Amelia’s Magazine | A review of Ctrl.Alt.Shift’s latest venture, “Dear Diary”


Dan Eldon’s visual diaries; courtesy of Kathy Eldon

At some point in your life, cost you may have kept a diary, capsule pouring into it all of your deepest and darkest thoughts; the ones that you felt were too embarrassing or inappropriate to say aloud. My experience of reading old diaries is always toe-curling, but amusing as I struggle to make sense of why I cared so much about some things to write about them (for example, “loaf of bread head guy” who I adored from afar featured regularly in my diaries for a while – don’t ask!). As much as I would like to say that my diary entries were highly interesting, intelligent, deep and profound, most of them are sleep-inducing and consist of a type of written diarrhea. Thankfully, this is not the case at Cltr.Alt.Shift’s new exhibition, “Dear Diary”.

Dear Diary” is a new project launched by the youth anti-poverty charity to explore the art of diary keeping, taking participants on an inspirational and reflective journey, through the private pages of young individuals across the globe. The exhibition is housed under a funky t-shirt shop in Covent Garden in an intimate space, bringing together several diary collections ranging from Nirvana frontman and lyricist Kurt Cobain, to the stunning visual diaries of Dan Eldon, a young and promising photojournalist who was killed on the front line by an angry mob in Mogadishu, aged only 22.


Dan Eldon’s visual diaries; courtesy of Kathy Eldon

The room is divided into seven exhibits where on entry, you are confronted by four portraits of Eldon’s work, each infused with vivid, bold colours; a stark contrast to the bare white walls. The first image I encountered was the profile of a young, elegant looking tribeswoman wearing an intricate-looking traditional headdress, set against a backdrop of vibrant oranges and pinks. What I found most intriguing about this visual is that it had been signed with “Love and kisses, Angela” and “Love Maria”, and I was curious to know who these woman were. Had they been part of Eldon’s life at some stage and if so, how would their own diaries have read after his death?

Another one of Eldon’s portraits which had a gripping effect on me was that of four faded pictures in what appears to be a group of friends on a camping trip, smiling and chatting happily amongst each other, mounted on a map of Tanzania’s national parks. On closer viewing, the outlines of what appears to be three people – sketched with thick graphite pencil onto grainy beige/orange-coloured paper – are superimposed onto each of the original photos, as if they are joining the group but are separated through their apparent difference in physicality. A sentence is scrawled across the bottom of the map reading: “Dedicated to all 3 who lost their lives during the dramatic escape from Mikumi Nat Park”, providing us with a glimpse of the harsh reality of civil warfare, to which Eldon perished.


Kenya to the UK: Secrets and Struggles Diary Wall (photography by George Ramsay)

I was deeply moved by some of the diary excerpts displayed on the diary wall, written by teenage Kenyans living in extreme poverty and political instability. Although many of the entries were simplistic and occasionally poorly structured, the diarists’ basic descriptions painted a vivid and poignant image of the future that they longed for: “It’s also my hope in future this kind of thing will never happen again coz it also took death to many of my friends and also the separation of my beau and since then we have never communicated which made me so lonely”. Other diary entries detail the violence around elections and the hardship that economic deprivation brings: “…Our family made up of 11, it was hard to grow up due to poverty. It was hard and difficult to study”.


Audio diaries with images above audio decks by Kenyan conservationalist and playboy diarist, Peter Beard (photography by George Ramsay)

Aware that I am painting quite a grim and depressing picture of the exhibition, I assure you that this exhibition is not just a collection of doom and gloom. The audio diaries present a more eclectic mix of personal accounts, ranging from the inspirational to hilarious. Of these, the most compelling piece was of a courageous 19 year old South African girl called Thembi who broke the silence about living with AIDS at a time when it was still a taboo subject in South Africa; she eventually went on to share her story with more than 50 million people. A highly amusing reading from comedian Richard Herring about his painful years as a chubby brainiac, who at the time believed he would be a virgin forever, also makes for an entertaining listen.


