Amelia’s Magazine | David Bramwell introduces his upcoming book to be published with Unbound: No.9 Bus to Utopia

No9 Bus to utopia cover
I first heard David Bramwell talk about his upcoming book No.9 Bus to Utopia at Wilderness Festival last summer, where he spoke engagingly about his adventures whilst searching for happiness and meaning in communities across the world. In a neat turn of affairs I also heard John Mitchinson speak passionately about his revolutionary new crowd funded publishing company at Dark Mountain festival last summer. So when Unbound got in touch to ask whether I’d like to interview David about No.9 Bus to Utopia I of course said yes.

david bramwell and swan
What is the No 9 Bus to Utopia about and why should people support the project?
It’s a book that chronicles a year spent visiting seven extraordinary communities in Europe and America after a relationship breakup. It was undertaken partly to learn how to be better at sharing and also just for the sheer adventure. Over the twelve months I visited sexual arcadias, a new city being built in the Arizona Desert, ashrams, anarchist communes and a place in the Italian Alps straight out of the pages of a sci-fi novel. I returned home full of inspiration from the people I’d met and wanting to make a difference in my hometown of Brighton by helping strengthen my local community through an event called Zocalo. Zocalo takes place one day each year when we encourage people to leave their houses and sit on a chair outside as a way of saying: I’m a friendly neighbour, come and have a natter. It’s been steadily growing over the years and is an informal street party all over the city. Better still it’s mercifully free of fund-raising, council approval, red tape or Union Jack bunting. It was dreamt up by a local guy, David Burke, and is a simple way of getting people talking to their neighbours again and re-kindling a sense of community. There’s lots of good will for it in Brighton and I can honestly say I now consider many of the people in my street as friends as a consequence. We hope that Zocalo will spread around the country. I learned from my adventures and experiences in communities that generosity and compromise are at the heart of all good relationships.

oddfellows band picture
What kind of people do you hope will read it?
I love humorous travel writers like Bill Bryson and hope people will find it entertaining, personable and funny. It’s for anyone who’s ever wondered if the way they live could be better and how we can make a difference as individuals in the way our cities function (as well as our relationships). I was offered the chance to do the No9 Bus to Utopia as a TED talk last year which might be a good way for readers to get a taster of what the full story is about.

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What was your biggest surprise discovery from visiting all these utopian communities?
A place in Italy called Damanhur which has built the world’s largest underground temple. It’s the most incredible place I’ve ever visited. The temple is about the size of St Paul’s Cathedral and was built in secret at night with little professional knowledge in how to accomplish such a feat. There are chambers where, if you press a certain stone slab in the wall, there’s a great whooshing sound and the wall slides away to reveal more secret rooms. It’s real Indiana Jones material. Visiting it took my breath away. Ok, if I’m really honest it actually moved me to tears!

one of the chambers in the Damanhur temple
Damunhur cross section of temple
Would you go back to any of them for any length of time, if so which one?
I’d return to all of them given the chance. The one I have been back to is Damanhur. I went a second time with a friend, Teowa, and we got to take part in some incredible rituals deep inside the temple. I even got the chance to jam with a rubber plant called Hellie, who the Damanhurians claim to have taught to make music. Hellie has even released a seven inch single. And no, I’m not making this stuff up.

hellie singing plant
What has the process of publishing your book been like and how did you hook up with Unbound?
Unbound was recommended by my friend Tom Hodgkinson from the Idler. They’re a hugely supportive and personable publishing company run on a crowd-funding ethos. We’ve raised a quarter of the money for the book so far in a short space of time, made a promotional video and I’m currently looking for opportunities to do the No9 Bus as a storytelling show/lecture. I’ve already spoken about it on TED, 5×15, Alain de Botton’s School of Life and the Idler Academy and it seems the best way to get people interested in reading the book.

