Amelia’s Magazine | EB&Flow

see dosage _Another_Level, visit this site buy _4x4x3m, illness _mixed_media_including_reclaimed_wood,_glass_flowers,_taxidermied_bird,_flower_pots,_2009_courtesy_the_artist_and_EB&Flow” width=”480″ height=”320″ class=”aligncenter size-full wp-image-38966″ />
Katie Louise Surridge, Another Level. Mixed media including reclaimed wood, glass flowers, taxidermied bird, flower pots.

Amidst the renovations and general detritus that inevitably comes when you do a top to toe renovation of a two floored building, Nathan Englebrecht and Margherita Berloni are guiding me around the former print works in Leonard Street, EC2 which will soon form the light-filled gallery space for EB&Flow. In the run up to the April 2nd opening, the gallery founders – both twenty somethings who met on an art business course – seem as cool as proverbial cucumbers and in good spirits as we tour the premises, chatting all the while about their vision for the space and how it will serve and suit their artists in residence. While art galleries are certainly not hard to come by in this neck of the woods, there is something very noteworthy about this particular endeavor, and that is the galleries extensive level of support to the artists who will exhibit in their gallery. Their aim is to cultivate long term relationships with the artists in residency, and share an ethos that they will try to make anything happen for them; advising them on their careers, placing them in collections, even paying for material costs if necessary.

A selection of works by some of the 10 artists who will be exhibiting at the group show Since Tomorrow
Gemma Anderson
Albemarlensis, Pahoehoe Lava

Ketil by Shannah Bupp.

Silent Are The Echoes by Nicholas Mcleod

During the time that their work is exhibited at EB&Flow, they are also given studio space within the gallery. (After a period, the walls will be removed and the studio becomes an exhibition in itself). It soon becomes clear that Nathan and Margherita feel passionately about this, discussing at length something which is somewhat of a current hot topic – the sense that artists are not provided with enough support and advice during their time at art school with regards to the business of art; (a subject that was recently discussed in Jessica Furseth’s article here). “We never felt that artists had the right platform in which to exhibit and the support that was needed to develop their careers”, Nathan explains. Born out of this is an additional feature of the gallery; an educational programme kicking off at the end of April that will discuss issues such as collecting, curatorial practice and artist professional development. They list a few of the topics that will be covered, such as the legality issues of selling art, re-sell rights, how to store art, how to do art fairs…..all things relevant and vital to a burgeoning artists career. It’s worth mentioning that these courses and lectures will be open to all. Check the EB&Flow website for further details.

Margeherita and Nathan, EB & Flow.

I ask Margherita and Nathan what they are looking for in an artist, and what type of work will feature at EB&Flow. “There is a certain aesthetic line going through our choice of artists”, Nathan explains, with Margherita adding “we steer away from very conceptual stuff and minimalist art; we want something rich and interesting to look at”. Their first collection is entitled Since Tomorrow, curated by Attilia Fattori Franchini and features work (using disciplines such as installation, painting, sculpture and photography) from ten emerging artists exploring the dynamics of space and providing responses to the question ‘ what is the space we are living at the moment and how do we represent it?’. Work will be shown by Briony Anderson, Gemma Anderson, Neil Ayling, Ross M. Brown, Shannah Bupp, Sue Corke, Dylan Culhane, Alessandro Librio, Nicholas McLeod, Katie Louise Surridge and Cristian Zuzunaga.

