Amelia’s Magazine | Slugs and Snails Tights: beautiful patterned baby and toddlerwear for little boys (and girls)

Slugs and Snails tights

My new website will feature some brilliant baby wear designers, including the fabulous Slugs and Snails range of tights for boys (and girls). I make no secret of my great love for this brand – which we could not live without on cold winter days – so I am absolutely delighted to be partnering with Slugs and Snails. Here’s my recent interview with the amazing lady behind it all, Kathleen Redmond. She kindly answered these questions shortly after her second boy was born, but I’ve waited awhile to post the interview so that I can share with you some photos of Snarfle modelling his latest selection of Slugs and Snails tights.

Slugs and Snails squirrel tights for boys

Snarfle in his new Squirrel patterned Autumn Slugs and Snails tights.

What prompted the creation of your range of patterned tights for boys?
It was our first born Noah and the total lack of anything comfy and funky for him to wear. I have a real issue with boys being forced into jeans whilst wearing nappies; it just seems so uncomfortable and cold!
 
Slugs and Snails tights boy on trike

Have you ever had any strange or bemused reactions when you tell people what you make, and if so can you share them?
Yes, in fact I had been developing the company for almost three years before I told anyone what I do, I still don’t tell people what I do for a living. Being based in rural Ireland it is hard to explain ‘boys tights‘ so I just don’t bother. When we first launched the national radio got wind and although we had more positive comments than negative the DJ took a call from a woman who claimed ‘Ireland wasn’t ready for that sort of thing!‘ I sometimes get tweets telling me boys tights are wrong but worded in a slightly more insulting fashion!
 
Slugs and Snails tights two boys

Where do you find inspiration for the patterns on your tights and what is the process of putting them into production in knit?
Again Noah is always our chief designer, although his daddy is the man who does the real designing. We sit down as a family and design our collection and draw inspiration from Noah‘s latest fads or favourite things, in fact this season he asked for the ‘rubbish trucks and dumpers‘ on the Loader design. It’s a long process though, from inception to creation takes about 9 months, and this season it took 11 months from start to finish!
 
Slugs and Snails rockets and stars tights

Snarfle and his Slugs and Snails Out of This World tights covered in rockets and stars.

Why is it important to you to use organic cottons in all your designs?
We currently have six organic designs and all of our designs are Oeko Tex 100 certified. We have a product that sits on the skin and we need it safe for new born babies and even premature babies. Organic cotton not only means there are no harmful chemicals in the tights it also means that the factory is GOTS certified and their dyes and processes are strictly monitored and therefore not being dumped into the water table.

What is your personal favourite design and why?
I love Hampton (featuring sailboats on a blue background). It’s got that vintage look which I love and looks great worn with little blue shorts or a red dress. You can’t beat a classic image for little kids and it is pretty gender neutral.
 
Slugs and Snails tights in black

I love the new lifestyle shoot – where did you do it and what was the brief for the babies and children taking part?
We have a wonderful photographer based in Texas called Ashley Jinks Larson who is a mummy herself and we simply left it with her to decide. It’s helpful sometimes to let someone else interpret their ideas about Slugs and Snails, and she came up with some really beautiful images. In fact she’s in charge of our lifestyle shoot for this season too we can’t wait to see what she comes up with this year!
 
Slugs and Snails tights for boys blue

I was lucky to discover you when I had my baby last year: how are people discovering you now, I hear you’ve had some great (and well deserved) press?
I think there are so many tights out there now that Slugs and Snails are selling themselves. We can’t afford the high prices of PR companies and national advertising so we are lucky that our product is high quality and unique because nothing sells better than a genuine recommendation. In fact because we have become so accustomed to recommendation press we have become a bit lax on promoting ourselves, via Twitter etc.
 
Slugs and Snails tights girl and boy

Last winter Snarfle was crawling and he lived in Slugs and Snails tights. This year he’s walking – how do you suggest the slightly older child styles his tights?
Personally I think Slugs and Snails are awesome if the little person is still in a nappy: worn on their own, they accentuate all the yummy chubbiness that babies and toddlers have. Once they get longer and skinnier Slugs and Snails looks so lovely with little shorts or rolled up trousers.
 
