Amelia’s Magazine | Space Beads: Ancient Egyptian Artefacts Made From An Iron Meteorite

Egyptian-Meteor-by-Kit-Wags
Space Beads by Kit Wags.

It’s been awhile since I last had the opportunity to attend a lecture, but last weekend I went to the Royal Observatory in Greenwich for a talk about Space Beads – the title alone being enough to tickle my fancy.

Sarah-Gillett-I-think-I-am-an-ominous-decoration-2014
Tapestry by Sarah Gillett.

egyptian-meteroite-jewelry-space beads
The space beads in question are ancient Egyptian beads dug up from the graves in Gerzeh in 1911, the same year that a large and notable meteorite fell to the earth in the same area of Egypt. The Gerzeh beads have long fascinated archaeologists and scientists as the are made of iron, yet date from the Pre-Dynastic period some 5,000 years ago, long before the earliest example of iron work in Egypt. It has recently been confirmed that these curious beads were made from thin sheets or iron taken from just such a meteorite.

Leonid Meteor Shower over Niagara Falls, 1833
Leonid Meteor Shower over Niagara Falls, 1833.

Meteorite shower engraving, 1848
Meteorite shower engraving, 1848.

Meteor_Crater_Near_Winslow_Arizona
The afternoon opened with a wonderful talk about meteorites given by Marek Kukula, public astronomer at the Royal Observatory. I was chuffed to discover that I was the only one in the room who has visited the giagantic Meteor Crater in Arizona, on a road trip with my parents in the 80s when I lived in the USA. Our visit was notable for our idiocy – we decided to walk the enormous rim in the midday sun, not a good idea in a desert. The most exciting thing I learnt from Marek was that on very rare occasions the tail of a comet will shed a glorious meteorite shower across the entire sky as it grazes the earth’s atmosphere, as happened in 1860, and have since discovered the wood cuts to prove it (great inspiration for my open brief, That Which We Do Not Understand) Apparently we can never know when this will happen again until the occasion is upon us. I am now hoping and praying to see such a wondrous sight in my lifetime! I can only imagine how other worldly it must have appeared to more ancient peoples.

Meteoriten 1838-Keller
egpytian_museum_cairo_Bat-goddess
Which brings me back to our Space Beads. Our next speaker was Alice Stevenson, who has a PhD in the study of the graveyard where the beads were found. She talked about what life was like during the Pre-dynastic era, and the possible meaning and use of the beads, which were obviously worn by someone of some repute. They were found alongside a depiction of the horned cow god Bat with stars above her head: pure speculation could lead us to believe that the beads themselves a very special representation of the heavens.

pallasite meteor
Glorieta-Pallasite Meteor
During a break we were invited to hold sections of different meteorites, some of them older than the planets themselves (gulp, how does one even process such information?) Some of these lumps of rock were exceptionally heavy – I particularly marvelled at the sample of Pallasite Meteor, which contains fragments of Olivine gems (otherwise known as Peridot).

Engraving of the Ochansk meteorite over Perm
Engraving of the Ochansk meteorite over Perm.

Diane Johnson experimental archaeology predynastic space beads
Diane Johnson’s experimental archaeology, making predynastic space beads.

Thirdly we were introduced to planetary scientist Diane Johnson of the Open University, who has combined her love of meteorites and Egypt in an intensive study of the beads. Experimental archaeology has led her to conclude that the beads were made using thin slices of iron that were banged out of the meteorite and then rolled into tubes, rather than forged in a furnace (which shatters the delicate meteorite structure). Her modern day space bead, worn on a simple cord, was beautiful and unusual.

Matthew Luck Galpin meteorite-space beads
Lastly artist Matthew Luck Galpin talked about the use of meteorites in his series of Anvilled Stars. He agreed with Diane that the process of banging them into flattened shapes was a highly therapeutic process that was as important as the final outcome, a highly tactile object reminiscent of an astrolabe, some of which are scattered without explanation around the observatory galleries.

Meteor over Shetland Isles
Meteor over Shetland Isles.

At the end of the chat we had a chance to visit the galleries to view some amazing examples of meteorite. It was great to hear an expert talk about treasures such as the Nakhla Meteorite, which is actually a piece of Mars. The space beads themselves are housed in the Petrie Museum, which I have never even heard of. This is an Egyptian museum attached to UCL, with a super interesting roster of events. I wonder when I can get away to my next lecture…

Categories ,#TWWDNU, ,1860, ,Alice Stevenson, ,Anvilled Stars, ,Arizona, ,Astrolabe, ,Bat, ,Diane Johnson, ,Egypt, ,egyptian, ,Experimental Archaeology, ,Gerzeh, ,Kit Wags, ,Lecture, ,Marek Kukula, ,Mars, ,Matthew Luck Galpin, ,Meteor Crater, ,Meterorites, ,Nakhla Meteorite, ,Ochansk meteorite, ,Olivine, ,Open University, ,Pallasite Meteor, ,Peridot, ,Petrie Museum, ,Pre-Dynastic, ,Royal Observatory, ,Sarah Gillett, ,Shooting Stars, ,Space Beads, ,That Which We Do Not Understand, ,UCL, ,Year of Meteors

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Amelia’s Magazine | The Many Sides: An interview with founder Rita Sheth

The Many Sides Fashion Illustration By Toni Morris
The Many Sides Fashion Illustration By Toni Morris.

You come from a corporate background – why did you decide to branch out and set up The Many Sides and what were you able to bring to the process from your former career?
I set up the business because I found I was no longer excited by what was on offer on the high street – I wanted to bring more unique, well made clothes to people that were also frustrated by the high street as well as the ‘slap on a monogram’ ethos which we see from established labels. As such it was kind of a labour of love! Basically I wanted to connect creative designers with women who wanted to express themselves through creative fashion!
I think from my former career I am able to bring a level of professionalism and attention to detail which is important. It also helps to be able to structure a deal which is important when thinking about different ways you can do business.

