Hampstead Heath – AmeliasMagazine

Amelia’s Magazine | An interview with Pretty Green Look Book designer Dave Uprichard of One Big Company

Creative design agency One Big Company designed the new S/S 2012 look book for Liam Gallagher’s clothing brand Pretty Green, which was then printed by Principal Colour in Kent. This beautifully made object was inspired by record sleeves and features stunning photography shot on London’s Hampstead Heath. We caught up with designer Dave Uprichard to find out what goes into putting a look book together.

Your most recent project has been the creation of a look book for Liam Gallagher’s clothing company Pretty Green. How did the collaboration come about?

Myself, Matt and Neil (the other members of the One Big Company team) were contacted by a former colleague from our time at Ted Baker who now designs the collections for Pretty Green.

Have you worked on the design of many look books over the years?

Yes indeed, working at Ted Baker they were one of the bi-annually repeated projects we looked forward to most and as a bonus towards the end of my time there they started creating a High Summer mini-lookbook too so I got to turn my hand to that as well.

One of Dave’s Ted Baker look books (also printed by Principal Colour).

What do you think sets the Pretty Green collection apart from other fashion collections for men?

Apart from the inherent sense of cool which comes through its associations withLiam Gallagher and the best bits of the British music scene what’s great about Pretty Green compared to other fashion collections is that each season is different – obviously your staples are still there but there’s no taking the best selling styles from previous collections, adding a different button or pocket to it and rolling out something which is 99% the same as last year.

What inspired the design of the look book?

It’s inspired by the British music scene of the 60s & 70s, the format is a 12” with a black slipcase to echo a record sleeve and then all the shots have been graded to give an aged analogue feel. There’s no digital crispness with this book, we wanted it to look raw.

The sleeve was die-cut and foiled.

How did you choose the materials and print production techniques for your look book?

Firstly the paper stock had to be uncoated to be in keeping with the grading we’d added to the photography, we knew this would darken up any imagery so that had to be taken into account when printing. We picked Challenger Offset by Antalis McNaughton for this. Other than that it was a case of picking a great black stock for the cover and slipcase (Colorset by Fenner Paper) and ensuring that the foiling of the logos was of the highest quality. We haven’t been let down!

You’ve clocked up 10 years in the print design industry – what have your design highlights been?

The biggest highlight would be breaking free of corporate shackles and setting up with Matt & Neil, maybe not a design highlight but a highlight of my design career! Other than that, it’s hard to say… I’ve worked with so many great clients and brands from MTV to Ted Baker to Pretty Green. Can I just say that the past 10 years have been a highlight?

Where did you work before setting up One Trick Pony? And what skills did you learn at each different place?

I started at a boutique creative agency called Point Blank which was lead bySteve Wallington, it was the perfect place to cut my teeth as everyone had input into creative briefs – the ethos of PB was that a great idea was a great idea no matter whether it came from the Creative Director, Junior Designer or company accountant! After that I went in-house in fashion, working at Ted Baker for just over three years. Then I took a foray into retail design with Portland Associatesbefore setting up One Trick Pony with Matt Bishop and ultimately One Big Company with Matt & Neil.

Aldgate Lofts property brochure – produced for BMOR

What prompted you to start out on your own?

Without wanting to sound bitter it was getting made redundant for the third time! Admittedly Matt and myself had been freelancing for a year or so as One Trick Pony before my employment was cut short and it couldn’t have happened at a better time as Neil had just approached us with a very exciting offer of a monthly retainer from a fairly sizeable property client so everything fell into place perfectly.

Aldgate Lofts property brochure – produced for BMOR

One Trick Pony is about to become One Big Company – what’s the difference?

Pretty much the name is the only difference…

…you can read the rest of this blog over on the Principal Colour tumblr. Please do visit!

Written by Amelia Gregory on Thursday February 23rd, 2012 3:58 pm

Categories ,Aldgate Lofts, ,Antalis McNaughton, ,Bluewater, ,BMOR, ,Challenger Offset, ,Colorset, ,Dave Uprichard, ,Die-cut, ,Fenner Paper, ,Foiled, ,Hampstead Heath, ,Liam Gallagher, ,Matt Bishop, ,O’Dear, ,One Big Company, ,One Trick Pony, ,Point Blank, ,Portland Associates, ,Pretty Green, ,principal colour, ,Ted Baker

Amelia’s Magazine | A Review of The Art of Dining Pop-Up Dining Experience at Fenton House: A Night With The Mistress

The Art of Dining at Fenton House by Briony Jose.

