5. Mumford & Sons Mumford & Sons have had a special piece in my heart for a couple of years now. Having played their debut to death and enjoyed their live shows just as much, ampoule the band never fail to disappoint. When they arrived at the NME/Radio 1 Tent they packed out the space and the surrounding areas had hundreds of fans trying to capture the performance.
Despite not being able to see the band or even hear them over the crowd singing along, shop I still had hairs on my neck shooting up. I felt quite proud of the most modest band around who could not have put more effort in. They were made for moments like this. ‘Little Lion Man’ had never sounded so perfect and the new songs were greeted with the same enthusiasm from the crowd.
4. Weezer
Sunday evening, abortion there was a chill in the air, ‘nu metal’ pioneers Limp Bizit had been and gone, the heavy rain had done the same. American geek rockers Weezer brought the sun to the main-stage along with a greatest hits set. They are a band I would never choose the listen to but I wouldn’t turn them off either.
Along with the classics, ‘Buddy Holly’, ‘Hash Pipe’ and ‘Beverly Hills’ the old timers covered Wheatus’ ‘Teenage Dirtbag’, MGMT’s ‘Kids’ and Lady GaGa’s ‘Pokerface’ where energetic front-man Rivers Cuomo sported a blonde wig whilst rolling about in the mud.
3. Mystery Jets Mystery Jets have been knocking about for sometime now with a collection of pop songs that would give Simon Cowell’s song-writing team a fright. Today wasn’t just about the hits, it was to see if the band could work main-stage after a few appearances on the smaller ones previously.
Not only did they get some sing-a-longs from the crowd but also got them dancing when Count & Sinden joined the band to play the party tune of the year, ‘After Dark’. It wasn’t just the stage that the band controlled as the lively band members spent a decent about of time amongst the crowd too.
The main-stage witnessed the band play just their forth gig since their recent reformation. It was professional and energetic. I don’t think I have ever seen the band play that well; they meant business. Talk was kept to a minimum whilst thrashing out tune after tune, they were unfazed when they had to have a quick break whilst the crowd calmed down. A tear was shed when Pete and Carl, hugged and kissed onstage, I had been waiting too long for that moment.
1. Arcade Fire
It was Arcade Fire’s last Reading Festival performance that really won me over. Win Butler lead the seven piece on a emphatic set that included songs from all three records but it was the material from their latest, The Suburbs that really had the wow factor. Words struggle to some up this performance, it was more than just music, more like a religion.
Many thanks to our illustrators. Thumbnail illustration of Weezer by Julie Lee
Written by Matt Pinder on Monday September 6th, 2010 11:59 am
Following their super successful appearance at Barfly last week I made my way to a west London location to meet the Plastiscine girls. On the way, ailment I’m trying desperately to remember my French from school to impress them. On a trip to Paris with my friend Ruth, there was no way we would have got by without my “C” grade, I’m sure I can think of something amazingly French to say. I arrive and briefly they are all there, hugs and an ipod charger are exchanged and then drummer Ana and bass player Louise are whisked off back to Paris. I’m sure they are going to have to get used to this whisking about business. So, I was on a very bizarrely patterned couch (see photo above) with lead singer Katty and guitarist Marine. I thought I’d open with my French skills…
Bonjour
K: Bonjour
Cava?
K: Cava merci, Vous parlez francais?
Non, that’s my limit
K: That’s good enough!
(Really?! That’s all that I could have come up with?! I should have revised more.)
You guys played Barfly last night, how do you find London crowds?
K: We really enjoyed the crowd yesterday because it was very busy, so we were really happy! We had a lot of friends in the crowd so they were dancing and jumping! It’s always good to have people reacting when you say something. In Paris people are so quiet, just at the back with their arms crossed and watching. They are interested, but they just don’t move. So it’s good to be here and have the crowd reacting.
There seemed to be a lot of French folks in the audience, That must have been nice?
K: Yeah, I was really surprised! When I asked, “Who is French tonight?” there were quite a lot of people shouting!
So, How did your story begin?
K: Marine and I met in high school when we were 15 or 16. We started the band because we watched lots of bands like The Strokes and The White Stripes. We loved them, they had so much energy onstage, they were young and we thought we want to do the same thing. So we started the band and a few months after we were already doing some gigs in bars in Paris. We actually learnt our instruments on stage because we just wanted to play! We didn’t care if we could play, all we wanted was to play and get on stage and get into it!
So, you began by doing covers?
K: When we started we did a few covers, but we were very interested in doing our own songs. We did some covers from The Strokes and other bands for a while then we started doing our own songs, thats what really interested us more rather than covers.
A lot of your influences are English so do you guys find it more natural to write in English?
