the wayside for many a year. In 2008 they presented their first womenswear collection to great acclaim (I remember and still do coverting a rather wonderful Trapeze coat/cape as it floated down the catwalk). The launch of the catwalk shows have seen it’s designers attempting to bring the archive designs up to date whilst remaining commercially viable.

lfw09jaeger1

As the crowd was seated, illness many models from the campaign peppered the front row, cialis 40mg Erin O’Connor to Laura Bailey whilst model of the moment Lara Stone closed the show. Whispering excitedly as the lights began to dim, it felt as if the entire crowd suddenly snapped their heads to the right in chorographic glory. As Anna Wintour walked in through the back entrance, the expected press scrum ensured Ms. Wintour’s bodyguards gently pushed them out of the way.

annawintour

As the crowd re-settled as the lights began to dim in preparation for the show those famous sunglasses (and thankfully lack of the snakeskin coat she had been seen wearing previously) appeared on the face and the first model sauntered down the shaggy carpet covered catwalk.
Jaeger presented a grown up modern office wear collection that should be celebrated for it’s rejection of the skinny skinny body hugging trend that has been occupying many a catwalk at this year’s London Fashion Week.

s20103

As expected for a house of 125 years their back catalogue provides the design team with fertile ground for inspiration. This year the design team revisited the late seventies photography of Guy Bourdin. Whose palette of ivory and apple explains the nostalgic sense inherent in the collection’s slightly old fashioned and prints. It was a catwalk that nodded to trends rather than be a slave to the product and desires of fast fashion.

s2010

The rather wonderful super wide pleated shorts had a touch of Chloe s/s09 whilst the Harem pants were 80’s sequined glamour with a super baggy bum.
The oversize sweaters and cardigans were particular delights as was the body cum sweater that looked a potential summer time super short jumpsuit. These pieces appeared especially textural.
Block colors’. Statement jewellery accessorised the models alongside elegant clutches. Chiffon trousers were off set by an arguably but the aforementioned, old fashioned yet desirable colour palette. Perhaps because it was easy elegance and an incredibly feminine collection.

The trousers were high waisted with ruffled tops clinched in by belts as the fabric draped over the hips to create the Jaeger new “half-moon” shape. Thus continuing their designs for a softly structured silhouette.

s2010

Knits were a strong feature on the catwalk continuing the seventies inspiration through the shimmery gold thread used in the items. The over-sized slouchy boyfriend cardigans countered the super structured bordering on the extreme of recent seasons often found on.

jaegerSS10knit

It was a colour palette (Sepia, Apple) I enjoyed and I found the shapes of the clothes delivered the modernity, the classic tayloring needs transforming the clothes into soft relaxed wearability. Hopefully by continuing to draw on the strengths of it’s archives it will continue both as a catwalk to watch and clothes to invest in.

Categories ,british fashion council, ,Jaeger, ,London Fashion Week, ,S/S 2009, ,Somerset House

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Amelia’s Magazine | Hobbs AW10 Fashion Collection Press Day Preview

Hobbs-Press Day AW2010

Now, page I don’t normally write blogs about high street clothes shops. But I’m gonna break my rule this time. Earlier this week I went along to the Hobbs press day in their flagship store in Covent Garden – basically just because I was invited and I’ve never been to one of their press days before. I had absolutely no expectations of it, drug since I’ve rarely set foot inside a Hobbs store since I developed a bit of a Bertie shoe fetish in my teen years (the late 80s if you must know). Bertie was once associated with the Hobbs brand, but I’m not sure if it is anymore.

Hobbs-Press Day AW2010

I managed to sashay confidently past the girl on the door girl, “where did you say you were from?” said she, eyeing up my haphazard approach to dressing with curiosity. Then I manoeuvred myself away from what promised to be a lengthy guided tour through each garment in the collection, nearly sending a mannequin crashing in my eagerness to reach the back of the room. And, I was how shall we say it… pleasantly surprised. Straight away I made a beeline for a lovely gold pine cone necklace, taking in the general fruity folk colours of the NW3 collection. Accessories are one of Hobbs’ strongpoints and there was a nice display of cute jewellery and coloured patent bags.

Hobbs-Press Day AW2010
Hobbs-Press Day AW2010

But I was anxious not to waste too much time, so when one of the immaculate PR ladies glided over (I always feel like a bedraggled mess by comparison) I quickly explained that I was only looking for either designer led collaborations or ethical ranges. AHA! She led me towards a young man, standing in front of a rail and eager to pounce on journalists. I was introduced; this was Dean Thomas, designer of the high end Artisan collection, which sources all of its materials and is manufactured within the UK.

