Amelia’s Magazine | Dreamboat Vs Inkygoodness Exhibition, Bristol


Illustration by Abigail Wright

I have always been fascinated with analogue photo booths. I have vivd memories as a child – the excitement and anticipation, hospital there pulling ridiculous faces, never really knowing what you’ll get until the old machines clunk and churn out your photographs. So, tadalafil on a recent trip to Berlin, I was desperate to get back involved, like so many others, with the analogue phenomenon.

A short while after my return, I discovered that the Photoautomat project that exists in Berlin had transferred to London – one of those brightly coloured, glorious booths had been on my own doorstep and I didn’t even realise. A bit of internet research, a blog and a Twitter account later, I met Alex – Photoautomat’s London representative. He’s on a mission to bring back the beauty and art of the old-fashioned photo booth. Me, Amelia and fashion writers Sally and Jemma paid Alex a visit on a crisp Saturday morning to get involved, and have a chat with the man himself…

How did the Photoautomat project start, and where did the booths come from?
Well, it really started about 5 years ago in Germany, where my friends bought one of the booths because they were fascinated with the old analogue machines and the photos they produce. Soon it took over Berlin and the rest of the country. I got interested in the booth when I was over visiting and followed my friends around to look after the booths. We all have our memories from when we were young and fooling around in those booths at the Mall, but seeing them again in Berlin really ignited my passion for them again.

What do you know about the history of the booths?
The photo booth was invented 1925 by a Russian immigrant in New York. He opened his Photomaton Studio on Broadway. For just 25 cents, everybody could get their photograph taken. That was quite a revolution back then as photography was just for the rich and famous; because of the booths, it became accessible to everybody. 
From then on they were used as props in movies such as Band Wagon with Fred Astaire, by artists like Andy Warhol and people from all backgrounds for fun or memories and obviously passport photos.

Where are the booths located now?
Our booths are all over Germany. Most of them are in Berlin, but also in Hamburg, Dresden and Cologne. We launched a booth a while ago in Vienna. Then there is my booth here in London. There are also booths in Paris and Italy. 

How did this one end up in Cargo?
I thought it would be much easier to get a good location for a photo booth in London, but it turned out to be more difficult than I thought – policies and regulations mean a seemingly straightforward thing as installing a photo booth quite a task. I approached Cargo and they gave me the space in their beer garden straight away; they just liked the idea and it was done.

Why do you think the booths are so popular?
Well, people always like old things: vintage, analogue. The rebirth of Polaroid showed there is still a demand for analogue photography.There is something precious about a photo booth strip. It’s one moment, one photo and it can’t be replicated. No negative, no back up, just like real life. The photos also have a better quality than digital ones. There are apps out there on smart-phones to imitate the effect and I understand that most people don’t want to go through the hassle of having a analogue camera. This is where the photo booths come in. For a few quid, you can take your photo booth strip with your friends and keep that moment forever.

How do you think the qualities of these booths compare to the modern booths we see in train stations/etc?
I guess I answered that question above, but there really is no comparison. The digital ones lack quality and depth and the spontaneity you have in the analogue booth. 

Are there any other London locations planned? Or elsewhere in Europe?
I am looking for more locations in London. I would love to get some booths on the Southbank.

Has the booth been used for anything other than people taking pictures with their mates?
I had a photo shoot last year with Mixmag in the booth. It was a fashion special with hats. There were also a few artists who used the booth for their projects. Fionna Banner used the booth for her work twice.

Have you seen/heard any funny experiences concerning the photo booth that you can share?
I had a guy calling me once – he was totally out of it. He took some photos with his girlfriend and they didn’t came out. She got naked and they were concerned that they might get into the wrong hands. I wasn’t in town at that time and couldn’t do anything about it, but he insisted for me to come around. I finally managed to calm him down and sort everything out. 

What are you favourite images that the booth has created?
That would have to be all the photos form the exhibition/project we had during Photomonth last year. They reflect what the whole photo booth thing is all about.

Who would be your ideal customer – who would you most like to see use the booth?
Everybody is ideal. Everybody is welcome, as long as they respect our work and leave the booth as they found it for the next to come! Most likely they are probably analogue enthusiasts, students and Cargo guests. I have families, a couple from Lisbon, artists form Nottingham and even Henry Holland taking their photo in the booth!

What does the Photoautomat project hope to achieve, long term?
Hopefully we’re here for years to come and give people from all backgrounds the opportunity to have their little moment. It’s really all up to the people who use our booths and what they make of it. That is the beauty about it – and always will be.


Illustration by Abigail Wright

I have always been fascinated with analogue photo booths. I have vivd memories as a child – the excitement and anticipation, illness pulling ridiculous faces, salve never really knowing what you’ll get until the old machines clunk and churn out your photographs. So, on a recent trip to Berlin, I was desperate to get back involved, like so many others, with the analogue phenomenon.

A short while after my return, I discovered that the Photoautomat project that exists in Berlin had transferred to London – one of those brightly coloured, glorious booths had been on my own doorstep and I didn’t even realise. A bit of internet research, a blog and a Twitter account later, I met Alex – Photoautomat’s London representative. He’s on a mission to bring back the beauty and art of the old-fashioned photo booth. Me, Amelia and fashion writers Sally and Jemma paid Alex a visit on a crisp Saturday morning to get involved, and have a chat with the man himself…

How did the Photoautomat project start, and where did the booths come from?
Well, it really started about 5 years ago in Germany, where my friends bought one of the booths because they were fascinated with the old analogue machines and the photos they produce. Soon it took over Berlin and the rest of the country. I got interested in the booth when I was over visiting and followed my friends around to look after the booths. We all have our memories from when we were young and fooling around in those booths at the Mall, but seeing them again in Berlin really ignited my passion for them again.

What do you know about the history of the booths?
The photo booth was invented 1925 by a Russian immigrant in New York. He opened his Photomaton Studio on Broadway. For just 25 cents, everybody could get their photograph taken. That was quite a revolution back then as photography was just for the rich and famous; because of the booths, it became accessible to everybody. 
From then on they were used as props in movies such as Band Wagon with Fred Astaire, by artists like Andy Warhol and people from all backgrounds for fun or memories and obviously passport photos.

Where are the booths located now?
Our booths are all over Germany. Most of them are in Berlin, but also in Hamburg, Dresden and Cologne. We launched a booth a while ago in Vienna. Then there is my booth here in London. There are also booths in Paris and Italy. 

How did this one end up in Cargo?
I thought it would be much easier to get a good location for a photo booth in London, but it turned out to be more difficult than I thought – policies and regulations mean a seemingly straightforward thing as installing a photo booth quite a task. I approached Cargo and they gave me the space in their beer garden straight away; they just liked the idea and it was done.

Why do you think the booths are so popular?
Well, people always like old things: vintage, analogue. The rebirth of Polaroid showed there is still a demand for analogue photography.There is something precious about a photo booth strip. It’s one moment, one photo and it can’t be replicated. No negative, no back up, just like real life. The photos also have a better quality than digital ones. There are apps out there on smart-phones to imitate the effect and I understand that most people don’t want to go through the hassle of having a analogue camera. This is where the photo booths come in. For a few quid, you can take your photo booth strip with your friends and keep that moment forever.

How do you think the qualities of these booths compare to the modern booths we see in train stations/etc?
I guess I answered that question above, but there really is no comparison. The digital ones lack quality and depth and the spontaneity you have in the analogue booth. 

Are there any other London locations planned? Or elsewhere in Europe?
I am looking for more locations in London. I would love to get some booths on the Southbank.

Has the booth been used for anything other than people taking pictures with their mates?
I had a photo shoot last year with Mixmag in the booth. It was a fashion special with hats. There were also a few artists who used the booth for their projects. Fionna Banner used the booth for her work twice.

Have you seen/heard any funny experiences concerning the photo booth that you can share?
I had a guy calling me once – he was totally out of it. He took some photos with his girlfriend and they didn’t came out. She got naked and they were concerned that they might get into the wrong hands. I wasn’t in town at that time and couldn’t do anything about it, but he insisted for me to come around. I finally managed to calm him down and sort everything out. 

What are you favourite images that the booth has created?
That would have to be all the photos form the exhibition/project we had during Photomonth last year. They reflect what the whole photo booth thing is all about.

Who would be your ideal customer – who would you most like to see use the booth?
Everybody is ideal. Everybody is welcome, as long as they respect our work and leave the booth as they found it for the next to come! Most likely they are probably analogue enthusiasts, students and Cargo guests. I have families, a couple from Lisbon, artists form Nottingham and even Henry Holland taking their photo in the booth!

What does the Photoautomat project hope to achieve, long term?
Hopefully we’re here for years to come and give people from all backgrounds the opportunity to have their little moment. It’s really all up to the people who use our booths and what they make of it. That is the beauty about it – and always will be.