The Many Sides Swim
I like the thinking behind your name, can you explain a bit more about what The Many Sides means to you?
The Many Sides references the many sides of a woman. I found as a corporate professional I would have a persona at work and then lots of different other sides for all the other roles I play and the many interests I have. I wanted to develop a brand that resonated with a similar kind of woman. A woman that has many sides and many interests – one of which desires creative self expression and uses fashion as a vehicle to do that.

The Many Sides floral lookbook
Where are your designers from and how do you discover them and bring them on board?
My designers come from a variety of countries from South Korea, Denmark, Greece and the UK among others. I discover them through various means, trade shows, desk based research, instagram…. and now designers get in touch with me too as they like what I am doing and want to be featured on a platform that is selective and well curated. I won’t sell anything I don’t like or where the quality is sub par. I always look for a story behind the designers inspiration that cohesively carries through to their aesthetic. Though each collection may vary, there needs to be something distinctive and ‘signature’ about the designers concept.

The Many Sides Spring Sterling Silver Neckpiece
The Many Sides sterling silver lookbook
Please could you introduce us to a few of your designers…. and let us know a bit about why you have chosen them.
The designers are an eclectic bunch – each with their own distinctive style. A few of the designers we stock are:

The Many Sides Chichia Jumpsuit
The Many Sides ChichiaJacketandTrousers copy
Chichia – Her designs are influenced by African print and in particular she uses the local Khanga fabric to make the clothes. She makes the clothes using local labour in Tanzania to give back to her homeland. I really like the colour and the unique use of cut outs as well as the representation of the culture via the fabrics used.

The Many Sides leather skirt yohan kim
Yohan Kim – Our South Korean designer. He has a rock and roll, gothic style. He uses a lot of leather, studs and heavy detailing, embellishment and embroidery. I really love the intricacy of the pieces. The pictures online don’t do the items enough justice! The pieces are very handcrafted and deeply worked – for example one of the leather skirts is texturised on one side and has studs on the other side. No regular leather skirt!

Tuxedo Jacket
Alice’s Pig – Our London based designer who is influenced by Alice in Wonderland and girly vintage tea party looks. Lots of 50′s style dresses and feminine cuts. I love this designer as the pieces are very wearable but have a subtle twist that still makes the items unique. The kimono trousers and tuxedo jacket are a case in point – they are both staple pieces but not boring and each have a little something extra to make them memorable.

The Many Sides kimono lookbook
What have been the biggest difficulties and triumphs in setting up your own business?
The biggest difficulty is in bridging the gap between online and offline. I am currently looking at ways to make the clothes more accessible offline as its still important to some customers be able to touch and feel the clothes. The main thing I am proud of has been in getting so much positive feedback from customers, bloggers and designers. People in the industry as well as the customer seem to really like the clothes and more importantly are willing to spend their hard earned money buying them – its so rewarding when someone genuinely loves a purchase.

The Many Sides - Spring Edit Bag2
Can you tell us more about your spring edit selection and what informed your choices?
It is a mixture of clothes good for the current weather – florals and light weight fabrics. However as the weather in England is so changeable there are also some jackets on there too. Having said that all of the clothes can be worn any time of year – I don’t approve of the fast fashion movement and want to slow things down by always having clothing on there for all occasions and all weather.

The Many Sides Spring Edit Ceramin Necklace
I also included some colourful accessories including some contemporary jewellery pieces that would go well with day time spring/summer looks to reflect the new season and hopefully the beginning of sunshine! Looking ahead we also have a great new swimwear designer that does very unique designs to flatter every shape which also comes in made to measure sizes.

The Many Sides slate_crag_ring_on_hand
The Many Sides Spring Ceramic_Ring
What next for the Many Sides?
As I mentioned I want to explore different ways to bring the clothes to customers in a more direct way. This is something I am looking at right now. I also want to carry on delighting customers with the unique product offering which I intend to keep growing with time. Essentially, I hope to grow the business through word of mouth – that’s the dream!

Check out Rita Sheth‘s unique selection of clothing and accessories for yourself on The Many Sides. Rita Sheth was a contributor to my 10th anniversary book That Which We Do Not Understand.

Categories ,#TWWDNU, ,Alice’s Pig, ,Chichia, ,fashion, ,Global Fashion, ,Indie Fashion, ,interview, ,Rita Sheth, ,That Which We Do Not Understand, ,The Many Sides, ,Toni Morris, ,Yohan Kim

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Amelia’s Magazine | The Porridge Cafe opens in Old Street, featuring TWWDNU and True Romance prints on the walls

Porridge Cafe Review
The much hyped Porridge Cafe opened at 70 Paul Street in East London this week: the healthy antidote to the equally hyped Cereal Killer Cafe which is just a stones throw from where I live on Brick Lane. The Cereal Killer Cafe has been ridiculously successful, with queues around the block on busy days, but surely Londoners would like something a bit more tasty and nutritious for breakfast? Step forward Nik and Elly of the Porridge Cafe. Their street food business began in 2013 as the Bow Street Kitchen, specialising in feeding the hungry tech hordes of Hoxton and the surrounding environs. Having concentrated on the provision of modern ‘British’ comfort food: think bacon butties and steak and mash, they decided that a logical next step would be to set up a (slightly) more permanent base with a pop up cafe dedicated to the most healthy comfort food of all. Plus they knew it might be a savvy move, what with oats and porridge so much in vogue.

