Amelia’s Magazine | The NailGirls spa salon in Islington Spring/Summer 2010 nail polish launch event.

Colourbox leadersdebate
Nick-Clegg-Election-2010-Antonia-Parker
Illustration by Antonia Parker.

Last week it occurred to me that if one drew something remotely funny and sent it around twitter at the same time as everyone was going mental with the hashtag #leadersdebate whilst watching the Leaders’ Debate on the TV, what is ed one was more or less garunteed a huge amount of retweets and a viral hit.

Except there was something that was irking me about this twitter phenomenon: and that was the poor quality of the drawings that were tickling the fancy of so many. So I sent out my own twitter message to see if anyone was up for drawing something satirical and vaguely amusing that we could send out on twitter at the appropriate time this week, no rx and knowing that I hang out with lots of very talented illustrators on twitter.

Then I read in the Evening Standard that the election has already brought about a vast outpouring of artistic ingenuity: drinks (slightly poisonous looking concoctions in virulent red, and blue and yellow), logo decorated jellies and even rag rugs have all been created with the election in mind. So it seems I am not the first to cotton onto a general feverish mood in the artistic firmament.

Here, then, are the results of my callout. This blog is not about my political leanings – though I’d happily take a pop shot at Cameron’s flabby potato head (sorry Sam) before I’d see him in power – but rather about an experiment in the way we communicate during election time in 2010. So these images will also be twitpic-ed out come 8.30pm tonight. Feel free to join in the fun and let’s see how far they travel!

With thanks to the lovely illustrators who answered my callout with such glee. It seems I touched a nerve…

jenny robins - leaders debate
Illustration by Jenny Robins.

Clegg, Cameron, Brown-Abi Daker
Illustration by Abi Daker.

Leaders Debate Katie Harnett
Illustration by Katie Harnett.

Gordon-Brown-Election-2010-Antonia-Parker
David-Cameron-Election-2010-Antonia-Parker
Illustrations by Antonia Parker.

Marnie Hollande-Leaders Debate
Illustration by Marnie Hollande.

DEBATE-Matt Thomas
Illustration by Matt Thomas.

NailGirls nail salon Islington press launch

I’m not really a high maintenance kind of girl, illness but the older I get I am starting to think that maybe I should consider paying just a little bit more attention to myself. But grooming just takes so much time, store right? And it’s just so darn pricey?

NailGirls nail salon Islington press launch

Well yes to both the above. And no. Last week I had my nails done at the NailGirls Spa Salon in Islington, order it took about ten minutes and it didn’t cost a thing. Oh okay, so it was a freebie as part of the press launch for their summer range (yes, nail varnish really does come in seasonal colours) but it was also incredibly quick. Within ten minutes of Kelly placing my hands – with well practiced firmness – on the towelling rest, I was sporting 10 perfectly manicured pinkies in Purple #7. Here at NailGirls they don’t go in for fancy names for their nail varnishes, preferring instead to take the minimalist route.

NailGirls nail salon Islington press launch

Musing, in the way that one does whilst being attended to by a beautician, I wondered how long it takes to grow really sick of painting nails. Five years perhaps before the sight of someone else’s paws drives you insane? “Well, I’m 20 years old,” says Kelly, “but I’ve already been doing nails for 5 years.” Blimey, 5 years? No way?! “Yes, since I was 15!” But she isn’t sick of it yet: in fact she’s just left behind he beloved cheerleading squad that she tutors up in Brum to pursue a glittering career in London, where her financial trader boyfriend is based. I love hearing about these little things. Human life, always so fascinating.

NailGirls nail salon Islington press launch
NailGirls nail salon Islington press launch
Lynda-Louise and Joanna Burrell (just before Jo spilt white wine down Lynda’s top, but we won’t talk about that).

NailGirls is the brainchild of two north London sisters. As my nails are being painted Lynda-Louise tells me how she spent 11 years working in the fashion industry in New York before returning to set up the business with sister Joanna Burrell, formerly working in oh-so-glamourous recruitment. “I knew that I wanted to do something in fashion – and there didn’t seem to be anything here like they have in the US, where they have proper nail spas.” Before she returned to the UK Lynda put her back into some serious research and got together a nail polish formulation that is not tested on animals and eschews nasty chemicals such as toluene, formaldehyde, dibutyl phthalate and camphor, which are proven carcinogens. The nail varnish is made in the US and imported to sell in the salon and online.