So Over by Katie Louise Surridge

Amongst the core group of artists whose work will be opening the gallery is Katie Louise Surridge, a Slade School of Fine Art graduate. (She will also go on to have a residency at the EB&Flow gallery). Her work will particularly resonate with anyone who lives in grimy, rubbish strewn London because Katie has the ability to make something beautiful out of the underbelly of the city. Her installations use found objects which she sources during scavenging missions done mainly along the Thames, creating a utopia out of what has been left behind and discarded. While I was talking with Nathan and Margherita, Katie was busy getting a sense of the space that will feature her (very big) installation. She works mostly with natural materials, such as aged wood and metal; “natural materials that have been used in this urban scheme, and then reverted back to being natural again”. “I have this fascination with what’s left behind”, she continues, “I like the aesthetic of what the river washes up – it’s been there for a long time and it’s aged and it feels like its got a bit of history behind it”. It’s impossible not to warm to Katie, especially after discovering the following facts about her:
– She once found an S+M style gag washed up in the river and took it to the pub, thinking that it was a dog collar.
– She was in the Boy Scouts as a child (not the Brownies)
– She is a self confessed obsessive hoarder
– Her beloved dog is going to be featured on a ‘Dog Borstal’ style TV show
– She is saving up to buy a metal detector to assist her scavenging expeditions.

Discovering Katie’s work makes me realise how little I know about what gets discarded in big cities, and how much waste washes up around us.

Dylan Culhane, and his work Mechanotron which will feature in Since Tomorrow.

Since Tomorrow: Exhibition Dates, 2 April – 26 May.

Categories ,Alessandro Librio, ,art, ,artists, ,Attilia Fattori Franchini, ,Briony Anderson, ,Cristian Zuzunaga, ,Dylan Culhane, ,EB&Flow, ,Gallery, ,Gemma Anderson, ,interview, ,Katie Louise Surridge, ,Leonard Street, ,Neil Ayling, ,Nicholas McLeod, ,Ross M. Brown, ,Shannah Bupp, ,Slade Scool, ,Sue Corke

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Amelia’s Magazine | Art Listings


On Thursday the bath-time lovelies at Lush supported one of my great loves, case troche by staging Climate Rush themed picnics outside all 89 of their UK stores.


As was detailed by Cari in a previous post, unhealthy my local Lush store just happens to be in Liverpool Street Station. Chosen as the flagship store for this event the picnic was attended by Lush superstar campaigners Sean and Andrew, here who have together helped us out in a very big way.



I sent the interns ahead on foot and arrived to find a fetching gingham tablecloth – bearing the timely ‘Climate Change is No Picnic’ slogan – being spread and upon it a yummy selection of vegan cake and cookies laid out for passersby to enjoy.



A trio of violins led by the Rush’s very own Deborah (her of sticky-fingers-in-parliament fame) struck up a tune as the lovely Lush girls, dressed in full Edwardian garb, handed out Trains Not Planes sashes to business men passing by and even managed to engage some climate change denialists in some productive conversation.




The police, as ever, were present. In fact I swear I recognised one of them from the “Riot Gate” at Kingsnorth during Climate Camp last year. Unlike then, they were eager to smell the soaps (all packaged in recyclable paper – Lush tries not to use excess packaging, just one of the reasons we love ‘em) and chat to the pretty shop girls. I wonder if they’ll be so nice to us on Monday…

As Tamsin did her best to butter up the passersby in those famous suffragette must-haves, fishnet tights and a miniskirt, we were pounced on by a person dressed up as a giant mobile phone.


A slightly surreal experience to say the least, as the Lush shop girls tried to dress the ungainly thing in some bright red sashes, whilst Sean did his best to engage the phone in conversation about how many times a year it flies. My interns finally arrived and proceeded to pose marvelously for the camera. We’ve been joking that Jonno and Roisin are evil twins – just check them out!


Over the weekend there has been a flurry of Climate Rush activity, both promotional and creative – we’ve flyered the South Bank twice, and approached friendly looking cyclists left, right and centre.



It seems that if you ride a bike you are generally a friendly soul, and all of them were happy to hear about Climate Rush bar a particularly unpleasant yuppie couple with a pair of fold out Bromptons that no doubt only see the light of day when the sun shines at the weekend. Fairweather cyclists, who’d have ‘em?!



In between accosting cyclists we have managed to print a mammoth amount of sexy sashes and flags to attach to the back of bikes.


I’ve discovered that I can still sew, and managed to knock up 5 pairs of fetching bloomers in record time (just don’t look too closely at the sewing, I was in a hurry okay?!) Made out of red and white striped fabric with lacey ruffles on the legs they look part clown and more than a little bit burlesque, but then whoever said we take the Edwardian theme too seriously?! I can’t wait to see what everyone else dons for out bike ride tomorrow.


