Amelia’s Magazine | An Interview with Ukrainian Illustrator Daria Hlazatova

Daria Hlazatova - Oceania
Daria Hlazatova – Oceania.

Ukrainian illustrator Daria Hlazatova has been creating stunning illustrations for Amelia’s Magazine for several years now. I caught up with her to find out about her latest projects and how important social media has been to building her career. She’s an inspiration!

Daria Hlazatova - tom riddle
Tom Riddle.

Tell us about your home town near the Carpathian mountains in Ukraine. Where would you take a visitor from the UK?
I’d give them a tour of our town, Chernivtsi, which is, in fact quite nice and boasts a mix of European architectural styles, historically having been under the rule of different countries. A trip to the restaurant serving our national cuisine will be a good idea, too, as it is a somewhat unusual experience for tourists, but nevertheless delicious: everyone enjoys our pancakes with red caviar! We’d also take a trip to the mountains to pick up some berries and enjoy the views.

Canterville ghost
Canterville ghost.

What kind of art do your relatives make and how has it inspired your own creations?
There are artists both on my mother’s and my father’s side, so I think it was natural for me to become interested in drawing in my early years. My mother’s uncle Volodya used to be a rather well-known book illustrator in St Petersburg and I still have some of his signed books, one of which is called Dashenka, which is a diminutive of my name. And although the story wasn’t about me, I took it as a sign that I, too, must try myself at illustrating books. My father’s relatives are mostly landscape artists, living and working in Russia.

Daria Hlazatova - Dog Days are Over
Dog Days are Over.

You are an active part of the creative social media community – when did you discover the online world and how has it affected your art making over the years?
I think the same time as I was lucky enough to have discovered Amelia’s Magazine which was in the autumn of 2010. Being based so far away from all the exciting  art events and virtually having no connection with other creatives, I decided to use the Internet resources to mend this injustice. Since then I have found it extremely helpful, with online blogs and networks serving me as a magic portal into the art world.

Daria Hlazatova -Harold Pinter
Harold Pinter.

Why is your blog titled All Pencils of Mine are Sugarplums?
It has to do with my love for Lewis Carroll. The title is based on one of his syllogisms (which are logic arguments). I will say no more, because whenever I start talking about Carroll or syllogisms, I confuse everyone… rather like I do with the title of my blog!

Daria Hlazatova Ravel
Ravel.

What can people find on your blog?
Lots of drawings, random thoughts, news about shows and interesting projects. I sometimes share art and music that inspire me. I sincerely hope that upon visiting my blog, readers have a sudden urge to create something, read  a fairy-tale, dream,  bake cakes, or just dance,  in short do something fun and artistic.

Daria Hlazatova robert smith by daria h
Robert Smith.

You are a self taught artist – where have you picked up your style and techniques from?
I don’t know. I think my style has been developing of its own accord and I only mildly control it. I do have an obsession with some elements, like eyes, stars and moons that I include in almost every work of mine, but then again, I do that subconsciously most of the time. I can only guess why I intertwine eyes into the patterns and use them as central objects and it’s perhaps because the Russian word “eye” is the root of my surname.

Nosorog
What inspired you to create a zine and who do you hope will read it?
A long-awaited holiday! I have 2 part-time jobs (one of them is no longer part-time) besides being a full-time illustrator. I’ve been looking for this winter break since my last holiday in summer and wanted to make something special. Besides, I’ve often heard from people they’d like me to make a zine or a little book, so I thought I’d give it a try. It all happened unexpectedly quickly and in a blink the zine was ready. I had to look through the notebooks back from my university days, where I scribbled some nonsense poems and stories to pass the time during dull lectures and also had crazy ideas contributed by some lovely enthusiasts. I hope everybody who appreciates a little nonsense  now and then will enjoy Nosorog.

Pati Yang by Daria Hlazatova.
Pati Yang for Amelia’s Magazine.