Porridge Cafe-TWWDNU artwork
We went along to check out the cafe today, which is housed in the same pop up space where our TWWDNU prints were on show just a few weeks ago, and I am delighted to report that the very finest artworks (our A2 prints featuring 24 carat gold leaf by Cristian Grossi, Daria Hlazatova, Niall Grant and Mateusz Napieralski) are now on the walls of the cafe alongside some of the True Romance alternative cinema prints commissioned by East End Prints.

Porridge Cafe-parsley aubergine caper risotto
I tried to tempt Snarfle with some porridge mixed with a tiny bit of apple, to no avail, so I ended up paying for another plain portion which luckily he ate when liberally topped with honey (it’s his usual breakfast but we abstained this morning). For my lunch I opted for the parsley, aubergine and caper risotto (above), a colourful and intriguingly flavoured affair. I was left a wee bit hungry – maybe I’ll blame that on being pregnant – but the portions are relatively small, so make sure you top up with one of the delicious sounding fresh smoothies if you visit for lunch.

Porridge Cafe-pepper chorizo chilli barley
Roasted red pepper, chorizo and chilli barley porridge for lunch.

The porridge options for breakfast come with an assortment of fresh fruit, nuts, berries and milk: all of which sound delicious. Busy Londoners are used to splashing out on tasty food so I hope this place will become a success. If the Cereal Killer Cafe can do it surely Nik and Elly can? Make sure you check out our beautiful limited edition prints when you visit.

The Porridge Cafe offers a rotating menu that includes 11 different grains and is open until the end of March. The full menu can be found here. Read more about the story behind the TWWDNU prints here.
Opening times: Mon-Fri 7am-6pm, Sat 8am-5pm, Sun 9am-4pm

Categories ,#TWWDNU, ,70 Paul Street, ,Bow Street Kitchen, ,Brick Lane, ,Cafe, ,Cereal Killer Cafe, ,Cristian Grossi, ,Daria Hlazatova, ,East End Prints, ,Food Review, ,Mateusz Napieralski, ,Niall Grant, ,Opening times, ,Pop Up Cafe, ,Porridge, ,Porridge Cafe, ,Restaurant, ,review, ,Snarfle, ,Street Food, ,True Romance

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Amelia’s Magazine | Meet Liv Bargman: Featured Artist from That Which We Do Not Understand

Amelias_magazine_TWWDNU_Liv_Bargman_dark_matter
Liv Bargman was featured in my first book, Amelia’s Anthology of Illustration. She is drawn like a proton to scientific ideas and theories, which she tries to untangle with felt tip pens and hand drawn type. Dark Matter was inspired by a recent collaboration with astrophysicists and science authors on a project in Bristol, which sought to explore this cosmic gap in our understanding. ‘Dark matter makes up about 27% of the known universe, yet it is a huge hole in our current understanding of the cosmos. Is it something allusive, strange and or is it perhaps golden light?

Liv Bargman-moose
Liv Bargman-dino
Your image was inspired by the mystery of Dark Matter: what do you find most fascinating about this idea?
That it’s still an undetermined idea which is baffling scientists and it deals with philosophy as well as hard physics, so theoretical and experimental physicists are working together on space science projects. They know what dark matter isn’t rather than what it is. So it might be made up of weird particles like axions or WIMPS (Weakly Interacting Massive Particles), but it isn’t antimatter.

Liv Bargman-Scribby Science
Liv Bargman-geology rocks
Your image was inspired by the mystery of Dark Matter: what do you find most fascinating about this idea?
That it is still thought of as an idea, a concept, a mathematical equation and not real hard particle ‘stuff’. Which it is, in some form – we just don’t know what form it is. Madness really, as it makes up for most of what the universe is made from.

Liv Bargman-planes
Liv Bargman-entertainist spring2
How did you get to work with scientists on the recent project that sparked this interest?
I am just really interested in being involved in science illustration projects. I contacted At-Bristol (the science learning centre), Showed them my portfolio, and a year later I was able to take part in a project to inspire 14-16 year olds to learn about physics. Learning, education, science and design all intermingle, and it’s totally great. Jim Alkhalili has provided the voiceover for the animation we created.

Liv Bargman 1
Liv Bargman 2
What else did you learn about the cosmos that would perhaps boggle our minds?
That there’s a theory expounded by mathematical physicist Sir Roger Penrose that the Big Bang wasn’t the beginning, and this universe was preceded by another, preceded by another – so we are just one part of a long chain of Big Bangs stretching into infinity. His thinking stems from evidence in data taken from the Cosmic Microwave Background (old light photographed from the big bang 13.8 billions years ago). When a universe expands to its limit even the black holes themselves evaporate and it collapses back in on itself in a highly ordered way, to start the process of creating a Big Bang all over again.

Liv Bargman-colours
How did you create your artwork and what elements relate to the concept of Dark Matter?
The artwork features drawings made with Pentel felt tips and Staedtler black fine liners combined with scans of some textures in Photoshop. The fragmented particles are highlighted in gold and the guy in thee middle constitutes what Dark Matter might possible look like.

Liv Bargman-water cycle
What kind of space do you use as a studio?
At the moment I work at a fifties desk in my living room as I’ve just moved back to London. I used to have a studio space when I was living in Bristol (Drawn in Bristol). My new job as a full time book designer takes up a lot of my time and I’ve had to squeeze my illustration projects in between, which is not ideal.

Liv Bargman-asarabacca
You’ve led an eclectic design career since graduating in 2008, what has been a highlight so far?
Yes, it’s been eclectic. I loved working for Wild & Wolf, and Paper & Cloth and I would love to develop more design product gifts. I currently work in publishing so it’s very interesting to see behind the design process.