Lisa_HassellDreamboat

Dreamboat by Lisa Hassell

Aviator and French writer of books such as ‘Night Flight’ and ‘Wind. Sand and Stars’, help Antoine de Saint-Exupery said: ‘If you want to build a ship, remedy don’t herd people together to collect wood and don’t assign them tasks and work, buy information pills but rather teach them to long for the endless immensity of the sea.’ If you have a dream then realistically you would need something to transport you to where it rests. In this circumstance, why would you choose a vessel that was something you have seen a million times before? The Titanic never got anyone anywhere.

Dream

When you are using your imagination to get somewhere, you must get there in something spectacular and once you have built this ship, you must prepare yourself for the world that has opened up to you. Everyone has a dreamboat in them, because put quite simply, we all have imaginations and we all have dreams. Whether they are made of marshmallows, bananas or glitter particles stuck together, it is the yearning of our own dreams that will make other people’s, and our own ships a reality. Thus whilst at the Dreamboat Exhibition in Bristol, I was immersed in the pictures of dreamboats for as long as it took me to imagine drifting off with these characters on an adventure that would take me somewhere new. It all starts with a dream.

PicDream

Inkygoodness, set up in 2008 and run by illustrators Lisa Hassell and Michelle Turton, aims to provide a platform for new and emerging talent to showcase their work alongside more established artists. They have teamed up with Bristol record label, Dreamboat Records, who have the likes of This Is The Kit on their books, for their latest event, Dreamboat vs Inkygoodness. The event is running for three weeks and started last Friday December 10. Dreamboat have provided live music from their artist portfolio, including Wonderfully Courteous Gentlemen, This Is The Kit and Slaraffenland. This has been combined with the work of 28 illustrators, artists and image makers from Bristol and beyond, inspired by the theme: Dreamboat.

WindowSnow

I braved the cold and cycled to Start The Bus to check out the Dreamboat Exhibition, which can be found upstairs via a compact vintage shop. The small space is festooned with fairy lights, with white spoldges and clouds on the windows and a ship made from slices of bread in the middle of the room. As I first span around the gallery I found I was surrounded by suspended ships caught as they by the illustrator paparazzi on their dreamy voyages. The illustrators have formed mysterious existences and swept away the mundane reality with thoughtful interpretations of their own dreamboats and it’s marvellous. Highlights include Ben Steers space adventure characters and Dave Bain‘s gorgeously mysterious and vulnerable illustration.

DreamB

I caught up with Lisa Hassell from Inkygoodness, and asked her about the project, Inkygoodness and being an artist.

What are Inkygoodness’ objectives?
Inkygoodness aim to provide a platform for new and emerging talent – our focus is to showcase artwork by a diverse group of artists at different stages in their careers – be they professionals or recent graduates. By bringing artists together in this way we hope to nuture young talent and give them a unique opportunity to meet artists they admire, who can offer them advice and support as they enter the industry.

Where are you based?
We operate mainly out of Bristol, and many of the artists we work with also live here. We’ve held shows in Birmingham (our home town), Bristol, and most recently in London.

What is your background?
Michelle and I both studied illustration, graduating in 2005. We currently hold down full time positions in marketing & design, organising Inkygoodness events and exhibitions in our spare time.

Toy_Factory

Do you take on a particular style or are you very liberal with who you give platform to in the art world?
We’re primarily focused on showcasing illustration, but illustration as an art form can take on many different styles. We’ve exhibited screen prints, paintings, murals, hand made objects, plush toys, collage and sculpture – different working methods, but the artwork shares a distinctive, low brow – no brow aesthetic. We want our exhibitions to be accessible, and engaging – we tend to select work which is hand crafted rather than created digitally. At the heart of Inkygoodness is the essence of a collective – we create opportunities for artists to work together and explore the potential of cross-disciplinary collaboration. So we pick artists whose work compliments each other, leaning towards character design, strong ideas and visual style.

Success stories?
In terms of sheer numbers, our London exhibition has been our biggest success so far. We were absolutely overwhelmed with the reception we received at the opening night, and thrilled that so many of the artists were there in person to enjoy it. We had over 3000 visitors throughout the exhibition run, and sold almost two thirds of the artwork in the gallery – an incredible results for a debut show. Energetic, entertaining and very emotional – it’s one of the best experiences I have ever had.

DreamPano

Do you do a lot of events?
Over the last 12 months we have organised and participated in a number of events in Bristol and our home town of Birmingham, most recently organising our debut London exhibition on Brick Lane. We also participated in our first painting event – the Live Illustration Draw at the annual Urban Paint Festival in Bristol earlier this year, alongside other UK art collectives. Although our activity has mainly centred around collaborative artist-led events, we are keen to try our hand at other projects in the near future, such as publishing.

Anything like Dreamboat before?
This will be the first time we have collaborated with a record label, and the first time Dreamboat Records have done a live event, so it’s quite a new thing for both of us. The benefits of collaboration mean we are effectively widening our audience, and offering something a little different to a regular art exhibition. We’re very excited about this event – there’s always such a buzz around the opening night – we’re pulling out all the stops to ensure this one doesn’t disappoint!

dream3

How did this collaboration occur?
John (Dreamboat Records) and I met a while back, and we’ve always been on each other’s radar. John mentioned his plans to organise a ‘live’ music event later that year, and was keen to get a group of artists involved to do some live painting. He approached us, and at the time we were caught up in organising our London show and not really in a position to do it. A few months later, we booked Start the Bus for our Christmas show, and remembering this conversation, asked John if he was still interested in working together – he was!

How is art associated with music?
Many artists I know are also musicians, and the two go hand in hand for many creatives. Music inspires art, stimulating our subconcious with a flow of ideas that transfer onto the work we create.

How are you feeling about the event?
Its lovely to be back in Bristol, and we’re very excited about our new collaboration with Dreamboat Records. Following our recent success in London, we wanted to do something local and a little different for the next event, and offer an experience that tied music and art together. Our opening night is going to be really magical. There is still quite a bit of planning to do, but we’re looking forward to it!

DreamShoe

What advice would you give to creatives still plugging away with tea and self faith?
Keep creating. Stay focused and inspired, and work hard! Make an effort to get involved with your local creative community, and attend events and exhibitions when you can. Conferences and design festivals are brilliant opportunities to network with like-minded creatives. It can be wonderfully inspiring and supportive to your creative career – and it’s a lot of fun!

Do you enjoy your job? Why?
Michelle and I absolutely love working on Inkygoodness projects and engaging with illustrators and artists across the world. We’ve been lucky to meet some very talented people over the last 2 years, and feel very fortunate to have received such amazing support for what we do. Many of the artists we have met have become good friends, and that is easily the best part of the job.

What would your dreamboat look like?
It would be made of sweet things like marshmallow and meringue, with cherries for seats and liquorice for sails.

DreamB2

Sail away dreamboats! Where you end up will be a factor of your own dreams mixed with the worlds these splendid pictures create. Check out the Dreamboat Exhibition for yourself at Start Gallery, (via Top Deck vintage shop), Start The Bus Bristol . It is running until December 30 and is open daily from 11am to 4pm for you to have a gander.

P.S. Watch out for my next post featuring three artists: Dave Bain, Ben Steers and Sarah Dennis with pieces at the Dreamboat Records vs Inkygoodness Exhibition

Categories ,art, ,Dreamboat Records, ,Exhibition Review, ,inkygoodness, ,lisa hassell, ,michelle turton, ,Slaraffenland, ,start the bus, ,This Is The Kit, ,titanic, ,wonderfully courteous gentlemen

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Amelia’s Magazine | Dreamboat Exhibition – Four Interviews with Four Illustrators


Illustration by Abigail Wright

I have always been fascinated with analogue photo booths. I have vivd memories as a child – the excitement and anticipation, visit this pulling ridiculous faces, never really knowing what you’ll get until the old machines clunk and churn out your photographs. So, on a recent trip to Berlin, I was desperate to get back involved, like so many others, with the analogue phenomenon.

A short while after my return, I discovered that the Photoautomat project that exists in Berlin had transferred to London – one of those brightly coloured, glorious booths had been on my own doorstep and I didn’t even realise. A bit of internet research, a blog and a Twitter account later, I met Alex – Photoautomat’s London representative. He’s on a mission to bring back the beauty and art of the old-fashioned photo booth. Me, Amelia and fashion writers Sally and Jemma paid Alex a visit on a crisp Saturday morning to get involved, and have a chat with the man himself…

How did the Photoautomat project start, and where did the booths come from?
Well, it really started about 5 years ago in Germany, where my friends bought one of the booths because they were fascinated with the old analogue machines and the photos they produce. Soon it took over Berlin and the rest of the country. I got interested in the booth when I was over visiting and followed my friends around to look after the booths. We all have our memories from when we were young and fooling around in those booths at the Mall, but seeing them again in Berlin really ignited my passion for them again.

What do you know about the history of the booths?
The photo booth was invented 1925 by a Russian immigrant in New York. He opened his Photomaton Studio on Broadway. For just 25 cents, everybody could get their photograph taken. That was quite a revolution back then as photography was just for the rich and famous; because of the booths, it became accessible to everybody. 
From then on they were used as props in movies such as Band Wagon with Fred Astaire, by artists like Andy Warhol and people from all backgrounds for fun or memories and obviously passport photos.