Both: Defiantly
K: Because all the songs we listen to are in English it is very natural to write in English, but sometimes we do write in French. We get direction from people saying we should say things this way because it’s a better way to say it in English. But yes, its natural because the music we like is English and American, we were never really into French bands.
I read that French radio have restrictions (a percentage of French radio has to be French songs)
K: Yeah, so its quite difficult for us to be on the radio in France because we may be French but we sing in English. We are not in the same category as big international bands like The Arctic Monkeys, But then we don’t sing in French so we don’t fit into that category either, so its quite difficult to be on the radio.
You worked on your album with top producer Butch Walker what was this like?
M: We went to Malibu to record the album and it was amazing, it was really beautiful and we were in the this big house all together and in the morning we would go to record together or go swimming. Everyday we got to work together! It was interesting because it was the first time we were working with someone American. When we are French we don’t know if we would get along or have the right words to express, so we had a really long talk with him and he said what he likes and we said what we like. Butch is really passionate about music.
He’s worked with a wide range of people from Katy Perry to Weezer and now you guys…
K: Yeah, he has done a lot of very big pop stars and he also works with acts because he really likes them, he’s done a lot of indie bands like Hot Hot Heat.
M: He was very honest, he said I do some stuff for money I do some stuff for passion and you are a passion for me.
K: He told us that from the first time he saw us playing on stage at Coachella he fell in love with us.
So what acts are you into right now?
M: Lots of stuff, lots of English acts, I love the Jamie T album, I think it’s amazing. I like Metronomy, Katty loves Florence and the Machine. Also I love Eagles of Death Metal, we went to see them in Paris. We like lots of old and new stuff.
“Bitch” was on “Gossip Girl”, this must have been a massive deal for you?
K: I think we didn’t really realize when we did it! It was such a big thing to do! When we saw it on the internet were like “that’s weird!”. We watch the programme, we know the characters and the story so when we arrived we wanted to know what was happening! We were playing on stage at a ball so we couldn’t hear what the actors were saying! It was nice because all the actors came to us to say “hello” and Leighton Meester who plays Blair came up with our album and she wanted us to sign it!
How did this come about because it’s as if the song was written for “Gossip Girl”?
M: No, its on the album so they heard it on the album it was picked out because it worked really well. We recorded it back in February.
You have a great relationship with Nylon can you tell us a little more about this?
K: Marvin Scott Jarrett, the editor in chief at Nylon, he is so passionate about music and he always puts a lot of bands in the magazine. I think he wanted to launch a label and so he did it with Nylon, Nylon Records. We are the first band signed because he really liked us and I think he thought we were a good image for the magazine. He knew of us because in Paris fashion week we were on the cover of a magazine, from this he got in touch with our label, at the time which was Virgin, he contacted us we came to NYC to play at a party for the magazine. Then when we came back again he had the idea for the label and wanted to sign us.
So you spend a lot of time here and in NYC, would you ever relocate?
K: We would love to live in New York! We all love it there! I think people are amazing with us there because sometimes here when people see four girls on stage in a rock band it is weird for them, like there is something fake, something wrong with it, but in NYC they are just like that’s cool its just four girls rocking and they don’t care.
M: Also, I think that in NYC everybody is doing something interesting. We were only there for a few months we already made such good friends and there’s so much going on so much different music. I think it would be good for the band living in NYC for a bit, for inspiration.
K: You walk in the street and you just feel good there, I don’t know what it is. Its such a big city but you still feel safe.
I follow u guys on twitter and I noticed you had a meeting with Topshop today, You guys are obviously into your fashion, Who are your style icons?
K: Yeah we got it all myspace/facebook/twitter there is also a blog that Marine writes on.
M: Yeah we like fashion because we are girls. I love David Bowie from the Ziggy Stardust period.
K: I love Debbie Harry, she’s got it all the music the style, she’s amazing!
The same thing could be said about these girls, they have the style, they have the music, they also seem to have it all. I glance and notice the smudge of a stamp on my hand from the entry last night, this reminds me that I have not even bothered to wash for our meeting today never mind attempting to dress nicely. I don’t think there is much point in trying around these girls though. They are naturally chic (I think it’s a French thing) with a playful grunge twist. I’m in love with them for the fact that they just decided to pick up interments to be onstage; from viewing them at The Barfly they all seem to be perfectly at home on this platform. These beauties armed with the energy and attitude they bring to their performances, their catchy rock/pop tracks and their effortless style is a winning combination for these pop/grunge goddesses to begin a French revolution.
Single “Barcelona” is available now and the album “About Love” is due out early 2010.
