Alien

Amelia’s Magazine | New Designers 2013 Jewellery: The Best Graduate Designers

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Annie Lucilla wearing her etched earrings
New Designers show 2013-Annabelle Lucilla
I always discover a huge number of brilliant new jewellery designers at the New Designers exhibition, and this year was no exception. Firstly, at the One Year On section I was blown away by a wonderful display from Annabelle Lucilla, who recognised me from twitter – always a strange but rather lovely thing when it happens! This multiple award winning jewellery designer is currently a resident of Cockpit Arts, thanks to a recent bursary. I love the way that she uses her own illustrations to create unique statement pieces; here she is wearing a pair of her beautiful etched dangly earrings in front of an illustration that features in one of her pieces.

Silicone jewels by Isabelle Busnell in oneyearon
I was also drawn to this beautiful display by Isabelle Busnell, who recreates traditional designs such as cameos in deceptively flexible silicone.

beaded knitted fringed necklaces by HannaBalloo
At Central Saint Martins Hannah Newell, who designs under the name Hanna Baloo, created these immensely cute beaded, knitted and fringed necklaces featuring ghostly letters.

Simona Kubertavivacuite - jewellery
New Designers show 2013-Simona Kubertaviciute
This year there were were loads of designs inspired by lifeforms found in the oceans, which seems to be an ongoing trend in jewellery. Simona Kubertaviciute from Bucks New University was inspired by sea creatures that overtake shipwrecks and other underwater manmade structures. She works with brass and Fimo to create peculiarly shaped gems that look oxidised and eroded, as if they have indeed just been hauled out of the ocean.

New Designers show 2013-clio may davies
I’m a sucker for a good dangly earring, and love these organic offerings from the Crustacean Collection by Clio May Davies, a graduate of UCA Rochester.

New Designers show 2013-alma sophia
Alma Sophia was inspired by the tactile feel of jewellery to create her Touch ring collection, which come with convex or concave fronts that are meant to be explored by the thumb.

New Designers show 2013-Kirsty Isla Nicholson oversized rings
Giant white chocolate pearls by Kirsty Isla Nicholson
At the University of Dundee Kirsty Isla Nicholson had created an extremely imaginative collection working in unorthodox materials and unexpected scales: giant white chocolate pearls and oversized rings inspired by the construction of earring backs and jewellery boxes were particularly clever. Her beautifully made 187 rings wall installation asked visitors to donate to the Cystic Fibrosis Trust in exchange for a ring.

New Designers show 2013 fay mcglashan
Fay McGlashan worked in porcelain and metal to create large pendants that mimic the carapaces of mottled and ridged insects.

New Designers show 2013-Mirka Janeckova
The deepwater inspiration continued with the White Collection from Mirka Janeckova, featuring rings that seemed to sprout like exotic corals in all directions.

Oversized gold flock ring by Nadia Deen
This oversized Alien gold and brass flock ring was made by Nadia Deen at The Cass.

Olivia Creber beard jewellery for men
Edinburgh College of Art graduate Olivia Creber‘s Veni, Veci beard jewellery for men was used to style an award winning catwalk show earlier this year. These certainly make an unusual and eye-catching accessory that push the traditional definition of jewellery, so it’s no surprise to discover that she begins an MA at the Royal College of Art this year.

New Designers show 2013-Caitlin Gregory-Thomas
New Designers show 2013-Caitlin Gregory-Thomas flock pins
At the well appointed stand for the Jewellery Futures course in Birmingham Caitlin Gregory-Thomas was inspired by the plight of dairy cows to create this highly unusual collection of pins and bracelets in metal and flock. The centrepiece is a jelly mould character with cow hooves, guaranteed to prompt questions of the wearer. Check out CVGT Jewellery here.

Rosalind Clara Bryan
Over in the stands supporting different disciplines I discovered Rosalind Clara Bryan‘s delicate geometric collection, which is supported by a super professional website.

Karl Robert Gundstrom
On a more conceptual front Karl Robert Gundstrom put together this beautiful display of jewellery made with expanding foam. He will be pursuing his fine art career in Berlin.

