Amelia’s Magazine | Gig: First Aid Kit

Launching Earth’s Drrrruuuu(drum roll) rrrrrapp… Environmentalist Hero of the Week! I’m going to be honest I’m not entirely sure how this is going to pan out, dosage salve possible winners may range from vegan cake bakers, brave mavericks to the downright wackos, but if we think a person (or pet) has done something admirable and courageous for the environment we shall award them this esteemed title.

Chico%20Mendes%201.jpg

Last month was marked by the 20th anniversary of the assassination of Francisco Alves ‘Chico’ Mendes, a committed campaigner against the deforestation of the Amazon and a pioneer of sustainable harvesting.
He was born in 1944 in Acre State in the heart of the Amazon Rainforest to a long lineage of rubber tappers. At a young age he continued the family tradition of extracting the latex from trees for the manufacture of natural rubber.

As rubber trees are native to Brazil, this harmonious practice is relatively harmless to the rainforest and allows for a good renewable source of wood. However during the 1960′s the price of rubber dropped massively and many communities such as Chico’s were forced to sell their land. The highest bidders were cattle ranchers who intended to burn vast areas of forest to make way for more the more profitable endeavor of farming cattle.

However Chico and other forest activists struck back and fought to prevent the burning and logging of land by forming an assault on the clearing process and persuading workers to stop. In many cases they triumphed.

Chico went on to become an official Union leader and ardently sought to teach communities about deforestation and of the industries that pose a threat to their own livelihoods. He particularly advocated the concept of forest reserves that would be run by native communities for the cultivation of renewable natural resources such as rubber and Brazil nuts.

His fervor and determination to protect the land from logging posed such a threat that in 1998 he was shot dead by ranchers. Since his death, over 20 reserves designed in keeping with his original intention are in existence. Chico Mendes legacy is an inspiration to not only environmental activists but to all who seek to preserve humanity in the face of corruption and opportunistic greed.

Deforestation remains a serious global ecological problem. The earth’s biosphere stability is dependant on forests with a high density of trees to extract carbon dioxide and other nastiness from the air. But with an estimated 13 million hectares of the world’s forests being destroyed yearly, the rate at which we are headed towards a global tipping point is hurtling at a frightening speed.

I happened upon these angel-voiced sisters the wrong way round. I had never heard of the Fleet Foxes this summer when a friend told me I had to listen to a cover of one of their songs by two young girls from Sweden. One glimpse of the video that launched their career and I was hooked. And I still can’t name a single song by the Fleet Foxes, buy oops.

They crossed oceans in December to visit London for the first time, this site and were visibly excited when I went to go and see them at the 12 Bar Club in Soho, doctor looking a little nervous as you might expect any 15 and 17 year old girls to be. But the moment they start singing you instantly forget their age, as you should, and remember why they have drawn out this bubbling crowd on a frosty night. Disarming youth makes their deliverance all the more powerful. By the time they got round to playing Tiger Mountain Peasant Song I’d forgotten it, as they strummed through their debut album Druken Trees with the assurance of the older souls they emulate. Klara has described her first encounter with “First Days of My Life” by Bright Eyes as a revelation. Their EP is set to come out on the 23rd of February, expect great things to come.

first-aid-kit.jpg

Categories ,12 Bar Club, ,Bright Eyes, ,First Aid Kit, ,Fleet Foxes, ,Live, ,Music

Similar Posts:






Amelia’s Magazine | Album Review: First Aid Kit – The Lion’s Roar

First Aid Kit by Sarah Ryan
First Aid Kit by Sarah Ryan.

Out today: the beautiful new album from Swedish sisters First Aid Kit. Every tune is a wonder… starting with first single The Lion’s Roar, a plaintive ode to the moon, cowardice, love and life.

First-aid-kit-the-lions-roar-packshot
Johanna takes lead vocals in this perfect example of First Aid Kit‘s own particular blend of modern country folk. Then comes current single Emmylou, a song dominated by the gently pulsing pedal guitar in homage to their country heros. Klara takes on a whole verse, showcasing a newly confident voice that is full of sweet soul. Things take a more bittersweet turn with In The Hearts Of Men, whilst Blue opens with a chirpy glockenspiel that belies a tale of doubt, as do the glorious harmonies of To A Poet. The bigger sound showcased on this second album is perfected in I Found A Way, which features a backdrop of lush orchestration. The saddest of themes are given the slow pace of Dance To Another Tune, whilst the wonderful Wolf drives onward with a healthy beat and a jaunty singing style that marks it out as a possible next single. New Year’s Eve returns to more familiar acoustic territory – just Johanna‘s soaring vocals and a strummed zither.

First Aid Kit by Becca Thorne
First Aid Kit by Becca Thorne.

The album finishes on the upbeat (it’s all relative in the Söderberg‘s world!) King Of The World, which features a guest vocal from their hero Bright Eyes. It’s clear that these past two years on the road have heavily influenced The Lion’s Roar; inspiring and enriching these sisters’ extraordinary talents that put the over-produced auto-tuned pap that dominates our airwaves to shame. And the thing is, the Söderberg sisters are even better in the flesh, so if you have never seen them live make sure you do when they next swing by – you’re in for a real treat.

First Aid Kit by Hannah Lewis
First Aid Kit – Emmylou by Hannah Lewis.

Make sure you read my recent interview with First Aid Kit, in which Klara describes the making of and inspiration behind the new album. The Lion’s Roar is released today on Wichita Recordings.

First aid kit - emmylou by EdieOP
First Aid Kit – Emmylou by EdieOP.

Categories ,Becca Thorne, ,Blue, ,Bright Eyes, ,Conor Oberst, ,country, ,Dance To Another Tune, ,Edie Owczarek-Palfreyman, ,EdieOP, ,Emmylou, ,First Aid Kit, ,folk, ,Hannah Lewis, ,Harmonies, ,I Found A Way, ,In The Hearts Of Men, ,Johanna Söderberg, ,King Of The World, ,Klara Söderberg, ,Mike Moggis, ,review, ,Sarah Ryan, ,Swedish, ,The Lion’s Roar, ,To A Poet, ,Track by Track, ,Wichita Recordings, ,wolf

Similar Posts:






Amelia’s Magazine | Gig: First Aid Kit

Launching Earth’s Drrrruuuu(drum roll) rrrrrapp… Environmentalist Hero of the Week! I’m going to be honest I’m not entirely sure how this is going to pan out, dosage salve possible winners may range from vegan cake bakers, brave mavericks to the downright wackos, but if we think a person (or pet) has done something admirable and courageous for the environment we shall award them this esteemed title.