Diary library with comfy sofa chair (photography by George Ramsay)

In a far corner of the show room, there is an area for quiet reflection with an extremely comfortable chair which I made my home for a good part of the evening, taking advantage of the diary library, which included entries belonging to Samuel Pepys, Frida Kahlo, Kurt Cobain, Courtney Love and several volumes of Anaïs Nin’s journals. On the top shelf (no, not what you are thinking), there were two books available for documenting your own thoughts, which people had written in throughout the course of the evening, with one refined gentleman expressing that he was looking forward to going home and banging his wife! Nice.


Irving Finkel’s collection of diaries (photography by George Ramsay)

Other exhibition highlights include the unpublished diaries of ordinary people from the 19th century displayed in a glass case, collected by the British Library’s Irving Finkel over the years. Finkel would often search for these items at secondhand shops and house clearances, believing that they hold the key to our histories through the casual documentation of one’s environment at the time. The child in me gravitated towards the Children’s Pocket Annual and Birthday Book of an eight year old girl and scouts’ diaries with stained pages and frayed edges, detailing the mundane routines of school work, bath days and playing with wolf cubs (well maybe playing with wolf cubs wouldn’t have been so mundane).

Ctrl.Alt.Shift’sDear Diary” is an intelligent and thought-provoking initiative, which takes a concept that we are all familiar with to help us understand and relate with others. Through encountering a range of diaries, including that of Mexican artist Frida Kahlo, a boy living with Tourette’s in the US and teenagers living in the slums in Kenya, our attention converges on the fact that whatever our language and ethnicity, the expression of thought transcends cultural boundaries. Although we may be divided geographically and by our heritage, fundamentally the feelings that we experience are the same.


Limited edition diary with cover illustrated by Alexa Chung

As part of the project, Ctrl.Alt.Shift have also launched a limited edition diary, with a cover illustrated by Alexa Chung featuring extracts from Courtney Love, Daniel Johnson and Anaïs Nin, which you can buy here. All proceeds raised from the ‘Dear Diary’ project go towards Maji Na Ufanisi, working with young people from the slums of Nairobi.

For more information about location and opening times, check out our listings here.


Excerpt from Courtney Love’s diaries; courtesy of Courtney Love

Categories ,Anais Nin, ,British Library, ,Cltr.Alt.Shift, ,Courtney Love, ,Covent Garden, ,Dan Eldon, ,Daniel Johnston, ,Dear Diary, ,Frida Kahlo, ,Gallery Seven, ,Irving Finkel, ,Kat Phan, ,Kenya, ,Kurt Cobain, ,Maji Na Ufanisi, ,Mikumi National Park, ,Mogadishu, ,Nairobi, ,nirvana, ,Richard Herring, ,Samuel Pepys, ,Scouts, ,South Africa, ,Super Superficial, ,Thembi, ,Tourettes

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Amelia’s Magazine | Music Listings: 2nd – 8th November

tatty devine

Diamond Tears

From the 13th November the Tatty Devine Brick Lane gallery space will host an exhibition of work by artist Verena Paloma Jabs. ‘Diamond Tears‘ will showcase Jabs‘ mixed media collages and animations inspired by dark, remedy fantastical imagery from fairy tales and the illusory, murky depths of dreamtime. Her English and Russian heritage and resisdence in Germany have informed her work – expect to see laser cut acrylic frames and a limited edition heart shaped necklace, all featuring black silohuettes of woodland scenes and animals against beautiful landscapes.

November 13th Tatty Devine, Brick Lane

makeitprintitpackitshipit

Make It Print It Pack It Ship It

Another pop-up gallery presented by MA and MFA Fine Art students from Slade School Of Fine Art will take place in Tottenham Court Road from this Monday for one week. The exhibition will be made up of sculpture, installation and painting from the eighteen artists. Exploring surrounding cultural, social and physical environment through the vehicle of the pop-up store, it will adopt the methods of production and dissemination of commercialism. 605 x 505, a box set of limited edition prints to accompany the exhibition, will also be available throughout the week.