Where are the booths located now?
Our booths are all over Germany. Most of them are in Berlin, but also in Hamburg, Dresden and Cologne. We launched a booth a while ago in Vienna. Then there is my booth here in London. There are also booths in Paris and Italy. 

How did this one end up in Cargo?
I thought it would be much easier to get a good location for a photo booth in London, but it turned out to be more difficult than I thought – policies and regulations mean a seemingly straightforward thing as installing a photo booth quite a task. I approached Cargo and they gave me the space in their beer garden straight away; they just liked the idea and it was done.

Photoautomat Cargo. Photograph by Matt Bramford

Why do you think the booths are so popular?
Well, people always like old things: vintage, analogue. The rebirth of Polaroid showed there is still a demand for analogue photography.There is something precious about a photo booth strip. It’s one moment, one photo and it can’t be replicated. No negative, no back up, just like real life. The photos also have a better quality than digital ones. There are apps out there on smart-phones to imitate the effect and I understand that most people don’t want to go through the hassle of having a analogue camera. This is where the photo booths come in. For a few quid, you can take your photo booth strip with your friends and keep that moment forever.

How do you think the qualities of these booths compare to the modern booths we see in train stations/etc?
I guess I answered that question above, but there really is no comparison. The digital ones lack quality and depth and the spontaneity you have in the analogue booth. 

Are there any other London locations planned? Or elsewhere in Europe?
I am looking for more locations in London. I would love to get some booths on the Southbank.

Has the booth been used for anything other than people taking pictures with their mates?
I had a photo shoot last year with Mixmag in the booth. It was a fashion special with hats. There were also a few artists who used the booth for their projects. Fionna Banner used the booth for her work twice.


Photoautomat Berlin. Photograph by Matt Bramford

Have you seen/heard any funny experiences concerning the photo booth that you can share?
I had a guy calling me once – he was totally out of it. He took some photos with his girlfriend and they didn’t came out. She got naked and they were concerned that they might get into the wrong hands. I wasn’t in town at that time and couldn’t do anything about it, but he insisted for me to come around. I finally managed to calm him down and sort everything out. 

Photos from our Twitter friends: @vikkeh, @mattbramf (me!), @c_rl, @deeandrews, @lizzlizz, @chaiwalla, @sallymumbycroft

What are you favourite images that the booth has created?
That would have to be all the photos form the exhibition/project we had during Photomonth last year. They reflect what the whole photo booth thing is all about.

Who would be your ideal customer – who would you most like to see use the booth?
Everybody is ideal. Everybody is welcome, as long as they respect our work and leave the booth as they found it for the next to come! Most likely they are probably analogue enthusiasts, students and Cargo guests. I have families, a couple from Lisbon, artists form Nottingham and even Henry Holland taking their photo in the booth!

A Photoautomat booth in Berlin, photographed by Lizz Lunney

What does the Photoautomat project hope to achieve, long term?
Hopefully we’re here for years to come and give people from all backgrounds the opportunity to have their little moment. It’s really all up to the people who use our booths and what they make of it. That is the beauty about it – and always will be.

See more pictures from the booths on the Photoautomat Facebook and Flickr pages.


Illustration by Abigail Wright

I have always been fascinated with analogue photo booths. I have vivd memories as a child – the excitement and anticipation, viagra sale pulling ridiculous faces, never really knowing what you’ll get until the old machines clunk and churn out your photographs. So, on a recent trip to Berlin, I was desperate to get back involved, like so many others, with the analogue phenomenon.

A short while after my return, I discovered that the Photoautomat project that exists in Berlin had transferred to London – one of those brightly coloured, glorious booths had been on my own doorstep and I didn’t even realise. A bit of internet research, a blog and a Twitter account later, I met Alex – Photoautomat’s London representative. He’s on a mission to bring back the beauty and art of the old-fashioned photo booth. Me, Amelia and fashion writers Sally and Jemma paid Alex a visit on a crisp Saturday morning to get involved, and have a chat with the man himself…

How did the Photoautomat project start, and where did the booths come from?
Well, it really started about 5 years ago in Germany, where my friends bought one of the booths because they were fascinated with the old analogue machines and the photos they produce. Soon it took over Berlin and the rest of the country. I got interested in the booth when I was over visiting and followed my friends around to look after the booths. We all have our memories from when we were young and fooling around in those booths at the Mall, but seeing them again in Berlin really ignited my passion for them again.

What do you know about the history of the booths?
The photo booth was invented 1925 by a Russian immigrant in New York. He opened his Photomaton Studio on Broadway. For just 25 cents, everybody could get their photograph taken. That was quite a revolution back then as photography was just for the rich and famous; because of the booths, it became accessible to everybody. 
From then on they were used as props in movies such as Band Wagon with Fred Astaire, by artists like Andy Warhol and people from all backgrounds for fun or memories and obviously passport photos.

Where are the booths located now?
Our booths are all over Germany. Most of them are in Berlin, but also in Hamburg, Dresden and Cologne. We launched a booth a while ago in Vienna. Then there is my booth here in London. There are also booths in Paris and Italy. 

How did this one end up in Cargo?
I thought it would be much easier to get a good location for a photo booth in London, but it turned out to be more difficult than I thought – policies and regulations mean a seemingly straightforward thing as installing a photo booth quite a task. I approached Cargo and they gave me the space in their beer garden straight away; they just liked the idea and it was done.

Photoautomat Cargo. Photograph by Matt Bramford

Why do you think the booths are so popular?
Well, people always like old things: vintage, analogue. The rebirth of Polaroid showed there is still a demand for analogue photography.There is something precious about a photo booth strip. It’s one moment, one photo and it can’t be replicated. No negative, no back up, just like real life. The photos also have a better quality than digital ones. There are apps out there on smart-phones to imitate the effect and I understand that most people don’t want to go through the hassle of having a analogue camera. This is where the photo booths come in. For a few quid, you can take your photo booth strip with your friends and keep that moment forever.

How do you think the qualities of these booths compare to the modern booths we see in train stations/etc?
I guess I answered that question above, but there really is no comparison. The digital ones lack quality and depth and the spontaneity you have in the analogue booth. 

Are there any other London locations planned? Or elsewhere in Europe?
I am looking for more locations in London. I would love to get some booths on the Southbank.

Has the booth been used for anything other than people taking pictures with their mates?
I had a photo shoot last year with Mixmag in the booth. It was a fashion special with hats. There were also a few artists who used the booth for their projects. Fionna Banner used the booth for her work twice.


Photoautomat Berlin. Photograph by Matt Bramford

Have you seen/heard any funny experiences concerning the photo booth that you can share?
I had a guy calling me once – he was totally out of it. He took some photos with his girlfriend and they didn’t came out. She got naked and they were concerned that they might get into the wrong hands. I wasn’t in town at that time and couldn’t do anything about it, but he insisted for me to come around. I finally managed to calm him down and sort everything out. 

Photos from our Twitter friends: @vikkeh, @mattbramf (me!), @c_rl, @deeandrews, @lizzlizz, @chaiwalla, @sallymumbycroft

What are you favourite images that the booth has created?
That would have to be all the photos form the exhibition/project we had during Photomonth last year. They reflect what the whole photo booth thing is all about.

Who would be your ideal customer – who would you most like to see use the booth?
Everybody is ideal. Everybody is welcome, as long as they respect our work and leave the booth as they found it for the next to come! Most likely they are probably analogue enthusiasts, students and Cargo guests. I have families, a couple from Lisbon, artists form Nottingham and even Henry Holland taking their photo in the booth!

A Photoautomat booth in Berlin, photographed by Lizz Lunney

What does the Photoautomat project hope to achieve, long term?
Hopefully we’re here for years to come and give people from all backgrounds the opportunity to have their little moment. It’s really all up to the people who use our booths and what they make of it. That is the beauty about it – and always will be.

See more pictures from the booths on the Photoautomat Facebook and Flickr pages.


Illustration by Abigail Wright

I have always been fascinated with analogue photo booths. I have vivd memories as a child – the excitement and anticipation, adiposity pulling ridiculous faces, healing never really knowing what you’ll get until the old machines clunk and churn out your photographs. So, order on a recent trip to Berlin, I was desperate to get back involved, like so many others, with the analogue phenomenon.

A short while after my return, I discovered that the Photoautomat project that exists in Berlin had transferred to London – one of those brightly coloured, glorious booths had been on my own doorstep and I didn’t even realise. A bit of internet research, a blog and a Twitter account later, I met Alex – Photoautomat’s London representative. He’s on a mission to bring back the beauty and art of the old-fashioned photo booth. Me, Amelia and fashion writers Sally and Jemma paid Alex a visit on a crisp Saturday morning to get involved, and have a chat with the man himself…

How did the Photoautomat project start, and where did the booths come from?
Well, it really started about 5 years ago in Germany, where my friends bought one of the booths because they were fascinated with the old analogue machines and the photos they produce. Soon it took over Berlin and the rest of the country. I got interested in the booth when I was over visiting and followed my friends around to look after the booths. We all have our memories from when we were young and fooling around in those booths at the Mall, but seeing them again in Berlin really ignited my passion for them again.

