Amelia’s Magazine | London Fashion Week S/S 2011 Exhibition Review: Headonism

Frieze showcases a collection of pastel coloured trenches at London Fashion Week off schedule at Vauxhall Fashion Scout.

Illustration of Piers Atkinson by Kellie Black

The Headonism exhibition is hidden in the Embankment Galleries on the lower ground floor of Somerset house, order behind the BFC tent. I’ve been down there twice, once on Thursday and once yesterday – and both times it seemed very under attended. Actually, all the exhibitions around the scrum of the registration area seem very quiet but they are all well worth a look, even if it is just to take a closer look at some of the collections as I did upstairs for Louise Amstrup.

Curated by milliner extraordinaire Stephen Jones, the Headonism exhibition is all about the hats and is the only section of London Fashion Week exclusively catering to the headwear market. There are only five exhibitors: J Smith, Little Shilpa, Noel Stewart, Piers Atkinson and Soren Bach, but the difference between the stands is remarkable. Disappointingly, the Soren Bach stand has no one looking after it, nor does Little Shilpa – merely a book to leave details in.

The only exhibitor to have put any real effort into their display is Piers Atkinson…but more on him later. The importance of showcasing your wares appropriately at London Fashion Week is shockingly something that many have left to the last minute. Read Katie Antoniou’s post on all the exhibitions to find out who did it well this year.

Illustration of J Smith Esquire by Kellie Black

We were lucky enough to interview two of the exhibitors prior to the show, the first was J Smith Esquire. His exhibit is immediately to your right as you enter the exhibition, displaying his most recent foray into the high street market with a Mister Smith display of flat pack hats in colourful cut out leather. He told us about the collection: ‘Mister Smith is designed to be robust, accessible, affordable millinery with high design values, so everyone can have a J Smith Esquire hat’.

Photograph from Mister Smith collection by Florence Massey

Mixing together the ready-to-wear and couture, J Smiths talent shines with his main collections, the most recent entitled ‘Illuminated’ is sure to be as highly impressive as his previous efforts. The new collection promises to be VERY eclectic, ‘(it’s) inspired by vintage Italian fashion papers to create a modern-day Edwardian couture, and yes, expect a very colourful collection!’

Illustration of Little Shilpa by Yelena Bryksenkova

Little Shilpa’s stand is on each side as you exit the exhibition space, and displays an array of great headpieces, necklaces and hats. His work is crazy, but in a good way. The designs are definitely not for the wallflowers among us, something crystalised by his naming Bjork as a dream customer!

With an Indian heritage it is unsurprising to hear that the inspiration for his Headonism show picks up on this , ‘the pieces were inspired from Bombay and London, there was an obvious juxtaposition of the 2 cities …all the pieces were specially created for Headonism as it was my first formal showing in London hence a sort of introduction to my inspirations’.

Photograph of J Shilpa by Florence Massey

Little Shilpa agrees with Piers Atkinson’s very true comment that millinery has finally become more about having fun rather than the obligatory weddings and funerals, ‘working out of India it has always been about fun and design’. Long may that continue!

Talking of Piers Atkinson and the move away from wedding/funeral hats his stand is fantastic. More of an exploded flower stall mixed with Hollywood clichés and mini people, I spent a-g-e-s peering at every single one of his creations. With lots of green felt, and miniature people Atkinson definitely taps into the fun side of millinery and his collection is so good: silly, energetic and vibrant. Spilling with colours and quirks, the Hollywood sign features heavily, as do clashing flowers and little gold spikes. If you want a break from the oh so serious fashion upstairs at BFC, pop down to Atkinson’s stand for a giggle.

Illustration of Piers Atkinson by Kellie Black

Photograph of Piers Atkinson by Florence Massey

Categories ,british fashion council, ,couture, ,Embankment Galleries, ,exhibition, ,fashion, ,hats, ,Headonism, ,headpieces, ,J Smith Esquire, ,Kellie Black, ,Little Shilpa, ,London Fashion Week, ,millinery, ,mister smith, ,piers atkinson, ,review, ,Somerset House, ,Stephen Jones, ,Yelena, ,Yelena Bryksenkova

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Amelia’s Magazine | London Fashion Week S/S 2012 Exhibition Review: Headonism


Charlie Le Mindu by Claire Kearns

The exhibitions around Somerset House are one of my favourite London Fashion Week pleasures – I enjoy wandering the stands in between shows as it gives you a chance to see all of the clothes close up and even talk to some of the designers about their new collections. One such exhibition that I always make sure I catch, view is Headonsim. Curated by legendary milliner Stephen Jones, information pills who has designed for everyone from Marilyn Manson to Beyonce, medications 2011 marks its third year of existence. Read my S/S 2011 review here.