oddfellows album cover
You’re a bit of a Renaissance Man – how do you divide your time up between all of your different activities?
I made a conscious decision to get rid of my telly many years ago and no longer read papers or follow the news. I felt I could do better things with my time and fill my head with more life-affirming information and ideas, rather than that sense of righteous indignation the news headlines seem to instil in us. I admit, I’d struggle to identify Nick Clegg in an identity parade but I do have more time now to dedicate to pursue my passions and causes like Zocalo. I also teach music part time so I’m blessed with lots of paid holidays and free time.

zocalo poster
Any news about Zocalo? Is it spreading around the country yet?
This year Zocalo has spread out of our neighbourhood of 3,000 houses to several other areas of Brighton. We’re hoping for our biggest ever turnout (weather permitting!) and have had lots of offers from local people wanting to run Zocalos in their streets. It’s yet to spread around the country but our long-term plan is a national holiday called Zocalo Day where everyone in the UK takes the day off work to sit outside their houses drinking tea and eating cake with their neighbours. OK, it’s an ambitious dream but why not?!

zocalo
zocalo
Are there any special festivities planned this Sep 9th?
To keep it simple we encourage people to bring their own entertainment to Zocalo on the day. We’ve had spontaneous table football tournaments, families cooking and sharing dinners out in the streets and sometimes people dragging their entire living room out onto the pavement, complete with stag’s head and Persian rug.

zocalo
zocalo
Why have you made Brighton your home? (I studied there and love it)
I grew up in Doncaster and studied in Coventry, so coming to Brighton for the first time was like stumbling upon an oasis. I’ve been here twenty years and still feel like I’m on some extended family holiday. It’s a liberal, bohemian party town where anything goes and to top it all, there’s a beach. Sure it’s also overcrowded and expensive but I only need go back and visit my home town of Doncaster to remind myself what an exceptional city I live in.

YouTube Preview ImageZocalo promo video

How would you describe your band?
Oddfellow’s Casino specialise in orchestrated melancholic pop with songs about nature, death and hauntings. The music seems to evoke the bleak English landscape, both pastoral and industrial. It’s something to do with being Northern I’m sure. It’s that same ethereal sonic quality that I find appealing in bands like Joy Division. It probably comes from eating too many pies and walking the Pennines in the drizzle. We’ve been making records for ten years now and have a strong, cultish following all over Europe from Estonia to Norway. 2012 has been a good year for us. We released a new album in May, The Raven’s Empire (on the theme of death) and had terrific radio play and support from Cerys Mathews, Gideon Coe and Lauren Laverne. We just released a new single, We Will Be Here, which is an anthem for the dead and was filmed in the Shell Grotto in Margate. We’ve got a handful of videos on youtube as well as a short film on our website that we made with former Dali model Drako Zarhazar.

YouTube Preview ImageWe Will Be Here

What has been your favourite festival experience this year?
Taking part in a Friday night spelling test at Port Eliot hosted by The Wire‘s Dominic West had to rank as the most surreal festival experience this year. I also took part in a record-breaking attempt for skinny dipping at Wilderness Festival. Sadly we were 200 people short of breaking the record. When I got out, I couldn’t find my towel and was a lone naked man wandering through crowds of fully-attired, drunk festival-goers.

YouTube Preview ImageWinter in a Strange Town

Have you discovered any other great acts that you could recommend to us?
Favourite festival band this year was We Were Evergreen, a Parisian trio who won over the crowds with their energy, humour and exquisite power-pop, led by ukulele. Current favourite artists are Alt J and Other Lives.

YouTube Preview ImageThe Crows and the Rooks

Finally, what next? And have you found true love again?
I’ve just made a short program for Radio 3 about a man, David King, who provides accurate long-term weather forecasts by reading nature. I’ve got a new talk on the history of pranks and mischief coming up at the Idler Academy in October and I’m hosting TEDx Brighton on my home turf in October. True love, I hope, is waiting in the wings, armed with a box of quality biscuits and good tale to tell.

You can support the No9 Bus to Utopia on Unbound by pre-ordering a copy. Find out more about how to run a Zocalo here. Keep up with David Bramwell at www.drbramwell.com.