What do you know about the history of the booths?
The photo booth was invented 1925 by a Russian immigrant in New York. He opened his Photomaton Studio on Broadway. For just 25 cents, everybody could get their photograph taken. That was quite a revolution back then as photography was just for the rich and famous; because of the booths, it became accessible to everybody. 
From then on they were used as props in movies such as Band Wagon with Fred Astaire, by artists like Andy Warhol and people from all backgrounds for fun or memories and obviously passport photos.

Where are the booths located now?
Our booths are all over Germany. Most of them are in Berlin, but also in Hamburg, Dresden and Cologne. We launched a booth a while ago in Vienna. Then there is my booth here in London. There are also booths in Paris and Italy. 

How did this one end up in Cargo?
I thought it would be much easier to get a good location for a photo booth in London, but it turned out to be more difficult than I thought – policies and regulations mean a seemingly straightforward thing as installing a photo booth quite a task. I approached Cargo and they gave me the space in their beer garden straight away; they just liked the idea and it was done.

Photoautomat Cargo. Photograph by Matt Bramford

Why do you think the booths are so popular?
Well, people always like old things: vintage, analogue. The rebirth of Polaroid showed there is still a demand for analogue photography.There is something precious about a photo booth strip. It’s one moment, one photo and it can’t be replicated. No negative, no back up, just like real life. The photos also have a better quality than digital ones. There are apps out there on smart-phones to imitate the effect and I understand that most people don’t want to go through the hassle of having a analogue camera. This is where the photo booths come in. For a few quid, you can take your photo booth strip with your friends and keep that moment forever.

How do you think the qualities of these booths compare to the modern booths we see in train stations/etc?
I guess I answered that question above, but there really is no comparison. The digital ones lack quality and depth and the spontaneity you have in the analogue booth. 

Are there any other London locations planned? Or elsewhere in Europe?
I am looking for more locations in London. I would love to get some booths on the Southbank.

Has the booth been used for anything other than people taking pictures with their mates?
I had a photo shoot last year with Mixmag in the booth. It was a fashion special with hats. There were also a few artists who used the booth for their projects. Fionna Banner used the booth for her work twice.


Photoautomat Berlin. Photograph by Matt Bramford

Have you seen/heard any funny experiences concerning the photo booth that you can share?
I had a guy calling me once – he was totally out of it. He took some photos with his girlfriend and they didn’t came out. She got naked and they were concerned that they might get into the wrong hands. I wasn’t in town at that time and couldn’t do anything about it, but he insisted for me to come around. I finally managed to calm him down and sort everything out. 

Photos from our Twitter friends: @vickeh, @mattbramf (me!), @c_rl, @deeandrews, @lizzlizz, @chaiwalla, @sallymumbycroft

What are you favourite images that the booth has created?
That would have to be all the photos form the exhibition/project we had during Photomonth last year. They reflect what the whole photo booth thing is all about.

Who would be your ideal customer – who would you most like to see use the booth?
Everybody is ideal. Everybody is welcome, as long as they respect our work and leave the booth as they found it for the next to come! Most likely they are probably analogue enthusiasts, students and Cargo guests. I have families, a couple from Lisbon, artists form Nottingham and even Henry Holland taking their photo in the booth!

A Photoautomat booth in Berlin, photographed by Lizz Lunney

What does the Photoautomat project hope to achieve, long term?
Hopefully we’re here for years to come and give people from all backgrounds the opportunity to have their little moment. It’s really all up to the people who use our booths and what they make of it. That is the beauty about it – and always will be.

See more pictures from the booths on the Photoautomat Facebook and Flickr pages.


Illustration by Abigail Wright

I have always been fascinated with analogue photo booths. I have vivd memories as a child – the excitement and anticipation, information pills pulling ridiculous faces, never really knowing what you’ll get until the old machines clunk and churn out your photographs. So, on a recent trip to Berlin, I was desperate to get back involved, like so many others, with the analogue phenomenon.

A short while after my return, I discovered that the Photoautomat project that exists in Berlin had transferred to London – one of those brightly coloured, glorious booths had been on my own doorstep and I didn’t even realise. A bit of internet research, a blog and a Twitter account later, I met Alex – Photoautomat’s London representative. He’s on a mission to bring back the beauty and art of the old-fashioned photo booth. Me, Amelia and fashion writers Sally and Jemma paid Alex a visit on a crisp Saturday morning to get involved, and have a chat with the man himself…

How did the Photoautomat project start, and where did the booths come from?
Well, it really started about 5 years ago in Germany, where my friends bought one of the booths because they were fascinated with the old analogue machines and the photos they produce. Soon it took over Berlin and the rest of the country. I got interested in the booth when I was over visiting and followed my friends around to look after the booths. We all have our memories from when we were young and fooling around in those booths at the Mall, but seeing them again in Berlin really ignited my passion for them again.

What do you know about the history of the booths?
The photo booth was invented 1925 by a Russian immigrant in New York. He opened his Photomaton Studio on Broadway. For just 25 cents, everybody could get their photograph taken. That was quite a revolution back then as photography was just for the rich and famous; because of the booths, it became accessible to everybody. 
From then on they were used as props in movies such as Band Wagon with Fred Astaire, by artists like Andy Warhol and people from all backgrounds for fun or memories and obviously passport photos.

Where are the booths located now?
Our booths are all over Germany. Most of them are in Berlin, but also in Hamburg, Dresden and Cologne. We launched a booth a while ago in Vienna. Then there is my booth here in London. There are also booths in Paris and Italy. 

How did this one end up in Cargo?
I thought it would be much easier to get a good location for a photo booth in London, but it turned out to be more difficult than I thought – policies and regulations mean a seemingly straightforward thing as installing a photo booth quite a task. I approached Cargo and they gave me the space in their beer garden straight away; they just liked the idea and it was done.

Photoautomat Cargo. Photograph by Matt Bramford

Why do you think the booths are so popular?
Well, people always like old things: vintage, analogue. The rebirth of Polaroid showed there is still a demand for analogue photography.There is something precious about a photo booth strip. It’s one moment, one photo and it can’t be replicated. No negative, no back up, just like real life. The photos also have a better quality than digital ones. There are apps out there on smart-phones to imitate the effect and I understand that most people don’t want to go through the hassle of having a analogue camera. This is where the photo booths come in. For a few quid, you can take your photo booth strip with your friends and keep that moment forever.

How do you think the qualities of these booths compare to the modern booths we see in train stations/etc?
I guess I answered that question above, but there really is no comparison. The digital ones lack quality and depth and the spontaneity you have in the analogue booth. 

Are there any other London locations planned? Or elsewhere in Europe?
I am looking for more locations in London. I would love to get some booths on the Southbank.

Has the booth been used for anything other than people taking pictures with their mates?
I had a photo shoot last year with Mixmag in the booth. It was a fashion special with hats. There were also a few artists who used the booth for their projects. Fionna Banner used the booth for her work twice.


Photoautomat Berlin. Photograph by Matt Bramford

Have you seen/heard any funny experiences concerning the photo booth that you can share?
I had a guy calling me once – he was totally out of it. He took some photos with his girlfriend and they didn’t came out. She got naked and they were concerned that they might get into the wrong hands. I wasn’t in town at that time and couldn’t do anything about it, but he insisted for me to come around. I finally managed to calm him down and sort everything out. 

Photos from our Twitter friends: @vickeh, @mattbramf (me!), @c_rl, @deeandrews, @lizzlizz, @chaiwalla, @sallymumbycroft

What are you favourite images that the booth has created?
That would have to be all the photos form the exhibition/project we had during Photomonth last year. They reflect what the whole photo booth thing is all about.

Who would be your ideal customer – who would you most like to see use the booth?
Everybody is ideal. Everybody is welcome, as long as they respect our work and leave the booth as they found it for the next to come! Most likely they are probably analogue enthusiasts, students and Cargo guests. I have families, a couple from Lisbon, artists form Nottingham and even Henry Holland taking their photo in the booth!

A Photoautomat booth in Berlin, photographed by Lizz Lunney

What does the Photoautomat project hope to achieve, long term?
Hopefully we’re here for years to come and give people from all backgrounds the opportunity to have their little moment. It’s really all up to the people who use our booths and what they make of it. That is the beauty about it – and always will be.

See more pictures from the booths on the Photoautomat Facebook and Flickr pages.

Intergalactic dreaming

Illustration by Ben Steers

As you may have seen yesterday in this post, help I went along to the Dreamboat Exhibition in Bristol last Friday. It is a collaboration between art platform makers, order Inkygoodness and Bristol label, Dreamboat Records using the theme: Dreamboat. As you probably gathered from yesterday’s post, I thoroughly enjoyed meandering about, staring heavily at the floating ships. However, as opposed to me rambling on about my own thoughts on each of the dreamy vessels, this post is devoted to four artists who contributed to the Dreamboat Exhibition. Fusing music and art, I wondered how the artists used music in their art and what inspired their own dreamboat illustrations. Please note that the Exhibition is open until December 30 – so you have plenty of time to get to the West and check out the gorgeous illustrations.