Charlie Le Mindu by Michelle Pegrume

Four milliners participated – Charlie Le Mindu, Piers Atkinson, Noel Stewart and J Smith Esquire. Situated next to the press lounge in Somerset House this time around, each designer exhibited their best talents on stands placed at different levels in quite a small room on the ground floor (rather than on the lower level as in previous years).

As expected, Charlie Le Mindu offered up some weird yet totally wonderful pieces, including this blue haired creation with amazing top headpiece and veil – the inky blue shades that used for his new pieces are a dramatically cool, dark approach to the lighter summer colours that we have seen on the catwalks so far this season. Le Mindu is well known for his hair couture creations – owing to regular nudity and his creative use of hair, his catwalk shows are always a media, blogger, fashion frenzy. For a background on some of the amazing hair couture collections he has created in the past, read Amelia’s review on his AW11 collection here.

His Headonism collection of blue wigs featured crystals, dip dyed ends and flowing curls given an edge with spiked headbands. Unlike his more avant garde creations, the ones on show at Headonism were a good flavour of what the designer is capable of in a more wearable capacity (if you are so inclined to wear a blue wig, that is!).


Piers Atkinson by Dee Andrews

Piers Atkinson has long been a favourite designer of mine. I love the way that he manages to be fun, quirky and different with his designs but still create pieces with enduring appeal. I reviewed his collection last year when the Hollywood hat stood out for me, he has since designed the cult-status Paris hat, which spawned further ‘Anna’ (but which Anna did he mean?!) and ‘London’ hats (worn by all those working behind the scenes at Somerset House). With his iconic cherry designs and loyal celebrity following (Anna Dello Russo, Kate Moss, Lady Gaga, Rihanna, Kelis, Cate Blanchett and Paloma Faith), his credentials are faultless. As part of the ‘Hot Voodoo’ S/S 2012 collection, this feather boa-esque blue snood is the ‘Ashlie’ and features a banana leaf print by Zandra Rhodes and printed blue silk chiffon Macaw.


Noel Stewart by Claire Kearns

Noel Stewart showed a beautiful collection of bright hats and headpieces, with multi-coloured cactus shapes, day-glo orange and wide rimmed sun hats, his S/S 2012 collection is bursting with the in-your-face shades that dominated many of the catwalks this season. The London based milliner has enjoyed large degrees of success since leaving the Royal College of Arts – the roll call of designers he has worked with is impressive to say the least and includes Hussein Chalayan, Oscar De La Renta and Roland Mouret. Perfectly crystallised in the illustration above, this fashion week he designed the hats for the Ready to Wear Erdem S/S 2012 catwalk show – a floral fantasy in pale blue hues played out in pretty dresses, trench coats and flowing skirts. Delicate in their execution, the small hats complimented the detailed floral prints of the collection wonderfully.


J Smith Esquire by Dee Andrews

J Smith Esquire presented a dreamy collection of Magritte inspired cloud bowler hats, sun hats and intricate leather headpieces. The sky blue and deep blue straw hats pattered with white fluffy clouds were a simple way to skip forward to thoughts of summer. Made from patent leather, his other headpieces have been cut to resemble feathers curling around the head in hues of sky blue, red and pale grey.

All in all, some exquisite design and now I can’t wait for summer.

Categories ,A/W 2011, ,Anna Dello Russo, ,Cate Blanchett, ,Charlie le Mindu, ,Claire Kearns, ,Dee Andrews, ,Erdem, ,Erdem S/S12, ,Florence Massey, ,Headonism, ,Hot Voodoo, ,Hussein Chalayan, ,J Smith Esquire, ,Kate Moss, ,Kelis, ,Lady Gaga, ,London Fashion Week, ,London Fashion Week Exhibition, ,London milliners, ,Magritte, ,Michelle Pegrume, ,Noel Stewart, ,Oscar De La Renta, ,paloma faith, ,piers atkinson, ,Rihanna, ,Roland Mouret, ,Somerset House, ,Stephen Jones, ,Zandra Rhodes

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Amelia’s Magazine | Emma Ware: the sustainable designer who makes jewellery from tyres

Lisa Stannard, diagnosis cheapest Emesha S/S 2010
Emesha is created by Emese Nagy, look who was named after the lead lady in a myth about the creation of the Hungarian kingdom. She grew up between Hungary and the United States before moving to London, for sale all of which has made her very open-minded and observant. My travels have been a great inspiration to me as a designer. She particularly likes the quirky style of places such as Shoreditch in east London.