Chico%20Mendes%201.jpg

Last month was marked by the 20th anniversary of the assassination of Francisco Alves ‘Chico’ Mendes, a committed campaigner against the deforestation of the Amazon and a pioneer of sustainable harvesting.
He was born in 1944 in Acre State in the heart of the Amazon Rainforest to a long lineage of rubber tappers. At a young age he continued the family tradition of extracting the latex from trees for the manufacture of natural rubber.

As rubber trees are native to Brazil, this harmonious practice is relatively harmless to the rainforest and allows for a good renewable source of wood. However during the 1960′s the price of rubber dropped massively and many communities such as Chico’s were forced to sell their land. The highest bidders were cattle ranchers who intended to burn vast areas of forest to make way for more the more profitable endeavor of farming cattle.

However Chico and other forest activists struck back and fought to prevent the burning and logging of land by forming an assault on the clearing process and persuading workers to stop. In many cases they triumphed.

Chico went on to become an official Union leader and ardently sought to teach communities about deforestation and of the industries that pose a threat to their own livelihoods. He particularly advocated the concept of forest reserves that would be run by native communities for the cultivation of renewable natural resources such as rubber and Brazil nuts.

His fervor and determination to protect the land from logging posed such a threat that in 1998 he was shot dead by ranchers. Since his death, over 20 reserves designed in keeping with his original intention are in existence. Chico Mendes legacy is an inspiration to not only environmental activists but to all who seek to preserve humanity in the face of corruption and opportunistic greed.

Deforestation remains a serious global ecological problem. The earth’s biosphere stability is dependant on forests with a high density of trees to extract carbon dioxide and other nastiness from the air. But with an estimated 13 million hectares of the world’s forests being destroyed yearly, the rate at which we are headed towards a global tipping point is hurtling at a frightening speed.

I happened upon these angel-voiced sisters the wrong way round. I had never heard of the Fleet Foxes this summer when a friend told me I had to listen to a cover of one of their songs by two young girls from Sweden. One glimpse of the video that launched their career and I was hooked. And I still can’t name a single song by the Fleet Foxes, buy oops.

They crossed oceans in December to visit London for the first time, this site and were visibly excited when I went to go and see them at the 12 Bar Club in Soho, doctor looking a little nervous as you might expect any 15 and 17 year old girls to be. But the moment they start singing you instantly forget their age, as you should, and remember why they have drawn out this bubbling crowd on a frosty night. Disarming youth makes their deliverance all the more powerful. By the time they got round to playing Tiger Mountain Peasant Song I’d forgotten it, as they strummed through their debut album Druken Trees with the assurance of the older souls they emulate. Klara has described her first encounter with “First Days of My Life” by Bright Eyes as a revelation. Their EP is set to come out on the 23rd of February, expect great things to come.

first-aid-kit.jpg

Categories ,12 Bar Club, ,Bright Eyes, ,First Aid Kit, ,Fleet Foxes, ,Live, ,Music

Similar Posts:






Amelia’s Magazine | Album Review: Villagers – Becoming a Jackal

From the series Post Punk

A little while ago I wrote an article about fashion in Berlin. It wasn’t particularly amorous to say the least; save a few incredible museums, and I wasn’t overtly impressed by the grade of the fashion I saw on the street. I was only there for the weekend, malady mind.

Coincidentally an email popped into the fashion inbox pretty soon after from Cynthia Berger – German born and Berlin based fashion photographer. I failed to mention my less-than-flattering view of Berlin, but her photographs completely stole my attention.

Cynthia is a fashion photographer through and through, and her early years were spent wielding a camera with the help of her photographer father.

The images Cynthia creates are often stark portraits of the citizens of Berlin, and with minimal settings and styling, there is a real photojournalistic realism to her photographs (it’s no surprise to discover, then, that her influential father was also a journalist). Her work reminds me much of some of the work that was featured in Amelia’s Magazine – Louise Samuelson in Issue 08 for example.

Cynthia uses street-cast models in her photographs, giving each picture added verisimilitude, along with the designs of up-and-coming Berlin fashion designers; with most of her work being set within the dramatic urban landscape of Berlin herself, Cynthia’s photographs embody the spirit of this historical city entirely.

From the series Berlin Fashion

I managed to have a quick chat with Cynthia about her father, her work and her future…

How did you get in to photography?
My father was both a photographer and a journalist, so at a very early age I was surrounded by photography.
Aged 8 I start to take my own photos.
 
What did you study?
I studied Photography in Germany and worked later in Capetown as a photographer’s assistant. Back in Germany, I studied Communication and worked for a while as a researcher in the media world, finally coming home after that.

How do your shoots come together?
The photograph is already taken in my mind before I go and shoot. I plan the shoots entirely, so that I have the freedom to experience everything and to allow the ideas to evolve.

What about photography in particular keeps you focussed?
I like to involve and inspire people.

From the series Boys in the Suburbs

What messages do your photographs carry?
Every photograph always carries a variety of messages.

Which photographers do you admire, and why?
I like Richard Avedon, particularly his portraits – they have such high density and intense impression. I also like the work of Anna Gaskell, her mysterious atmosphere and symbolic storytelling.

How is the fashion/photography scene in Berlin?
Berlin is the fashion capital of Germany. Berlin is a city that is immensely inspiring through constant change. It’s a melting pot for design, fashion, art, architecture, music and photography.

Have you travelled as a photographer?
I lived three years in Capetown, a year in London and did a few travels through the USA and Europe.

Do you think photographs can change opinions, challenge ideals, inform, provoke or otherwise?
They can – if you put them into the right context.  

What are your plans for the future?
I write any ideas I have in my “Idea Book” that I have with me wherever I am. I have many projects planned for the future, with an exhibition here in Berlin high on the list.

From the series Laura’s Story, exclusive to Amelia’s Magazine

You can see more of Cynthia’s work here.

From the series Post Punk

A little while ago I wrote an article about fashion in Berlin. It wasn’t particularly amorous to say the least; save a few incredible museums, see I wasn’t overtly impressed by the grade of the fashion I saw on the street. I was only there for the weekend, cialis 40mg mind.