What does Nosorog mean and what does the zine contain?
Nosorog from Russian means “rhinoceros”. There’s no point denying it: I chose the name for no reason at all. This was the first word that came to me. The zine contains several short-stories, some quotes, a horoscope, mock advertisements and an interview, accompanied by my old and new illustrations. The content has been inspired by the works of Mervyn Peake and Edward Gorey and by fairy-tales in general. I was very surprised but also happy to see that the first issues sold so quickly. I’m printing more and already working on the second one, which will have more stories, exclusively-created illustrations and will hopefully make you smile!

Where can people get hold of a copy?
I don’t have a proper shop elsewhere except for the one on my blog. And if anyone wants a freshly-printed Nosorog, the best thing to do is to email me.
 
Moth rah girl phoenix EP group Daria h
Daria Hlazatova -girl phoenix EP cover for Moth Rah
Girl phoenix EP cover for Moth Rah.

Can you tell us about your upcoming show in Kiev?
It will take place in a mysteriously beautiful place, which is the building of an old opera house. From the outside it looks like a gingerbread house, on the inside it’s a perfect setting for a Georges Melies film. I fell in love with this place at once. The space itself, called Kiev Loft,  is used for concerts, performances, and art events and run by a rather enthusiastic and professional young team who as far as I can see are eager to help the art life in our capital thrive and prosper, which is great. My drawings will be exhibited there along with the beautiful and very curious works by the Lithography studio “30” based in Kiev. It will be my first show in Ukraine, so wish me luck!  

frankie-rose-by-daria-h
Frankie Rose for Amelia’s Magazine.

You’ve been doing some personal work inspired by Johnny Flynn, how did you discover his music and what touches you about it?
I first heard of Johnny after seeing the play Jerusalem. I didn’t know he was also a songwriter and after hearing his music, something clicked. You know, there are some periods in life when a certain melody is needed to help you carry on and Johnny Flynn’s songs turned out exactly that thing. I felt the connection because his music is very poetic and not simply folk, it’s more than that. I can see the influence of theatre, nature, even Shakespeare, and all things I like in his songs and that’s why I thought I should explore a bit more both in the music and in myself by creating some illustrations to accompany his songs.

Daria Hlazatova tonight
Tonight.

Have you got anything else in the pipeline you can tell us about?
Lots! Mostly the plan is just to draw. And if that doesn’t work, plan B is to draw some more again.

What do you hope for your art in the coming years?
I’d love to have a show in Italy and before that I hope to work on larger scale drawings and do some music-related artwork. If you ask me, an art studio (preferably with a fitted kitchen, a helpful assistant and a husky dog)  is my pipe-dream.  Shall I use a quotation to appear exceptionally well-read? Shakespeare said and I completely agree with him, that expectation is the root of all heartache, that’s why I never expect,  but I’m ready for surprises. I’m very happy doing what I do at this very moment.

Find Daria Hlazatova online: read her blog, friend her on facebook and follow her on twitter.
 

Categories ,30, ,All Pencils of Mine are Sugarplums, ,Canterville ghost, ,Carpathian, ,Chernivtsi, ,Daria H, ,Daria Hlazatova, ,Dashenka, ,Dog Days are Over, ,Edward Gorey, ,Frankie Rose, ,Georges Melies, ,Harold Pinter, ,illustrator, ,interview, ,Jerusalem, ,Johnny Flynn, ,Kiev, ,Kiev Loft, ,Lewis Carroll, ,Mervyn Peake, ,Moth Rah, ,Nosorog, ,Oceania, ,Pati Yang, ,Ravel, ,Rhinoceros, ,Robert Smith, ,Shakespeare, ,St Petersburg, ,Syllogisms, ,Tom Riddle, ,Tonight, ,Ukraine, ,Ukrainian, ,Volodya

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Amelia’s Magazine | An interview with Tamara Schlesinger and review of solo album The Procession

tamara by daria h
Tamara Schlesinger by Daria H.