Slugs and Snails tights for boys Fun Guy toadstools

Snarfle models his Slugs and Snails Fun Guy tights.

You have (literally) just given birth again, how easy is it to run your business whilst being a mother and how do you juggle the two?
Ha-ha, well it’s not easy at all. Rohan was born on 1st November I was back in the office on the 4th with two kids in tow. It’s hard work and as I am breast feeding I have to bring Rohan with me to the office which can be difficult, it would be great to have a set of arms to hold him and a set to pack orders! I love being my own boss though and I do this for my boys – Noah loves seeing all his friends at Kindergarten in Slugs and Snails. I remember once someone said to me that when Noah grows up he will be bullied by his friends because he wears tights and his mummy and daddy make boys’ tights but what that person didn’t know was that all of Noah‘s friends both male and female wear our tights. To them it’s normal and it’s already part of their childhood, so hopefully they will then grow up and make it part of their own children’s wardrobe.
 

Categories ,Ashley Jinks Larson, ,Autumn, ,Boys, ,Fun Guy, ,Gender neutral, ,GOTS, ,Hampton, ,interview, ,ireland, ,Irish, ,Kathleen Redmond, ,Loaded, ,Loader, ,Noah, ,Oeko Tex 100 certified, ,Organic Cotton, ,Out of This World, ,Rohan, ,Slugs and Snails, ,Snarfle, ,tights

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Amelia’s Magazine | Double Trouble

Featuring competitions in the already overly competitive world that is Art may seem somewhat crude to say the least. But in fact it’s through these well supported and sponsored prizes that new and underexposed artists and creative mediums gain a platform and a voice, information pills page and a fairly fair and just route for career progression out of the studios and into the spotlight. It’s also a darn good excuse to curate a fine exhibition of very talented folk, hospital and in a collaborative sense get together with a common thread, clinic be it the format, subject matter or genre, and share opinions, ideas and approaches. I call to the stand Foto8 and their annual Photographic Prize an exhibition of which opens with a right knees up of a party this weekend in London.

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Joerg Brueggermann (2009 Entry)

Foto8, in their own words, is ‘a space to share, comment and debate photography. The site exists to bridge the divide between photographers, authors and their audience through interactive displays and a constant stream of new works and resources’. Based on the belief that documentary photography has a vital role to play in contemporary society, Foto8′s ethos firmly pushes the medium as a valued tool for communication and self education about the world around us and the lesser understood worlds of others.

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Abbie Traylor-Smith (2009 Entry)

The London based website has regular postings of reviews, commentaries, interviews and picture stories as well as photographic events and news items, and serves as an outlet for the biannually published 8 magazine, which can be previewed, ordered and subscribed to from there. Now up to issue 25 the magazine blurs and tests the boundaries between photography, journalism and art and represents ‘the very best in design and print, following a graphic format that uses the medium of the printed page to its fullest.’

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Robert Hackman (2009 Entry)

The Gallery that will house this spectacular show was established by director of Foto8 Jon Levy along with Adrian Evans, the director of Panos Pictures, and celebrates it’s fourth birthday this year. HOST is dedicated to the specialised promotion and exploration of photojournalism and documentary photography, ‘from classical black and white reportage to contemporary mixed media’. They pioneer both new and traditional methods of manipulating the gallery setting with innovation and passion. The gallery proudly boasts a highly-respected exhibition schedule, complimented by an on-going program of face-to-face encounters with photography and film, including screenings, talks and regular book club meetings.

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Clemence de Limburg (2009 Entry)

From around 2300 images submitted from 44 different countries from as far afield as Thailand and Turkey, just over 100 carefully selected images will make up the final display at this year’s Foto 8 Summer Show at London’s HOST Gallery. As well as each entry appearing in the show’s published book, each photograph will be for sale to the public from the opening night and throughout the exhibition, and of course each and every exhibit will be in with the chance to win either the ‘Best in Show’ category or the ‘People’s Choice’, both highly sort after and respected prizes in the industry.