Nail Girls-joanna burrell

Lynda is passionate about painted nails as a way of keeping on trend. “It means you can change your look really easily and without the expense, of say, buying a Chanel handbag.” And without going into consumer overdrive, I should add. Using her self-confessed expertise in the field of trend spotting she picks out key colours for each season. For spring/summer 2010 she has picked out colours from the collections of Christopher Kane, Christian Louboutin and Burberry: a soft coral, bright green, pale blue and pearlised apricot. During their friendly garden speech the sisters described working with top make-up artist Pat McGrath during fashion week, and excitedly hinted at more fashion related collaborations later this year.

Nail Girls-lynda-louise jo burrell

It’s all rather fun this beauty malarkey, I have to say – and I found it most intriguing to chat with the various girls that I met at the launch; in a shrewd move the NailGirls have chosen to target a range of beauty bloggers (the success of this strategy is borne out with a quick blogsearch). Hungrily ogling the nail colours on the salon shelves I met the immaculate Lola of the Beauty Geek blog, who is normally doing corporate stuff for Nokia but puts together blogs demonstrating how to apply perfect Cheryl Cole-esque make up in her spare time.

NailGirls nail salon Islington press launch Beauty Geek
Beauty Geek blogger Lola.

NailGirls nail salon Islington press launch Beauty Geek
Those are Lola’s delicate little hands, not mine.

Whilst I was snaffling canapes by Eclectic Food in the garden I met some beauty bloggers who work at the other end of the spectrum. Hair stylists Alex Brownsell and Louise Teasdale run Beauty is a Religion, which takes an occasional look at plastic surgery gone wrong, tattoo art and 18 year old girls with orange skin and fake boobies for whom Jordan is an idol. They sport fabulous pastel coloured hair and pale skin. You couldn’t get two more diverse approaches to beauty blogs if you tried. Other bloggers present that I did not get to meet have some fantastically named blogs: including Do Not Refreeze, Vex in the City and Make Up to Make Out. It’s a whole wide beauty blogging world out there I tell thee.

NailGirls nail salon Islington press launch Beauty is a Religion Alex Brownsell
Beauty is a Religion blogger Alex Brownsell.

NailGirls nail salon Islington press launch Beauty is a Religion Louise Teasdale
Beauty is a Religion blogger Louise Teasdale.

NailGirls nail salon Islington press launch Beauty is a Religion
This is Louise’s identical twin! Except for the hair that is.

It’s been a week since I had my manicure, and I have to report that my nails are faring very much better than they would have done had I applied a manicure myself (though not as good as Lola’s – blimey she’s doing well!).

NailGirls nail salon Islington press launch

“You must come back and have a pedicure when the sun is out!” Jo tells me as I leave this friendly little salon just off the high street in Islington. The NailGirls website desperately needs a bit of tender lovin’ care to make it more user friendly, but I’d return to be pampered in their lovely garden spa area in a jiffy. Summer pedicure did you say?

Categories ,Alex Brownsell, ,Beauty, ,Beauty Geek, ,Beauty is a Religion, ,blog, ,Bloggers, ,Burberry, ,chanel, ,Chemical Free, ,Cheryl Cole, ,Christian Louboutin, ,Christopher Kane, ,Do Not Refreeze, ,Eclectic Food, ,Islington, ,Jordan, ,Louise Teasdale, ,Make Up to Make Out, ,Make-up, ,Nail Polish, ,Nail Varnish, ,NailGirls, ,Press Launch, ,Spa Salon, ,trend, ,Vex in the City

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Amelia’s Magazine | Mark Fast: London Fashion Week A/W 2012 Catwalk Review

Mark Fast A/W 2012 by Anna Higgie

Mark Fast A/W 2012 by Anna Higgie

As I squeezed myself onto the end of a bench, it was impossible to ignore that the hundreds of people inside the space were very, very excited. Besides the increasing numbers of editors, bloggers, and Mark Fast fans, a scrum of photographers were going a bit mad trying to get a picture of front-row attendees. Ten minutes later, after security forced them to disperse, it became clear what the fuss was all about. None other than Mr Kanye West was in the centre of the front row, engaged in conversation but stopping to pose for photographs like he was born doing it. As he is due to show his second collection at Paris Fashion Week on Tuesday the 6th of March, I couldn’t help but wonder if this was like revision for his big fashion exam.

Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou

This collection was called Questions in a World of Blue, inspired by a scene from the David Lynch film, Fire Walk with Me, promising to deliver ‘a collection of sophisticated grunge’. I still had Mark Fast’s current S/S 2012 collection in my head; sexy, light and inspired by a sand storm. I loved this interpretation of Mark Fast’s signature feminine silhouettes, the review of which can be read here. Mark Fast doing modern-day grunge sounded interesting.

Mark Fast A/W 2012 by Claire Kearns

Mark Fast A/W 2012 by Claire Kearns

I think this theme turned out to be exactly where this brand needed to go next. Although beautiful, most of Mark Fast’s previous collections have been extremely body-con, and mostly consisting of dresses. This collection saw the knitwear designer take the casual, layered, easy-going elements of grunge and re-invent them as luxury pieces. Striped crop-tops, wool coats and long knitted skirts in a range of textures added accessible separates to the collection. Anyone would feel comfortable throwing on a luxurious but slouchy cardigan, and feel just as at ease in the more dramatic full-length gowns.

Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou

Mark Fast makes knitwear so exciting; all you’d want to wear with his pieces are a pair of heels. This designer is in the habit of using Christian Louboutin shoes for catwalk shows, making the ‘effortless and strong’ Mark Fast woman look complete. Hair was erratically plaited, mimicking the intertwined knitwear. Greys, deep blues, and pink-nudes set against black made up a simple colour palette that wouldn’t look out of place on any self-respecting grunger.

Mark Fast A/W 2012 by Gaarte

Mark Fast A/W 2012 by Gabriel Ayala

I really like what Mark Fast has come with for next season; but what I love even more is seeing him develop as a designer. He’s definitely gotten to a place where he doesn’t have to prove himself through show-stopping pieces that only work on the catwalk and celebrities. I found this collection his most complete in terms of a range of pieces, which no doubt will worn by many a lady come winter. Mark Fast only needs to change one thing for his next collection; get a bigger venue. He’s outgrowing the BFC Showspace.

Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou
Mark Fast A/W 2012 by Maria Papadimitriou

All photography by Maria Papadimitriou

Categories ,Alia Gargum, ,Anna Higgie, ,BFC Showspace, ,Christian Louboutin, ,Claire Kearns, ,David Lynch, ,Feminine, ,Fire Walk with Me, ,Gabriel Ayala, ,Grey, ,grunge, ,Kanye West, ,knitwear, ,Layered, ,London Fashion Week A/W 2012, ,Make-up, ,Maria Papadimitriou, ,Paris Fashion Week, ,plaits, ,Questions in a World of Blue

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Mary Katrantzou


Mary Katrantzou S/S 2012 by Joana Faria

I don’t usually do much during fashion week on Mondays and Tuesdays. That’s because I have a day job. But when Amelia offered me tickets to Michael Van Der Ham during Monday lunchtime and Mary Katrantzou on Tuesday morning, no rx I couldn’t resist. It would be a push – a swift Boris from Southwark with moments to spare, see but I thought hell, side effects I’ll give it a go.


Mary Katrantzou S/S 2012 by Lesley Barnes

By the time I arrived at Waterloo on Tuesday morning, a queue of standing ticket owners had already formed. Christ, these queues don’t half drag you down. I stood puffing on a cigarette as photographers run down the line to take pictures, interns offer The Daily and other free stuff while a whole host of people in enormous heels leg it inside. ‘Why am I bothering?!’ I thought to myself. Well, it only took the first look to appear at the start of Katrantzou‘s show to make me realise.


All photography by Matt Bramford

I didn’t have a hope in hell of getting my hand on a press release, lest a seat or one of Mary’s covetable, seasonal goodie bags, this time in black with a gorgeous fuchsia print (from what I could see). So I looked around the cavernous old Eurostar station for clues as to what Katrantzou might deliver this season. I didn’t have to look far. The entire runway had been transformed with a vast bank of erect carnations, framed from the back by a huge metal structure; a stark juxtaposition of natural and industrial which was to prevail as Katrantzou‘s inspiration for this stunning collection.