Tamara Schlesinger is the talented lead singer and main brains behind the foot stomping folk sounds of 6 Day Riot, a band I have listened to countless times on record and loved many times over live – they even played a storming set at the launch of Amelia’s Compendium of Fashion Illustration in 2011. Over the past year, with a little help from Creative Scotland, she’s put together her first solo album, The Procession. In this her honeyed vocals are looped to magnificent effect over the simplest of instrumentals. It’s a step away from the unabashed raucousness of her band, with melancholic lyrics such as those in the beautiful No Coming Back, So Long and Again (previewed on soundcloud below) inspired by a reflective period in her life. The Procession works best when taken together as a whole, each song subtly altering in mood as the listener is led on a meditative journey by the woven layers of Tamara Schlesinger‘s beautiful voice. I caught up with the singer to find out about the changes in her life.

Tamara_6 day riot
Tamara Schlesinger by Laura Hickman
Tamara Schlesinger by Laura Hickman.

The Procession, your first solo album, came out this week. What has the reception been like so far?
So far the reception has been great. The album was quite an experimental project for me, moving away from the 6 Day Riot sound and working with a capella vocals and I really enjoyed the challenge. I’ve had some lovely reviews already and a few spins on 6 music, XFM and Amazing Radio. Also Amazing Radio have made the album Album of the Month so I’m pretty happy so far.

tamara schlesinger the procession album cover
Tamara_6 day riot

The album was made in Glasgow with help from Creative Scotland – how did that process work and how did being at home forge the process?
I wrote the album over the course of a year and discovered that I could apply for funding from Creative Scotland. As I run my own label and have always self-released my music I thought it was a great opportunity. I was so delighted when I received the funding, it allowed me to spend longer in the studio than I normally get the chance to. It also allowed me to work with new musicians (all of whom are Scottish) and to work in a different manner. I went into the studio with ideas, but really they came to life once I was in there, and that was a very different process for me. Normally I would have rehearsed the tracks with the band and arranged all the parts before recording due to budget limitations. Being home was also great, it was fantastic to be in Glasgow, the mood is very different to London and it definitely affected the way the recording went in a positive way.

No Coming
Tamara Schlesinger by Emma Presland
Tamara Schlesinger by Emma Presland.

It’s much more mellow than the work 6 Day Riot is known for – was this deliberate and if so why?
Yes, I didn’t want to do a solo project that sounded like 6 Day Riot, I didn’t see the point in that. If I was going to do something on my own it really needed to sound different to the band. I was in a more melancholy place at the time of writing as well so that is definitely reflective in the mood to the record. I felt like doing an album that flowed together as a whole and I think I managed to achieve that.

Tamara_6 day riot
tamara_by_angela lamb
Tamara Schlesinger by Angela Lamb.

What inspired the new direction and lyrics?
I was in the process of packing up my home and moving when a lot of the album was written, along with having some potentially life changing things to deal with –  so I was in a very reflective mood. I was thinking a lot about what your home really means, whether it holds your memories or whether you can pick everything up and start a new. I was also waiting for some test results that could have meant a big change in my life – so the lyrics ended up being more personal to me than usual. I had also been co-writing with Deadly Avenger, we co-wrote the trailer music for 127 Hours (a survival drama film), and the tracks were all cinematic dance in style. So I think when I began writing my own music it ended up bit more cinematic than usual.

So Long

Tamara by Sandra Contreras
Tamara Schlesinger by Sandra Contreras.

You’re expecting a baby soon: how is this affecting your plans to tour and what are your hopes and dreams for your little one?
Well, it is already affecting me as I am much more tired than usual! so I will probably be touring the album again at the start of next year when I release more singles. I just want a healthy, happy baby, but hopefully one that enjoys coming to lots of gigs and festivals and doesn’t get too bored hearing my songs and voice over and over again. 

YouTube Preview ImageLead single Again

The Procession by Tamara Schlesinger was released on Tantrum Records on the 6th of August 2012. If you are based in Scotland you can catch Tamara performing at Stereo Cafe Bar in Glasgow on August 15th – a series of dates will be confirmed soon so catch her live if you can: it’s a wonderful experience (read my review of a 6 Day Riot concert here). Hear 6 Day Riot play live at the launch party of Amelia’s Compendium of Fashion Illustration in the video below.