So, let’s start with Ben Steers. Ben is an illustrator and designer working out of Bristol. He has worked for a variety of companies including; The Sunday Times and the NHS as well as Spunky Clothing Label.

Moon Rise Ben Steers

Illustration by Ben Steers

What inspired your dreamboat?
My dreamboat piece was inspired by an ongoing narrative that has carried over from the last Inkygoodness show. It follows a solitary bear that spends his time playing amongst his woodland home. The bear looks out at the moon and dreams of other worlds. Before he knows it (and quite possibly under the influence of some kind of woodland mushrooms!) he finds himself sailing across the stars.

What’s your artist background?
I was always a restless child and never really clicked with education in the traditional sense. Being a “left sided thinker” art was a good outlet for my creativity and a practice that I naturally connected with. Since I was a wee nipper I have always enjoyed scribbling and when deciding on what course to do at uni, there seemed to be only one option – Illustration. I studied for 3 years at Plymouth University and graduated in 2008 with a BA Hons in Illustration and Graphic communication. Although I was “traditionally” trained in using oils/acrylics/pastels etc at school, my uni course taught me the commercial skills that I now implement in all my illustration work.

ABeautifulmachine1.Benjpg

Illustration by Ben Steers

How do you find music influence/inspire/interact your artwork?
I have always been a big music fan and find that music has an indirect effect on me and my work. There are certain genres that I will plug into when sitting down to complete certain tasks. I find that high-tempo, up-beat tune’s help me to really focus on what I’m doing and result in a much more productive artist. It has been a long time goal of mine to design a vinyl sleeve and inlay as I love the old classics and nothing touches the sound of vinyl. Unfortunately it is becoming harder and harder these days to crack into the music industry art scene, but I will keep the faith and my fingers crossed that something comes through!

Next is Dave Bain. An illustrator and designer, Dave has worked for CBeebies and the NSPCC, among many others. He is currently based in Bristol and also works as promoter and DJ.

Dave_Bain_2

Illustration by Dave Bain

What inspired your dreamboat picture?
I wanted to paint something that felt like it was floating in another reality separate from the hum-drum of every day life.  I’ve obsessed with masks and the playful nature of how they create drama and hidden secrets.  I’ve been developing a set of masked characters for a while, and the dreamy avenue that my piece was referencing lent itself perfectly to hiding the characters faces, except for the central younger lad.  Memories of children parties and feeling detached from that atmosphere run through this artwork.  I dream most nights and often have dreams involving finding my way to another world.  A previous exhibition with Inkygoodness had the theme of ‘Wonderland’ and I did a piece called “Journey to Wonderland” which featured another journey with similar characters, that time on the back of sparrows.

Dave_Bain

Illustration by Dave Bain

What’s your artist background?
As long as I can remember I’ve loved to draw and make things.  I dreamed of being able to make a living from it and have always had that goal in mind throughout my life.  I studied Illustration at Falmouth and loved every second of it, after which I moved to Bristol and threw myself into whatever creative opportunities came my way.  It’s my love of drawing and coming up with fun ways to interpret briefs proposed to me, which get me going.  I love the diversity of Bristol and the strength of the creative community here.

How does music influence/inspire/interact with your art?
I listen to music almost constantly, while working.  I love a wide-range, classical, jazz, folk, dubstep, techno – anything that is made with care, love and catches something in my brain and heart.  I run a folk night in Bristol called Feel The Folk and DJ in bars and clubs as well.  Music is definitely interwoven into the way I work and think.  I truly believe in its power to boost artistic creativity and love its motivational edge.  There’s nothing like getting lost in a painting with a soundtrack to accompany you.

Now Leila Shetty, an illustrator based in Liverpool. She likes drawing small birds and cats, among other things. Leila has just graduated from Liverpool School of Art.

LEILA_SHETTY_DREAMBOAT

Illustration by Leila Shetty

What inspired your dreamboat picture?
I kept my Dreamboat image quite simple and wanted to create quite a serene, peaceful illustration 
with the little boat sailing as the focal point. I think it is the serenity of the scene that makes it dream-like. 

What’s your artist background?
I studied Graphic Arts at Liverpool John Moores University (Liverpool School of Art) and specialised in Illustration half way through the course. I’ve always been much more interested in the creative industries than anything else but like to work on quite a small scale – Illustration is perfect for this. Since graduating I’ve been doing lots of different bits and bobs of freelance work. 

housesLeilaShetty

Illustration by Leila Shetty

How does music influence/inspire/interact with your art?
I think rather than music inspiring my work, it is words and stories that influence it. I suppose music can be a way to tell a story though. I like to produce work that is based on words and stories; these can be the most mundane and simple of things that make the most interesting images. I also like to do narrative work to tell stories.     

And finally we have Sarah Dennis. Sarah is an illustrator living in London. Her work ‘invokes a feel of story tale innocence with a contemporary feel’. As well as her illustrations, Sarah has a popular collection of handcrafted felt characters.

dreamboatSarahDennis

Illustration by Sarah Dennis

What inspired your dreamboat picture?
As the tile suggests, my inspiration came from the sensation you have in the morning when you are in a dream like state. I imagined myself floating in comfort and this floating feeling brought the nautical theme to mind with the water inhabited by jellyfish and sea creatures. The male character who is floating within the cut out waves and wearing a stage cape whilst holding a little boat represents vulnerability and innocence.

octo2Sarahdennis

Illustration by Sarah Dennis

What’s your artist background?
I moved from my hometown Brighton to Bristol in 2005 to complete a degree in illustration at the University of the West of England. My work developed over this time and I found that I enjoyed using collages to create whimsical narrative based artwork . After graduating I stayed in Bristol to work on a variety of creative projects. During this time I wrote, illustrated and published a children’s book called “Toby”. I also spent much of my time working with a creative collective called “Hot soup”. The group embarked upon several diverse projects: hosting drawing based events, creating cardboard creations for theater productions and completing bespoke illustrations for clients. After exhibiting a solo show at the “Here” Gallery I moved from Bristol to London were I now spend my days working in a studio in Stoke Newington along side many inspiring artists and illustrators.

wolfandrabbitflatSarahDennis

Illustration by Sarah Dennis

How does music influence/inspire/interact with your art?
After having an idea of what I would like to create whether it is for an exhibition or a piece of commissioned work, I find that music plays a very large part in the process. Having got my idea, with my materials and papers at the ready, the next thing to do is to put on the headphones and find the right album that complements the mood and tone of the artwork. This helps and even influences my art in the same way as working alongside other artists.

See Dreamboat Exhibition at Start Gallery, (via Top Deck) Start The Bus, Bristol

Categories ,art, ,Ben Steers, ,Dave Bain, ,Dreamboat Records, ,exhibition, ,illustration, ,inkygoodness, ,interview, ,Leila Shetty, ,music, ,Sarah Dennis

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Amelia’s Magazine | This Is The Kit: Wriggle Out the Restless – Album Review

ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, pharmacy with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, pill which can be seen from clothing brands such as People Tree, that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

IMAGE ETHICAL BEAUTY 3 JENIFFER
Illustration by Jennifer Costello

http://www.jenillustration.com/

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.

ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, visit both used to express the latest trends. Fashion has taken an organic and earth friendly approach for some time now, cheap best epitomised in high profile clothing brands such as People Tree, and of course the beauty industry has followed. Words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America. Recently, for instance, there have been questions raised about the conditions of workers making Katie Price’s branded perfumes, presenting buyers with an ‘ethical dilemma’ once this is known. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, approved both used to express the latest trends. Fashion has taken an organic and earth friendly approach for some time now, cure best epitomised in high profile clothing brands such as People Tree, prescription and of course the beauty industry has followed. Words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America. This standpoint focuses on the conditions and salaries of those individuals who manufacture the products, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, approved with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, visit this which can be seen from clothing brands such as People Tree, that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, information pills with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, price which can be seen from clothing brands such as People Tree, medical that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, order with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, which can be seen from clothing brands such as People Tree, that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

The beauty industry changes as fast as the fashion industry, website like this constantly updating in line with the latest trends. Fashion has taken an organic and earth friendly approach for some time now, best epitomised in high profile clothing brands such as People Tree. Now earth-friendly beauty products are burgeoning too. Words such as Ethical, Natural and Organic have become common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as Fair Trade. A good example of an ethical company is The Body Shop, which sources Fair Trade ingredients from countries such as Africa and South America. On the other end of the spectrum questions have been raised about the conditions of workers making Katie Price’s branded perfumes. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? Where were the honey and sugar sourced from? Lush aspires to make 100% natural products but they include this disclaimer: “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Which leads to the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

Organic:
Organic skincare means there is no chemicals, colourings, flavourings or additives in the production of ingredients or at the manufacturing stage. Brands which focus on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. Organic skincare naturally overlaps with natural skincare.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused by these words, especially if you’re committed to being earth friendly, so which kind of products should you go for? The decision might be easier than you think… More often than not, ethical products are to some degree, natural and organic, for example, The Body Shop adheres to both ethical and Fair Trade policies and sources natural ingredients for the majority of their products. But not all organic products are particularly ethical. Take the newly released Bourjois Bio-Detox Organic Foundation which boasts 98% natural ingredients and 21% organic ingredients… how is it maunfactured?