November 2nd – 6th, 145 Tottenham Court Road, London

national portrait gallery

Taylor Wessing Photographic Portrait Prize 2009

Taking place at the National Portrait Gallery, this year’s competition is back again to offer up the cream of today’s contemporary photography practitioners. A mix of fresh new talent will be presented alongside more experienced veterans of photography. A remarkable 2,400 entrants have applied this year, resulting in over 6,300 images to be whittled down to sixty pieces for the final exhibition, including the four overall winners and the winner of the Godfrey Argent Award for an outstanding portrait by an entrant between the ages of 18 and 25 years old.

November 5th 2009 – February 14th 2010, National Portrait Gallery

panik

Panik – Changing Faces

Panik, the alias of Jack Murray is said to be one of the most prolific young graffitti writers of today. More accustomed to using the streets of London as his canvas, he is now bringing his work to the confines of four walls for the first time, in the form of this exhibition at The Underground. Panik comments that, “Creating work in the studio helps me move in the right direction, relax, delve into my thoughts and break down my style, which gives me confidence to experiment more on the streets. At the same time painting on the streets releases a lot of my inner tensions and gets my adrenalin pumping fuelling a lot of what’s behind my paintings”. Get yourself down to Argyle Walk this Thursday for the Private View.

November 6th – 28th, 26 Argyle Square London

one taste festival 2009

One Taste Festival 2009

The fourth festival in their run so far, One Taste are back again with what has been described as ‘a 3 floor art explosion’ at the venue of The Bedford. There will be a generous serving of all things creative including music, poetry, film, art, philosophy, workshops, parades, theatre, DJs, dancing, food and much more. The event will start in the day and last though to the night. Some of the acts that will be there include Antic Bantic who will be providing games, music and art, a Lucid Dreaming workshop: Learn the art of Lucid Dreaming by Charley Morely, face painting by Bella Faces and Live Story Writing – collective story writing with OneTaste favourite poets.

November 8th, The Bedford 77 Bedford Hill, London

lets get ready to jumble

Let’s Get Ready To Jumble!

This Saturday The Monarch on Chalk Fram Road will welcome the friendliest of monthly afternoon jumble sales. Providing ‘treasures and pleasures galore’. Mens and women’s vintage, records, books, bric-a-brac, tombola and craft are promised and there are firework displays on at Primrose Hill and Alexandra Palace that night so we are asked to find something sparkly to go with your sparkler!

7th November, The Monarch, 40-42 Chalk Farm Road, London

tatty devine

Diamond Tears

From the 13th November the Tatty Devine Brick Lane gallery space will host an exhibition of work by artist Verena Paloma Jabs. ‘Diamond Tears‘ will showcase Jabs‘ mixed media collages and animations inspired by dark, sick fantastical imagery from fairy tales and the illusory, look murky depths of dreamtime. Her English and Russian heritage and resisdence in Germany have informed her work – expect to see laser cut acrylic frames and a limited edition heart shaped necklace, all featuring black silohuettes of woodland scenes and animals against beautiful landscapes.

November 13th Tatty Devine, Brick Lane

makeitprintitpackitshipit

Make It Print It Pack It Ship It

Another pop-up gallery presented by MA and MFA Fine Art students from Slade School Of Fine Art will take place in Tottenham Court Road from this Monday for one week. The exhibition will be made up of sculpture, installation and painting from the eighteen artists. Exploring surrounding cultural, social and physical environment through the vehicle of the pop-up store, it will adopt the methods of production and dissemination of commercialism. 605 x 505, a box set of limited edition prints to accompany the exhibition, will also be available throughout the week.