Being a socially sensitive type who wants to help others it was natural that she took an ethical stance for her brand especially as she began to understand more about the origins and manufacturing of clothing. As a strict vegetarian she doesn’t use fur or leather in her designs, case and only natural materials. An internship at Vivienne Westwood taught her about precision in complicated patterns, and at Jasper Conran she was given the confidence to create a collection from start to finish. I was involved in all the stages of production which gave me a good insight into how the final garment comes together…

Read the rest of this interview with Emesha in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
Emesha is created by Emese Nagy, erectile who was named after the lead lady in a myth about the creation of the Hungarian kingdom. She grew up between Hungary and the United States before moving to London, troche all of which has made her very open-minded and observant. My travels have been a great inspiration to me as a designer. She particularly likes the quirky style of places such as Shoreditch in east London.

Being a socially sensitive type who wants to help others it was natural that she took an ethical stance for her brand especially as she began to understand more about the origins and manufacturing of clothing. As a strict vegetarian she doesn’t use fur or leather in her designs, seek and only natural materials. An internship at Vivienne Westwood taught her about precision in complicated patterns, and at Jasper Conran she was given the confidence to create a collection from start to finish. I was involved in all the stages of production which gave me a good insight into how the final garment comes together…

Read the rest of this interview with Emesha in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
Lisa Stannard, <a target=adiposity Emesha S/S 2010″ title=”Lisa Stannard, online Emesha S/S 2010″ width=”480″ height=”576″ class=”alignnone size-full wp-image-32247″ />
Emesha S/S 2010 by Lisa Stannard.

Emesha is created by Emese Nagy, approved who was named after the lead lady in a myth about the creation of the Hungarian kingdom. She grew up between Hungary and the United States before moving to London, all of which has made her very open-minded and observant. My travels have been a great inspiration to me as a designer. She particularly likes the quirky style of places such as Shoreditch in east London.

Being a socially sensitive type who wants to help others it was natural that she took an ethical stance for her brand especially as she began to understand more about the origins and manufacturing of clothing. As a strict vegetarian she doesn’t use fur or leather in her designs, and only natural materials. An internship at Vivienne Westwood taught her about precision in complicated patterns, and at Jasper Conran she was given the confidence to create a collection from start to finish. I was involved in all the stages of production which gave me a good insight into how the final garment comes together…

Read the rest of this interview with Emesha in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
Lisa Stannard, <a target=rx Emesha S/S 2010″ title=”Lisa Stannard, buy Emesha S/S 2010″ width=”480″ height=”576″ class=”alignnone size-full wp-image-32247″ />
Emesha S/S 2010 by Lisa Stannard.

Emesha is created by Emese Nagy, pill who was named after the lead lady in a myth about the creation of the Hungarian kingdom. She grew up between Hungary and the United States before moving to London, all of which has made her very open-minded and observant. My travels have been a great inspiration to me as a designer. She particularly likes the quirky style of places such as Shoreditch in east London.

Being a socially sensitive type who wants to help others it was natural that she took an ethical stance for her brand especially as she began to understand more about the origins and manufacturing of clothing. As a strict vegetarian she doesn’t use fur or leather in her designs, and only natural materials. An internship at Vivienne Westwood taught her about precision in complicated patterns, and at Jasper Conran she was given the confidence to create a collection from start to finish. I was involved in all the stages of production which gave me a good insight into how the final garment comes together…

Read the rest of this interview with Emesha in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
Joana Faria_Emma Ware_S-S 2011
Emma Ware by Joana Faria.

Jewellery from tyres.
I have always been attracted to colourful, sildenafil shiny, fun pieces of old broken jewellery, toys and bottle tops; stuff that others would consider rubbish or of no use. It doesn’t make ecological or economic sense to manufacture new materials when there is so much out there already. Reusing materials changes the way you design because it forces you to work within the limits of the material you have and I am constantly on the lookout for new waste materials to use. One day my friend had a puncture, and seeing potential in the rubber ring of the inner tube I had a go at chopping it up and immediately knew I was onto something.

Elegance in rubber.
I create designs based on what the rubber wants me to do, playing with the natural shapes when it is cut up in different ways. Making repetitive cuts in graduated sizes of inner tubes rings seems to result in designs that imitate naturally occurring organic patterns; similar to those found in wings, feathers, leaves, shells or even waves. My signature pieces are based on cutting the tube in a specific way, from which I figure out how I can make something to complement the human form…

Read the rest of this interview with Emma Ware in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Eco fashion, ,Emma Ware, ,Ethical Fashion, ,Feathers, ,Joana Faria, ,leaves, ,organic, ,recycling, ,Rubber, ,shells, ,wings

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