Liv Bargman-DNA
I hear you love Brutalist architecture – what is your favourite Brutalist building and why?
Obvious choice, but I love Ernő Goldfinger’s Balfron Tower (and Trellick Tower) and Bluevale Tower in the East End of Glasgow. They are deeply divisive, pared-down, segmented, geometric, textured designs: terrible social housing was made real in social experiments after the Second World War. I find mid 20th century history fascinating.

Liv Bargman-joyeux noel
What other projects have you got in the pipeline?
An upcoming collaboration with Wild & Wolf in the new year. Tis still a secret.

Read what Liv says about this project here and secure your copy of Dark Matter on my Kickstarter campaign page here.

Categories ,#TWWDNU, ,Amelia’s Anthology of Illustration, ,Balfron Tower, ,Big Bang, ,Bluevale Tower, ,Cosmic Microwave Background, ,Dark Matter, ,Drawn in Bristol, ,illustration, ,illustrator, ,interview, ,Kickstarter, ,Liv Bargman, ,Paper & Cloth, ,science, ,Weakly Interacting Massive Particles, ,Wild & Wolf

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Amelia’s Magazine | Meet Lorna Scobie: Featured Artist from That Which We Do Not Understand

Amelias_Magazine_TWWDNU_Lorna_Scobie_black_catsAmelias_Magazine_TWWDNU_Lorna_Scobie_black_cats
Lorna Scobie has contributed to Amelia’s Magazine for many years. She was one of my top picks at her graduate show in 2012, and since then she has designed for multiple clients, illustrated children’s books and won many awards for her wonderful animal illustrations. Black Cats was inspired by the superstitions associated with these creatures. ‘Whether they are the bearers of good or bad luck, black cats are subject to our superstitions from England to Japan. Here I have confronted this prejudice, and filled the viewers vision with silent black felines. Are they evil omens, or are they just like any other cat?

Cat_2_Lorna_Scobie
What inspired the personalities of your black cats?
Cats have great personalites – they are all so individual. I love the confused face you see on kittens so much, and I think most of these black cats have that face! I hope I’ve managed to portray that black cats aren’t just black cats, and that each one is as funny, quirky and silly as other cats. It’s funny to think that some people see black cats as devilish!

Cat_1_Lorna_Scobie
Apparently you don’t actually like cats yourself, so what drew you to these little furry beasties?
Although I don’t like the sneakiness of cats, I love drawing them. Cats have such great characters, they make it so obvious when they are miffed! I like the way they can contort their bodies when they lick themselves and it’s really fun to draw all their limbs. There’s just something about cats!

Tiger_Lorna_Scobie
What are your favourite animals, in real life, and why?
I love tigers – which is ironic as they are just big cats! The orange and black is so striking.

Dogs_Lorna_ScobieDogs_Lorna_Scobie
You’ve contributed to Amelia’s Magazine for years, what keeps you coming back?
I love the variety of content in Amelia’s Magazine. Sometimes I find myself drawing the same sort of things everyday and so it’s really refreshing to take part in one of Amelia’s live briefs and try something new. I also have SO much respect for Amelia. When I was in my second year of university Amelia was kind enough to give us a talk about her career and since then I’ve been a huge fan of everything she has done. Hearing Amelia speak inspired me start my own blog and social media pages.

Reindeer_Lorna_Scobie
What has been you favourite commercial client since you left university, and why?
I will always have a lot of love for Stella McCartney Kids as they were one of my first commercial clients, and it meant a lot to me that they trusted me despite it being fresh out of Uni. I really enjoyed the project – creating animal masks – as it was unusual and I was allowed a lot of creative freedom. I’m yet to have a bad experience with a client, perhaps I’m really lucky, but I think it’s because the majority of people out there are really lovely!

Jungle_Lorna_Scobie
What one top tip would you share with a new illustrator?
The best tip I’ve ever been given is that there is no rush! There’s so much pressure on new graduates to be instantly successful and it’s not fair to put that on yourself as it rarely happens. I firmly believe that if you are creating illustration that you like and if you work hard, you will get to where you want to be. It’s unlikely this will happen over night, so relax, don’t rush, it’s not a race!

Dalmatians_Lorna_Scobie
Have you got any exciting projects in the pipeline, and if so can you share a few details with us?
I feel like I’m constantly working on developing some picture books so hopefully some of these projects will come into fruition! I’ve also been working a lot with a big Paris fashion house recently, and lots of that illustration will be out in December.

Birds_of_paradise_Lorna_Scobie
Find out more about Lorna Scobie‘s working process here and buy her lovely Black Cats print – complete with super shiny gold leaf on the cats’ eyes – on my Kickstarter campaign page here.

Categories ,#TWWDNU, ,animals, ,Black Cats, ,cats, ,Gold Leaf, ,illustration, ,illustrator, ,Kickstarter, ,Lorna Scobie, ,Stella McCartney Kids, ,That Which We Do Not Understand

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Amelia’s Magazine | Meet Parris Wakefield: Featured Artist from That Which We Do Not Understand

Amelias_magazine_TWWDNU_Parris_Wakefield_order_outof_chaos
Sarah Parris has a background in environmental science and is one half of interiors design duo Parris Wakefield, who create colourful graphic textiles that I first fell in love with at Tent London last year. Order from Chaos was inspired by an interest in science, astronomy and nature, and ponders some big questions. ‘How did the universe begin? Why does the natural world follow the same mathematical patterns? Is it chance or some greater force at work, that brings such order from chaos?’ The geometric pattern follows the rules of the golden ratio and the Fibonacci sequence, which is applicable to the growth of every living thing.