Categories ,5×15, ,Alain de Botton’s School of Life, ,Alt J, ,Bill Bryson, ,book, ,brighton, ,Damanhur, ,Dark Mountain, ,David Bramwell, ,David Burke, ,David King, ,Dominic West, ,Drako Zarhazar, ,Idler Academy, ,John Mitchinson, ,joy division, ,No.9 Bus to Utopia, ,Oddfellow’s Casino, ,Other Lives, ,Port Eliot, ,Radio 3, ,TED, ,TEDx Brighton, ,The Crows and the Rooks, ,The Idler, ,The Raven’s Empire, ,Tom Hodgkinson, ,Unbound, ,We Were Evergreen, ,We Will Be Here, ,Wilderness Festival, ,Winter in a Strange Town, ,Zocalo

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Amelia’s Magazine | An interview with Pumajaw and review of new album Demonmeowmeow

Pumajaw by Tiana Dunlop
Pumajaw by Tiana Dunlop.

The enigmatic Pumajaw are a male/female duo who hail from Scotland, and their new album Demonmeowmeow is a must hear slice of new wave electronica with heart. From the throaty openings of the epic song Mazy Laws, Demonmeowmeow sets out its wares with style: hypnotic vocals from singer Pinkie Maclure set off against the sparsest of musical arrangements by John Wills (formerly of Loop), resulting in a spooky, otherworldly glory: think sleazy synths mashed up with jazz inflected brass buzzing. I promise you that Demonmeowmeow is quite unlike anything else you will have heard in 2011. Buy it now.

Pumajaw by  Sam Parr
Pumajaw by Sam Parr.

Who is Pumajaw?
Pinkie Maclure & John Wills, we’ve been working together for eleven years – John was working as an engineer and producer, I was a solo electronic artist. We worked together on a solo album of mine, From Memorial Crossing, which quickly evolved into a mutual project because we had so many ideas in common. After an arts council project called Lumen,  we settled on the name Pumajaw, which comes from our initials.
 
Pumajaw-demonmeowmeow-cover
Your new album Demonmeowmeow came out last month, what has been the reception so far?
Gideon Coe on 6 Music has been playing Outlands a lot and we’ve had plays by Max Reinhardt on Radio 3′s Late Junction. There’s been some fantastic press, with a big feature in the Herald Scotland and a 4 star review in Uncut. There have been quite extreme reactions, some people love it immediately, but other people seem confused – I like to use 3 or 4 octaves and sing torch songs with great, irresistible melodies, but the arrangements are not just the usual instruments – John creates beautiful atmospheres from unusual sources, such as a page being turned, hinges rattling or the flapping of birdwings. It’s what we’ve always done, so it seems natural to us.
 
Pumajaw
What does Demonmeowmeow mean?
Rebellious, dark and sensuous and a little bit cheeky.
 
Your sound is a mix of jazz, folk and alt blues, with a healthy dollop of electro on top. How did this come about?
It’s evolved over a long time – the first two Pumajaw albums were built around acoustic guitar loops and my rather minimal concertina playing, because we wanted to create a very simple music that could be performed live without much equipment. But as time went on, we felt restrained by it, we wanted to speed it up and make more noise, I wanted to stretch my vocal chords more. John used to be known as a drummer as well as a producer, so using new technology, he has started programming rhythms and that’s where the electro bit has come in, along with the purchase of some rather exciting synthesizers. I have to admit, we did rebel somewhat against what has started to feel like a tidal wave of bland, twee folk music – living in rural Scotland, you are surrounded by acoustic guitar balladeers and it gets really tiresome after a while. Demonmeowmeow is a bit of a reaction to all that.
 
Pumajaw by Vicky Fallon
Pumajaw by Vicky Fallon.