I’ve still got 3D wall art, ricrac madness, ceramics and crafts to cover… and that’s just from the first New Designers exhibition…

*Many of these images first appeared on my instagram feed, where you can view my pick of design graduates as I find them.*

Written by Amelia Gregory on Friday July 19th, 2013 11:34 am

Categories ,187 rings, ,2013, ,Alien, ,Alma Sophia, ,Annabelle Lucilla, ,Birmingham, ,Bucks New University, ,Caitlin Gregory-Thomas, ,Central Saint Martins, ,Clio May Davies, ,Cockpit Arts, ,Crustacean Collection, ,CVGT Jewellery, ,Cystic Fibrosis Trust, ,Edinburgh College of Art, ,Fay McGlashan, ,Fimo, ,Hanna Baloo, ,Hannah Newell, ,Isabelle Busnell, ,jewellery, ,Jewellery Futures, ,Karl Robert Gundstrom, ,Kirsty Isla Nicholson, ,Mirka Janeckova, ,Nadia Deen, ,New Designers, ,Olivia Creber, ,One Year On, ,review, ,Rosalind Clara Bryan, ,Royal College of Art, ,Simona Kubertaviciute, ,The Cass, ,Touch, ,UCA Rochester, ,University of Dundee, ,Veni Veci, ,White Collection

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Amelia’s Magazine | London Fashion Week A/W 2011 Presentation Review: Maria Francesca Pepe (by Helen)

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Maria_Francesca_Pepe_Abby_Wright_LFW
Maria_Francesca_Pepe_Abby_Wright_LFW

MariaFrancescaPepe LFW A/W 2011. Illustration by Abby Wright.

It was extremely dark in that first room. Save for a few lamps casting red strips of a blood-like glow. Certain points were lit up on the model, information pills the shining metal spikes, dosage the dull sheen of black leather and the pointed hat. I will be honest now. I had to check that the model was in fact a mannequin. She was. But checking was interesting. The light was so low and I was terrified she would move suddenly. An intimidating mannequin.

red

Hels MFP 5

Hels MFP 1

I wasn’t sure whether the rest of the models would be mannequins too, but as we entered slightly more light filled rooms, it was obvious that these ones were real. But they were also a higher level of scary. Two looked like mermaids trapped on rocks. Occasionally shifting, they looked confident, bored and yet super vulnerable and TRAPPED. I felt myself want to look at them closer, but then one of them looked me in the eye. Which was a shock. These models, with their purposefully lank, long hair, dark eyes, glossy and pale skin, ghostlike sheer dresses, and fabulous golden accessories looked like aliens. Of course ridiculously beautiful aliens.

Hels MFP 5

Hels MFP 5

Photography Helen Martin

I have to say that I was mesmerised by the back of one model. She had a golden, Egyptian styled headpiece, in the shape of eyes. The three main headpieces were forged by hand in resin and carbon steel, then varnished in opalescent acrylics and hand studded with brass and Swarovski hexagonal studs. They are designed in the style of medieval shields and helmets. The tiara for me was my favourite however, it looked regal and yet delicate and pretty. Also empowering, I imagine a useful attribute for whichever land she/you/me might be in. In contrast, although also empowering, MariaFrancescaPepe‘s shoes looked like something you could definitely cause GBH with. Not pretty, pretty – fierce! In a more sultry way than Rihanna fierce. With enormous spikes at the top, their cream colour, did little to belie their extra ridiculous height and metal danger.

Hels MFP 3

Hels MFP 3

Photography Helen Martin

Like the tiara, the majority of the presentation focused on eyes. Earrings, rings and chains…. EYES. This was a small issue for me. Ever since my brother told me the details of his eye operation at five years old, and then watching Dali’s eye slitting scene – ugh- I’m feeling sick as I write, I have been afraid of anything touching eyes. Or just weird eyes. And in truth… Dali. Cue sweeping generalisation alert: In terms of films, books, art and what I have seen; the 30s, like the 70s, seem like the scariest decades to me. Thus, when the saddest and scariest looking model of them all, looked at me right in the eye, with her incredibly, INTENSELY mesmerising own eyes, I didn’t know what to do. Transfixing model.