ParrisWakefield-fabric rolls 480px 72dpi
Before becoming a designer you studied environmental science – how did this career evolve into your current one?
My career path has gone in several directions and ending up in design was really very much by luck. I had always intended to work in conservation. My first job was leading a summer holiday club at a country park. I loved it so, I went back to uni and got a PGCE in secondary school science, specialising in environmental education. After a few years though, I realised teaching in schools was not my calling and I needed to get out. Thankfully I met Howard who was looking for an admin and project manager at his design studio. He worked with world renowned designer Peter Saville, I slowly got more involved and was increasingly asked my opinion about colour and imagery which led to me creating my own digital imagery for the studio.

ParrisWakefield-zig zag cushion and shade 480px 72dpi
How did you research the geometric shapes for your piece Order from Chaos?
It is something I have always been amazed at, nature’s mathematical patterns are so fascinating and beautiful. A few years ago we worked on a graphic identity proposal for the Discovery Channel, which we based on the Fibonacci sequence, it didn’t go ahead but I learnt a lot about Fibonacci. This time, I didn’t want to simply recreate the classic spiral pattern, preferring the shapes based on the principles of the Golden section, Golden triangle and Fibonacci which are all interlinked.

Mia sofa by Jane Richards upholstered in Forget Me Not by Parris Wakefield 480px
What scientific ideas boggle your mind the most at the moment?
The fact that just yesterday a probe landed on a comet is quite mind boggling. The Rosetta spacecraft was launched more than 10 years ago, has travelled more than 6bn kilometres to catch up with the comet, which orbits the sun at speeds up to 135,000km/h. – wow!

studio photo Parris Wakefield
How do you create your unique patterns?
The patterns start with the colours, this is why I rarely recolour a pattern. I work with the selected colour palette straight away in photoshop, the pattern evolves quite organically, building up the pattern on different layers which we interact with each other. Working this way, I know how to manipulate the colours to get the effect I want, but also the unexpected can happen which is exciting.

Bliss-wallpaper-in-production-parris_wakefield
Your business is a partnership with your husband Howard, how easy is it to work together and what is your secret to a harmonious business relationship?
Working with Howard is the easiest most natural thing, we have been working together for 13 years and I wouldn’t want that to change. We are on the same wavelength but have different skills, I cannot do what he does and so I have a huge respect for his graphic design knowledge. Equally he couldn’t get on and focus on his work if I didn’t do all the invoicing, marketing admin side of things. Our patterns are always a collaboration between the two of us, we often sit together and work on the pattern or share the file and work on different layers and then together decide on which ones to use and interact. With Order from Chaos I was really happy with the ‘Big Bang’ background but couldn’t get the geometric shapes right, the final combination and position was thanks to Howard.

wildflowers
What has been the best bit of relocating to Suffolk?
Suffolk is such a beautiful county. We are very lucky to live surrounded by one of the few remaining large common lands that is still grazed and rich with wildflowers. The school is a short bike ride away and our studio is in the attic of our barn. Moving here has given us the best work life balance that we could imagine with the bonus of allowing us and the kids to get up close with nature.

marthe_parris_wakefield
What next for the Parris Wakefield design business?
There are many products I would like to have the opportunity to design and the idea of collaborating with other creatives is really exciting. One that is already in the pipeline is our collaboration with Camira Fabrics and printing one of our designs on to wool. But I would also love to do carpet and ceramic designs so any companies out there looking for a new collaboration do get in touch…

Read more about the Parris Wakefield print here and buy your limited edition gold leaf Order from Chaos here. It would make a beautiful addition to any wall!

Categories ,#TWWDNU, ,Camira Fabrics, ,Discovery Channel, ,Fibonacci, ,Interior Design, ,Order from Chaos, ,Peter Saville, ,Rosetta, ,Sarah Parris, ,Suffolk, ,surface design, ,Tent London, ,Textile Design, ,That Which We Do Not Understand

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Amelia’s Magazine | Meet Yoko Furusho: Featured Artist from That Which We Do Not Understand

Yoko Furusho_TWWDNU
Yoko Furusho is a Japanese illustrator based in New York, and was featured in my first book, Amelia’s Anthology of Illustration. Since then she has worked with a long list of commercial clients, and featured in many exhibitions and books. She loves to draw details, textures and patterns with ink and acrylics. The Scenery of the Other Side was inspired by Japanese ideas of the afterlife, following the recent loss of her grandfather. ‘Souls must cross a huge river, and are first judged by the King of Hell. Cows and horses carry the good souls to heaven and my illustration shows what I think this might look like.’

Yoko_Furusho_flyer
Your artwork is titled Scenery of the Other Side – what elements does of this world did you decide to feature and why?
I wanted to focus on the after life world which we don’t understand. Since I lost my grandfather last year, I started to think about where we go after our life. I guess I was very lucky that until last year nobody around me has died, so I was very shocked to realize what happens at the funeral ceremony and when the souls go away.

Yoko_Furusho_scales
How did you create the artwork and what inspired the colour palette?
I always like using colours but I chose really happy colours to create the after life world, because I want the old souls (including my grandfather) to be happy.

Yoko_Furusho_landscape
It was inspired by the death of your grandfather, what did you learn about how death is dealt with in Japan, and what most surprised you?
In Japan, funeral ceremonies are very solemn. The funeral is usually on the day after the wake, and the procedure is similar to the wake, where incense is offered while a priest chants a sutra. At the end of the funeral ceremony, the guests and family may place flowers in the casket around the deceased’s head and shoulders before the casket is sealed and carried to the elaborately decorated hearse and transported to the crematorium. Actually I was very surprised about the funeral alter. The ceremonial alter is covered in flowers so that it looks like a palace in a flower field. Then I realized that is where my grandfather would go and live after he died. So I felt very weird. I was so sad that I lost my grandfather, but I thought that if he was going to live in such a place in the after life, then actually that wouldn’t be too bad.