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Dougie Wallace (2008 Winner of ‘Best in Show’)

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Guido Castagnoli (2008 Winner of ‘People’s Choice’)

Whereas the Best in Show is awarded by an elite team of experts in the field, including The Times’ Director of Photography Graham Wood and the V&A’s Head of Images Andrea Stern, and entails a £1500 reward, the People’s Choice will be determined by public visitors to the show and in many respects is a more coveted title, given that each exhibitor’s work must speak to those with perhaps a less trained eye for artistic and technical merit, and must rely on more personal and emotional responses from the everyday spectator.

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Domenico Pugliese (2009 Entry)

The brief for prospective entrants was simple. They seek images that challenge and engage, convey stories and raise questions. They state that they ‘encourage free expression’ and ‘new ways of seeing and telling’, also adding that they value photography ‘that conveys feeling as much as fact.’ The entry requirements allow for up to three submitted images per person, and the submissions look set to be as diverse and varied as 2008′s collections were.

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Rachel Bevis (2009 Entry)

Being the biased art appreciators that we are, there is already a winner of an entry in our opinion, an image that stands out for us and will be certainly receiving the ‘Amelia’s Choice’ award at the opening on Friday evening. ‘Marie’ by semi-professional London based photographer Rachel Bevis commands our attention and holds our gaze. At first seeming to be a mono-chrome image of a lone figure at night, on second appreciation is actually a wintery street scene in which a female is immersed in falling snow. Mysterious, evocative and powerful this photograph is one we cannot tire of looking at. Best of luck Miss Bevis.

Who will you be exercising your democratic rights and voting for?

Foto8 Summer Show
HOST Gallery
1 Honduras Street
London, EC1Y 0TH

24th July: Opening Night Party
6:30pm – 11:30pm

Tickets: £5 in advance, £8 on the door
Tickets available to buy here

24th July – 5th September
Opening times:
Mon-Fri 10am-6pm
Sat 11am-4pm

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Kurt Tong (2009 Entry)
One of the organisations we’ve been following of late at Amelia’s Magazine is the Ethical Fashion Forum. Springing up in 2004 following the concerns made famous in the international press during the 1990s – sweatshop working, information pills terrible wages and mass environmental damage – a group of designers decided to do something about it by raising awareness. Liasing with over 400 designers, fashion brands and other fashion businesses, the EFF connects people who want to promote a sustainable future for the fashion industry; this includes creating safe working environments and increasing wages in oft-exploited third world countries, as well as encouraging minimal environmental damage. Closely tied to this venture is the Fair Trade Foundation – pinpointing exactly how topical a sustainable fashion industry has become in recent years alongside the massive interest in Fair Trade products.

Earlier in the year EFF launched it’s biannual “Innovation” competition for designers, the first being PURE, rewarding and recognising those who have shown innovation (!) and initiative regarding the greater good of the fashion world. The shortlist of competitors was announced last month, and gave publicity to an assortment of passionate designers who are keen to support a sustainable and ethical fashion future through their business strategies and design work. The competition hopes to raise awareness of the EFF’s goals and views by rewarding those who have shown similar ethical principles to itself, whilst at the same time inspiring this generation of designers to work together for a better future. The overused cliché of “green is the new black” really seems to be ringing true at EFF!

This years shortlist of 12 included designers from all over the world, all excited to promote the EFF message; those from or working in South Africa, Malawi, India, China and North America were all on show, with a good percentage of designers working in poverty-stricken Third World countries. The designers largely sourced their materials from traditional industries all over the world, and particularly in struggling areas, as shown by this quick survey of the territories they work within. Others are supporting local industries within the UK, such as crofting in the Scottish Highlands. Each were judged on their collection’s overall design and finish, their brand ethics, and their sale-ability, by a panel including Anna Orsini, head of London Fashion Week, Donna Wallace of ELLE magazine, alongside other senior fashion journalists and lecturers.