Anyone who knows me will know that I love my food, so when I was offered the chance to sample a unique outdoor dinner event from The Art of Dining at Fenton House I of course jumped at the chance. I arrived just in time to take a quick peek around the rooms of this National Trust venue – an old 17th century merchant’s house perched high on Hampstead Heath – and made a beeline straight for the rooftop balcony with stunning views over the City of London. On my way up I made note of a couple of antique embroideries that I would love to go back and pore over again another day, but it was the view of the immaculate gardens in the low evening light that really caught my attention.

The Art of Dining at Fenton House

Back out on the lawn each guest was given a glass of Prosecco topped with candied hibiscus flower, then guided towards two long tables. I was seated with a group of three charming men – not, as I had imagined, with other solo press guests. This could have been awkward as I felt I was intruding on their party, but luckily they were very accommodating and we chatted the night away. As one of them pointed out, the seating felt a bit like ‘being at a wedding where you don’t know anyone else‘ but having been to a few of these mass dining affairs I know this to be standard procedure, and I quite like the way in which it encourages strangers to talk to each other.

The Art of Dining at Fenton House flowers

The Art of Dining is the brainchild of chef Ellen Parr (who happens to be the daughter of photographer Martin Parr) and set designer Alice Hodge, and thanks to this artistic twosome we dined in wonderful style beneath dangling grapes and extravagant swathes of draped foliage. Tables were topped with lace, stuffed pheasants and candelabra, and our five courses were served on an enchanting selection of vintage crockery. The dinner was themed after A Night with the Mistress; inspired by a portrait of singer and courtesan Dorothea Jordan in the house, so in between courses from a menu inspired by the beautiful vegetable gardens and decadent past of Fenton House we were serenaded in Regency style by Kezia Bienek, with excerpts of favourite tunes from operas of the era.

The Art of Dining at Fenton House: stuffed vine leaves with slow cooked carrot salad.

Art of Dining's edible soil with freshly picked salad. Illustration by Rebecca Corney
Art of Dining’s edible soil with freshly picked salad. Illustration by Rebecca Corney.

Culinary delights included enticing combinations such as edible flower salad and soil (we were invited to pick petals from the arrangements on our tables, and the ‘soil’ was a combination of bacon, walnut, dates and rye bread), a richly succulent curried rabbit leg and an absolutely divine Eton Mess made with elderflower and gooseberry. There was also a very reasonably priced wine menu on offer courtesy of Borough Wines – I sensibly stuck to water with my meal. The copious courses were delivered over a three hour period which was perfect as I never felt overly full and it gave plenty of time to savour the unusual flavours whilst chatting to new friends.

Fresh Bacon Salad by Isher Dhiman.

Art of Dining by Jessica Buie.

The Art of Dining pop ups at National Trust venues are a wonderful way to experience unusual gastronomic delights combined with the chance to visit a little known historical treasure. Where else can you dine in such splendour for the price of just £55? The final episode of The Art of Dining‘s current partnership with the National Trust, The Servants’ Supper, takes place during November at Ham House in Richmond.

Written by Amelia Gregory on Tuesday July 30th, 2013 8:09 pm

Categories ,A Night with the Mistress, ,Alice Hodge, ,Borough Wines, ,Briony Jose, ,Dining Experience, ,Dorothea Jordan, ,edible flower salad and soil, ,Ellen Parr, ,Eton Mess, ,Fenton House, ,Ham House, ,Hampstead Heath, ,Isher Dhiman, ,Jessica Buie, ,Kezia Bienek, ,Martin Parr, ,National Trust, ,opera, ,Pop-up, ,Prosecco, ,Rebecca Corney, ,Richmond, ,The Art of Dining, ,The Servants’ Supper

Amelia’s Magazine | The Irrepressibles and Gabby Young & Other Animals, Live Review at the Barbican

All photography of Lily Vanilli goodies by Sally Mumby-Croft.