Mary Katrantzou S/S 2012 by Karolina Burdon

I took a spot next to the photographer’s pit, manoeuvring behind anybody that looked remotely short – some mean feat at fashion week. The show started pretty soon after I finally entered the venue, which was literal music to my ears. It’s so easy to see why Mary Katrantzou has built up such an enormous following. What a breathtaking collection! I vaguely remember a quote in an interview that Katrantzou gave saying that she was worried if she pushed it any further, nobody would wear her clothes. Well there was no shortage of fans here today.

I’m so pleased I caught this show, despite my horrendous view: Katrantzou’s fascination with artificial against organic had been magically infused into this bright and bold collection. Digital prints featuring abstract elements of tin cans, microphones and car parts were the mainstay on mid-length dresses with translucent trains floating from the back. Saturated colours of all kinds – burnt organ, plum, greens, yellows, hot pink and cyan were aplenty, as if they had been painted onto the garments as the models wore them. You would be forgiven for thinking that it was all a bit of a mismatch, but discreet changes in cut and colour and the dramatic setting brought the collection together wonderfully.


Mary Katrantzou S/S 2012 by Joana Faria

Mary‘s inimitable cocktail dresses this time seemed a little softer; dresses that began from one shoulder nipped in at the waist before blossoming out again to create an ideal silhouette. Katrantzou also showed sharp tailoring with blazers and trousers that were married together with the same vivid colours and abstract prints. But it will be the dynamic cutting of dresses and the breathtaking finale – a bias cut creation made entirely from brightly colour metals – that we’ll remember this collection for.


Mary Katrantzou S/S 2012 by Lesley Barnes

At the risk of sounding like an absolute berk, it was a real fashion moment. And I never say that. I left reeling. I’m sure the BFC are bending over backwards to keep Mary on our London Fashion Week schedule, but I fear it won’t be long before, like our other exceptional talent, she flies the nest to meet the demands of the global fashion market. For now, though, I feel privileged to have witnessed such an phenomenal display of world class fashion.


All photography by Matt Bramford

See the show here:

Categories ,BFC, ,catwalk, ,Christian Louboutin, ,Digital Prints, ,Eurostar Terminal, ,fashion, ,Joana Faria, ,Karolina Burdon, ,Lesley Barnes, ,London Fashion Week, ,Machine, ,Man made, ,Mary Katrantzou, ,Matt Bramford, ,metallics, ,nature, ,organic, ,review, ,S/S 2012, ,SS12, ,tailoring, ,Topshop Space, ,Waterloo

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Mary Katrantzou


Mary Katrantzou S/S 2012 by Joana Faria

I don’t usually do much during fashion week on Mondays and Tuesdays. That’s because I have a day job. But when Amelia offered me tickets to Michael Van Der Ham during Monday lunchtime and Mary Katrantzou on Tuesday morning, I couldn’t resist. It would be a push – a swift Boris from Southwark with moments to spare, but I thought hell, I’ll give it a go.


Mary Katrantzou S/S 2012 by Lesley Barnes

By the time I arrived at Waterloo on Tuesday morning, a queue of standing ticket owners had already formed. Christ, these queues don’t half drag you down. I stood puffing on a cigarette as photographers run down the line to take pictures, interns offer The Daily and other free stuff while a whole host of people in enormous heels leg it inside. ‘Why am I bothering?!’ I thought to myself. Well, it only took the first look to appear at the start of Katrantzou’s show to make me realise.


All photography by Matt Bramford

I didn’t have a hope in hell of getting my hand on a press release, lest a seat or one of Mary’s covetable, seasonal goodie bags, this time in black with a gorgeous fuchsia print (from what I could see). So I looked around the cavernous old Eurostar station for clues as to what Katrantzou might deliver this season. I didn’t have to look far. The entire runway had been transformed with a vast bank of erect carnations, framed from the back by a huge metal structure; a stark juxtaposition of natural and industrial which was to prevail as Katrantzou’s inspiration for this stunning collection.