November 2nd – 6th, 145 Tottenham Court Road, London

national portrait gallery

Taylor Wessing Photographic Portrait Prize 2009

Taking place at the National Portrait Gallery, this year’s competition is back again to offer up the cream of today’s contemporary photography practitioners. A mix of fresh new talent will be presented alongside more experienced veterans of photography. A remarkable 2,400 entrants have applied this year, resulting in over 6,300 images to be whittled down to sixty pieces for the final exhibition, including the four overall winners and the winner of the Godfrey Argent Award for an outstanding portrait by an entrant between the ages of 18 and 25 years old.

November 5th 2009 – February 14th 2010, National Portrait Gallery

panik

Panik – Changing Faces

Panik, the alias of Jack Murray is said to be one of the most prolific young graffitti writers of today. More accustomed to using the streets of London as his canvas, he is now bringing his work to the confines of four walls for the first time, in the form of this exhibition at The Underground. Panik comments that, “Creating work in the studio helps me move in the right direction, relax, delve into my thoughts and break down my style, which gives me confidence to experiment more on the streets. At the same time painting on the streets releases a lot of my inner tensions and gets my adrenalin pumping fuelling a lot of what’s behind my paintings”. Get yourself down to Argyle Walk this Thursday for the Private View.

November 6th – 28th, 26 Argyle Square London

one taste festival 2009

One Taste Festival 2009

The fourth festival in their run so far, One Taste are back again with what has been described as ‘a 3 floor art explosion’ at the venue of The Bedford. There will be a generous serving of all things creative including music, poetry, film, art, philosophy, workshops, parades, theatre, DJs, dancing, food and much more. The event will start in the day and last though to the night. Some of the acts that will be there include Antic Bantic who will be providing games, music and art, a Lucid Dreaming workshop: Learn the art of Lucid Dreaming by Charley Morely, face painting by Bella Faces and Live Story Writing – collective story writing with OneTaste favourite poets.

November 8th, The Bedford 77 Bedford Hill, London

lets get ready to jumble

Let’s Get Ready To Jumble!

This Saturday The Monarch on Chalk Fram Road will welcome the friendliest of monthly afternoon jumble sales. Providing ‘treasures and pleasures galore’. Mens and women’s vintage, records, books, bric-a-brac, tombola and craft are promised and there are firework displays on at Primrose Hill and Alexandra Palace that night so we are asked to find something sparkly to go with your sparkler!

7th November, The Monarch, 40-42 Chalk Farm Road, London

laura-marling

Monday 2nd November, sickness Daniel Johnston and Laura Marling, web Union Chapel

Troubled singer-songwriter troubadour Johnston returns to the circuit playing his brand of brutally honest lo-fi songs ahead of next year’s new album release. Joining him in this tour is equally avoiding of eye contact and (almost) equally as beguiling, viagra Marling who will probably also have new material to share.

camera-obscura

Tuesday 3rd November, Camera Obscura, Shepherd’s Bush Empire

Glaswegian group, Camera Obscura, play their saccharine, melancholic indie pop evocative of Belle & Sebastian including latest album, ‘My Maudlin Career.’

everything everything

Wednesday 4th November, Everything Everything, ICA

These four Mancunian chaps have provided one of Amelia’s Magazine’s favourite songs of 2009 in Photoshop Handsome, we’re hoping the rest of their set can deliver as perfectly crafted indie pop and doesn’t veer to far down The Futureheads vein.

Gaggle2

Thursday 5th November, Dead Kids, Gaggle and Invasion, Corsica Studios

This club night by South East London collective, Off Modern, consistently puts out great music and for their fifth birthday celebration they are putting on a right royal shebang of a party. The celebratory music is provided by party starters Dead Kids, all-girl choir sensation Gaggle (pictured) and cosmic psych-metallers Invasion.

lulu-small

Friday 6th November, Peggy Sue, Sons of Noel and Adrian, Mechanical Bride and Lulu & The Lampshades, ICA