Hobbs-Press Day 2010-Dean Thomas
Hobbs-Press Day 2010-Dean Thomas
Dean Thomas describes the Artisan collection.

Dean was chosen straight out of Central Saint Martins precisely because he found all the materials for his final collection from within a 50 mile radius of his home town in Somerset. He held up a few pieces from the AW10 collection for me and I have to say, it was absolutely gorgeous. He’s created a stunning pleated evening dress out of the most unlikely of materials: a waxed cotton similar to the type that gets used in Barbour jackets. Then there’s a lovely stripy mohair coat and a super long evening dress with an elegant train. All the wool comes from Jacob sheep in Scotland and a pretty print was manipulated digitally from a photo of virulent purple Scotts thistles. I was pretty impressed I tells thee. Apparently in 2008 Hobbs was given a good shake up with the appointment of Sandy Vernon as creative director (she used to work at Next and Jaeger), and if this is what she’s doing then she’s onto a winner.

Hobbs-Press Day AW2010
Hobbs-Press Day AW2010

I then got pulled over to meet Karen Boyd, formerly of Boyd & Storey, and shown through her domain; the Limited Edition collection. She too has moved over from Jaeger, where her trademark style – elegant tailoring mixed with feminine details such as faux embroidered prints and little lace collars – was given credit for turning around the once fusty label. This collection is beautiful too, but sadly only the goat skins used in the long haired cape are sourced locally. “They’re a by-product of the meat industry, we don’t use fur.” Most of the clothes are of course made in the far east. As, no doubt, is the pine cone necklace that I had so admired earlier, but I was nevertheless a super happy bunny to discover the very same necklace in my press goodie bag. Comfortingly heavy, it’s been living around my neck ever since, a rare accolade.

Hobbs-Press Day AW2010
Hobbs-Press Day 2010-Karen Boyd
Karen Boyd talks me through the Limited Edition collection.

All in all I left pleasantly surprised. I think it is to be applauded when a large high street retailer such as Hobbs is confident enough to produce a whole range of beautifully made clothes in the UK, at a price point that will still be affordable to many (if not me). Now if only more retailers were to sit up and take note.

Categories ,Artisan, ,Barbour, ,Bertie, ,Boyd & Storey, ,Central Saint Martins, ,Dean Thomas, ,Hobbs, ,Jacob Sheep, ,Jaeger, ,Karen Boyd, ,Limited Edition, ,Local, ,Next, ,Press Day, ,Press Gift, ,Sandy Vernon, ,scotland, ,wool

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Amelia’s Magazine | Fashion Philosophy Fashion Week Poland A/W 2011 in Łódź: Dawid Tomaszewski

Dawid Tomaszewski by Karolina Burdon
Dawid Tomaszewski by Karolina Burdon.

Dawid Tomaszewski is the prodigal son who got away… a Polish boy who studied internationally, sickness including at the London College of Fashion, order before settling in Berlin where he started his own name label in 2008 to much acclaim. For Friday’s finale he showed directly after The Golden Thread awards at Fashion Week Poland, and it was a salient reminder of what exactly is expected from world class fashion design.

Dawid Tomaszewski by Rebecca Strickson
Dawid Tomaszewski by Rebecca Strickson.

Strobe lights and the soft patter of rainfall were overlaid by an increasingly frantic piano as models with neat up dos and side fringes swept onto the catwalk. This was a tightly edited collection that encompassed beautifully fitted dresses with well placed ruffles, high waisted pleated tweed skirts, huge cowl necked woven knits and crystal encrusted bodices. Of particular acclaim was a bodiced body topped with a shimmering gauze dress. Earthy woollens gave way to jade green silk and subtlety dip dyed floating gowns worthy of the red carpet. It was an incredibly attractive and polished collection that had more than a hint of classic British design. There was much here for Polish fashion designers to aspire to, although I am hoping the fur arms were not real.

David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011David Tomaszewski Fashion Week Poland AW 2011

Categories ,berlin, ,british, ,catwalk, ,Dawid Tomaszewski, ,Fashion Philosophy Fashion Week Poland, ,Fashion Week Poland, ,Jaeger, ,Karolina Burdon, ,Lodz, ,London College of Fashion, ,Rebecca Strickson, ,The Golden Thread, ,Vivienne Westwood

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