Yoko_Furusho_lady
You contributed to my first illustration book several years ago, what has happened in your career since then?
Yes, Amelia’s Magazine was one of my first clients. I remember that I was so excited when I first saw the magazine on the news stand in New York. And I was even more excited when I realized that the magazine is based on open-briefs. In that point in my career it was a great opportunity to show my work to people who are excited about the sort of cute and colourful illustrations that I make. So I really appreciate the chance I was given by the magazine and I wanted to celebrate your 10th birthday with my art.

Yoko_Furusho_lady head
What has been you favourite commercial brief and why?
So far, I have worked on four childrens’ books in Europe and in Japan. Through working on these books, I have come to realize how much I like books. When I see children happily reading my books this is such a precious moment for me. Now that I am so passionate about books, my long-term goal is to have an exhibition featuring all of the books that I have published.

Yoko_Furusho_japanese lady
What else are you working on at present?
Currently, I’m working on my next children’s book, which is going to be published as my second original. At the same time, I liked the theme that I worked on for That Which We Do Not Understand so much that I have started to create a new series called The Scenery of the Other Side, which features the fantasy world of Japanese afterlife. You can see some of the images I have made so far in this blog post: I am going to include the hell side of the after life world as well!

Yoko_Furusho_dino
Lastly, was this work in any way cathartic to create? And if so what was the most cathartic part of the creation?
The concept came up easily because I have been interested in the theme since last year. So this imaginary afterlife world was just opened in my mind. I looked for Japanese rituals after the life and drew them straight to the end. I think it has been a good time for me to create my own series and I’m happy that I could end up with this image. Thank you!

Yoko describes her illustration in more detail here. You can pledge for her marvellous artwork, featuring gorgeous gold leaf highlights all over, on my Kickstarter campaign here. Just 5 days left to go to make your pledge!

Categories ,#TWWDNU, ,After life, ,Amelia’s Anthology of Illustration, ,Funeral, ,illustration, ,illustrator, ,interview, ,japanese, ,That Which We Do Not Understand, ,The Scenery of the Other Side, ,Yoko Furusho

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Amelia’s Magazine | Meet Cristian Grossi: Featured Artist from That Which We Do Not Understand

Amelias_magazine_TWWDNU_Cristian_Grossi_ver_sacrum
Cristian Grossi lives in Italy, where he works on a plethora of art, design and fashion projects. He studied computer science and his bold graphic style is influenced by modernism, art nouveau, a love of nature and magical folk stories. Ver Sacrum was inspired by a night spent in hospital, when Cristian began to relate the behaviour of the human body to the Turing Machine. He imagined two demiurges implanting apparatus to combine with body parts, the unknown becoming part of the known in our flesh.

cristian-grossi-ver-sacrum-zoom
Your image was inspired by a night spent in hospital, how has its creation helped you heal?
About a month ago I was in the hospital, my dad had very delicate surgery. I thought about how fallacious the body is, and the perfection of the mathematical modeling of the inorganic systems that I studied at the university. Take for example the Turing Machine, it’s complete. My demiurges mysteriously assemble a perfect body, a system that is in balance. Maybe they are creating the perfect body for my dad.

cristian-grossi-ledas-myth
cristian-grossi-mostrum-horribilis
How long did it take to put together and what elements does it contain?
The image is made of more than 300 anatomical drawings showing human body organs and membranes (among them pancreas, lungs, brain, testicles and yet the liver, intestine, bone and fetuses). I am celebrating the Jugendstil (art nouveaux) style, affected with contemporary digital contaminations. 33 working days were required to develop my allegory for the creation of human beings. Ver Sacrum features two female demiurges putting together a newborn.

the-madras-adventure-cristian-grossi
the-blue-sea-comes-tropical
What is your working process?
I start my drawings using pencil and Chinese ink on paper, then add elaborations to them on the computer. I believe that the transition to digital is a mandatory step for all contemporary designers because scanning images is a key step to fix ideas.

cristian-grossi-the-blue-sea-comes-tropical-isadora
cristian-grossi-the-blue-sea-comes-tropical-flora
What is your favourite subject matter and why?
I’m attracted to all that is kitsch. The surplus has always attracted me, and I think that is part of my Jugendstil nature. The strange thing is that I’m passionate about everything that goes beyond, and all that’s missing: the moment before death, of a sneeze, the cavities of the times in the dialogues of a conversation. I believe that the completeness is not interesting.

cristian-grossi-madreperla
cristian-grossi-minimondi
You have recently had an exhibition – can you share some of this work and explain what it was about?
Yes, I have just had an exhibition of video art and textiles. I design fabrics for some Italian fashion brands and themes always stretch into other artistic projects such as video art, books and installations. The latest project is a study of the roots of the Liberty style typical of my city, Salsomaggiore Terme, with an attempt on my part to recover and re-elaborate the details in a new artistic language.

cristian-grossi-insekta-phasmatodea
cristian-grossi-insekta-moodboard
cristian-grossi-insekta-blattodea
You are a very busy designer: what other jobs have you completed recently, and what are you most looking forward to working on in the coming months?
Yes, I am very busy. This Christmas around 18,000 Italian families will receive my ball which has been illustrated for a non-profit, so I’m very excited. In a few months my new collection of scarfs and bags for a big fashion brand will be released, and I have been involved in mood boards, ideas and stylistic direction. I have also designed a series of posters to promote art exhibitions in Italian museums and festivals and a series of limited edition stationery.

cristian-grossi-die-jugestil-organico
cristian-grossi-pinko-scarf
Where are the best places to go for creative inspiration online in Italy?
Italian creativity is very special. Fashion, architecture and design are born in Milan, and it is there that these are processed. But Milan is a city sad and cynical, so I think the source of true creativity is in the provinces. The typical is very genuine, if you can hang out for the provinces to discover new enzymes, you understand the genuineness of color, flavor and shape. So if you want to take a shower of true creativity Italian go to festivals in Emilia, eats local food, meet local people. Check out online projects such as gnambox which covers food that is typical of the Italian tradition, or weloooooveit (www.weloooooveit.com) which celebrates all that is cool of Italy, or Dolce & Gabbana’s Swide, which offers the best of the sweet life.