Hels MFP 5

Model looking at me… Photography Helen Martin

It’s not surprising that MariaFrancescaPepe has been heavily influenced by Dali’s surrealism for this collection. As I read: ‘Objects of magical meaning and of inner strength. A mask hides and reveals at the same time. Eyes are a mirror for the soul. Dali’s surrealism lesson has been learnt.’ The presentation was tribal and punky, but also ethereal and ghost-like. Almost like facing your own deep reality, that of the soul’s and our desires. The ‘ahhhhhhhhhhh’ music added to these fearful and reflective thoughts. It was as if MariaFrancescaPepe had gone through Indiana Jones’s chest of treasure, added in some Alien, X Files, lots of Dali and then Marilyn Manson on top. Sounds odd, is odd – but also very interesting. It comes as no surprise that Lady GaGa apparently ‘embodies’ MariaFrancescaPepe’s accessories.

Written by Helen Martin on Friday February 25th, 2011 6:28 pm

Categories ,Abby Wright, ,Alien, ,brass, ,cuffs, ,Dali, ,Dominatrix, ,Ethereal, ,Eyes, ,Fortuna, ,Freemasons’ Hall, ,Helen Martin, ,jewellery, ,lfw, ,LFW A/W 2011, ,MariaFrancescaPepe, ,Mermaids, ,Pretty, ,Spikes, ,Swarovski, ,X Files

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Amelia’s Magazine | London Fashion Week A/W 2011 Presentation Review: Maria Francesca Pepe (by Helen)

by

Maria_Francesca_Pepe_Abby_Wright_LFW
Maria_Francesca_Pepe_Abby_Wright_LFW

MariaFrancescaPepe LFW A/W 2011. Illustration by Abby Wright.

It was extremely dark in that first room. Save for a few lamps casting red strips of a blood-like glow. Certain points were lit up on the model, information pills the shining metal spikes, dosage the dull sheen of black leather and the pointed hat. I will be honest now. I had to check that the model was in fact a mannequin. She was. But checking was interesting. The light was so low and I was terrified she would move suddenly. An intimidating mannequin.

red

Hels MFP 5

Hels MFP 1

I wasn’t sure whether the rest of the models would be mannequins too, but as we entered slightly more light filled rooms, it was obvious that these ones were real. But they were also a higher level of scary. Two looked like mermaids trapped on rocks. Occasionally shifting, they looked confident, bored and yet super vulnerable and TRAPPED. I felt myself want to look at them closer, but then one of them looked me in the eye. Which was a shock. These models, with their purposefully lank, long hair, dark eyes, glossy and pale skin, ghostlike sheer dresses, and fabulous golden accessories looked like aliens. Of course ridiculously beautiful aliens.

Hels MFP 5

Hels MFP 5

Photography Helen Martin

I have to say that I was mesmerised by the back of one model. She had a golden, Egyptian styled headpiece, in the shape of eyes. The three main headpieces were forged by hand in resin and carbon steel, then varnished in opalescent acrylics and hand studded with brass and Swarovski hexagonal studs. They are designed in the style of medieval shields and helmets. The tiara for me was my favourite however, it looked regal and yet delicate and pretty. Also empowering, I imagine a useful attribute for whichever land she/you/me might be in. In contrast, although also empowering, MariaFrancescaPepe‘s shoes looked like something you could definitely cause GBH with. Not pretty, pretty – fierce! In a more sultry way than Rihanna fierce. With enormous spikes at the top, their cream colour, did little to belie their extra ridiculous height and metal danger.