“So what do you do for Amelia?” a gentleman partygoer asks me. I tell him I’m one of her writers, buy cialis 40mg and he nods: “I’m Amelia’s father. I’m making myself useful, pharmacy ” he laughs, tadalafil pointing to the camera around his neck. See, we all want to be part of Amelia’s world, and last Friday many of us were gathered under one roof. Illustrators, writers, bloggers and friends were all there to celebrate the launch of Amelia Gregory’s latest creation – Amelia’s Compendium of Fashion Illustration.

ACOFI Lily Vanilli cakes by Andrea Peterson.

123 Bethnal Green Road was already buzzing when I arrived, slightly late due to some last-minute fretting over my hair. I’m usually the wash-n-go type, but after following the steadily building party buzz on Twitter all day I’d started to realise some effort was required as this party was going to be of the colourful kind. Just have a flick through the book and you will see it couldn’t be any other ways, really – ACOFI is a riot of colour, creativity and inspiration.

MattBramford_ACOFI_Naomi and Jessica
Naomi Law and myself. Photography by Matt Bramford.

Despite having worked with several of the illustrators present, not knowing who was who made introductions a little tricky. But some were pretty recognisable from their self-drawn portraits, such as Abby Wright, Zarina Liew and Naomi Law.

MattBramford_ACOFI_anastasiaduck, ellen
Michael of AnastasiaDuck and Ellen of the Real Runway.

MattBramford_ACOFI_antonia,joana,abby
Antonia Parker, Joana Faria and Abby Wright. Photography by Matt Bramford.

After catching up with fellow Amelia’s Magazine writers Matt Bramford and Sally Mumby-Croft, I finally got to meet Helen Martin, Amelia’s new music editor, who had come from Bristol with her boyfriend.

HANNAH BULLIVANT by Natasha-Thompson
Hannah Bullivant by Natasha Thompson.

After running into crafts columnist Hannah Bullivant and her husband, our little group hit the dance floor – enjoying a fantastic mix of music ranging from Bruce Springsteen to Mariah Carey. I had to make do without my boyfriend though, who had to take his coughing home to an early night. But that didn’t mean I couldn’t enjoy 6 Day Riot, a new discovery for me, and some excellent dancey tunes from The Pipettes and Will from Mystery Jets.

The Pipettes by Andrea Peterson.

Will from the Mystery Jets DJs.

An open bar served up Adnams beer and Vodka O – generously poured by bar boys and girls with some enviable dancing skills. The vodka was kicking the next morning, and I clearly remembered why I‘d sworn off the potato spirit years earlier. But all well worth it to see in this excellent book and meet the people who made it happen. Well done, Amelia – and thanks so much for having us.

GYandotheranimals2 Kayleigh Bluck
Illustration by Kayleigh Bluck

She strutted on stage, more about knees rising high and her umbrella twiddling like a fairy’s shield.I wanted to take in the art work that was Gabby Young. For her outfit was an explosion of neck and hemline pomposity, her boots electric blue and stomping, and her right eye was surrounded by a blossoming flower type creation. Her signature vibrant red hair was piled high with blue and pink buns attached, whilst her face looked as beautiful as a doll’s.

GYandotheranimals1 KayleighBluck
Illustration by Kayleigh Bluck

With this visual feast I felt revived from the previous evening’s late night antics at the ACOFI launch party (where Gabby also was), preceded by late night chats with a dear old friend and his girlfriend on the floor of their North London flat. Charlie beside me eating toast, we had spiraled from lively and boisterous to as sleepy as moles. The day had been spent on the Heath, and cushioned with carbohydrates. For the love of Gabby and The Irrepressibles, we had trekked to the utter freezing, shiny, high rise blocked world of the Barbican. And, ah it was a theatrical and stunning evening.

Gabby Young & Other Animals played a mixture of old and new tracks, there were lively jives and ballerinas with cut out megaphones flouncing through the audience. Liberating, FUN and creatively inspiring. We are told that a new song is about someone on stage. It is slow, pretty and meaningful. “I wonder who that’s for” semi-whispered Chaz, “I really like this one”. Me too. It was obvious throughout that Gabby has been classically trained. Her notes range up and down like carefully controlled billy-o. It appears easy for her to produce these notes, and indeed her operatic background serves her folk/jazz genre delightfully. We’re All In This Together brought about suitably pleased expressions and murmurs from the crowd. Its often played slow notes shot up and down my spine, before her voice gently streamed out like a delicate flower opening. It felt like an anthem.

irrespressibles by daria h

Illustration by Daria Hlazatova

Moving on, The Irrespressibles are theatre and gothic glitz. Wearing an enormous and glittery hat from Philip Treacy, Jamie McDermott is basically DRAMA. As the singer, the composer and the spectacle, McDermott has a knack of being captivating to the point of eye locked awe. And he orchestrated the whole event superbly, his stage presence perfectly matching the flashing lights, and blasting instrumentals.