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

Maybe it’s increasing awareness of how harmful chemicals can be to our skin or the ever increasing pressure to be kind to the environment; but the demand for more environmentally-friendly products has certainly inspired companies to seek profit from organic and natural products in growing numbers. As consumers, we are easily be lured into thinking that anything ‘natural’ is good for us and the environment, but it’s important to consider how these products are made as well, so it could be argued that ethical production is by far the most important aspect of any purchase. Ethical production ensures that workers get fair pay and conditions, but there is also the very serious risk of over dependence on the huge markets of the capitalist west: forcing yet another kind of colonialism onto impoverished parts of the world.

In the meantime maybe it’s best to buy from small brands that strive to make things locally from 100% natural and organic ingredients. Coming next…
ethical beauty by sandra contreras
Illustration by Sandra Contreras

The beauty industry changes as fast as the fashion industry, this constantly updating in line with the latest trends. Fashion has taken an organic and earth friendly approach for some time now, more about best epitomised in high profile clothing brands such as People Tree. Now earth-friendly beauty products are burgeoning too. Words such as Ethical, sale Natural and Organic have become common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as Fair Trade. A good example of an ethical company is The Body Shop, which sources Fair Trade ingredients from countries such as Africa and South America. On the other end of the spectrum questions have been raised about the conditions of workers making Katie Price’s branded perfumes. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? Where were the honey and sugar sourced from? Lush aspires to make 100% natural products but they include this disclaimer: “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Which leads to the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

Organic:
Organic skincare means there is no chemicals, colourings, flavourings or additives in the production of ingredients or at the manufacturing stage. Brands which focus on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. Organic skincare naturally overlaps with natural skincare.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused by these words, especially if you’re committed to being earth friendly, so which kind of products should you go for? The decision might be easier than you think… More often than not, ethical products are to some degree, natural and organic, for example, The Body Shop adheres to both ethical and Fair Trade policies and sources natural ingredients for the majority of their products. But not all organic products are particularly ethical. Take the newly released Bourjois Bio-Detox Organic Foundation which boasts 98% natural ingredients and 21% organic ingredients… how is it maunfactured?

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

Maybe it’s increasing awareness of how harmful chemicals can be to our skin or the ever increasing pressure to be kind to the environment; but the demand for more environmentally-friendly products has certainly inspired companies to seek profit from organic and natural products in growing numbers. As consumers, we are easily be lured into thinking that anything ‘natural’ is good for us and the environment, but it’s important to consider how these products are made as well, so it could be argued that ethical production is by far the most important aspect of any purchase. Ethical production ensures that workers get fair pay and conditions, but there is also the very serious risk of over dependence on the huge markets of the capitalist west: forcing yet another kind of colonialism onto impoverished parts of the world.

In the meantime maybe it’s best to buy from small brands that strive to make things locally from 100% natural and organic ingredients. Coming next…
ethical beauty by sandra contreras
Illustration by Sandra Contreras

The beauty industry changes as fast as the fashion industry, order constantly updating in line with the latest trends. Fashion has taken an organic and earth friendly approach for some time now, viagra buy best epitomised in high profile clothing brands such as People Tree. Now earth-friendly beauty products are burgeoning too. Words such as Ethical, discount Natural and Organic have become common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as Fair Trade. A good example of an ethical company is The Body Shop, which sources Fair Trade ingredients from countries such as Africa and South America. On the other end of the spectrum questions have been raised about the conditions of workers making Katie Price’s branded perfumes, which were withdrawn from the shelves of Superdrug earlier this year. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? Where were the honey and sugar sourced from? Lush aspires to make 100% natural products but they include this disclaimer: “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Which leads to the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

Organic:
Organic skincare means there is no chemicals, colourings, flavourings or additives in the production of ingredients or at the manufacturing stage. Brands which focus on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. Organic skincare naturally overlaps with natural skincare.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused by these words, especially if you’re committed to being earth friendly, so which kind of products should you go for? The decision might be easier than you think… More often than not, ethical products are to some degree, natural and organic, for example, The Body Shop adheres to both ethical and Fair Trade policies and sources natural ingredients for the majority of their products. But not all organic products are particularly ethical. Take the newly released Bourjois Bio-Detox Organic Foundation which boasts 98% natural ingredients and 21% organic ingredients… how is it maunfactured?

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

Maybe it’s increasing awareness of how harmful chemicals can be to our skin or the ever increasing pressure to be kind to the environment; but the demand for more environmentally-friendly products has certainly inspired companies to seek profit from organic and natural products in growing numbers. As consumers, we are easily be lured into thinking that anything ‘natural’ is good for us and the environment, but it’s important to consider how these products are made as well, so it could be argued that ethical production is by far the most important aspect of any purchase. Ethical production ensures that workers get fair pay and conditions, but there is also the very serious risk of over dependence on the huge markets of the capitalist west: forcing yet another kind of colonialism onto impoverished parts of the world.

In the meantime maybe it’s best to buy from small brands that strive to make things locally from 100% natural and organic ingredients. Coming next…
This is the Kit wriggle out the restless

I’ve always loved France, this harbouring an intention to learn the French lingo for many years. I’m not being frivolous, visit I can assure you. I am able to testify to my desire through my ginger cat, sildenafil whom I named Francois and my half French boy. Oui, j’adore France! Kate Stables wanted to learn French too, so she moved to Paris. Always an observer of life’s idiosyncrasies, she found her vision could stretch even further when she left Bristol’s borough and sat within a caffeinated artery of France. Stables, the singer/musician/protagonist in This Is The Kit, defines the music they create as ‘Screamo/Emo/Flamenco’. Which in a sense it is. A feisty, heart dancing, spirited, emotional flounce. Folky but not in the jingly sense, more soulful and with minimal instruments.

This Is The Kit by Kayleigh Bluck
This Is The Kit by Kayleigh Bluck

Stables is an endearing, dark Rapunzel locked figure. Her voice shoots through you like the first sip of wine after a slog of a day, trapped in an unlit cave. You will find This Is The Kit will gently waft along on a gondolier, tell you it’s all ok, then fighting off the cave bats with their melodies, take you outside to some weeping willow adorned fairy land. She beholds a sound similar to Mary Hampton and Martha Tilston, but more girl next door in pronunciation, realness and the simplicity of lyrics. See: Two Wooden Spoons and Our Socks Forever More. The latter, sang with an acoustic guitar and ukelele, is about wanting to take off your shoes and socks forever more. ‘One of these days’ going to make it back ‘to your mattress’… but ‘I have a thing about sound sufficiency’. It’s a haunting, touching song about decisions, desires and, ‘that someone’. Moon has to be the most splendid of songs about first breath romance. After being lost in the skies, the couple come down, gasping for air and hit by reality. It has only a few lines, but manages an upbeat yet serious undertone feel to it. ‘We had the Moon’ says all it needs to.

This Is The Kit by Kayleigh Bluck
This Is The Kit by Kayleigh Bluck.

It’s nice to be sitting down when you listen to This Is The Kit, with some Pear and Apple cider preferably, or indeed a cafe au lait, if you want to make it French. At many of their relaxed, low key shows (such as Village Halls) you can do this. However, This Is The Kit have also played with big Folk heros like Jeffrey Lewis in their time – so you’ll probably be somewhere bigger, without sitting potential and Maureen and Agnes’ tapestry collections festooning the wooden walls (shame). Multitalented Stables plays guitar, banjo, trumpet and percussion. Often she is joined on stage by her musical friends including Rozi Plain, Jim Barr and Francois and The Atlas Mountains. Tres Bon. Their latest album, Wriggle Out The Restless, on Dreamboat Records, was produced by long term collaborator, Jesse D Vernon, who also often plays on stage as a two piece with Stables.

Continuing to flit across the Channel, This Is The Kit are worth seeing whilst they are this side. They encourage the celebration of the pure and simple things in life. The joy from another person and the beauty right out there. French people will tell you about this: I quote Chamfort, the 18th century French playwright: “Contemplation often makes life miserable. We should act more, think less, and stop watching ourselves live.” Think about this, at a time when most of the world belongs to some form of networking site. Encouraging self evaluation, we discuss our loves, losses, diets and determinations into the abyss. France and This Is The Kit say: look out and to the people we care about.

This Is The Kit released their latest album Wriggle Out the Restless last week on Dreamboat Records. They are also touring at the moment. Catch them in London during mid November, or check out other dates on our listing here.