Bring it on…. let’s show the government and big corporations that we won’t let them get away with business as usual when it comes to Climate Change. Collectively we can stop this beautiful world of ours from being buggered over, so make sure you come along and enjoy a stylish Bike Rush with a purpose. This is one cycle ride you’re sure to remember…

Read a past blog about this event here. What do you think about direct action over Climate Change? Let us know your views.
Rowdy – Never Smile at a Crocodile

Sartorial Contemporary Art
26 Argyle Square
London WC1H 8AP
June 4th – June 27th
Open Tues – Sat 1:30 – 7pm or by appointment


With work described as ‘Ren & Stimpy meets Goldsworthy’, shop this is the first major solo show for Rowdy in London to date. Mixing the Ancient with the Urban, medical Rowdy juxtaposes his trademark playful crocodile sculptures with the modern cityscape jungle. He also produces street art paintings reminiscent of caveman-esque cartoon monoliths.


Abstract America: New Painting and Sculpture

Saatchi Gallery
Duke of York’s HQ
King’s Road
Until 13th September
10am-6pm, illness 7 days a week


A new generation of radical American abstract painters and sculptors from the US, 35 of them in total, with work both daring and inventive, fresh and exhilarating.


Aditya Pande

Alexia Goethe Gallery
7 Dover Street, London W1S 4LD
Until 18th July
Monday – Friday 10-6
Saturday 11-4


New Dehli artist Aditya Pande’s first solo London show draws on both fine and applied art principles. What start as drawings on computer morph into paper prints or canvas creations, and then become starting points for three-dimensional narratives. Frantic, glossy, grand and descriptive.


Feel The Force

Cafe Gallery
By the Lake, Southwark Park
London SE16 2UA
Until 28th June
Wednesday – Sunday 12 – 6

Maja Bajevic, Benjamin Beker, Astrid Busch, Kate Gilmore, Immo Klink, Susan MacWilliam, James Pogson, Anina Schenker

Curated by Clare Goodwin and Liz Murray


Inspired by engagement in power and resistance, Feel the Force is a collaborative show from eight international artists and debates the psychological, the political and the physical. Investigating roles of victim and perpetrator, the artists approach the term Force through avenues diverse as obsessional first love and the military.


The Social Lives of Objects

Castlefield Gallery
2 Hewitt Street
Knott Mill
Manchester M15 4GB
Until 19th July
1-6pm Wednesday-Sunday


Hilary Jack, Lisa Penny and Dallas Seitz provide insightful examinations of society’s complex and perplexing relationship with material goods, from their beginnings in production to their inevitable obsolescence and decay. Everyday objects are recovered and represented and reinterpreted for our reevaluation of what role ‘stuff’ has in our lives and in our world.


The Butterfly Effect

ARCH Gallery
15 Resolution Way
London SE8 4NT
Until 20th June
Thurs – Sat 12:00 to 5:00pm


The well-known theory that subtle actions can and will ultimately alter the paths of world disaster is given a makeover by God’s gift to drawing Paul Marks. Using the system to create intricate line drawings in which each line added by hand effects the next one added. The comparisons are as varied as lunar landscapes, overtly sexual and flows of air, smoke or water.


ARCHIPELAGO – Gemma Anderson

Whitecross Gallery
122 Whitecross St.
London EC1Y 8PU
Until 6. June
Tues – Sat 11 – 6pm or by appointment


The final week to catch new work from Gemma Anderson including her signature drawings and newer etching work. Dream-like and fantastical depictions of fairies, land and seascapes drawing on her experiences of researching the Natural History archives in Canada, Japan and France her new work doubles as a personal travelogue.

Categories ,Aditya Pande, ,Drawing, ,Gemma Anderson, ,Manchester, ,Paul Marks, ,Rowdy, ,Saatchi Gallery, ,Sculpture

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