So who came up trumps in the end? Being selected to show at the PURE trade show, the winners were Cape Town brand Lalesso, and MIA, another African working in Malawi. Lalesso was a clear box-ticker: initially set up to provide a “socially responsible method of manufacturing”.

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Designing clothes based on East African traditions and current trends, the label aids struggling unemployment by providing well-paid work for several different groups, from the unskilled ‘beach boys’ to the traditionally skilled Masaai tradesmen. The clothes are vibrant, fun and youthful, including patterned prom dresses and casual beach wear, showcasing typical laidback African style tailored for a fashion-conscious audience who care.

MIA was an equally obvious winner. Recycling vintage pieces is no new idea; however MIA has taken this to new lengths with her remade clothing. Using second- hand streetwear combined with traditional Malawian dress, she has created designs that are thoroughly modern, embracing the current fascination with all things retro and uniquely individual.

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MIA’s message is to embrace our wardrobes and recycle them in order to prevent such widespread textile waste in the way that we recycle food packaging and other products in the new millennium. She’s another designer interested in the capacities of upcycled clothing, and is keen to promote change with her range of smock style mini dresses combining different materials in their zig-zag skirts.

Some of the other candidates we were keen on included Henrietta Ludgate, a Central Saint Martins graduate and Scottish designer hailing from the Highlands.

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Embracing her Highland roots, this designer used crofting techniques in her collections in a way that has not been seen in recent years, supporting local industries with her work. Crofting involves reusing excess waste material from mills as part of a small community of workers who all support each other.

A similar idea can be seen with Outsider, who support the oft-abused textile industries in China and India through sourcing organic fabrics and providing fair labour conditions and wages, true to the EFF message. Stating that “we believe ethical fashion should just look like fashion” these designers are certainly up there with the best of the bunch.

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Their latest collection featured reworked classic shapes with pleat detailing and simple lines, all in sophisticated black, with the main focus of the design work being on the use of sustainable fabrics to inspire confidence in what we’re wearing and how it is sustaining the fashion industry globally.

Coming up in September will be the Esethetica awards when more winners will be announced – what did you make of the shortlist and did you agree with the winners? Let us know!

Monday 27th July
Coco Electrik- Pure Groove, help London

On it as we generally are, hospital we included Coco Electrik in our magazine a while back. Fun poppy danceable electro with a surreal twist.

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Tuesday 28th
First Aid Kit – The Lexington, London

We love First Aid Kit and their oddball folk complete with tinkling harmonies, and they carried of their set at Climate Camp Glastonbury with aplomb I hear. Support comes from Blue Roses, whom I’ve known of for a while under her “day-to-day” name Laura Groves, her music is achingly delicate and beautiful.

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Wednesday 29th July
Simian Mobile Disco- Roundhouse, London

Simian Mobile Disco have been shimmying their way into our hearts and minds for a while now. Funky and exuberant, their latest release features vocals from Alexis Taylor and Beth Ditto

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Thursday 30th July
Maps – Hoxton Bar and Grill, London

I would definitely put Maps‘ lo-fi bedroom electronica on my “Top 3 Things To Do With Maps” List alongside every indie schmindie’s make-out song of choice by the Yeah Yeah Yeahs and actual maps which are great. A must for fans of Low and My Bloody Valentine.

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Friday 31st July
Left With PicturesBush Hall, London

Left With Pictures is a whirling mix of vocal harmonising, melodicas, violins…the whole shebang. It’s quite exciting and suprising to listen to and more than a little bit evocative of another era. Lovely stuff!

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Saturday 1st August
Field Day– Victoria Park, London

Ahh London’s favourite festival returns, highlights include the mighty Mogwai, Final Fanatsy, Four Tet and Fanfarlo.

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Sometimes, discount the maxim that “two heads are better than one”, page certainly rings true. Well, check never has this been more appropriate than with dynamic design partners in crime, Siamese duo, Fanny and Jessy, the East London pair causing a stir on the design scene at the moment. Having recently graduated from the London College of Fashion, these young designers have set about refusing to pigeonhole their collections into trends or even genders, preferring to leave it all unisex. How Judith Butler would have approved!