For the sake of adhering to the mantra including the words, ‘variety’ ‘spice’ and ‘life’, we wouldn’t usually promote revisiting venues in the same week, but Peggy Sue, formerly possessed of Pirates, gives us an excuse to do just that. There are a host a great support acts including our former Music Editor, Lulu & The Lampshades.

james-yorkston

Saturday 7th November, James Yorkston And The Big Eyes Family Players, Alasdair Roberts, Marry Gilhooley and Mary Hampton & David Jaycock, The Tabernacle

For an anti-X Factor, anti-Saturday night out sample this almighty cast of folk polymath players play The Tabernacle with Yorkston heading the bill. Enigmatic Roberts and ethereal Hampton are particular gems in this stellar line-up.

espers

Sunday 8th November, Espers, Rough Trade East

This Philadelphian neo-folk sextet are known for their evocative blend of traditional and 60s folk and, yes you guessed it, have a new album to plug, ‘III’ follows a self-consciously song-based path. And what’s more this is free.

Categories ,alasdair roberts, ,Camera Obscura, ,Daniel Johnston, ,Dead Kids, ,espers, ,everything everything, ,gaggle, ,gig, ,invasion, ,James Yorkston, ,Laura Marling, ,listings, ,london, ,Lulu and the Lampshades, ,mary hampton, ,mechanical bride, ,Peggy Sue, ,sons of noel and adrian, ,the futureheads

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Amelia’s Magazine | Daniel Johnston @ The Union Chapel

Kuri Yashiro 2007
Daniel%20Johnston.jpg

The Union Chapel in Islington was a perfect venue for Daniel Johnston to display his talents to his adoring London fan base. The church setting and pew seating inspired a hushed reverence and allowed almost everyone an unrestricted view of the stage. After two excellent support acts (Jake Bellows and James Yorkston), Daniel Johnston sloped into view and picked up a guitar. Overweight, grey haired and wearing tracksuit bottoms and a sweatshirt he looked exactly like a man who has spent a large proportion of his adult life being cared for.

A transformation happens as soon as he starts to play and sing. It is the contrast between what Daniel Johnston is and what Daniel Johnston does that has provided him with his unique position in modern music culture. His voice has range and emotional intensity, but it is his ability with lyrics and melodies that makes Daniel Johnston into a modern music icon.

His lyrics, which seem to have by-passed most commonly understood notions of lyric writing, could be considered childish or naive at times. Yet somehow they manage to transmit an intensity of feeling or a truthfulness of expression that renders such considerations irrelevant. Playing guitar and piano and often almost unable to control his physical infirmities, he played a long and varied set that mixed his most popular songs with recent work.

Sometimes he performed solo and at others he was accompanied by a whole band or by a varied combination of guitarists and organists. In each of these permutations he produced a performance that convincingly displayed his song writing talents and his unique persona. My favourite combination was the young six-piece band he played with towards the end of this set.

Their slightly ramshackle delivery perfectly matched the material and it was a shame they played only a handful of songs. Between songs and personnel changes he showed the audience that on this particular day Daniel Johnston was happy and well telling jokes and providing pseudonyms for his band members.

I can only guess at the level of support Daniel Johnston had in London prior to the release of the 2005 film “The Devil and Daniel Johnston”, but his audience at the Union Chapel twice gave him a standing ovation, once as he left the stage and immediately after his simple one minute encore.

I really enjoyed this gig and after listening to his last two albums I think that he has a valid present as an artist as well as a rich past. However, I was left with some strange impressions of the audience. Throughout the gig I had a niggling feeling that the varying quality of song writing was being ignored by the audience, though this I suspect was suspect partly because of the partisan nature of the crowd and partly because of a misguided notion that he is somehow not comparable to more conventional musicians or deserves some kind of special consideration. Daniel Johnston’s ‘outsider’ song writing by any conventional comparisons is often excellent, but just like most of his more mainstream peers (a lot of whom are also his fans) he also writes songs that are simply average.