Coincidentally an email popped into the fashion inbox pretty soon after from Cynthia Berger – German born and Berlin based fashion photographer. I failed to mention my less-than-flattering view of Berlin, but her photographs completely stole my attention.

Cynthia is a fashion photographer through and through, and her early years were spent wielding a camera with the help of her photographer father.

The images Cynthia creates are often stark portraits of the citizens of Berlin, and with minimal settings and styling, there is a real photojournalistic realism to her photographs (it’s no surprise to discover, then, that her influential father was also a journalist). Her work reminds me much of some of the work that was featured in Amelia’s Magazine – Louise Samuelson in Issue 08 for example.

Cynthia uses street-cast models in her photographs, giving each picture added verisimilitude, along with the designs of up-and-coming Berlin fashion designers; with most of her work being set within the dramatic urban landscape of Berlin itself, Cynthia’s photographs totally embody the spirit of this historical city.

From the series Berlin Fashion

I managed to have a quick chat with Cynthia about her father, her work and her future…

How did you get in to photography?
My father was both a photographer and a journalist, so at a very early age I was surrounded by photography.
Aged 8 I start to take my own photos.
 
What did you study?
I studied Photography in Germany and worked later in Capetown as a photographer’s assistant. Back in Germany, I studied Communication and worked for a while as a researcher in the media world, finally coming home after that.

How do your shoots come together?
The photograph is already taken in my mind before I go and shoot. I plan the shoots entirely, so that I have the freedom to experience everything and to allow the ideas to evolve.

What about photography in particular keeps you focussed?
I like to involve and inspire people.

From the series Boys in the Suburbs

What messages do your photographs carry?
Every photograph always carries a variety of messages.

Which photographers do you admire, and why?
I like Richard Avedon, particularly his portraits – they have such high density and intense impression. I also like the work of Anna Gaskell, her mysterious atmosphere and symbolic storytelling.

How is the fashion/photography scene in Berlin?
Berlin is the fashion capital of Germany. Berlin is a city that is immensely inspiring through constant change. It’s a melting pot for design, fashion, art, architecture, music and photography.

Have you travelled as a photographer?
I lived three years in Capetown, a year in London and did a few travels through the USA and Europe.

Do you think photographs can change opinions, challenge ideals, inform, provoke or otherwise?
They can – if you put them into the right context.  

What are your plans for the future?
I write any ideas I have in my “Idea Book” that I have with me wherever I am. I have many projects planned for the future, with an exhibition here in Berlin high on the list.

From the series Laura’s Story, exclusive to Amelia’s Magazine

You can see more of Cynthia’s work here.
villagers_jackal_album

Since I noted the idiosyncratic name of first single Becoming a Jackal, sickness Villagers have been skimming around on the periphery of my aural radar: once I realised I liked the band I did what I am wont to do and went looking for them on twitter, decease only to read a devastating last tweet: Conor’s sister was dead. It wasn’t quite what I was expecting to find and threw me a little, healing which is to say nothing of how he must be feeling right now. Becoming a Jackal – now also the name of the debut album from Irish singer songwriter Conor J. O’Brien – marks a coming of age that seems all the more prescient, released at such a momentous time in his life.

Front man Conor has been making music since the tender age of twelve and has enjoyed chart success in Ireland as one half of The Immediate, but a series of knock backs and disillusionments with the industry has ensured that his second foray into music comes with a more sanguine attitude. Scarred by his experiences of working with other musicians Conor wrote and recorded the entire album himself – starting with a basis of poetry from which hang some beautiful folk tinged melodies, he has already been compared to Elliott Smith and Bright Eyes. Clearly no longer a wide eyed ingenue, he shrugs off such comparisons: “I guess I’m cursed, because I sort of look like a more hamster sized version of Conor Oberst,” he said in a recent interview with Contact Music.

Conor J O'Brian

When on tour Conor is accompanied by a band of friends who become the Villagers. As befits a man who regards himself as first and foremost a poet, his words are a cut above your usual pop ditty… but the melodies are no shirker either. Opening tune I Saw the Dead starts off the album with the dainty ringing of sleigh bells and an angelic violin, before descending somewhere altogether darker: “Let me show you the backroom where I saw the dead dancing like children on a midsummer morn. And they asked me to join…. ” There’s a dark undercurrent to these tunes and the opener ends in crackling oblivion. On the title track the jackal is an unusual metaphor for a difficult love affair, but it works beautifully. “Where the jackals preyed on every soul, where they tied you to a pole and stripped you of your clothes…” New single Ship of Promises follows straight on with a hasty strum, Conor sounding curiously American in brogue – maybe that’s just the similarity with the Irish accent. Home returns once more to the twilight hours, somewhere halfwhere between reality and the dreamworld, backing vocals muffled behind lyrics that talk of weapons and running. Things start to look a bit more upbeat by The Pact (I’ll Be Your Fever) which sees Conor falling in love, in harmony. “Your newness is all I need.” Set the Tigers Free is about heading for the open plains, rather than a potential health and safety situation with some furry beasts, and To Be Counted Among Men ends this endearing debut on a quiet reflective note. This album marks a coming of age all Conor’s own, no hamsters required.

You can catch Conor on tour all through May, and he will be playing the Queen Elizabeth Hall on 15th tune supporting Field Music as part of the Meltdown Festival. Becoming a Jackal is out now on Domino Records.

Categories ,Becoming a Jackal, ,Bright Eyes, ,Conor Oberst, ,Domino Records, ,elliott smith, ,field music, ,folk, ,Irish, ,Meltdown Festival, ,poetry, ,Queen Elizabeth Hall, ,Southbank centre, ,The Immediate, ,Villagers, ,Violin

Similar Posts:






Amelia’s Magazine | Music: Interview with Alessi’s Ark

Poster on Dutch posters SM 1968
Alessis-Ark-by-Mina-Bach
Illustration by Mina Bach

We trudged through the mud. The boys were hungry and desperate to hit the falafel joint, search whilst I was yanking on my boyfriend’s arm, website telling him I really wanted to catch ‘this sweet singing lady’. Stomach comes first is his life’s motto, but I assured him that he had heard of her and she was folky, acoustic goodness. Tick, tock – wait for his response. I’m walking… slowly…Excellent! And there we stood in a big top candy striped tent. This is to be the first time we saw Alessi’s Ark, a few years ago at a festival. Wearing a full length, high necked, pastel coloured dress, she was late and a bit flustered, but this only added to her utterly likeable self. Full of ‘umm’s and little stories, she goes from timid to devoted singing and playing. Alessi is beautiful, sweet and a very good musician. We have since seen her several times, and she has got better with each performance. Not even 21, her voice is quirky, shy and vulnerable sounding, but also holds a confidence in her musical abilities. She has gusto, charm and modesty wrapped up in one. Here’s an interview with Alessi Laurent-Marke:

Could you introduce yourself please?
Hello there! I’m Alessi.