YouTube Preview Image

Categories ,127 Hours, ,6 Day Riot, ,6 Music, ,A capella, ,Again, ,album, ,Album of the Month, ,Amazing Radio, ,Angela Lamb, ,Creative Scotland, ,Daria H, ,Daria Hlazatova, ,Deadly Avenger, ,Emma Presland, ,folk, ,glasgow, ,interview, ,Laura Hickman, ,Looped, ,Meditative, ,No Coming, ,review, ,Sandra Contreras, ,Scottish, ,So Long, ,Stereo Cafe Bar, ,Tantrum Records, ,The Procession, ,XFM

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Amelia’s Magazine | Saint Saviour: an interview with Becky Jones

saintsaviour genie espinosa
Saint Saviour by Genie Espinosa.

Fresh from touring with Groove Armada, sale with whom she collaborated on the album Black Light, treat Saint Saviour played her debut solo show at Bush Hall, in deepest Shepherds Bush. It must have been a bit bewildering, a week since playing at Brixton Academy after a run of shows that earned her rave reviews and numerous admirers (including the Pet Shop Boys’ Neil Tennant) to be appearing in a renovated dance hall on the Uxbridge Road, but the intimate setting was perfect to showcase her new material.

Saint saviour
Photo courtesy of Saint Saviour.

Saint Saviour is no stranger to the pages of Amelia’s Magazine, having been reviewed a couple of times (including once by yours truly) with her old band, the ever-spangly RGBs (who were once described by the NME, no less, as delivering “almighty fem-pop… with an eccentric blitzkrieg wallop”). I’d seen them a few times around town, and I’d also caught her debut with Groove Armada at the climax of last year’s Lovebox festival. It’s actually one of those rare times, if you endlessly follow bands around gigs, where someone you’ve seen play often is plucked from little venues in Kilburn, Brixton or Shoreditch to tour the world.

Taking to the stage with what looked like a giant jellyfish umbrella (“make of that what you will” quipped Saint Saviour, aka Becky Jones), the set started off hypnotically – anyone expecting a set of pumping dance anthems was in for a bit of a shock. In fact, Saint Saviour’s set proved what a versatile performer she is, mixing up her styles and tempos – whether accompanying herself on keyboards on songs like the delicate Fallen Trees and Hurricanes, or upping a gear (backed with a full band and, for a couple of numbers, a string section) with tracks like Birdsong and the kick-ass current single, Woman Scorned: watch the video here:

YouTube Preview Image

The stage presence that I’d seen in places like the Windmill or the Old Blue Last, and witnessed by anyone who saw her on tour with Groove Armada, was there in spades tonight, whether entrancing a hushed crowd on the slower numbers with her voice (which has been compared to people like Kate Bush, and I think has a touch of Elizabeth Fraser of the Cocteau Twins about it) or totally throwing herself into the up-tempo songs.

Saint Saviour by Karolina Burdon
Saint Saviour by Karolina Burdon.

To thunderous cheers from the crowd, Saint Saviour was tempted back out for an encore of the touching When You Smile, backed solely by harpist Jharda, before leaving once more to the rapturous applause of an appreciative audience. As a debut show, stepping out of the shadow of Groove Armada, it was great success for Saint Saviour and justifies the praise that she’d already received. It was also a bit of a strange moment for me, having seen her back in the day with her old band, and here she is (deservedly so) on the verge of playing bigger stages as a star in her own right.

Catch my interview with Saint Saviour, coming soon.
saintsaviour genie espinosa
Saint Saviour by Genie Espinosa.

Fresh from touring with Groove Armada, cheapest with whom she collaborated on the album Black Light, illness Saint Saviour played her debut solo show at Bush Hall, in deepest Shepherds Bush. It must have been a bit bewildering, a week since playing at Brixton Academy after a run of shows that earned her rave reviews and numerous admirers (including the Pet Shop Boys’ Neil Tennant) to be appearing in a renovated dance hall on the Uxbridge Road, but the intimate setting was perfect to showcase her new material.