Categories ,bristol, ,Cider, ,Dreamboat Records, ,folk, ,france, ,Francois and The Atlas Mountains, ,french, ,Jeffrey Lewis, ,Jesse D Vernon, ,Jim Barr, ,Kate Stables, ,Kayleigh Bluck, ,Martha Tilston, ,mary hampton, ,paris, ,Rozi Plain, ,This Is The Kit

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Amelia’s Magazine | Eleven Glorious Albums of 2010


Eugene Lin, medical illustrated by Gareth A Hopkins

Happy New Year! It’s that time of year again when we all set about making resolutions and miraculously changing our lives for the better. So far, case for 2011, viagra dosage I’ve set myself the insurmountable tasks of quitting smoking (again), getting fit (again) and saving money (AGAIN), as well as to make more of an effort to contact friends who I don’t see regularly, get through that list of books I buy on recommendation that is quickly becoming a floor-to-celing pile, learn to cook more than just beans on toast. Oh, sure!

Here at Amelia’s Magazine, we thought it might be interesting to find out what some of our favourite fashion designers plan to do in 2011. I spoke to a few of them, who we interviewed in 2010, about their plans, hopes, ambitions, dreams and everything in between. I posed the question suggesting the response could be hopes for their labels, their personal lives or something more philosophical. I’m so glad one of our designer friends, amidst economic recession and doom and gloom, prioritises ‘more sex’ on their agenda for this coming year…

Here’s a little round-up, with as always, fabulous illustrations… and I’ve linked each designer’s name to our original interview so you can read more about them if you wish!

Ada Zanditon

Illustration by Caroline Coates

‘My main resolution for 2010 is to keep growing and evolving as a brand, creatively and as a business with the vision to bring awareness to conservation and also increase the percentage of my profit margin that can go towards conservation charities, completing the circle between what inspires me as a designer and helping to sustain it in a creative, innovative way that results in sculptural, desirable, uniquely embellished fashion.

‘I would also like to find some time between all of that to spend more time gardening…’

Read a full interview with Ada with even more amazing illustrations in Amelia’s new book!

Eugene Lin

Eugene Lin, illustrated by Gareth A Hopkins

1. Keep perfecting the cut of my clothes
2. Remember to ‘TAKE A BREAK’ at least once a month
3. Eat healthy. Run more.

Imogen Belfield

Illustration by Caroline Coates

‘My New Year resolutions are… well, quite honestly, I have to stop injuring myself in the workshop. I had two rather nasty accidents within the last 2 months. And secondly, it would be to have more Skype dates with my overseas friends and family. 2010 has been beyond incredible, and to wish for the same again would be enough in itself, I cannot wait for 2011 to begin, bring it on!’

Makepiece

Illustration by Genie Espinosa

Whilst we’ve developed new cute tags to help our garments last longer (it’s a nice little wooden tag holding yarn so you can fix your garments), launched knitwear shrugs for winter brides and taken on a small concession in Harveys, (the Halifax department store) I’ve also been struggling to feed the poor snowbound sheep.

I’ve been using sledges, mountain bikes and my own two feet to defeat the snow. I’ve never felt so popular as when I’m spotted from afar by my sheep so that they’re already forming a welcoming committee by the gate. It’s difficult, but exhilarating when, once the sheep are cheerfully surrounding their bale of haylage, I can look out over the snowbound valley. It’s beautiful!

Looking forward to the new year though, we’re hoping for a sunny spring. Lots of lambs, picnics in the hay meadow and summer balls. The new collection is coloured like the sun on a misty spring morning and is frilled and ruched and rippled into delicate dresses, tops, cardis and scarves.

Olivia Rubin

Illustration by Lisa Stannard

‘2011 already holds some exciting opportunities for the label including a lot more hard work! I’m looking forward to my collaborations with very.co.uk and my new accessory line for Dune at the start of the year. I’m hoping to broaden my collections and expand the brand by introducing printed knitwear as well as building on the success of the jersey line Oli Rubi… I have a very determined attitude for 2011!

On a personal level one of my New Year’s resolutions is to continue with my running and possibly attempt a half marathon – eeek!’

(Stefan) Orschel-Read

Illustration by Rachel Clare Price

’2011 will be a busy year for me. I will be producing three collections for Orschel-Read. A small A/W 2011/12, the summer 2012 collection for London Fashion Week in September, and also a couture collection for the end of May. A New Year’s resolution for me is to stop working Sundays! And to enjoy the wonderful city we live in a little more. I also hope to spend more time with friends and family, and finally learn something totally new.’

New Year’s Day is every man’s birthday” (Charles Lamb)

Ziad Ghanem

Illustration by Rukmunal Hakim

‘Professionally: In January 2011 I am launching the wedding collection during Couture Fashion Week. So from now on its “strictly sex after marriage…” In February 2011 I am producing an amazing show during London Fashion Week, inspired by Islamic Art, and Maiden Britain tees and sweats will be launched to buy online soon. I am also hoping to do a lot of new collaborations with artists from all over the world this year.

Personally: I hope and wish for peace of mind, good health and more sex. This year I am open for love! I hope everybody’s New Year wishes will come true.’

Do let us know if you’ve made any interesting resolutions for 2011, I’d love to hear them!


Eugene Lin, health illustrated by Gareth A Hopkins

Happy New Year! It’s that time of year again when we all set about making resolutions and miraculously changing our lives for the better. So far, cost for 2011, I’ve set myself the insurmountable tasks of quitting smoking (again), getting fit (again) and saving money (AGAIN), as well as to make more of an effort to contact friends who I don’t see regularly, get through that list of books I buy on recommendation that is quickly becoming a floor-to-celing pile, learn to cook more than just beans on toast. Oh, sure!

Here at Amelia’s Magazine, we thought it might be interesting to find out what some of our favourite fashion designers plan to do in 2011. I spoke to a few of them, who we interviewed in 2010, about their plans, hopes, ambitions, dreams and everything in between. I posed the question suggesting the response could be hopes for their labels, their personal lives or something more philosophical. I’m so glad one of our designer friends, amidst economic recession and doom and gloom, prioritises ‘more sex’ on their agenda for this coming year…

Here’s a little round-up, with as always, fabulous illustrations… and I’ve linked each designer’s name to our original interview so you can read more about them if you wish!

Ada Zanditon

Illustration by Caroline Coates

‘My main resolution for 2010 is to keep growing and evolving as a brand, creatively and as a business with the vision to bring awareness to conservation and also increase the percentage of my profit margin that can go towards conservation charities, completing the circle between what inspires me as a designer and helping to sustain it in a creative, innovative way that results in sculptural, desirable, uniquely embellished fashion.

‘I would also like to find some time between all of that to spend more time gardening…’

Read a full interview with Ada with even more amazing illustrations in Amelia’s new book!

Eugene Lin

Eugene Lin, illustrated by Gareth A Hopkins

1. Keep perfecting the cut of my clothes
2. Remember to ‘TAKE A BREAK’ at least once a month
3. Eat healthy. Run more.

Imogen Belfield

Illustration by Caroline Coates

‘My New Year resolutions are… well, quite honestly, I have to stop injuring myself in the workshop. I had two rather nasty accidents within the last 2 months. And secondly, it would be to have more Skype dates with my overseas friends and family. 2010 has been beyond incredible, and to wish for the same again would be enough in itself, I cannot wait for 2011 to begin, bring it on!’

Makepiece

Illustration by Genie Espinosa

Whilst we’ve developed new cute tags to help our garments last longer (it’s a nice little wooden tag holding yarn so you can fix your garments), launched knitwear shrugs for winter brides and taken on a small concession in Harveys, (the Halifax department store) I’ve also been struggling to feed the poor snowbound sheep.

I’ve been using sledges, mountain bikes and my own two feet to defeat the snow. I’ve never felt so popular as when I’m spotted from afar by my sheep so that they’re already forming a welcoming committee by the gate. It’s difficult, but exhilarating when, once the sheep are cheerfully surrounding their bale of haylage, I can look out over the snowbound valley. It’s beautiful!

Looking forward to the new year though, we’re hoping for a sunny spring. Lots of lambs, picnics in the hay meadow and summer balls. The new collection is coloured like the sun on a misty spring morning and is frilled and ruched and rippled into delicate dresses, tops, cardis and scarves.

Olivia Rubin

Illustration by Lisa Stannard

‘2011 already holds some exciting opportunities for the label including a lot more hard work! I’m looking forward to my collaborations with very.co.uk and my new accessory line for Dune at the start of the year. I’m hoping to broaden my collections and expand the brand by introducing printed knitwear as well as building on the success of the jersey line Oli Rubi… I have a very determined attitude for 2011!

On a personal level one of my New Year’s resolutions is to continue with my running and possibly attempt a half marathon – eeek!’

(Stefan) Orschel-Read

Illustration by Rachel Clare Price

’2011 will be a busy year for me. I will be producing three collections for Orschel-Read. A small A/W 2011/12, the summer 2012 collection for London Fashion Week in September, and also a couture collection for the end of May. A New Year’s resolution for me is to stop working Sundays! And to enjoy the wonderful city we live in a little more. I also hope to spend more time with friends and family, and finally learn something totally new.’

New Year’s Day is every man’s birthday” (Charles Lamb)

Ziad Ghanem

Illustration by Rukmunal Hakim

‘Professionally: In January 2011 I am launching the wedding collection during Couture Fashion Week. So from now on its “strictly sex after marriage…” In February 2011 I am producing an amazing show during London Fashion Week, inspired by Islamic Art, and Maiden Britain tees and sweats will be launched to buy online soon. I am also hoping to do a lot of new collaborations with artists from all over the world this year.