Written by Rebecca Milne on Tuesday November 24th, 2009 6:15 pm
Foxes! are husband and wife team Adam Bell and Kayla Bell, joined by Al Grice and Matthew Thwaites. Together they create beguiling indie music accompanied by some great lo-fi visuals. Dance along to the sing along likes of Who Killed Rob? or exhilarate in the rolling rock of Oh Rosie. From the creation of their own record label, Big Salad Records, to their fun homemade videos, here’s a band doing it their way… Adam answered my questions.
Your new album was launched earlier this month, what has been the response so far?
Yes, it has been exciting and the response has been really interesting, we’ve had some very detailed reviews and writers seem to have found nice words to say and things that have made us think about our music and what we are doing. Releasing an album in January is quite a difficult task, as the press and retail outlets tend to be quiet in the new year. In that sense, I feel that we’ve started 2012 with something that will grow, I’m hoping the album will be heard by the right people and settle into something that is appreciated on a wider scale than we’ve known before, having existed as a DIY band for some time. I suppose what we are doing isn’t necessarily in line with the big popular sounds of today and so we do rely on keen eared enthusiasts to get the ball rolling and tell everyone to love us! Saying that, there’s good signs of progress already, with great press and some old fans coming out of the woodwork to show support, which has been lovely.
Your music is a beguiling mix of twee indie and rockier vibes, what are your influences and would you say this is fair description? if not what would you prefer?
Well, the twee influence and tag which seems heavily associated with the band is an interesting one because none of us would say that we are big fans of that genre. Personally, the bands that influence me the most would be Elephant 6 Collectiveacts like The Apples In Stereo, Of Montreal and Neutral Milk Hotel, as well as Yo La Tengo, Weezer, The La’s, The Unicorns, The Flaming Lips and so on. I like the lo-fi aesthetic and the idea of writing a melody or phrase that catches in your mind and goes round and round, that’s an important thing to try to grasp and a great challenge, which I always find very rewarding. I like to think of us as a rock band who write pop songs that don’t necessarily follow the most expected path. I think there’s space to be both strange and popular, if you have good pop ideas, there’s so much you can do beyond the basic presentation of a song. As we tend to write communally, there’s four minds for each idea to pass through, which gives each song a chance to pick up a variety of styles before its finished.
The video for Oh Rosie feature some great animation, who did you work with for this, and what was the inspiration?
Kayla made the video with Gareth Harwood. They have a little animation and design company so making music videos for relevant bands always seems like a fun idea. Kayla’s artwork in general is focused around day-to-day life and it is the things she experiences in her immediate environment that she finds most inspiring (see www.mundaneappreciation.com for more of Kayla’s artwork). The video for Oh Rosie is filled with things from her bedroom. Dresses, stationery, things in her handbag, her hamster (Flash) etc., combined with direct references to other tracks on the album.
You recently relocated to Brighton, what was the lure?
We started as a three piece in Oxford back in 2005 and moved to Brighton after the summer of 2007. Kayla and our original bass player Dan were studying in Oxford and finished their courses that summer. We were drawn to Brighton by the past to some extent, as I had lived in Brighton during my teenage years, and Kayla had immediately loved it when she first moved over from Canada in 2001. It felt like coming home when we moved back, although Oxford was very good to us and we did love it there as well.
You’ve also set up your own label Big Salad Records, what prompted this move?
It’s a combination of factors – ever since we played with the folks behind Fence Records when Kayla and I lived in St Andrews, I’ve been inspired by how strong the inspiration is when a group of people work together in a kind of collective. In Brighton, we know some very talented musicians and all of us seem to be involved in lots of projects, most of which never see the light of day and end up stuck on hard drives in people’s bedrooms.
Big Salad Records was created as a way to encourage friends to get their music into the public domain and hopefully to build a similar collective to, say, the Elephant Six or Anticon labels in America. For Foxes!, we had worked with a few different labels, releasing singles and EPs but I think we reached the point where we just wanted the album out and felt we had enough contacts and experience to do that with the new label. I’m really excited about it and there’s some great things in the pipeline for Big Salad Records.
What is it like working as a husband and wife team?
Well it can be intense at times, but usually it’s great fun. Recently Matt and Alan seem to bicker more than we do. I’ll always believe there’s something magical between us when we work together and it’s overwhelming sometimes to think what a great creative partnership we have managed to uncover. A lot of the new songs are more directly written about our marriage and the crazy times we have been through. We are going to record the second record later this year and try to bring it all together into one piece of writing, set to the backdrop of an aquatic drama. It could make or break us!
Who Killed Rob?
Where can fans catch you in 2012?
We currently have three gigs scheduled. The first is a headline show at Pavilion Theatre in Brighton on 16th February. Then we are back in Oxford for the first time in a while at The Cellar on 10th March. We are also playing a London show for Odd Box Promotions at The Wilmington Arms on 16th March.