Irrepressibles by Faye West
Illustration of cellist, Nicole Robson by Faye West

The rest of the band both compliment him, but also stand alone as individually beautiful creations. And I mean creations. Each of the nine musicians on stage seemed like a Tim Burton fantasy. Moving in unison and then malfunctioning, like bad robots, they move chaotically about like gothic Toy Story characters. Expressions remain serious and playing, precise and perfect. Each wears beautiful outfits, skimming over bodies with a wink of the eye. See this for a taster of what I mean. It’s INCREDIBLE:

Darkness/light/suspense/breathing/noise/explosion/catwalk – Ooo! Highlights included Nuclear Skies, Knife Song and In Your Eyes. But to be honest the whole set was a triumph. The crowd adored them and the atmosphere was hugely flamboyant and expressively fun. The soaring vocals and dramatic instrument use was just breathtaking. With the emotion of Anthony and The Johnsons, but the Brit extravaganza charm of David Bowie, Jamie McDermott is delicious. With the rest of the band, THE IRREPRESSIBLES are unstoppable.

Written by Helen Martin on Wednesday February 2nd, 2011 4:09 pm

Categories ,ACOFI, ,Anthony and The Johnsons, ,Daria Hlazatova, ,David Bowie, ,drama, ,fashion, ,Faye West, ,folk, ,Gabby Young and Other Animals, ,gothic, ,Hampstead Heath, ,Helen Martin, ,Jamie McDermott, ,jazz, ,Kayleigh Bluck, ,live, ,london, ,music, ,show, ,The Barbican Centre, ,the irrepressibles, ,theatre

Amelia’s Magazine | An interview with Pati Yang plus free download of Wires and Sparks

Pati Yang by Daria Hlazatova.

You’ve had an extremely interesting life – starting with six years on tour as a youngster with your dad’s punk band – how did that influence your outlook?
It gave me this sense of freedom that somehow clashed with reality. Poland was under an extreme regime at that point and I very early on noticed that our home and people that I was surrounded by were different; free, kind of …awakened… The punk movement in Poland was basically pop music in the 80′s and my dad’s band and the people around us were directly responsible for helping to bring Communism down, so it was risky, even though it was happening on a huge scale via the only major national censored record label. The movement was too big for the government to eradicate because the only free gatherings were allowed at gigs and churches. It was all about smuggling anti-system messages past the censors without getting the band members arrested, and that’s what people loved. There was so much passion! We had a real purpose, giving people hope for freedom, so hundreds of thousands of people went to those gigs and there was a kind of mass hysteria. I had this sense of the absurd, because I was navigating between two opposite worlds whilst I was going to school. I was always an outsider; I didn’t realise I was a kid. I’d hang out backstage when I was 3 and fall asleep under a stack of coats. So the main point is that I can’t stand barriers and limitations. The idea of the impossible just doesn’t occur to me. I love traditions but I am against systems, whatever they are, because they represent a lack of individual responsibility and choice, and sooner or later someone tries to abuse them.

pati yang
You have been on the music scene for some time, first as a solo artist supporting Depeche Mode, then as part of Children and then Flykkiller – how did you get to where you are now?
I just kept going; it gets so hard sometimes. I can be very emotional and I worry too much, which is helpful for songwriting but it’s also like shooting fireballs inside my mind. You have to listen to your gut feeling: don’t get attached to ideas, people or places and don’t make plans. It’s a chain reaction that looks like a string of coincidences but you actually know it’s not and when you see that, it becomes fun. I just meet people, I try to learn, things happen, and I am thankful every day.

Pati Yang by Daria Hlazatova.