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Read more about Cristian’s Ver Sacrum here and secure your gold leaf fine art print here.

Categories ,#TWWDNU, ,Anatomical, ,art nouveaux, ,Cristian Grossi, ,gnambox, ,illustration, ,Italian, ,Jugendstil, ,Salsomaggiore Terme, ,Swide, ,That Which We Do Not Understand, ,Turing Machine, ,Ver Sacrum, ,weloooooveit

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Amelia’s Magazine | Meet Emma Farrarons: Featured Artist from That Which We Do Not Understand

Amelias_Magazine_ TWWDNU_Emma_Farrarons
Emma Farrarons is a children’s book designer who recently returned to illustration when she began contributing to Amelia’s Magazine. Since then she has hosted a solo exhibition called Hidden Folk in Shoreditch, contributed to Okido kids’ magazine, been part of the 100 Cats exhibition and completed illustrations for her first book. Her contribution to my 10th anniversary limited edition book (and also available as a limited edition gold print) is called Moon Rabbit and features the Chinese legend of Chang’e. ‘By overdosing on a magic pill that grants immortality, poor Chang’e floated all the way to the moon only to reside there for eternity with her companion the Jade Rabbit. That is why you can see the silhouette of a rabbit on the moon.’ The colour way was inspired by Klimt’s bold use of gold and ochre and the dress pattern (featuring a few hidden rabbits) reflects a love of printed textiles.

Gabby-Young-by-Emma-Farrarons
Hiroko-Nakajima-one-model-by-Emma-Farrarons
How did you research your idea and come up with a way to illustrate the Moon Rabbit and how did you create the artwork?
When reading your brief I was instantly drawn to the words moon and folklore. I remembered hearing that the Chinese saw a rabbit on the moon. This is how I came to learn about Chang’e, the moon goddess. In a few words, Chang’e overdoses on a pill of immortality and drifts into the sky. She floats into darkness until she lands on the moon only to live there forever with her companion the Jade Rabbit. That is how the Chinese came to explain that there is a rabbit on the moon. I found this tale beautiful and wanted to share it through illustration.

Moon-Rabbit-portrait-by-Emma-Farrarons
What was the most enjoyable part about creating this piece?
Working on the colour, texture, detail and composition have been enjoyable parts. The element of gold influenced my choice of colour. I searched for a palette that would compliment gold in a subtle yet impactful way. I remembered being fascinated by Gustav Klimt in my school years. His father was a gold engraver which is perhaps a reason for Klimt’s ‘Golden Phase’, when he applied actual gold leaf on his paintings. This encouraged me to use warm ochres, yellows and midnight blues.

Burberry-by-Emma-Farrarons
Un-Petit-Blog-2-by-Emma-Farrarons
One could say that the illusionist and filmmaker Georges Méliès was another source of inspiration for his film A Trip to the Moon. In my mind, I have a vivid image from his film. It is of a beautiful woman perched on the moon as as though she’s sitting on a swing. Working into the textures and the detail of Chang’e’s dress was great fun. It was a great excuse to buy gold paint! I love textile design and pattern. If you look closely, can you notice the constellation and hidden rabbits on her dress? A printed pattern can also tell a story.

Painting-Moon-Rabbit-by-Emma-Farrarons
Who do you think would most enjoy this artwork, and why?
I’d say someone who likes the moon, folklore, when an illustration tells a story, the female form in art, textile, fashion illustration…and rabbits!

Un-Petit-Blog-by-Emma-Farrarons
How did you end up living in London, and what route did you take into the publishing industry?
I’m originally from Paris. I studied illustration at the Edinburgh College of Art and l’Ecole Nationale Supérieure des Arts Décoratifs. After Scotland I moved back to Paris to start life as an illustrator. These were very early days, and I wasn’t sure what I wanted to do just yet. One day, I took the Eurostar to London, loved it and stayed. After an internship in a publishing house, I’ve since worked as a picture book designer and freelance illustrator.

Itch-Ouch-Okido-2-Emma-Farrarons
What was the spark that reignited a love affair with drawing?
There had been a time when I had lost a bit of my confidence as an illustrator. With social media, I started to connect with other like minded creatives, including Amelia’s Magazine. You were doing illustration call-outs via Twitter and one particular call-out was the spark that reignited my curiosity to draw and to get out of my comfort zone by using more colour.

Hidden-Folk-map-by-Emma-Farrarons

Since then, it’s been a busy year of drawing. I’ve collaborated with producer and director Joanna Arong to design a canvas bag for Eskwela Haiyan, a non-profit organisation which raises to help children victims of typhoon Haiyan finish school. I have worked with Fika to create Hidden Folk: A Scandinavian Folklore collaboration around art and food. I’ve completed a textile printmaking course in Sweden and joined the illustration collective Bat Country Collective with illustrators Åsa Wikman, Dani’s Drawings and Karin Söderquist. The last two are also Amelia’s Magazine contributors.

Mindfulness-Colouring-Book-by-Emma-Farrarons
I believe you currently have a book in the pipeline, can you tell us a bit more about that?
I certainly can. In fact, it’s very exciting to tell you more about it. It’s called The Mindfulness Colouring Book: Anti-stress art therapy for busy people. It is published by Boxtree and comes out in January. It’s a 100 page colouring book filled with black and white floral, geometric, wavy, animal patterns designed to calm and de-stress a busy mind with mindful colouring-in. The book is at this moment at the printers, but I can show you a sneaky peak of some of the pages.