Don’t miss Daniel Johnston when he comes to London again. He may not be the normal mix of mad bad and dangerous to know that you expect from a rock musician, but the unique combination he possesses is equally compelling. James Yorkston was also magical in his support slot and I would also highly recommend seeking out his next performance.

Categories ,Daniel Johnston, ,Gig, ,Live, ,London, ,The Union Chapel

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Amelia’s Magazine | Wood Festival 2011: a special preview interview with founder Robin Bennett

Wood Festival  Relax

Wood Festival is mere weeks away, sale so what better opportunity to catch up with one of the founders? I asked Robin what inspired him to create this fabulous boutique festival, check and why being sustainable is so very important to him.

Wood Festival tent

What initially inspired you to start Wood Festival and what were your goals in putting it together?
I have a life-long interest in environmental issues, and the relationship of these to festivals was brought home when freak floods caused the postponement of Truck Festival in July 2007, flooding the village of Steventon and my parents’ house too. While these floods may or may not be to do with global warming, it did make us think. We also thought that if we ran some more events we’d be less susceptible to such ‘acts of God’, and for our first new event, Wood, we thought it would be good to make it an example, even the greenest event in the country (though there are some other very fine contenders for that crown).

Woodfest Portable+Solar+Generators

It has been awarded Gold standard by A Greener Festival and Industry Green 2*, and we’re shortlisted for the Music Week Green Business award, so we are getting there. I also had a newborn son and wanted to create an event that was suitable for small children and families, which certainly has become the case, as children nearly outnumber adults at Wood! Our new company which has run the events since 2007, Truck Enterprises, has a mission: “to build community through music and the arts”, and that’s what we try to do.

YouTube Preview Image
2007: Year of the Flood.

How do you manage to run so many events, and your own shop?
I’m not sure if manage is the word, it’s more like juggling hot potatoes, even on-fire potatoes… the idea is they form part of a greater whole, and make out lives more balanced. They certainly make a lot of work! we have some quite efficient methods and systems, but then we try to work individually with the community around each event, which means there are no short cuts. For example, Wood is held at a community living experiment/eco-village called Braziers Park. The shop – Truck Store – is run day-to-day by our friends from Rapture, an independent record store in Witney, a Cotswold market town. My brother works in there to keep things family. There are many Bennetts involved in the Truck Enterprises team… maybe that explains it!


A documentary about Wood Festival made in 2009.

Can you tell us more about the Truck shop – what is special about it and what can people find there? if people don’t live in Oxford where can they tap into your offerings?
Truck Store is a shop, and also a hub for the Oxford music community – it has great big windows, tables and chairs for those who just want to read a magazine, and a stage for live music events such as Record Store Day. It sells loads of vinyl, the best new CD releases, comics, DVDs, festival tickets, and even cuddly Truck monsters. It’s also an all-year base for all things Truck and a chance to say hello. You can always find interesting, helpful and unusual music advice from the staff that is more personalised than you might get on the internet. It’s close to the Oxford Tube (St Clements) stop so no excuse not to visit from London. It has a facebook page and twitter but not yet a website. The events have websites – www.woodfestival.com and www.truckfestival.com.

Wood festival Street

What was your highlight of Wood last year?
Seeing the Make Your Own DIY Wormeries workshop sell out – if that’s the term. Who knew so many people wanted to make their own wormery? In fact, the children’s Sunday morning fancy dress parade is always a highlight and taps into some strange pagan instinct…


Trevor Moss & Hannah Lou playing The Allotment Song at Wood Festival 2009 in a pedal-powered tent from Magnificent Revolution.

Why is sustainability so important to you? is it something you’ve grown up with, or that you have found over the years?
I was aware of the issue from the age of 5 or 6… picketed Macdonald’s at age 10, etc, so it goes back a way. I was lucky as a child to be able to roam freely in the woods and see farming conditions first hand, an opportunity many children now don’t have. I became aware of the importance of education on the subject after being a trustee of a charity called Siren which worked on conservation education, hence there is a great emphasis on that at Wood. Really, sustainability is important for all of us – it’s hard to actually be opposed to it! Having child(ren) certainly reminds you that the world must be left in as good a state as it can be. As a dominant species, it’s our responsibility.