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The new collection, cheekily named “I hope you die soon”, features designs that are something of a cross between Donnie Darko and Topshop Unique. Think fringing, fraying, and rippling, pod shapes, skinny fit leggings and rock star fur. Imagine Aerosmith‘s Steven Tyler raiding David Bowie‘s wardrobe; its rock’n’roll mixed with futuristic meets minimalistic; it’s a bit special indeed! Inspired in their own words, by music, art, film and life, the collection is something of an exception to trends of the moment. There’s no hint of these clothes fitting into a Vogue run-down of current catwalk trends emergent this season.

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Featuring cut out, holey leggings paired with cocoon-like tops with shoulder padding, shape and volume are a clear focus of the collection. Pod- like hoods and wide wide wide, sharp, triangular shoulder pads sculpt the tops, or only collars are left with no top to speak of! One constant is the shock or avant garde factor, alongside of course the extreme precision and talent that has gone in to combining so many different shapes and effects in a way that isn’t garish or over the top. The collection is very balanced in a Gemini like way. Must be the dual influence.

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The different photo shoots capturing the collection also serve to capture its different facets. Mark Cant‘s photography delineates the beautiful precision of the pieces with his optical illusions of blurring motion in black and white – whereas Christopher James’ pictures evoke the Hoxton art student feel, which was clearly a subconscious influence on the designers as students of East London.

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The models ride bicycles and lean against Brick Lane-esque graffiti scenes to give the clothes a really modern ‘James Dean‘ rebel feel. Ellie Scott too focuses on the youthful vibrancy of the pieces combined with an urban backdrop featuring railway arches and garages, even including a matching mottled car. The designers clearly knew when working with these photographers that the ideas behind their clothing would not be lost.

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The pair have unsurprisingly gathered something of a cult following, largely as a result of their collaborations with other artistic projects (as seen with their impeccable taste in fashion photographers). ‘Collaboration’ is a key word for these designers, it seems. Having worked with artist/film maker Danny Sangra on the logo of the label, the duo set about making a short film of the new collection released this month. The film perfectly captures the ethos of “I hope you die soon”. Featuring flashing torch light and heavy drum and bass, the jilting camera follows models stepping in and out of the spot light before beginning to dance. The underground, dirty basement setting adds scare factor, whilst also appealing to that underworld art student vibe of the collection, like a secret drum and bass rave.

Stepping back, you can see that Fanny and Jessy’s combined talents manifest themselves in a holistic sense, since they can be seen throughout not just the collection but also the promotional artwork surrounding it. I can’t wait to see what they come up with next.

Categories ,Avant-Garde, ,East London, ,Shape, ,Streetwear, ,Unisex, ,Urban, ,Volume

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Amelia’s Magazine | Fashion Philosophy Fashion Week Poland Off Out Of Schedule S/S 2012 in Łódź: Dominika Naziebly

Dominika Naziebly by rebecca higgins
Dominika Naziebly by Rebecca Higgins.

Having won the Golden Thread Awards earlier this year, Dominika Naziebly stepped up to the mark with another beautiful ethically produced collection that used eco fabrics such as bamboo, organic cotton and recycled materials.

Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly backstage before the show. All photography by Amelia Gregory.

For Cold Summer Dominika Naziebly looked at the ‘quiet combinations of forms and colours‘ to create an elegant collection centred on shades of mushroom and cream. Longer dresses were shredded to give texture, and over-sized eyelets were applied to the sheerest of tops and bottom bearing skintight shorts. The romantic garments had a decidedly modern edge, accessorised with imitation wood clutches and totes. You can see Dominika Naziebly’s previous A/W 2011 collection paraded in the Gala Dyplomowa Show.

Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory
Dominika Naziebly Fashion Week Poland SS 2012-photography by Amelia Gregory

Categories ,Dominika Naziebly, ,Eco fashion, ,Eyelets, ,Fashion Philosophy Fashion Week Poland, ,Golden Thread Awards, ,Lodz, ,Off Out Of Schedule, ,Organic Cotton, ,Rebecca Higgins, ,recycled, ,S/S 2012, ,sustainable

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Amelia’s Magazine | Satoshi Date: London Fashion Week A/W 2012 Exhibition Review

Satoshi Date AW 2012 by Claire Kearns

Satoshi Date AW 2012 by Claire Kearns

Satoshi Date, an ethical fashion designer featured in Amelia’s Compendium of Fashion Illustration, returned to an archway space on Holyrood Street near London Bridge to exhibit his A/W 2012 Lines 1 and 2 during London Fashion Week. He presented his S/S 2011 collection in the same gallery and in quite a similar way, having his designs hung from the ceiling along with other fabric elements so that the whole formed an installation.

Satoshi Date AW 2012 photo by Maria Papadimitriou

Satoshi Date AW 2012 photo by Maria Papadimitriou

The exhibition had the fascinating subject of Alchemy woven into it. Satoshi Date had named it Alchemist’s Mind, Re-Fashioning Masterclass as in truth it was not just an exhibition, but also a drop-in workshop whith special areas and sewing machines at the ready where someone could bring old clothes and turn them into somehting special they would love to wear again. I liked the fact that upon entering the space I was given a ‘Menu’ with what I could do during my time there, which humorously included ‘Talk to Satoshi Date about: how to manipulate your vintage fabric, how to make redundant objects reborn again, how to heal your current problems, how to deal with your love relationships, how to modify the items you brought’. In the same vein, I also enjoyed that one of the films projected somehow suggested that this process of up-cycling material objects could help us look at past experiences, traumas or relationships in the same way and be creative with them rather than carry them as baggage – what great advice.

Satoshi Date AW 2012 by Love Amelia

Satoshi Date AW 2012 by Love Amelia

Satoshi Date AW 2012 photo by Maria Papadimitriou

Satoshi Date AW 2012 photo by Maria Papadimitriou

As in previous collections Satoshi Date included a lot of intricately woven found bits of fabric into his shawls, dresses or hats as well as recycled, felted and hand-dyed wool.

Satoshi Date AW 2012 by Kristina Vasiljeva

Satoshi Date AW 2012 by Kristina Vasiljeva

Satoshi Date AW 2012 photo by Maria Papadimitriou

Satoshi Date AW 2012 photo by Maria Papadimitriou

Satoshi Date AW 2012 photo by Maria Papadimitriou

Satoshi Date AW 2012 photo by Maria Papadimitriou

Some of my favorite pieces were white cotton shirts with little printed illustrations in unexpected places. It has to be noted here that Satoashi Date is an artist/designer who apart from making clothes, also draws, paints, makes films, music and photographs.

Satoshi Date AW 2012 by Jo Ley

Satoshi Date AW 2012 by Jo Ley

Satoshi Date AW 2012 photo by Maria Papadimitriou

It also, and most definitely, has to be noted that Satoshi Date was a lovely young man with a friendly, welcoming, involved and funny attitude, which made him a pleasure to meet.

Satoshi Date AW 2012 photo by Maria Papadimitriou

Satoshi Date AW 2012 photo by Maria Papadimitriou

All photography by Maria Papadimitriou

Categories ,Alchemist’s Mind, ,alchemy, ,Amelia’s Compendium of Fashion Illustration, ,Antique Wooden Buttons, ,Claire Kearns, ,Customise, ,Embroidered, ,embroidery, ,Exhibition Review, ,Fashion Film, ,Felted Wool, ,Felting, ,film, ,Hand-dyed, ,Hand-made, ,illustration, ,illustrator, ,installation, ,jersey, ,Jo Ley, ,Kristina Vasiljeva, ,London Bridge, ,London Fashion Week, ,Love Amelia, ,Maria Papadimitriou, ,Masterclass, ,musician, ,Organic Cotton, ,painting, ,photography, ,Re-Fashioning, ,Recycled Wool, ,Satoshi Date

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