Mary Katrantzou S/S 2012 by Karolina Burdon

I took a spot next to the photographer’s pit, manoeuvring behind anybody that looked remotely short – some mean feat at fashion week. The show started pretty soon after I finally entered the venue, which was literal music to my ears. It’s so easy to see why Mary Katrantzou has built up such an enormous following. What a breathtaking collection! I vaguely remember a quote in an interview that Katrantzou gave saying that she was worried if she pushed it any further, nobody would wear her clothes. Well there was no shortage of fans here today.

I’m so pleased I caught this show, despite my horrendous view: Katrantzou’s fascination with artificial against organic had been magically infused into this bright and bold collection. Digital prints featuring abstract elements of tin cans, microphones and car parts were the mainstay on mid-length dresses with translucent trains floating from the back. Saturated colours of all kinds – burnt organ, plum, greens, yellows, hot pink and cyan were aplenty, as if they had been painted onto the garments as the models wore them. You would be forgiven for thinking that it was all a bit of a mismatch, but discreet changes in cut and colour and the dramatic setting brought the collection together wonderfully.


Mary Katrantzou S/S 2012 by Joana Faria

Mary’s inimitable cocktail dresses this time seemed a little softer; dresses that began from one shoulder nipped in at the waist before blossoming out again to create an ideal silhouette. Katrantzou also showed sharp tailoring with blazers and trousers that were married together with the same vivid colours and abstract prints. But it will be the dynamic cutting of dresses and the breathtaking finale – a bias cut creation made entirely from brightly colour metals – that we’ll remember this collection for.


Mary Katrantzou S/S 2012 by Lesley Barnes

At the risk of sounding like an absolute berk, it was a real fashion moment. And I never say that. I left reeling. I’m sure the BFC are bending over backwards to keep Mary on our London Fashion Week schedule, but I fear it won’t be long before, like our other exceptional talent, she flies the nest to meet the demands of the global fashion market. For now, though, I feel privileged to have witnessed such an phenomenal display of world class fashion.


All photography by Matt Bramford

See the show here:

Categories ,BFC, ,catwalk, ,Christian Louboutin, ,Digital Prints, ,Eurostar Terminal, ,fashion, ,Joana Faria, ,Karolina Burdon, ,Lesley Barnes, ,London Fashion Week, ,Machine, ,Man made, ,Mary Katrantzou, ,Matt Bramford, ,metallics, ,nature, ,organic, ,review, ,S/S 2012, ,SS12, ,tailoring, ,Topshop Space, ,Waterloo

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Amelia’s Magazine | Javari Shoes for Show Exhibition Review

Katie Eary for Nike by Eccabin
Katie Eary for Nike by Eccabin.
 
As if we needed any more proof that shoes are a form of art, online shoe connoisseurs, Javari held a dazzling exhibition over the weekend, showcasing highly desirable footwear designed by some of the world’s most prominent designers.
 
Nicholas Kirkwood by Eccabin
Nicholas Kirkwood Alice in Wonderland Heels by Eccabin.
 
From the practical to the not so practical, men and women alike have been fascinated with the enchanting allure of shoes ever since cavemen figured out that walking around barefoot wasn’t exactly ideal. As a day to day essential, our little tootsies would be truly lost without the good old shoe, but we all know that societies love for footwear goes a little deeper than a mere practicality designed to get you from A to B.
 
Shoes for Show Nina Ricci Daphne Guinness
Nina Ricci for Daphne Guiness by Rebecca Higgins
Nina Ricci for Daphne Guinness by Rebecca Higgins.
 
Shoes for Show Natasha Marrow
Natacha Marro by Rebecca Higgins
Natacha Marro for Shoes for Show by Rebecca Higgins.
 
If there’s one thing that any self-respecting girl (or boy) knows, it’s the unstoppable power of well placed shoe. Clearly something the likes of Gareth Pugh, Christian Louboutin and Nina Ricci are all fully aware of. The exhibition was like a sweet shop for all fans of fancy footwear. Each shoe was presented within a structured cubic stand, mirroring the dramatic silhouettes of the shoes themselves, not to mention the mathematical genius surely required for creating such sky-scrapingly tall heels.

Shoes for Show Gareth Pugh Beyonce
Gareth Pugh for Beyonce.

Shoes for Show Katie Eary Nike
Katie Eary for Nike.