Wood Festival child

What are your current hot tips for the festival season?
Bell tents, at least, I’d like one. Dreaming Spires, my band, will be at some festivals. We will try to be hot. Gaggle are appearing at Truck and sound quite novel, a choir of indie opera singers. Mama Rosin, at Wood, are a Swiss Cajun band. What is that? Come find out.

Cat Martino dancing to Dreaming Spires in Truck America
Cat Martino dancing to Dreaming Spires in Truck America.


Just Can’t Keep This Feeling In by Dreaming Spires.

Why should people come to Wood this year?
It’s a special experience – where else can you make your own musical instrument from vegetables, or go foraging in the woods for food? *NB, we have normal food too.

I don’t know about you but I can’t wait to get to Wood. Here’s my full listing here.

Categories ,2011, ,A Greener Festival, ,Award, ,Brazier’s Park, ,Cat Martino, ,charity, ,Dreaming Spires, ,gaggle, ,Green Business, ,Just Can’t Keep This Feeling In, ,Macdonald’s, ,Magnificent Revolution, ,Mama Rosin, ,Music Week, ,MusicWeek, ,Rapture, ,Record Store Day, ,Robin Bennett, ,Siren, ,Steventon, ,sustainable, ,Swiss Cajun, ,The Allotment Song, ,Trevor Moss & Hannah Lou, ,Truck America, ,Truck Enterprises, ,Truck Festival, ,Truck Store, ,Vinyl, ,Witney, ,Wood Festival, ,Wormeries

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Amelia’s Magazine | Daniel Johnston @ The Union Chapel

Kuri Yashiro 2007
Daniel%20Johnston.jpg

The Union Chapel in Islington was a perfect venue for Daniel Johnston to display his talents to his adoring London fan base. The church setting and pew seating inspired a hushed reverence and allowed almost everyone an unrestricted view of the stage. After two excellent support acts (Jake Bellows and James Yorkston), Daniel Johnston sloped into view and picked up a guitar. Overweight, grey haired and wearing tracksuit bottoms and a sweatshirt he looked exactly like a man who has spent a large proportion of his adult life being cared for.

A transformation happens as soon as he starts to play and sing. It is the contrast between what Daniel Johnston is and what Daniel Johnston does that has provided him with his unique position in modern music culture. His voice has range and emotional intensity, but it is his ability with lyrics and melodies that makes Daniel Johnston into a modern music icon.

His lyrics, which seem to have by-passed most commonly understood notions of lyric writing, could be considered childish or naive at times. Yet somehow they manage to transmit an intensity of feeling or a truthfulness of expression that renders such considerations irrelevant. Playing guitar and piano and often almost unable to control his physical infirmities, he played a long and varied set that mixed his most popular songs with recent work.

Sometimes he performed solo and at others he was accompanied by a whole band or by a varied combination of guitarists and organists. In each of these permutations he produced a performance that convincingly displayed his song writing talents and his unique persona. My favourite combination was the young six-piece band he played with towards the end of this set.

Their slightly ramshackle delivery perfectly matched the material and it was a shame they played only a handful of songs. Between songs and personnel changes he showed the audience that on this particular day Daniel Johnston was happy and well telling jokes and providing pseudonyms for his band members.

I can only guess at the level of support Daniel Johnston had in London prior to the release of the 2005 film “The Devil and Daniel Johnston”, but his audience at the Union Chapel twice gave him a standing ovation, once as he left the stage and immediately after his simple one minute encore.