Okido-Itch-and-Ouch-by-Emma-Farrarons
What can we expect from you in the coming year?
Bat Country Collective are planning to exhibit at Fika in the coming year. We are currently brainstorming interesting themes. In the coming year, I’d like to give a bit more time and broaden the content of my blog Un Petit Blog. I’m enjoying connecting with other bloggers and learning more about blogging. It’s an empowering feeling to be ‘all-in-one’ the publisher, editor, curator and illustrator of your own online platform. The latest is that Un Petit Blog has just launched Un Petit Newsletter which will be packed with interesting news including: Exclusive doodles, Favourite finds and tips when out and about, The very latest news on my illustration projects, And much more… The 1st newsletter my subscribers will receive will feature TWWDNU!

Un-Petit-Blog-3-by-Emma-Farrarons
You can read more about Emma’s process here and sign up to her newsletter on Un Petit Blog. Click on over to my Kickstarter campaign to grab one of her stunning Moon Rabbit artworks featuring faux gold leaf. There are only 10 available, so snap yours up fast. Only £45!

Categories ,#TWWDNU, ,100 Cats, ,Asa Wikman, ,Bat Country Collective, ,Boxtree, ,change, ,Chinese, ,Dani’s Drawings, ,Edinburgh College of Art, ,Emma Farrarons, ,Eskwela Haiyan, ,Fika, ,Georges Melies, ,Golden Phase, ,Gustav Klimt, ,Hidden Folk, ,illustration, ,interview, ,Jade Rabbit, ,Joanna Arong, ,Karin Söderquist, ,Kickstarter, ,l’Ecole Nationale Supérieure des Arts Décoratifs, ,Moon Rabbit. Moon Goddess, ,Okido, ,paris, ,That Which We Do Not Understand, ,The Mindfulness Colouring Book, ,Un Petit Blog, ,Un Petit Newsletter

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Amelia’s Magazine | Meet Karin Soderquist: Featured Artist from That Which We Do Not Understand

K Soderquist - The Magicians Assistant
Karin Soderquist studied at Camberwell College of Art and first captured my attention at her 2011 graduate show. She is currently based in Stockholm, Sweden, has contributed to numerous exhibitions and publications, and is a member of Bat Country Collective with Emma Farrarons. The Magician’s Assistant was guided by a subconscious instinct to make an image with a little bit of magic. ‘As I started working on the image the woman turned into a cyclops. I added more details such as the pigeon, the gloves and the apple, but the final question remains: who’s the magician and who’s the assistant?

K Soderquist - Mermaid
Your artwork is the result of a conversation with your subconscious… is this a common way for you to work and if not why were you inspired to work in this way?
When working on illustration commissions there are usually a lot of planning before sitting down and actually making the illustration. You have to send sketches and roughs to the client to show them your idea so that they can say if they like it or not. Therefore, when working on personal projects, I sometimes like to take a different approach where I don’t plan ahead as much. I usually start out with just a rough idea of what I want to do and start drawing. I find it a very relaxing way of working. That’s how I created my submission for That Which We Do Not Understand. And I felt like letting my subconscious guide me was very much in keeping with the theme of the brief.

K Soderquist - Dancing Cats
How do you put your illustrations together?
Over the past couple of years I’ve developed a way of working that I really enjoy. I start off by drawing the image out in pencil. Then I cut out all the pieces of the image in coloured paper, scan them and reassemble them in Photoshop where I add the colours. I like the hand made feel that working with paper and scissors gives the illustrations and finishing the work digitally gives me a lot of freedom to play around with colours and composition.

K Soderquist - Akademikern
You have done a lot of work for Akademikern, what kind of magazine is this?
It’s a magazine for the members of the union SSR. It’s for people who’s studied HR, economics and behavioral sciences etc. It’s always a lot fun getting commissioned by them, the art director and the editor are great to work with and the articles are always interesting to read. I love the challenges that doing editorial illustration can bring!

K Soderquist - sexy pastries
I adore your Lets Fika pastry images… can you tell us more about the deserts featured? what is your favourite?
They’re all traditional Swedish pastries, I did them for an exhibition at the swedish cafe Fika on Brick Lane about two years ago. It’s a chocolate ball, a princess cake, a semla and a cinnamon bun. I made them into pin-ups to add a bit of swedish sin. My favourite Swedish pastry is actually not included. It’s called a Dammsugare (which means vacuum cleaner) or Punchrulle. It’s flavoured with arrack and covered in bright green marzipan, yummy!

K Soderquist -Atomic Love
Why did you decide to study in the UK?
I wanted an adventure and I’d been daydreaming of living in a big city for a while, so studying was a good excuse to move there! It’s probably one of the best decisions I’ve made. After about four years I got home sick and moved back to Sweden but now I feel home sick for London!

K Soderquist - Marie
I first came across your work at your graduate show, what is the most important thing you have learnt about working in illustration since leaving uni?
Everything, haha! In hindsight I think there are a lot of really important things you don’t learn at art school (at least not on the course I did). I’m still figuring a lot of stuff out. But I think the most important thing I’ve learnt is how to work quickly and how to make an illustration I’m happy with in a couple of days or sometimes a couple of hours!

K Soderquist - Freak Fruits
You can read more about Karin’s work here and buy her fabulous gold leaf art print on my Kickstarter campaign page here.

Categories ,#TWWDNU, ,Akademikern, ,Bat Country Collective, ,Camberwell College of Art, ,Dammsugare, ,Emma Farrarons, ,Fika, ,illustration, ,illustrator, ,interview, ,Karin Söderquist, ,Kickstarter, ,Punchrulle, ,stockholm, ,Swedish, ,That Which We Do Not Understand

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