Where are you from and where do you currently reside?
I live in Hammersmith, West London, where I was born and raised.

What sort of music do you create?
It’s handmade and hopefully keeps others good company.

Do you write it yourself?
Yes.

Alessi
Image Source

What music/artists/eras influence your music?
Jake Bellows (of Neva Dinova), Coal Beautiere, Graham Nash, Neil Young, Rilo Kiley, Heartless Bastards, Bright Eyes, Karen Dalton, Rodriguez.

Where else do you get your inspiration from?
All kinds of things and there’s a whole world more to discover still.
The people I’m closest to inspire me and most things I listen to,read and watch slip into the songs in one way or another. Here are some people,books and films that I’ve found inspiring and excite me ; Angela Carter’s book ‘The Magic Toyshop’, the films ‘Rumba’, ‘Puppentanz’ and ‘L’argent de poche’, Leonara Carrington’s paintings, Zora Neale Hurston‘s book ‘Their eyes were watching God’…there is so much out there.

Wire, taken from Alessi’s forthcoming album, Time Travel, out in April, on Bella Union.

What’s your music background?
Going right back to the start and being honest ; I learnt the recorder and steels pans in primary school, the drums in secondary school and picked up the guitar at home when I was fourteen. I have an autoharp that I bought shortly after leaving school and have made a pact to start playing it again.

Do you feel free to create the music you wish, or is there pressure to be ‘mainstream’?
Yes I do feel free. The main pressure I feel is the pressure I put on myself.

Do you enjoy performing on stage?
Yes I do for the most part. Sometimes waves of nerves can stir in the stomach but usually after a song or two, they settle and roll away.

And tours/festivals – what are the like for you?
Festivals are good fun but can be very muddy in the U.K! Touring is a gift from making music that can be at once solitary and amazing ; you’re given the chance to share the songs as you travel through places and meet people you might not have done without your craft. I feel grateful to have experienced the tours I have done so far and feel lucky to have touring more on the horizon.

How do you relax?
By talking, writing to and spending time with close ones, reading, walking, drawing, sewing, visiting the seaside or by trying not to think at all.

Do you enjoy being in England? What does it means to you?
England is where my family is and where they are is home and very special. It’s a small island in the grand scheme of things that has been home to so many brilliant inventors, writers, musicians and so on.

Where do you see yourself in the future?
I can’t see so far.

Alessi‘s Album: Time Travel is out on Bella Union in April. You can find her tour listings here. Alessi appeared in issue 10 of Amelia’s Magazine, still available to buy online here.

Categories ,album, ,Alessi’s Ark, ,Angela Carter, ,Bella Union, ,Bright Eyes, ,brighton, ,Coal Beautiere, ,Graham Nash, ,Hammersmith, ,Heartless Bastards, ,Helen Martin, ,Hove, ,interview, ,Jake Bellows (of Neva Dinova), ,Karen Dalton, ,london, ,Mina Bach., ,Neil Young, ,Rilo Kiley, ,Rodriguez, ,Sussex, ,Time Travel, ,Willkommen Collective, ,Zora Neale Hurston

Similar Posts:






Amelia’s Magazine | Music: Interview with Alessi’s Ark

Poster on Dutch posters SM 1968
Alessis-Ark-by-Mina-Bach
Illustration by Mina Bach

We trudged through the mud. The boys were hungry and desperate to hit the falafel joint, search whilst I was yanking on my boyfriend’s arm, website telling him I really wanted to catch ‘this sweet singing lady’. Stomach comes first is his life’s motto, but I assured him that he had heard of her and she was folky, acoustic goodness. Tick, tock – wait for his response. I’m walking… slowly…Excellent! And there we stood in a big top candy striped tent. This is to be the first time we saw Alessi’s Ark, a few years ago at a festival. Wearing a full length, high necked, pastel coloured dress, she was late and a bit flustered, but this only added to her utterly likeable self. Full of ‘umm’s and little stories, she goes from timid to devoted singing and playing. Alessi is beautiful, sweet and a very good musician. We have since seen her several times, and she has got better with each performance. Not even 21, her voice is quirky, shy and vulnerable sounding, but also holds a confidence in her musical abilities. She has gusto, charm and modesty wrapped up in one. Here’s an interview with Alessi Laurent-Marke:

Could you introduce yourself please?
Hello there! I’m Alessi.

Where are you from and where do you currently reside?
I live in Hammersmith, West London, where I was born and raised.

What sort of music do you create?
It’s handmade and hopefully keeps others good company.

Do you write it yourself?
Yes.

Alessi
Image Source

What music/artists/eras influence your music?
Jake Bellows (of Neva Dinova), Coal Beautiere, Graham Nash, Neil Young, Rilo Kiley, Heartless Bastards, Bright Eyes, Karen Dalton, Rodriguez.

Where else do you get your inspiration from?
All kinds of things and there’s a whole world more to discover still.
The people I’m closest to inspire me and most things I listen to,read and watch slip into the songs in one way or another. Here are some people,books and films that I’ve found inspiring and excite me ; Angela Carter’s book ‘The Magic Toyshop’, the films ‘Rumba’, ‘Puppentanz’ and ‘L’argent de poche’, Leonara Carrington’s paintings, Zora Neale Hurston‘s book ‘Their eyes were watching God’…there is so much out there.

Wire, taken from Alessi’s forthcoming album, Time Travel, out in April, on Bella Union.

What’s your music background?
Going right back to the start and being honest ; I learnt the recorder and steels pans in primary school, the drums in secondary school and picked up the guitar at home when I was fourteen. I have an autoharp that I bought shortly after leaving school and have made a pact to start playing it again.