Foxes! are husband and wife team Adam Bell and Kayla Bell, joined by Al Grice and Matthew Thwaites. Together they create beguiling indie music accompanied by some great lo-fi visuals. Dance along to the sing along likes of Who Killed Rob? or exhilarate in the rolling rock of Oh Rosie. From the creation of their own record label, Big Salad Records, to their fun homemade videos, here’s a band doing it their way… Adam answered my questions.
Your new album was launched earlier this month, what has been the response so far?
Yes, it has been exciting and the response has been really interesting, we’ve had some very detailed reviews and writers seem to have found nice words to say and things that have made us think about our music and what we are doing. Releasing an album in January is quite a difficult task, as the press and retail outlets tend to be quiet in the new year. In that sense, I feel that we’ve started 2012 with something that will grow, I’m hoping the album will be heard by the right people and settle into something that is appreciated on a wider scale than we’ve known before, having existed as a DIY band for some time. I suppose what we are doing isn’t necessarily in line with the big popular sounds of today and so we do rely on keen eared enthusiasts to get the ball rolling and tell everyone to love us! Saying that, there’s good signs of progress already, with great press and some old fans coming out of the woodwork to show support, which has been lovely.
Your music is a beguiling mix of twee indie and rockier vibes, what are your influences and would you say this is fair description? if not what would you prefer?
Well, the twee influence and tag which seems heavily associated with the band is an interesting one because none of us would say that we are big fans of that genre. Personally, the bands that influence me the most would be Elephant 6 Collectiveacts like The Apples In Stereo, Of Montreal and Neutral Milk Hotel, as well as Yo La Tengo, Weezer, The La’s, The Unicorns, The Flaming Lips and so on. I like the lo-fi aesthetic and the idea of writing a melody or phrase that catches in your mind and goes round and round, that’s an important thing to try to grasp and a great challenge, which I always find very rewarding. I like to think of us as a rock band who write pop songs that don’t necessarily follow the most expected path. I think there’s space to be both strange and popular, if you have good pop ideas, there’s so much you can do beyond the basic presentation of a song. As we tend to write communally, there’s four minds for each idea to pass through, which gives each song a chance to pick up a variety of styles before its finished.
The video for Oh Rosie feature some great animation, who did you work with for this, and what was the inspiration?
Kayla made the video with Gareth Harwood. They have a little animation and design company so making music videos for relevant bands always seems like a fun idea. Kayla’s artwork in general is focused around day-to-day life and it is the things she experiences in her immediate environment that she finds most inspiring (see www.mundaneappreciation.com for more of Kayla’s artwork). The video for Oh Rosie is filled with things from her bedroom. Dresses, stationery, things in her handbag, her hamster (Flash) etc., combined with direct references to other tracks on the album.
You recently relocated to Brighton, what was the lure?
We started as a three piece in Oxford back in 2005 and moved to Brighton after the summer of 2007. Kayla and our original bass player Dan were studying in Oxford and finished their courses that summer. We were drawn to Brighton by the past to some extent, as I had lived in Brighton during my teenage years, and Kayla had immediately loved it when she first moved over from Canada in 2001. It felt like coming home when we moved back, although Oxford was very good to us and we did love it there as well.
You’ve also set up your own label Big Salad Records, what prompted this move?
It’s a combination of factors – ever since we played with the folks behind Fence Records when Kayla and I lived in St Andrews, I’ve been inspired by how strong the inspiration is when a group of people work together in a kind of collective. In Brighton, we know some very talented musicians and all of us seem to be involved in lots of projects, most of which never see the light of day and end up stuck on hard drives in people’s bedrooms.
Big Salad Records was created as a way to encourage friends to get their music into the public domain and hopefully to build a similar collective to, say, the Elephant Six or Anticon labels in America. For Foxes!, we had worked with a few different labels, releasing singles and EPs but I think we reached the point where we just wanted the album out and felt we had enough contacts and experience to do that with the new label. I’m really excited about it and there’s some great things in the pipeline for Big Salad Records.
What is it like working as a husband and wife team?
Well it can be intense at times, but usually it’s great fun. Recently Matt and Alan seem to bicker more than we do. I’ll always believe there’s something magical between us when we work together and it’s overwhelming sometimes to think what a great creative partnership we have managed to uncover. A lot of the new songs are more directly written about our marriage and the crazy times we have been through. We are going to record the second record later this year and try to bring it all together into one piece of writing, set to the backdrop of an aquatic drama. It could make or break us!
Who Killed Rob?
Where can fans catch you in 2012?
We currently have three gigs scheduled. The first is a headline show at Pavilion Theatre in Brighton on 16th February. Then we are back in Oxford for the first time in a while at The Cellar on 10th March. We are also playing a London show for Odd Box Promotions at The Wilmington Arms on 16th March.