Personally: I hope and wish for peace of mind, good health and more sex. This year I am open for love! I hope everybody’s New Year wishes will come true.’

Do let us know if you’ve made any interesting resolutions for 2011, I’d love to hear them!

Beach House by Karolina Burdon

Beach House by Karolina Burdon

Being the new year and all, medical perhaps it might be nice to take an appreciative glance at the wonderful music that touched our ears and hearts in 2010, mind and indeed continues to do so as we begin the thrilling joy that is January 2011. Now, remain/become positive chaps and chappettes, a new dawn, means a shiny new chapter. You can file 2010 away under ‘misc’ and make all sorts of resolutions on new notepaper. As arty people and appreciators of creativity, this MUST appeal to you. I personally believe that creativity can be kickstarted with music. So, if you are feeling sluggish and are already considering a nap, perhaps first quickly read my list of music that has the potential to kick the ass of thou. If you are already napping, and can not bring yourself to open your eyes, please use a person to click on an immersed youtube video and feel a small whack from one of these beauties. Then you can wallow as much as you want.

Beach House: Teen Dream, Bella Union
French born, Victoria Legrand produces the sounds of vocals and organ. A striding, confident femme fatale. With her long, dark curly hair she is all about the swipes, swooshes, ducks and flicks. Alex Scally in contrast plays his guitar delicately and beautifully. Interestingly, he was not a guitarist before Beach House and taught himself, which is why he says, he can play exactly how he wants with no preconceived notions about the role of guitar. Together they work as a flamboyant, thinking, sultry and exciting creation. Listening to them is like being stuck in the bubble of a dream pop flash lens… and loving it.

Angus and Julia Stone by Karolina Burdon

Angus and Julia Stone by Karolina Burdon

Angus and Julia Stone: Down The Way, Flock Music
So sweet and delicate. But with some serious edge. Definitely not wishy washy ‘blah’ folk. This Australian brother and sister duo are strong and create catchy songs with a distinct sound from the heart. They used to be solo artists, but decided to collaborate in 2006. One can imagine them sitting somewhere on one of Australia’s ridiculously massive and unfeasibly gold beaches, upright on a beige throw, writing their emotions out. Or on the road… with straw hats on. They tend to write separately apparently, then get together to create a structure and the harmonies. This sounds right, I personally can’t imagine writing about boys with my brother eating marmite (urgh) on toast next to me to be fair. Down The Way is glorious album and a whimsical mixture. Pay particular attention to; ‘I’m Not Yours’, ‘For You’ and ‘And The Boys’.

JoannaNewsom by Avril Kelly

Joanna Newsom by Avril Kelly

Joanna Newsom: Have One On Me, Drag City
Joanna Newsom; harpist, pianist, singer and model from Nevada City, USA. One of those girls at school that is both extremely talented and manages to sustain excellently long hair. Her voice is incredible, and watching her recently, she sounds softer than earlier in her career. ‘Peach, Plum, Pear, live – wow. She released a new album in 2010, ‘Have One On Me’. The gentler sound of her voice and the precise, stunning notes of her instruments leave you in awe with this album. ’81 is just fabulous. Graceful and composed, it’s like listening to a soundtrack from a party taking place in another world, where everything is unashamedly and naturally, magical.

The Acorn: No Ghost, Bella Union
A bit like Bon Iver and Elbow. More like the former, in that The Acorn are from Canada and write their music in Canadian cottages. They went to one in Northern Quebec for No Ghost.This is a highly romantic vision for me and works on many levels, not least because the music seems to reflect the surroundings they were born in. Spindly melodies and haunting humming, these songs are the middle of the night in the middle of nowhere. ‘Almanac’ and ‘Misplaced’ are perfect.

Au Revoir Simone by Avril kelly

Au Revoir Simone by Avril Kelly

Au Revoir Simone: Night Light, Moshi Moshi
All remixes of Au Revoir Simone’s songs- by the likes of Jens Lenkman and Neon Indian. The Brooklyn indie pop gals, Heather D’Angelo, Erika Forster and Annie Hart took their name from a minor character in the Tim Burton comedy; Pee-Wee’s Big Adventure. This remix album is a like finding a hidden Snickers on a 20 mile walk, or the ice-cream at the end of the tunnel. I challenge you to feel grumpy when listening to the electro, pure girly voices running up and down in pitch. Come on, stand up and make a cup of tea. To use the title of their song; ‘Only You Can Make You Happy’. Drink some tea.

this is the Kit2 by Avril kelly

This Is The Kit by Avril Kelly

This Is The Kit: Wriggle Out The Restless, Dreamboat Records
I put this album on when we visited my boyfriend’s Dad’s new house in Jersey. It’s a big, 60s, art-deco style, Gatsby type house, right on the seafront (I know, it’s idyllic). Previously I had only ever listened to This Is The Kit on my Mac, and once, seen her live. Both intimate venues, I liked to keep Kate locked in my collection as ‘mine’. However, when she was played loud with no distortion, in an acoustically happy room, it’s truly something else (as they say). Her voice resonates and echoes, as if you are actually within an enchanted forest with the most ethereal story teller you can possibly imagine. Or perhaps inside a whale traveling in the ocean. Captivating and vulnerable, she will envelop you. Whenever I play Wriggle Out The Restless, people are immediately in love. I can not recommend this album enough. See my previous review here and listen to my favourite; Moon, below.

Hidden Orchestra: Night Walks, Tru Thoughts
These guys just sound very cool. Wholesomely cool. Listening to this album is being in the countryside and looking at everything in a totally refreshing light. I think they are best listened to in such settings, but this could be my romantic side playing up again (boyfriend away on business…) – I can imagine listening to them waiting for a bus in a city, or with a glass of whisky and someone good to chat to… in a city. I am sure they are really urban actually (being Tru Thoughts and all) but amazing instruments equate to nature for me. I’m rambling. I apologize. ‘Strange’ is angelic.

johnny_flynn-been_listening

Johnny Flynn: Been Listening, Transgressive
We all know how Amelia’s Magazine loves old Johnny. He is multi-talented and makes you want to stare at his face for days. Flynn’s latest album; Been Listening is a culmination of his musings, travels, thoughts and feelings as he grows, figures life out a little more, and becomes more distinctive and beautiful. It’s got a bit more bite than A Larum, but continues with the theatrical edge. Occasionally it sounds like he is swaying about with a tankard singing in your local (endearing). Sometimes it’s like he’s sitting by a river, or in the city’s compact and grimy depths. It is less haystack joviality and more gutsy than younger Flynn. ‘Barnacled Warship’ is a stomper, whilst, ‘The Water’ with Laura Marling is a duet formed in heaven. See live review by Rob Harris here.

Sea Of Bees: Songs for The Ravens, Heavenly Recordings
Lovely voice with a dark undercurrent fluttering through her lyrics. Julie Ann Baenziger is a 25 year old from Sacramento California. Unable to embrace her clear talent, she spent years secretly teaching herself how to sing, until she moved out of home at 23. She plays marimba, glockenspiel and slide guitar. This is her debut album and it is full of raw emotion, wistfulness and beauty. See my full review here.

Best-Coast-Crazy-For-You

Best Coast: Crazy for you, Mexican Summer
Singing about the ocean, sun and fun with a wholly American rocky sound, this band are surf pop at its best. The band consists of Bethany Cosentino, Bobb Bruno and Ali Koehler. Crazy for you is about Bethany’s longing for Los Angeles while spending her days in NY attending Eugene Lang College. Best Coast formed during her first days back in California. Bethany has a ginger cat called Snacks who you can find on twitter and often tweets her whilst she is on tour. Almost too cute.

Mountain Man: Made The Harbor, Bella Union
Molly Erin Sarie, Alexandra Sauser-Monnig and Amelia Randall Meath produce sounds as sweet as honey pie. The trio use minimal instruments, and instead rely on the power of their voices in unison to produce their earthy, ethereal atmosphere. The three met in Vermont and are from West, Middle West and Eastern United States, they share a love of nature, femininity and the moon. Together their harmonies are utterly all encompassing. So calm, very real and shiver inducing in their intimacy. Made The Harbor was recorded in an old ice cream parlor from the turn of the 20th century. The sounds of the building and the artist’s breathing, welcomed.

Categories ,Amelia’s Magazine, ,Angus and Julia Stone, ,Avril Kelly, ,Beach House, ,Bella Union, ,Best Coast, ,Bon Iver, ,Drag City Records, ,Dreamboat Records, ,Elbow, ,Flock Music, ,Helen Martin, ,Hidden Orchestra, ,Jens Lenkman, ,joanna newsom, ,Johnny Flynn, ,Karolina Burdon, ,Mexican Summer, ,Moshi Moshi, ,Mountain Man, ,neon indian, ,Rob Harris, ,The Acorn, ,This Is The Kit, ,Transgressive Records, ,tru thoughts

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