Hels MFP 3

Hels MFP 3

Photography Helen Martin

Like the tiara, the majority of the presentation focused on eyes. Earrings, rings and chains…. EYES. This was a small issue for me. Ever since my brother told me the details of his eye operation at five years old, and then watching Dali’s eye slitting scene – ugh- I’m feeling sick as I write, I have been afraid of anything touching eyes. Or just weird eyes. And in truth… Dali. Cue sweeping generalisation alert: In terms of films, books, art and what I have seen; the 30s, like the 70s, seem like the scariest decades to me. Thus, when the saddest and scariest looking model of them all, looked at me right in the eye, with her incredibly, INTENSELY mesmerising own eyes, I didn’t know what to do. Transfixing model.

Hels MFP 5

Model looking at me… Photography Helen Martin

It’s not surprising that MariaFrancescaPepe has been heavily influenced by Dali’s surrealism for this collection. As I read: ‘Objects of magical meaning and of inner strength. A mask hides and reveals at the same time. Eyes are a mirror for the soul. Dali’s surrealism lesson has been learnt.’ The presentation was tribal and punky, but also ethereal and ghost-like. Almost like facing your own deep reality, that of the soul’s and our desires. The ‘ahhhhhhhhhhh’ music added to these fearful and reflective thoughts. It was as if MariaFrancescaPepe had gone through Indiana Jones’s chest of treasure, added in some Alien, X Files, lots of Dali and then Marilyn Manson on top. Sounds odd, is odd – but also very interesting. It comes as no surprise that Lady GaGa apparently ‘embodies’ MariaFrancescaPepe’s accessories.

Written by Helen Martin on Friday February 25th, 2011 6:28 pm

Categories ,Abby Wright, ,Alien, ,brass, ,cuffs, ,Dali, ,Dominatrix, ,Ethereal, ,Eyes, ,Fortuna, ,Freemasons’ Hall, ,Helen Martin, ,jewellery, ,lfw, ,LFW A/W 2011, ,MariaFrancescaPepe, ,Mermaids, ,Pretty, ,Spikes, ,Swarovski, ,X Files

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Amelia’s Magazine | Fash Off! Closing LFW Party

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The Israli born Inbar Spector‘s gothic collection certainly raised eye brows and expectations in an explosion of delicate laces, ask buy more about zipped corsetry and mass of tulle. Her pieces consisted of futuristic and OTT couture-like constructivism with an edgy twist which made her designs captivating.

Taking the nomadic immigrant as her muse for autumn/winter 09-09, there was a mix of energetic movement created by the twisted chiffon, zips and pvc trousers, but there was also a sense of structure. Tight corsets, belted waists and armoured tops, ensured an empowered woman emerged.

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one of my favourites from the collection

The last two pieces twisted tulle ballgowns was greeted by whoops of applause. This was a perfect finish for a collection that bursted with intelligently conceived modern gothic pieces.

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i want this dress!

After a whole week of hot footing it to fashion shows and cocktail swigging after parties, help we wanted to celebrate the last day in style. Cue an invite to ‘Fash Off‘- a Closing LFW Party at the fancy Beach Blanket Babylon in association with Stimuli magazine.

When we first got there we were excited but we were soon confused at the long queue at the door. After much waiting around we were eventually let in. However I must note that there was a rather annoying PR lady who kept disappearing, information pills then reappearing only to haphazardly look at a chart and exclaim ‘only guess list!’ brushing people aside like flies. I like to think of her as dragon lady.

However when we were eventually in we went downstairs for a much needed drink. It wasn’t until 11ish that things hotted up with Skin spinning some tunes and people dancing along. Amongst those at the party were Daisy Lowe, the model Lara Stone and plenty of Stimuli magazine people. Although I was much more excited about the music and a big fan they had in a corner (perhaps you had to be there!)

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sarah and mel lookin’ beauuutiful

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sarah’s sexy fan pose

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…and it’s mel’s turn

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this girl even gets in on the act-gettin’ down and dirty on the floor

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what look is that guy trying to go for?! well at least he’s having fun!

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skin getting the party started

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and the crowd goes wild…well comparatively..

After toasting to this years LFW Sarah, Mel and I parted ways, with fond memories of all things fashion.

Written by Tanya Geddes on Friday September 19th, 2008 11:59 pm

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