 Shoes for Show Nicholas Kirkwood Alice in Wonderland
Nicholas Kirkwood for Alice in Wonderland.
 
The exhibition was truly a feast for the eyes drawing together three sections: Fashion’s Catwalk Spectacle, Couture Clientele and Innovative Design, all of which presented one-off pieces by the likes of Katie Eary for Nike, Nina Ricci for Daphne Guinness and Christian Louboutin for Rodarte.

YouTube Preview ImageRun the World (Girls)

The shoes and boots sparkled in all their glory, whilst Gareth Pugh’s giant gold stompers dominated the Couture Clientele section, just as Beyoncé did when she debuted them in her Run the World video. Catching my eye, along with countless others no doubt, was the enchanting Alice in Wonderland Heels by Nicholas Kirkwood; intricately designed teacups, keys and chequerboard print heels were just as captivating as Lewis Carroll’s novel itself, delivering attention to detail like I’ve never seen before.

Shoes for Show Rupert Sanderson Aida
Rupert Sanderson for Aida.
 
Shoes for Show Niamh O'Conner & Emily Crane
Niamh O’Conner & Emily Crane.
 
Shoes for Show Sophie Grace Webster Manolo Blahnik
Sophie Grace Webster for Manolo Blahnik.
 
Shoes for Show did exactly what it says on the tin: these shoes are solely for show, not for touching and definitely not for trying on! It turns out many people at the exhibition didn’t quite grasp this concept, as a few sawdust-between-the-ears individuals asked if they could put their very own feet in these one-of-a-kind creations. I do sympathise with said individuals as I admit, it was a struggle keeping my hands off Meadham Kirchhoff’s green and pink glitter pom-pom wedges designed by Nicholas Kirkwood for S/S 2012.

Shoes for Show Nichola Kirkwood Meadham Kirchhoff
Meadham Kirchhoff by Justyna Sowa
Nicholas Kirkwood for Meadham Kirchhoff by Justyna Sowa.
 
Shoes for Show Christian Louboutin Rodarte
Christian Louboutin by Justyna Sowa
Christian Louboutin for Rodarte by Justyna Sowa.
 
Fashion over function was the resounding message at the exhibition as I witnessed first-hand some of the craziest, but utterly beautiful designs ever to grace the human foot. The tallest heel in the world came courtesy of Christian Louboutin’s freakishly high ballet pumps designed this year exclusively for the English National Ballet. We were also treated to a miniature version of Alexander McQueen’s Armadillo shoe: the extraordinary curve design footwear that you’ll all remember Lady Gaga teetering around in in last year’s Bad Romance video.

YouTube Preview ImageBad Romance
 
Shoes for Show Christian Louboutin Royal Ballet
Christian Louboutin for Royal Ballet.
 
Shoes for Show Minature McQueen Armadillo
Minature McQueen Armadillo.
 
Shoes for Show Terry de Havilland Ana Matronic
Terry de Havilland for Ana Matronic.
 
Shoes for Show Terry de Havilland for Agent Provocateur
Terry de Havilland for Agent Provocateur.

Fusing fashion and art, the exhibition presented a rare chance to see some of the most exclusive couture pieces of the last two centuries: pieces that have graced the feet of some of the most iconic stars of this generation. Though we all view and admire shoes for more than just their function, Shoes for Show took this admiration to a whole new level, appreciating footwear for its spectacle alone; a spectacle definitely not made for walking!

Categories ,Agent Provocateur, ,Alexander McQueen, ,Alice in Wonderland, ,Becky Turl, ,beyonce, ,Brick Lane, ,Christian Louboutin, ,Couture Clientele, ,Daphne Guinness, ,Eccabin, ,Emily Crane, ,English National Ballet, ,Fashion’s Catwalk Spectacle, ,Gareth Pugh, ,Innovative Design, ,Javari, ,Justyna Sowa, ,Katie Eary, ,Lady Gaga, ,Lewis Carroll, ,Meadham Kirchhoff, ,Natacha Barrow, ,Niamh O’Connor, ,Nicholas Kirkwood, ,Nina Ricci, ,Old Truman Brewery, ,Rebecca Higgins, ,Rodarte, ,Rupert Sanderson, ,S/S 2012, ,Sarah Deane, ,Shoes for Show, ,Sophie Grace Webster

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