Photo courtesy of Saint Saviour.

Saint Saviour is no stranger to the pages of Amelia’s Magazine, having been reviewed a couple of times (including once by yours truly) with her old band, the ever-spangly RGBs (who were once described by the NME, no less, as delivering “almighty fem-pop… with an eccentric blitzkrieg wallop”). I’d seen them a few times around town, and I’d also caught her debut with Groove Armada at the climax of last year’s Lovebox festival. It’s actually one of those rare times, if you endlessly follow bands around gigs, where someone you’ve seen play often is plucked from little venues in Kilburn, Brixton or Shoreditch to tour the world.

Taking to the stage with what looked like a giant jellyfish umbrella (“make of that what you will” quipped Saint Saviour, aka Becky Jones), the set started off hypnotically – anyone expecting a set of pumping dance anthems was in for a bit of a shock. In fact, Saint Saviour’s set proved what a versatile performer she is, mixing up her styles and tempos – whether accompanying herself on keyboards on songs like the delicate Fallen Trees and Hurricanes, or upping a gear (backed with a full band and, for a couple of numbers, a string section) with tracks like Birdsong and the kick-ass current single, Woman Scorned: watch the video here:

YouTube Preview Image

The stage presence that I’d seen in places like the Windmill or the Old Blue Last, and witnessed by anyone who saw her on tour with Groove Armada, was there in spades tonight, whether entrancing a hushed crowd on the slower numbers with her voice (which has been compared to people like Kate Bush, and I think has a touch of Elizabeth Fraser of the Cocteau Twins about it) or totally throwing herself into the up-tempo songs.

Saint Saviour by Karolina Burdon
Saint Saviour by Karolina Burdon.

To thunderous cheers from the crowd, Saint Saviour was tempted back out for an encore of the touching When You Smile, backed solely by harpist Jharda, before leaving once more to the rapturous applause of an appreciative audience. As a debut show, stepping out of the shadow of Groove Armada, it was great success for Saint Saviour and justifies the praise that she’d already received. It was also a bit of a strange moment for me, having seen her back in the day with her old band, and here she is (deservedly so) on the verge of playing bigger stages as a star in her own right.

Catch my interview with Saint Saviour, coming soon.
saintsaviour genie espinosa
Saint Saviour by Genie Espinosa.

Fresh from touring with Groove Armada, viagra 100mg with whom she collaborated on the album Black Light, viagra Saint Saviour played her debut solo show at Bush Hall, in deepest Shepherds Bush. It must have been a bit bewildering, a week since playing at Brixton Academy after a run of shows that earned her rave reviews and numerous admirers (including the Pet Shop Boys’ Neil Tennant) to be appearing in a renovated dance hall on the Uxbridge Road, but the intimate setting was perfect to showcase her new material.


Photo courtesy of Saint Saviour.

Saint Saviour is no stranger to the pages of Amelia’s Magazine, having been reviewed a couple of times (including once by yours truly) with her old band, the ever-spangly RGBs (who were once described by the NME, no less, as delivering “almighty fem-pop… with an eccentric blitzkrieg wallop”). I’d seen them a few times around town, and I’d also caught her debut with Groove Armada at the climax of last year’s Lovebox festival. It’s actually one of those rare times, if you endlessly follow bands around gigs, where someone you’ve seen play often is plucked from little venues in Kilburn, Brixton or Shoreditch to tour the world.

Taking to the stage with what looked like a giant jellyfish umbrella (“make of that what you will” quipped Saint Saviour, aka Becky Jones), the set started off hypnotically – anyone expecting a set of pumping dance anthems was in for a bit of a shock. In fact, Saint Saviour’s set proved what a versatile performer she is, mixing up her styles and tempos – whether accompanying herself on keyboards on songs like the delicate Fallen Trees and Hurricanes, or upping a gear (backed with a full band and, for a couple of numbers, a string section) with tracks like Birdsong and the kick-ass current single, Woman Scorned: watch the video here:

YouTube Preview Image

The stage presence that I’d seen in places like the Windmill or the Old Blue Last, and witnessed by anyone who saw her on tour with Groove Armada, was there in spades tonight, whether entrancing a hushed crowd on the slower numbers with her voice (which has been compared to people like Kate Bush, and I think has a touch of Elizabeth Fraser of the Cocteau Twins about it) or totally throwing herself into the up-tempo songs.