What’s the underground music scene like in Poland? Any other top tips for acts we should listen to?
I can’t say I follow it that much as I have dragged myself around the world for the past 13 years. But I came across a really cool electronic project called KAMP! recently, and I am a huge fan of Henryk Gorecki which is not very underground as he’s an iconic classical composer. I like all the vintage stuff, bands like Breakout who were total pioneers in the 60′s, then there is Komeda and some other awesome film composers.

pati yang
I’ve had Wires and Sparks from Wires and Sparks EP x 1 on my brain for weeks – why do you think this tune is so catchy?
Aw, thanks! You know the crazy thing about those EPs was that right from the start we just couldn’t pinpoint which tracks should lead them, as everyone we played the songs to would have different favourites.

<a target="_blank" href="http://www.vimeo.com/37750129" rel="noopener">http://www.vimeo.com/37750129</a>
How did you come to shoot the video on a Warsaw rooftop? What is that very impressive building behind you?! it looks very gothic!
I spent most of last year in Brooklyn where bands would regularly set up guerilla gigs on rooftops and play until police took them down. One day I thought I’d be great to do that in Warsaw, so I rang a couple of friends who were film makers and we almost gate crashed this 30 storey office building on Halloween when it was empty, (turned out the security guy was a fan which helped I guess!) The building behind us is really iconic, so well spotted! It was a ‘gift of friendship’ from our Russian comrades in 1955 – there is a similar one on the Red Square in Moscow. Apparently there are rooms with no doors in it and it’s really magnificent: it has this gigantic old white marble public swimming pool in the basement, a purple velvet concert hall and a whole labyrinth of underground corridors used in the past for the Party leaders on the military parades. For the generation of our parents, it was a symbol of the Russian regime; for my generation, it’s an icon of change and chaos. I remember ending up on some amazing random rave parties there…

pati yang photo by anna bloda
Who is in your band? Can you introduce us to Kasia? Who does what and is anyone else involved?
I went through so many line ups and I really love to work with big bands but somehow it feels really good to have this self contained little combo right now. Kasia is an amazing talent, I met her years ago when she was in a band in Warsaw and we started working together last year. She plays keyboards, bass and she sings backing vocals. I operate my big pedal board with a little mixing desk, effects, a sampler and a guitar and percussion stuff. I have to give a big credit to Mikko, who is our sound engineer but also sort of a third invisible member of the band.

Pati Yang Illustraton by Asa Wikman.

What can people expect from a live Pati Yang performance?
The gigs are quite raw and stuff happens unexpectedly, but I get a real buzz out of them. I heard they’re quite emotional…

pati yang photo by anna bloda
You are currently working on a full length album – what’s the day to day reality of this? Can you talk us through the process.
I recently moved back to London from New York so I have only just set up a studio where I spend most of my time, it’s still really fresh and exciting. I am in the middle of the writing process which happens in random places and times really. But then every day I just put those ideas down… at the moment I play all instruments and record vocals but I am really looking forward to getting other people involved. It’s always really touching to blend genes and see what happens if you let it go.

Pati Yang by Gareth A Hopkins.

What has been your biggest achievement to date?
These days just to carry on is a huge achievement. I know so many people who have way more talent than myself who put it on the back burner because it’s so difficult to sustain a life and not feel down about the music business these days. I have a lot of gratitude towards whatever and whoever makes me carry on. Factually, I guess I am really chuffed I had the chance to collaborate on some great soundtracks with some really super special people; they were my real teachers.

pati yang
Where do you currently live and what is best about that place? Where would you take a visitor and why?
I am based in North West London near Hampstead Heath. It’s really quiet and you have to walk a long way to a any cafe or a grocery store, it’s very green and there are not many people around. There is an amazing church in Hampstead; I walked into a Sunday mass by accident and the choir was seriously out of this world. It’s nice to discover those little random gems; these are the moments you won’t forget. If I had a visitor I’d take them there, and we could visit the beautiful old cemetery near the church. There is also a mini zoo in the park near my house with some really funny looking animals. So, you probably won’t find me in a hip cafe in East London – I’m not sure if I’d be any good as a tour guide.

Listen to the Wires and Sparks EP x 1 in full below, released in April. Wires and Sparks x 2 is scheduled to be released at the end of July. Get your FREE download of Jagz Kooner‘s remix of Wires and Sparks here. I can’t wait to hear the album.