Do you feel free to create the music you wish, or is there pressure to be ‘mainstream’?
Yes I do feel free. The main pressure I feel is the pressure I put on myself.

Do you enjoy performing on stage?
Yes I do for the most part. Sometimes waves of nerves can stir in the stomach but usually after a song or two, they settle and roll away.

And tours/festivals – what are the like for you?
Festivals are good fun but can be very muddy in the U.K! Touring is a gift from making music that can be at once solitary and amazing ; you’re given the chance to share the songs as you travel through places and meet people you might not have done without your craft. I feel grateful to have experienced the tours I have done so far and feel lucky to have touring more on the horizon.

How do you relax?
By talking, writing to and spending time with close ones, reading, walking, drawing, sewing, visiting the seaside or by trying not to think at all.

Do you enjoy being in England? What does it means to you?
England is where my family is and where they are is home and very special. It’s a small island in the grand scheme of things that has been home to so many brilliant inventors, writers, musicians and so on.

Where do you see yourself in the future?
I can’t see so far.

Alessi‘s Album: Time Travel is out on Bella Union in April. You can find her tour listings here. Alessi appeared in issue 10 of Amelia’s Magazine, still available to buy online here.

Categories ,album, ,Alessi’s Ark, ,Angela Carter, ,Bella Union, ,Bright Eyes, ,brighton, ,Coal Beautiere, ,Graham Nash, ,Hammersmith, ,Heartless Bastards, ,Helen Martin, ,Hove, ,interview, ,Jake Bellows (of Neva Dinova), ,Karen Dalton, ,london, ,Mina Bach., ,Neil Young, ,Rilo Kiley, ,Rodriguez, ,Sussex, ,Time Travel, ,Willkommen Collective, ,Zora Neale Hurston

Similar Posts:






Amelia’s Magazine | An interview with singer songwriter Kyla La Grange

Eco Luxe Showroom Hipstamatic

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, sickness just across the road from Somerset House. Fresh from Esthetica, generic I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I quickly got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

Hemyca Dress.

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, doctor just across the road from Somerset House. Fresh from Esthetica, page I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I quickly got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW2011 preview Hemyca .

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, recipe just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, viagra just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, sildenafil just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, order just across the road from Somerset House. Fresh from Esthetica, viagra approved I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw what waited for me.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, cost just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw the stalls.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.

Fair+True and Reluxe illustration by Andrea Kearney

The EcoLuxe exhibition was held at the ultra chic One Aldwych Hotel, sickness just across the road from Somerset House. Fresh from Esthetica, I wondered if the designers holed up over at One Aldwych would be able to compete with the level of talent I’d witnessed over at Somerset House, but my questions were quickly forgotten as I descended the staircase at the hotel and saw the stalls.

Inevitably, there were a few brands and designers showcasing work that didn’t really float my boat, but I also saw some beautifully crafted clothes that really excited me. Here are just a few of my favourites.

I was excited to see that Fashion Conscience, my favourite ethical online retailer, had a stand. I got chatting to their PR rep about how to encourage more mainstream use of ethical design principals and how to close the gap between the high end ethical and the affordable everyday ethical. Fashion Conscience, in my humble opinion, are beginning to fill this gap, but there is still some way to go. The Fashion Conscience stall was showcasing the work of two of my favourite labels, ReLuxe and Fair+True:

Reluxe oozes cool. The designs are fresh, colourful, relaxed and crucially AFFORDABLE. They use recycled fabrics which means many garments are completely unique, or in limited supply due to the limitations of the fabric. I have fallen in love with this slightly bonkers neon striped skirt and am just waiting for pay day to purchase it (don’t beat me to it!) Brands like Reluxe and Fair+True (below) make me excited and hopeful that ethical businesses CAN make it in to the middle market mainstream, can be affordable and can have mass appeal. YES.

Knitted Skirt by Reluxe. Photo via Fashion Conscience.

Fair+True are a brand new Fairtrade company that also make lovely, brightly coloured sporty brights that I would love to wear. All pieces are fairly made in the UK or Africa or created from sustainable and organic fabrics. LOVE.

Fair + True illustration by Fritha Strickland

I hadn’t  heard of Lowie and I’m most disappointed by this because I  loved their stuff. Their AW 2011  clothing and hand knitted accessories were brightly coloured and gorgeous. I adored their Turkish socks, ear muffs, cloche hats and cardigans. Their SS 2011 collection was also beautiful with some really interesting shapes and details.


Turkish socks by Lowie. Illustration by Faye West

I liked the moody colours, tailoring and detailing of HEMYCA‘s clothes. Their focus is on fine tailoring, with an emphasis on the waist, which I always love. Ethically, HEMYCA has an ‘Organic Tailoring’ range and manufactures all their garments in London, promoting local businesses and cutting down on carbon dioxide emissions.

AW 2011 preview. Hemyca

I briefly saw Sanyukta Shrestha’s wedding accessories and dresses. However, it wasn’t until I saw models wearing the dresses online after the event that I truly appreciated their beauty. In fact I had a mouth a-gape, heart a-flutter moment when I saw this floor length, pleated dress with low cut back. It’s made from 100% organic silk and organic fair traded cotton sateen. If I could get married again (to the same man, I hasten to add!) it would be in this dress. Oh my. Head. Over. Heels.

Sanyukta Shrestha Wedding Dress illustration by Fritha Strickland

I always expected to be impressed by Esthetica and Eco Luxe, but I didn’t expect to be blown away, but I was.  I left both the show rooms with my brain whirring, a bag stuffed full of promo material, a camera full of more images than I knew what to do with and having talked at a million miles an hour to so many interesting and inspiring people. Eco Luxe has doubled in size since last year in what I assume  is a reflection of the increasing acceptance and awareness of ethical design. As ethical design and shopping with conscience become more mainstream,  I hope that ethical clothing designers wont be sectioned off in their own separate rooms. Instead they will be showcasing alongside all the other  London Fashion Week designers; proving that fashion with a conscience is not the exception, but the norm. One day indeed.
Kyla La Grange by Anna Casey
Kyla La Grange by Anna Casey.