Despite so many influences your sound has been described as timeless, which I think can be both a blessing and a curse. How do you think it has come to sound this way?
We are both inspired by what you might call great classic songs. As a teenager I listened to a lot of jazz, French chanson, blues and folk singers. We’ve never tried to be fashionable, just creative, ambitious. I would hate to think our music could lost its appeal over time. Duke Ellington said ‘there are only two types of music – good and bad.’ We’re trying to do the good stuff.
 
pumajaw_colour
You’ve been busy producing videos. Why is it so important to you to create good visuals and is it quick to produce these videos?
John makes the videos, although we often both direct them. Visual performance has always been an important part of music for me, the imagery in the songs is very strong in my mind. The lyrics are like paintings and the videos are an extension of that. The plan is to film the whole album eventually – next up is the Mazy Laws, our 8 minute, sexy slowburner that has picked up a lot of airplay, despite its length. There’s a famous star-shaped maze near here we’re looking forward to filming and getting lost in.

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What is happening in the Outlands video, and were you actually underwater for a great period of time?
Outlands was made in a day, because we already had the footage. We went to Pompeii during our Italian tour last January. It was very wet and we noticed bubbles constantly popping up from the puddles, which must have been volcanic gas. It was magical and dreamlike. When John asked me what Outlands was about, I said it’s like a lullabye, about drying your eyes, finding peace, solace, comfort, healing. He overlaid the bubbles over some footage of me, so I didn’t have to be underwater! I think I look like a weird, innocent, adult baby playing with the bubbles, like when tiny babies first discover their hands.
 
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Mask is a similarly simple but eerily evocative video, how was it put together and what was the idea behind it?
Mask is about greed, vanity and dishonesty, the way people try and hide the truth with flippancy. At the moment, clever, talented people are being ignored and wasted while the well-connected few appear to be getting away unscathed. Mask is a comment on this.

Pumajaw by Janneke de Jong
Pumajaw by Janneke de Jong.
 
What can the audience expect when you play the album live?
We love playing live, it’s the reason I became a singer in the first place. Over the years we’ve learned to choose our shows carefully – there’s no point in us playing grungey indie venues, I won’t stand being talked through. I just stop and confront people if that happens. I see us almost as a kind of theatrical performance. The songs are so deep, they need to be listened to, onstage we’re quite intense and demanding, things happen we can’t always predict – although there’s been a fair bit of dancing going on at our recent gigs, so it’s a bit of a party as well. We played at the Cafe Royal in Edinburgh recently, it’s all fairylights and decadent decor – perfect!
 
You’re off on tour of Italy in early 2012 – why Italy?
We do well in Italy, we’ve toured there a few times now. They’re a bit more open to music as ‘art’. I think our music suits their culture and temperament, they’re not scared of self-expression.
 
YouTube Preview ImageBilly Rose

When can people in the UK see you again? Which smaller festivals are on your hit list to play next year?
We’ll be doing more UK gigs in the spring, but we’re going to choose carefully. We’d like to do some small festivals,  we hate the big corporate rock ones. There’s one called Lounge on the Farm we’d like to do, also a Scottish one called Doune the Rabbithole, we played there last year, it has a lovely idealism and positive atmosphere about it, they’re not scared of trying something different.

YouTube Preview ImageThe Safe Inside (live in Genoa)
 
Any other exciting plans you can share?
We’re already writing the next album, also we’re about to sign a licensing deal with an American label, so 2012 could be a busy year for us.
 
Demonmeowmeow by Pumajaw is out now on Bedevil Records.

Categories ,6 Music, ,Bedevil Records, ,Billy Rose, ,blues, ,Cafe Royal, ,Demonmeowmeow, ,Doune the Rabbithole, ,Duke Ellington, ,edinburgh, ,electronica, ,folk, ,French Chanson, ,From Memorial Crossing, ,Gideon Coe, ,Herald Scotland, ,Italy, ,Janneke de Jong, ,jazz, ,John Wills, ,Late Junction, ,Loop, ,Lounge on the Farm, ,Lumen, ,Mask, ,Max Reinhardt, ,Outlands, ,Pinkie Maclure, ,Pompeii, ,Pumajaw, ,Radio 3, ,Sam Parr, ,scotland, ,Sleaze, ,The Safe Inside, ,Tiana Dunlop, ,Uncut, ,Vicky Fallon

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