Written by Amelia Gregory on Friday June 8th, 2012 3:47 pm

Categories ,80s, ,Asa Wikman, ,Breakout, ,brooklyn, ,children, ,Communism, ,Daria Hlazatova, ,Depeche Mode, ,ep, ,Flykkiller, ,Gareth A Hopkins, ,Hampstead Heath, ,Henryk Gorecki, ,interview, ,Jagz Kooner, ,KAMP!, ,Kasia, ,Komeda, ,Mikko, ,Pati Yang, ,Polish, ,punk, ,Warsaw, ,Wires and Sparks, ,Wires and Sparks EP x 1, ,Wires and Sparks x 2

Amelia’s Magazine | The Irrepressibles and Gabby Young & Other Animals, Live Review at the Barbican

All photography of Lily Vanilli goodies by Sally Mumby-Croft.

ACOFI Lily Vanilli cakes by Andrea Peterson.

MattBramford_ACOFI_Naomi and Jessica
Naomi Law and myself. Photography by Matt Bramford.

MattBramford_ACOFI_anastasiaduck, ellen
Michael of AnastasiaDuck and Ellen of the Real Runway.

MattBramford_ACOFI_antonia,joana,abby
Antonia Parker, Joana Faria and Abby Wright. Photography by Matt Bramford.

HANNAH BULLIVANT by Natasha-Thompson
Hannah Bullivant by Natasha Thompson.

The Pipettes by Andrea Peterson.

Will from the Mystery Jets DJs.

GYandotheranimals2 Kayleigh Bluck
Illustration by Kayleigh Bluck

GYandotheranimals1 KayleighBluck
Illustration by Kayleigh Bluck

irrespressibles by daria h

Illustration by Daria Hlazatova

Irrepressibles by Faye West
Illustration of cellist, Nicole Robson by Faye West

Written by Helen Martin on Wednesday February 2nd, 2011 4:09 pm

Amelia’s Magazine | Fionn Regan: brand new 100 Acres of Sycamore video and instore gigs

FIONN REGAN BY RICH GILLIGAN
Fionn Regan is a folk musician with the history that befits his heartfelt words. The son of musicians, buy information pills he grew up in the Ireland that we all hear of but never quite imagine exists: a rural idyll where a child could wander free and return home to the sounds of home made merriment. He left school young and took up a series of itinerant jobs whilst travelling around Ireland and the UK, order self educating himself in libraries. With the release of first album The End of History in 2006 he gained critical acclaim and a nomination for the Mercury Music Prize. His second album, The Shadow of An Empire, took a more experimental electro influenced turn, but for 100 Acres of Sycamore (released in August), he has returned to his roots.

100_ACRES_OF_SYCAMORE_PACKSHOT
100 Acres of Sycamore was written in Mallorca, where he stayed at the home of Anna Friel – invited after having met her by chance in Valencia. He was enchanted by the ancient setting and on his return recorded the entire album in seven days. It’s a deeply rich experience, made special by his use of language. Not for nothing is Fionn Regan an honorary member of the Trinity College Literary Society.

<a target="_blank" href="http://www.vimeo.com/27909939" rel="noopener">http://www.vimeo.com/27909939</a>
The video for 100 Acres of Sycamore was shot by music photographer Sebastien Dehesdin on Hampstead Heath.

Fionn Regan plays a couple of inshore dates this week, including one at Rough Trade West this Sunday 18th September, then at the Lomography Gallery Store on Commercial Street. He headlines Bush Hall on the 20th September. 100 Acres of Sycamore is out now on Heavenly Recordings.

Fionn Regan by Autumn de Wilde HWCH

Written by Amelia Gregory on Tuesday September 13th, 2011 3:15 pm

Categories ,100 Acres of Sycamore, ,album, ,Anna Friel, ,Bush Hall, ,electro, ,Fionn Regan, ,folk, ,Hampstead Heath, ,Heavenly Recordings, ,ireland, ,Lomography Gallery Store, ,Mallorca, ,Mercury music prize, ,Rough Trade West, ,Sebastien Dehesdin, ,The End of History, ,The Shadow of An Empire, ,Trinity College Literary Society, ,video

Amelia’s Magazine | Fionn Regan: brand new 100 Acres of Sycamore video and instore gigs

Fionn Regan by Autumn de Wilde HWCH

Written by Amelia Gregory on Tuesday September 13th, 2011 3:15 pm

Amelia’s Magazine | An interview with Pretty Green Look Book designer Dave Uprichard of One Big Company

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