A couple of weeks ago I met with angsty new folk popstrel Kyla La Grange at her management offices in central London. Her slight figure was easily missed as I walked through to the glass walled meeting room, dosage but I greeted her warmly when she came through to join me. Kyla la Grange performed on my hastily assembled Climate Camp (RIP) stage at Glastonbury last summer, gamely playing a beautiful semi-acoustic set in the sweltering summer heat. Today she releases her first official single – the anthemic Walk Through Walls – so let’s find out a bit more about this intriguing new musician…

Kyla La Grange at Glastonbury 2010 on the Climate Camp stage
Kyla La Grange at Glastonbury 2010 on the Climate Camp stage. Photography by Amelia Gregory.

Kyla La Grange by Rukmunal Hakim
Kyla La Grange by Rukmunal Hakim/YesGo Illustration.

She may look very young but don’t be fooled by Kyla’s youthful exterior – she’s actually a 24 year old Cambridge University graduate. It wasn’t until her uni years that she finally found the guts to make music, performing at an open mic acoustic night called Songs in the Dark. “It was a good place to cut my teeth.” The process was very organic. She met other musicians, formed a few bands and played in some Battle of the Bands competitions. “Basically it was all very low pressure.” She loved studying philosophy, and admits that she misses the academic stimulation. “Being at Cambridge was like living in a magical piece of history… but I am incredibly grateful to be making music now.”

Kyla La Grange by Rebecca Strickson
Kyla La Grange by Rebecca Strickson.

When the outside world of work beckoned she found herself working long hours in a high end bar, making it hard to go into the studio every morning and be creative. That and the odd bit of secretarial work kept her afloat until she was discovered by management company ATC via Rollo of Faithless fame, who discovered her songs on Myspace. She is eager to emulate the likes of Mumford and Sons and do things her own way, without the controlling hand of a label. “ATC let their artists go away and get on with it. They don’t view me purely as a money making machine; they are in it for the long haul. But I don’t anticipate selling a lot of records, ever,” she blithely tells me.

Kyla La Grange at Glastonbury 2010 on the Climate Camp stage
Kyla La Grange at Glastonbury 2010. Photography by Amelia Gregory.

The last year has been devoted to the creation of her debut album which so far hosts “too many songs” including the luscious Vampire Smile, a darkly beautiful blast of longing. But she’s in no rush. “The album will come out as and when it’s finished; the worst thing I could do would be to rush its release.” She expects it will finally see the light of day in early 2012.

YouTube Preview Image
Vampire Smile.

All Kyla’s influences come from “sad music”. Having been introduced to Cat Power by a former boyfriend, You Are Free is a constant presence in her life alongside Joni Mitchell and Leonard Cohen. But she also likes a lot of modern bands – Elliott Smith, Bright Eyes, Yeasayer, Matthew And The Atlas, Marcus Foster, Alex Winston and Band of Horses. “I only write because I’m often quite sad…” she tells me. “I don’t think I’d write if I was a genuinely happy person.” In the age old tradition of the angst-ridden artist, writing music has become Kyla’s best form of catharsis, “like running into a big open field and screaming until you feel better.” It’s as if she feels an unstoppable need to release her feelings out into the open.

Kyla la Grange by Gemma Smith
Kyla la Grange by Gemma Smith.

I wonder what has prompted such a downbeat personality. “Some people just have a default mode,” she explains. “They wake up and feel a bit black inside.” She admits that this is something she has battled for a long time but insists that her mood is not affected by the outside world… she just tends to feel down most of the time. “Most people fall into one of two camps – they are either upbeat or see life from behind a big grey cloud. Everyone is a product of their genes and their experiences when they are young.” But she is absolutely clear that she doesn’t blame her parents for the way she has turned out. “Even though I wasn’t a very happy child my parents were both fantastic.” Her parents had been involved in the anti-apartheid movement in South Africa before settling in Watford, and she felt very different from everyone else at her school. “Kids can be vicious.” They were massive music fans, between them inspiring her to listen to many different genres. “Dad loved folk, blues and country. Mum loved classical, rock and indie.” She now lives between Stockwell and Vauxhall. “I like the mix of people and place, the beautiful old squares next to housing estates… it’s unpretentious.”


Just click here to hear Walk Through Walls.

I wonder if such a sensitive personality will still be able to write songs from the heart if she becomes famous. She has thought about this. “I don’t think the drive to write songs will be lessened just because people like them,” she says, “it’s not the only reason I write. I think all the best artists write primarily to get something out of the experience and I want to convey raw honest emotion because that makes the most meaningful music.”

Kyla La Grange in February 2011
Kyla La Grange in February 2011. Photography by Amelia Gregory.

It comes as no surprise that lyrics are hugely important to Kyla, although she likes the odd “non-sensical song by The Beatles.” She can’t really describe her writing process, although it is the part she loves the most. “It’s such a strange, solitary thing. You get so swept up in what you’re feeling, engrossed in emotion.” She can’t tell me what comes first, melody or lyric. “They tend to come together.”

Kyla doesn’t want to be pigeon-holed into any musical movement, so it’s no surprise to find that she lists herself as Black Metal/Children/Grindcore on Myspace. “There have been so many genres flung at me but I never think about what I belong to – the songs just come out.” I think she has a kind of dark indie pop sensibility that is all her own, and not fitting in to any musical clique suits her well. “I suppose my music is a bit all over the place, like me.” She gets thoroughly annoyed by the suggestion that women must fit into any type of separate musical category. “Music is not a sport so why do there need to be different categories and awards?”


Kyla La Grange performing on the Climate Camp stage at Glastonbury.

I ask her whether she is in general quite a solitary person, although I think I already know the answer. “Definitely. I’m not terribly good with people and I much prefer talking one to one. Groups of people are scary.” But she has grown accustomed to working with her band of four and she’s easy and down to earth when talking to me, even if an overwhelming undertow of sadness never quite leaves the room.

You can access a free download for Walk Through Walls from SoundCloud right here. The official launch party is at Notting Hill Arts Club tomorrow night, Tuesday 8th March, with the brilliant Daughter providing a support set and DJing from the Maccabees. After that she’s off to SXSW in Austin, Texas to play the Neon Gold show and she’s sure to be playing some festivals in the UK this summer. Make sure you catch Kyla La Grange soon, before she hits the big time.

You can read my review of Kyla’s performance at Glastonbury last summer here.