Saint Saviour by Karolina Burdon
Saint Saviour by Karolina Burdon.

To thunderous cheers from the crowd, Saint Saviour was tempted back out for an encore of the touching When You Smile, backed solely by harpist Jharda, before leaving once more to the rapturous applause of an appreciative audience. As a debut show, stepping out of the shadow of Groove Armada, it was great success for Saint Saviour and justifies the praise that she’d already received. It was also a bit of a strange moment for me, having seen her back in the day with her old band, and here she is (deservedly so) on the verge of playing bigger stages as a star in her own right.

Catch my interview with Saint Saviour, coming soon.
saint saviour-stephanie thieullent
Saint Saviour by Stephanie Thieullent.

Shortly after her debut solo show at Bush Hall (read my review here) I caught up with Saint Saviour to pose a few questions…

How did it feel to play your first solo show? You seemed pretty overwhelmed by it!
God, discount did I look really nervous!? I was very nervous indeed. I have toured the world and played to thousands of people, view but singing your own stuff in an intimate setting is very nerve-wracking and I had also just got off tour with Groove Armada so I was and still am pretty exhausted. But it all went reasonably to plan and I got a lot of great feedback from real fans, search which meant the world to me.

saint saviour by daria hlazatova
Saint Saviour by Daria Hlazatova.

After working with Groove Armada, both in the studio and on tour, how has the experience influenced you? Have they given you any good tips?
They taught me a lot about production, and how to separate the wheat from the chaff when it comes to arranging a tune. I also learned a lot about live show production and how much work goes into it. I got the chance to tour a lot of the world and see how the industry works in other countries and how different people react to the music. I feel a lot worldlier! The best tip they gave me was that the less sleep you get, the less you need.

Saint Saviour by Karina Yarv
Saint Saviour by Karina Yarv.

Songs such as Fallen Trees and Woman Scorned show a few different styles. Who, or what, would you say influences your music?
I have been seriously into music since I was a kid, so I have really diverse tastes and an inquisitive drive to discover more ways of making music. To be honest though, I find this actually quite restricting because when it comes to making my own album, I’ve gone from dark electro to Southern Soul music, Stax Records style, reggae to country folk. It’s a nightmare for A&R situations but I guess it means I can write for other people too and maybe one day, actually make a living.

You’ve got quite distinctive vocals, which I’ve seen compared to the likes of Antony Hegarty. Does it take a lot of practice to get that effect?
Yeah, I practice a lot.

SaintSaviour by Jessica Gurr
SaintSaviour by Jessica Gurr.

You seem to pick up some rather striking outfits for your stage shows and videos. Where do you get the inspiration from, or do you just leave your designers to it?
It may sound a little but ‘special’ but when I listen to music I have very vivid pictures in my mind the whole time and I get a lot of ideas for costumes from this practice. The Jellyfish thing I wore for my first gig was inspired directly by listening to the song I came out to, which just makes me think of them swimming around. I got my friend Paula Selby Avellaneda to make it for me from my imagination, and she made the dress to go with it.

What’s coming up next for Saint Saviour?
Hmmmm. Well there’s a lot of possibly exciting things rumbling beneath me, but I can’t really confirm any of them. I’m doing some exciting collaborations and hoping a couple of nice gigs come off. Watch this space!

Categories ,Antony Hegarty, ,Becky Jones, ,Bush Hall, ,country folk, ,Daria H, ,Daria Hlazatova, ,electro, ,Groove Armada, ,interview, ,Jess Gurr, ,Jessica Gurr, ,Karina Yarv, ,Paula Selby Avellaneda, ,reggae, ,Saint Saviour, ,SaintSaviour, ,Southern Soul, ,Stéphanie Thieullent

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