I really enjoyed this gig and after listening to his last two albums I think that he has a valid present as an artist as well as a rich past. However, I was left with some strange impressions of the audience. Throughout the gig I had a niggling feeling that the varying quality of song writing was being ignored by the audience, though this I suspect was suspect partly because of the partisan nature of the crowd and partly because of a misguided notion that he is somehow not comparable to more conventional musicians or deserves some kind of special consideration. Daniel Johnston’s ‘outsider’ song writing by any conventional comparisons is often excellent, but just like most of his more mainstream peers (a lot of whom are also his fans) he also writes songs that are simply average.

Don’t miss Daniel Johnston when he comes to London again. He may not be the normal mix of mad bad and dangerous to know that you expect from a rock musician, but the unique combination he possesses is equally compelling. James Yorkston was also magical in his support slot and I would also highly recommend seeking out his next performance.

Categories ,Daniel Johnston, ,Gig, ,Live, ,London, ,The Union Chapel

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Amelia’s Magazine | ATP Film – A Review

atp montage1

All Tomorrow Parties, clinic a music festival that largely happens at out of season holiday camps, try celebrates it’s tenth year in 2009 and part of that anniversary celebration sees the release of this film, edited from fans and filmmakers footage on equipment ranging from super 8′s to mobile phones, the viewer is let in to the world of All Tomorrow’s Parties. The ensuing montage, of performances and backstage vox pops, is a cross between a really great music documentary and an advert for the music festival.

The documentary side of this film’s personality informs the viewer that the premise of ATP started with Glasgow’s saccharine indie pop makers, Belle and Sebastien. Along with visionary ATP promoter, Barry Hogan, they originally had the idea of putting on a festival in a holiday camp, curated by artists and did just that for the ATP pre-cursor, Bowlie Weekender in Camber Sands. The viewer also learns that ATP manages to exist independently, without the help from corporate sponsors, adhering to a punk rock ethic.

karen_o_live_by_leigh_johnson2668_8

The advertisement side shows you just how much fun a festival in a holiday camp can be with footage of holidaymakers looking like the cat who got the cream whilst dancing to Micah P. Hinson, or playing a rendition of ‘Maps’ on the chalet kitchen sink.

nick_cave_in_crowd_by_shannon_mcclean_8

I’ve alluded here to some of the musical footage that belies the rockumentary. If Kitsune is the indie electro rave that you have to be young to get into, ATP is where you retire, where you give up on pretending to keep up with the rapidly changes fads of NME and resign to sticking to what you know best. And if what you know best hits the Richter scale somewhere between alternative and experimental, then you’ll be familiar with a fair few bands that frequent the ATP line-ups. Not only are there fantastic show-stopping ATP performances from YYYs, Nick Cave’s Grinderman, Gossip, and Mars Volta, you also get to see the spontaneous performances that may not have been billed, like the Grizzly Bear beach a capella and Daniel Johnston regaling his insecurities via music in the grass and from his chalet.

grizzly_bear_playing_to_crowd_on_the_beach_-_credit_sophie_8

These elements of the film are weaved together with a cinematic collage of artists backstage, like Bat For Lashes dancing down the stairs of her accommodation. And just to remind you where you are, there are also vintage stills and clips of Camber Sands as it is known best, as a holiday camp, including what looks like a dance competition whose contestants could rival anyone down the front of a moshpit.

bat_for_lashes_credit_jack_paddington_and_millie_harvey_8

Having never been to ATP myself (but always having wanted to), I wonder whether this has captured the essence of the festival. But with enough music and merriment to keep you entertained, it really doesn’t matter.

patti_smith_8

Patti Smith closes the film and I’ll close this article with a quote in the film from her, which is in line with an underlying message of ATP, “rock and roll belongs to the kids and not the big companies.”

Categories ,Animal Collective, ,atp, ,Bat for Lashes, ,Daniel Johnston, ,festival, ,film, ,gossip, ,grinderman, ,grizzly bear, ,mars volta, ,Nick Cave, ,patti smith, ,review, ,yeah yeah yeahs

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