Categories ,Alex Winston, ,Anna Casey, ,ATC, ,austin, ,Band of Horses, ,Bright Eyes, ,Cambridge University, ,Cat Power, ,Climate Camp, ,Daughter, ,elliott smith, ,Faithless, ,Gemma Smith, ,glastonbury, ,Indie, ,Joni Mitchell, ,Kyla la Grange, ,leonard cohen, ,Maccabees, ,Marcus Foster, ,Matthew And The Atlas, ,Mumford and Sons, ,Neon Gold, ,noir, ,notting hill arts club, ,pop, ,Rebecca Strickson, ,Rollo, ,Rukmunal Hakim, ,Songs in the Dark, ,SoundCloud, ,South Africa, ,Stockwell, ,sxsw, ,texas, ,Vampire Smile, ,vauxhall, ,Walk Through Walls, ,Watford, ,Yeasayer, ,YesGo Illustration

Similar Posts:






Amelia’s Magazine | First Aid Kit: a taster of the new album with single The Lion’s Roar

first-aid-kit-the-lions-roar
I’m a massive fan of the incredibly young Swedish twosome known as First Aid Kit, tadalafil and none more so than when I discovered that their father (and mentor) was once in a band with my mum’s Swedish cousin. Tis a small world, aye.

FirstAidKit_NeilKrug
Listen to The Lion’s Roar here.

First Aid Kit have been wowing audiences in America as support for Lykke Li and now they’re back with a new single from their second album, both called The Lion’s Roar. At a performance in Stockholm they even dumbfounded the legendary Patti Smith (watch the video here)

YouTube Preview ImageGhost Town

On December 6th they will be wowing audiences with a full showcase of the new record at Bush Hall. The Lion’s Roar was recorded in Omaha with production by Mike Moggis of Bright Eyes fame, and their dad doing duty on the bass. If the single is anything to go by the new album will be every bit as superb as their first.

YouTube Preview ImageBright Eyes & First Aid Kit – We’re Going to Be Friends (The White Stripes Cover)

For more information visit the First Aid Kit website or read our review of their first album The Big Black and Blue and my review of their Union Chapel gig last year.

The Lion’s Roar (single) is out in December on Wichita Recordings.

Categories ,Bright Eyes, ,Bush Hall, ,First Aid Kit, ,Lykke Li, ,Mike Moggis, ,Omaha, ,patti smith, ,single, ,Swedish, ,The Big Black and Blue, ,The Lion’s Roar, ,union chapel, ,Wichita Recordings

Similar Posts:






Amelia’s Magazine | An interview with First Aid Kit about working with Mike Mogis on second album The Lion’s Roar

First Aid Kit by Michael Julings
First Aid Kit by Michael Julings.

The new album The Lion’s Roar from the wondrous Swedish band First Aid Kit is coming out later this month. In advance of my review, let’s catch up with the talented duo. Life has become much more busy in the past few years!

First Aid Kit Emmylou press shot
You’ve done 5 tours across America in the past 2 years, what has been the highlight?
All five tours have been highlights in their own ways. The first tour was especially exciting because everything was new and it felt like an adventure. We realized how big this country is, traveling through endless landscapes of of deserts, fields and forests. We sort of felt like we were on that epic american road-trip we’ve always dreamt of. Last September we went on tour with Bright Eyes, a dream come true for us. We got to spend two weeks with our favorite band. We went to Disney World, we went swimming in the ocean and sightseeing in D.C. We had plenty of free time and the weather was amazing. It was the perfect tour. Bright Eyes treated us so well, too. Every night was a party. Every night we played songs together. Mike Mogis played pedal steel on our song Emmylou, we sang Lua with Conor and two nights our dad even played the guitar solo in their song “One for you, one for me”! We couldn’t have imagined our own dad playing with Bright Eyes someday. We were very proud.

First-aid-kit-the-lions-roar-packshot
Your new album The Lion’s Roar is out soon and was recorded in Omaha, Nebraska with producer Mike Mogis – how did that come about, how long were you there for and how easy was it to slot into working with a big American producer?
When I (Klara) was twelve years old I heard Bright Eyes for the first time. I loved the simplicity and honesty in their songs. Their music was a revelation for me. It opened up the door for us to folk and country music. I got a guitar pretty quickly after that. Inspired by Bright Eyes I started writing songs. We met Mike for the first time when we played in Austin, TX in october. Conor Oberst came to our show, and introduced us to Mike. He saw us the next day at the Austin City Limits festival and after we had played he wrote us saying; ‘I’d love to make a record with you.’ We couldn’t believe it.

First Aid Kit by Rosemary Cunningham
First Aid Kit by Rosemary Cunningham.

In May we went to Omaha, Nebraska to record the album. We stayed for a month, spending the first two weeks doing mostly live takes and then the rest of the two mixing the record. Working with a big American producer could be scary depending on who you work with, but Mike might be one of the most humble persons we have ever met. We understood each other from the get-go and we were on the same page musically. He knew what kind of record we wanted to make. Mike made sure that our vocals and lyrics always were the focal point. We worked together to find arrangements that would enhance the emotions we wanted to evoke, and not to just take up space. It was a fun and surprisingly easy process. 

First Aid Kit on log
What has been the most memorable place that you have visited on tour (worldwide) and why?
We were in Tokyo just a couple of weeks ago and that was memorable to say the least. The culture is so vastly different. We felt a bit alienated and different (mostly just very tall), but it was an interesting feeling we’re not used to. The Japanese were incredibly polite. When we stepped into our label’s office everybody there came to meet us and bowed in-front of us. It made you feel respected and made us treat everyone with the same respect. We did 22 interviews in two days so we were quite busy, but they took care of us well. We would love to go back to Japan and play shows there someday soon.

First Aid Kit by Sam Parr
First Aid Kit by Sam Parr.

Have you managed to retain contact with your friends back home in Sweden or do you feel your lives have diverged drastically? How much do you rely on a close sisterly relationship?
Luckily we have friends who understand why we have to be away so much and who are supportive of what we do. Of course it’s hard sometimes, not being able to be there for the people you love, but that’s a sacrifice we have to make. Having your sister around you is quite special. It always makes us feel like we’re home, having each other around. Our dad does the sound our shows, so he comes with us too. That keeps us from becoming too homesick. At the end of the day we get to do what we love the most, which is playing music, so we can’t really complain.

First_aid_kit_by_Geiko_Louve
First Aid Kit by Geiko Louve.

Do you remember the first time you sang in harmony, when was it? It must be incredible to have such a strong connection with someone you grew up with.
It was probably on one of our first demos, Johanna just tried out some harmonies and it sounded great. We have evolved a lot from back then though. We’re getting better and better at harmonizing everyday. Singing with your sister is awesome. Our voices are so similar it’s almost like singing with yourself. It’s easy. We’re so in tune with how we phrase and time words, so it always feels very natural. Singing with a non-relative is more of a challenge. You have to adjust to their way of singing and ‘get’ their voice. It’s not the same thing.

First Aid Kit forest
You recorded the cover single Universal Soldier with Jack White in Nashville and you have just toured with Lykke Li. How did these come about and who else would you like to work with?
We have no idea of how these cool cats heard of us, we’re just very lucky that they did. Lykke Li had asked us a couple of times to play and last november we finally got to play together. It was amazing to see her powerful performance on stage every night.

First Aid Kit_Emmylou_PS
When we were on our second tour in the US, playing in Nashville Jack White called to say he wanted us to come into his studio and record two songs with him. Totally unexpected. We spent a couple of hours there the next day. It was the first time we ever recorded in a real studio with a full band. We love what we recorded, especially the traditional blues song It Hurts Me Too. Jack White brought out something new in us we didn’t know we had. It definitely has a Jack White sound but it’s still very much us. It inspired us to have a full band on the new record. We’d love to do something more with Jack White someday, it was really inspiring working with him and we both share a love for old Americana. We would also love to collaborate with Laura Marling or Dylan Leblanc, two amazing songwriters and singers in our age who are making similar music.

First Aid Kit by Wiji Lacsamana
First Aid Kit by Wiji Lacsamana.

Your voices and musical knowledge have been widening, who or what has been the greatest influence in the past two years and do you have your sights set on any other genres and styles?
The past two years, while writing for this new record there are two people that specifically come to mind when talking about inspiration – Townes Van Zandt and Joni Mitchell. Townes Van Zandt has a way of writing songs that seem timeless. His songs are often tall tales, mystical but at the same time serene and simple. His phrasing is really specific and it gives the lyrics another dimension. Writing for the record, these were all things that influenced us, both things we were aware of and things we’ve heard, listening back to the record, now.

First Aid Kit_portrait
We got a little Joni obsessed when working on this record. Her lyrics are often like private diary entries, if everybody wrote amazingly poetic and clever diary entires, that is. There is something so honest, it almost hurts to listen to her music sometimes. For The Lion’s Roar, we knew we wanted to write songs that had a more personal touch. We wrote more about our own experiences and things we were going through. A lot of people write that our lyrics are ‘too mature‘ for our age, which is so absurd to us. We just write what we feel, we’ve never had any intention to sound older or more mature, we’re just ourselves in our music. We’re actually not very mature at all, haha.

You have said that you prefer to sing sad songs: why do you think this is?
It’s not really a preference, it just that we happen to write songs when we’re sad. Songwriting for us is a form of therapy, of catharsis. It’s a way of turning the negative thoughts in our head into something positive and creative. When we’re feeling like shit we listen to melancholy music, because knowing that someone else has felt the same way or even worse makes us feel less alone in these emotions. It’s strangely comforting. Hopefully our music could have a similar kind of effect for our listeners. Like a plaster for the soul.

YouTube Preview ImageEmmylou

What was the story behind the video for the new single Emmylou? It has a glorious outback feel that goes with the country twang.
Thank you! The song Emmylou is a homage to our favourite country acts – Emmylou Harris, Gram Parsons, Johnny Cash and June Carter. It seemed perfect to go to Joshua Tree because we knew it was Gram Parsons‘ favourite place in the world. When we got there we understood why. We’ve also always been intrigued by the desert and had always wanted to make something in that kind of landscape, so now we got the chance. We worked with an amazing director called Maximilla Lukacs. We wanted it to have a 70′s psychedelic dreamy feel to it. She and her team totally got our vision. 

YouTube Preview ImageThe Lion’s Roar

Where can people see you live in the UK over 2012? Any particular dates or festivals that you are looking forward to?
We’ll be playing a few club shows in February. We can’t wait to play the new songs! We’ll also play the End of The Road Festival this year, which we’re totally psyched about. We love that festival. We played there 2009 and it had an incredible folk-oriented line-up. We saw Alela Diane, Blitzen Trapper, Tallest Man On Earth and FleetFoxes. In other words, our favourite bands. Good times! 

First Aid Kit by Estelle Morris
First Aid Kit by Estelle Morris.

Lastly, since we last met I have discovered that your dad used to play in a band with my mum’s Swedish first cousin, Matts Alsberg. It’s a small world, do you remember him?
Oh my god! That’s so weird, haha. It’s a tiny world, indeed. Of course we remember him, our dad’s band was a big part of our childhood. They were called Lolita Pop and were quite successful in Sweden during the 80′s. Their music was not like ours at all. It was punk and new wave inspired by Velvet Underground, Patti Smith and Television. Our dad was a guitarist and songwriter in the band. He quit the band just when we were born. Their music and tales from their tours were always around us growing up. I think we looked up to our father a lot and the fact that he had been a professional musician inspired us to take a similar path. Now dad’s working with us full time and it’s great having someone with so much previous experience on the road with us. He probably never thought he’d be touring all over the world with his daughters.

The Lion’s Roar is released on 23rd January on Wichita. *You can read my full album review here.*

Categories ,Alela Diane, ,Austin City Limits, ,Blitzen Trapper, ,Bright Eyes, ,Conor Oberst, ,Dylan LeBlanc, ,Emmylou Harris, ,End Of The Road Festival, ,Estelle Morris, ,First Aid Kit, ,fleetfoxes, ,Geiko Louve, ,Gram Parsons, ,It Hurts Me Too, ,Jack White, ,Johnny Cash, ,Joni Mitchell, ,Joshua Tree, ,June Carter, ,Laura Marling, ,Lolita Pop, ,Lykke Li, ,Matts Alsberg, ,Maximilla Lukacs, ,Michael Julings, ,Mike Mogis, ,Nebraska, ,Omaha, ,Rosemary Cunningham, ,Sam Parr, ,Tallest Man On Earth, ,Townes van Zandt, ,Wichita, ,Wiji Lacsamana

Similar Posts: