Amelia’s Magazine | Meet Carly Watts: Featured Artist from That Which We Do Not Understand

Amelias_magazine_TWWDNU_Carly_Watts_golden_rabbit
Carly Watts is a Sheffield based illustrator who is inspired by all things cute and whimsical. Her work starts life as a simple sketch before being digitally coloured using a limited palette. The Golden Rabbit is based on the tale of the Moon Rabbit that is popular in a few cultures. ‘I’ve put my own sort of spin on it, showing a rabbit who wants to visit the moon goddess, but as it gets closer to her, it becomes part of a constellation so that it can always be with her.’

WinterBirdsbyCarlyWatts
How did you learn about the tale of the moon rabbit which inspired The Golden Rabbit illustration?
I first discovered the tale whilst I was on holiday with my family in Florida. There was a gorgeous display in the Japanese pavillion located in the Epcot Park and my mum suggested that I take inspiration from it to create an illustration of my own. I’ve always loved rabbits, and I had plenty of pet bunnies as a youngster, so it seemed only natural to base my piece on them!

HogwartsExpressbyCarlyWatts
What was the process of creation?
All of my illustrations start life as a simple biro/pencil sketch on a scrap of paper, which is then scanned and digitally coloured in Photoshop. I much prefer to work digitally as it gives me more room to experiment and change my mind (which I often do!) and I like playing around with the colour palette too. I really love to work quickly too, I don’t like spending too long on any particular piece as I feel it can get stale and lose its freshness.

ZoellabyCarlyWatts
What is your favourite subject matter to draw and why?
I’ve always really loved drawing girls and that’s why my blog is usually full of blogger portraits, I think my love of drawing girls stems from my childhood really; I’d spend hours at my nan’s house just drawing random cute girls on a big pad of paper. Lately, I’ve been really inspired by space and the cosmos so that is a subject matter which is starting to feature in more and more of my work, even in The Golden Rabbit!

CometLandersbyCarlyWatts
What is the creative scene like in your home town of Sheffield?
It’s a pretty thriving place full of little galleries, and of course, we have the Millennium Gallery which is a great space right in the centre of town. Just walking around, you’ll see plenty of art if you look for it. There’s lot of Kid Acne graffiti on the walls near my flat which is pretty cool to spot on the way to Tescos! In addition to the visual arts, Forced Entertainment are based in Sheffield, probably my favourite group of theatre practitioners; they are always pushing the boundaries and trying new things – just a really admirable bunch of people.

FinnishLinebyCarlyWatts
Where did you study and what was the best thing you took from your illustration course?
I didn’t actually study illustration funnily enough! I graduated from Hull University a few years ago after studying Drama. I tried to focus on the backstage and stage design aspects of it though as I’ve always loved creating art and this was another way to do that. I suppose it showed me how art can be applied to other sectors, there’s a lot you can do with it outside of being a fine artist, something I never considered whilst I was at college. I really wish my art A-level course had touched on illustration more, it’s something that seems largely ignored within the confines of the curriculum which is a shame – maybe things have changed by now though.

JonSnowbyCarlyWatts
What inspired you to start working with bloggers and who have you worked with recently?
I actually had a fashion blog a few years ago so I suppose I already knew about the community, I started my illustration blog some years later and decided to try and reach out to bloggers as much as possible because they really do inspire me. It’s amazing how the industry has grown, just look at Zoella for example! I’ve worked with some really sweet bloggers lately, including awesome ladies such as Gemma from Miss Makeup Magpie and I have a long standing collaboration with the amazing Jennie who runs Sailboat.

BuildYourOwnCastle480px by CarlyWatts
I love the way that you include testimonials from happy clients on your website – where did you learn that it was so important to maintain a healthy relationship with the people you work with?
I think this is something that comes naturally to me as I had a lot of customer service jobs when I was younger. I’m a friendly person, and I think this comes through whenever I take new work on, which means that people are happy to come back to me as they know I’m reliable and understanding. It’s really the only way to be within the blogging community too – if you hope to build connections and expand your network, you really need to show that you can work collaboratively.

Read more about Carly’s inspiration here and pledge for her beautiful limited edition gold leaf print here. 50% of profits go to the artist, so get involved! 

Categories ,Carly Watts, ,drama, ,Epcot Park, ,Forced Entertainment, ,Hull University, ,Kid Acne, ,Millennium Gallery, ,Miss Makeup Magpie, ,Moon Rabbit, ,Sailboat, ,sheffield, ,The Golden Rabbit, ,Zoella

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Amelia’s Magazine | Dark fairytale: An interview with artist and illustrator Natasha Chambers

Babylon Twins

Dreamy, try intricate details dominate Natasha Chambers’ work, viagra sale and you can easily imagine her immersed in creation, viagra sitting by a large window overlooking some light-drenched Cornish beach. Cups of tea go cold as she pieces together the exquisite tiny patterns or the bold colours of her latest ‘Bywa’ series, a homage to the stories and beauty of Cornwall. But as Natasha has entitled one of her collages, ‘You need chaos in your soul to give birth to a dancing star’ – there are also hints of darkness underneath all the beauty. You can’t have one without the other.

Watergate (part of Bywa)

Most of your work has an amazing level of detail, be it the horses as waves, embroidery patterns or the butterfly wings. It’s beautiful, but it must be very time-consuming?
It is really time consuming, but I get all my satisfaction from the details. It’s a double-edged sword because these details also drive me mad. Sometimes the dots and lines imprint themselves in my head in the same way as when you look at the sun and then look away and you see suddenly see black spots.

There seems to be a lot of nostalgia in your work, or maybe this is just what it feels like when a piece of art focuses on nature? Do you consider yourself a nostalgic person?
I suppose I am a nostalgic person – and perhaps nature and childhood are synonymous in these feelings of the past. I have a box on my dresser, a treasure box if you like that could belong to a magpie, where I hoard broken bits of things that I have picked up over the years that I am unable to part with.

Yesterday

While the work is very pretty, there are also plenty of slightly twisted elements within the art, with the snakes and skulls. Do you do this to create contrasts, or is it because beauty on its own can be a bit, well, dull?
With every fairy tale there is always a dark side that creates tension with its lighter facade. You only have to think of the stories of Hans Christian Andersen, the fairy tales of the Brothers Grimm or even Walt Disney to see there is always this balance. Imagine Snow White without the Evil Queen.

In Stitches

I first saw your work at the Last Tuesday Society’s Beasts Royal exhibition (review here), and you’ve been part of prior shows there as well. Could you tell us a bit about what it’s like to work with the amazing Last Tuesday Society please?
Mr Wynd has a fine collection of treasures. His shop makes you feel like a child in sweetshop, so I was obviously very pleased to have some work there. The show Beasts Royal was curated by Alice Herrick, who also curates the House of Fairy Tales with Gavin Turk and Deborah Curtis. Their shows are consistently beautiful and intriguing – bringing together a wonderful selection of artists to show in some great spaces. Shows have included the exquisite trove exhibition at the Newlyn Art Gallery and the House of Fairy Tales at the Saatchi Gallery and Millennium Gallery in St Ives. In Newlyn, each artist was invited to donate an object of interest to them either created or found to create a wonderful cabinet of curiosities amongst a plethora of carefully selected objects from museums across the Cornish county.

Bowerbird (part of Beasts Royal)

How do you build up your work? What inspires you?
It usually evolves through many stages and I work using quite a ramshackle but huge library of reference material. I am especially inspired by the narrative form of literature. I studied storytelling in LA and whilst I thought I would become a writer realised I was more interested in the static image. At some point I would like to return to the written word. I can remember quite vividly the books I was read as a child from their images, they’re works of art that are very engraved into my psyche.

Polzeath (part of Bywa)

The Bywa series seems different from your other work. There is less detail, but there’s also really wonderful use of colour with the green clouds and pink sky. I especially love Polzeath, the one with white-patterned sand and skies. What’s the inspiration behind this series?
I live in Cornwall, and apart from the stunning beauty of the area I live in, it is also rich in legends and it feels like the land itself breaths this ancient folkloric history. I find it very inspiring. Bywa means ‘to be alive’ in Cornish, or Kernuek. I thought this was an appropriate title especially given as the work became vividly coloured. The most recent pieces in the series, such as St Enodoc and Watergate, are almost made up entirely of dots and lines and are very intricate. St Enodoc even has a few lines of one of Sir John Betjeman’s poems half hidden in a cloud – he was very fond of this part of Cornwall and is now buried in the church.

Yellow

You do commissioned work for magazines, music and advertising. How did you go from being a design student to being a successful working artist?
After I graduated I was forced to do commercial work as a way of creating income but these projects were also useful in developing technical and artistic confidence and also a linguistic freedom. I have gradually tried to spend more and more time on my own work. I’m currently working some new ideas for an exhibition coming up, but also some commissions and other work.

Natasha Chambers

See more of Natasha Chambers’ work on her website.

Categories ,Alice Herrick, ,art, ,Beasts Royal, ,Brothers Grimm, ,Bywa, ,Cornwall, ,Deborah Curtis, ,Disney, ,Fairy tales, ,Gavin Turk, ,Hans Christian Andersen, ,House of Fairy Tales, ,Millennium Gallery, ,Natasha Chambers, ,nature, ,Newlyn Art Gallery, ,Saatchi Gallery, ,Sir John Betjeman, ,storytelling, ,The Last Tuesday Society, ,Viktor Wynd Fine Art

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Amelia’s Magazine | Dark fairytale: An interview with artist and illustrator Natasha Chambers

Babylon Twins

Dreamy, try intricate details dominate Natasha Chambers’ work, viagra sale and you can easily imagine her immersed in creation, viagra sitting by a large window overlooking some light-drenched Cornish beach. Cups of tea go cold as she pieces together the exquisite tiny patterns or the bold colours of her latest ‘Bywa’ series, a homage to the stories and beauty of Cornwall. But as Natasha has entitled one of her collages, ‘You need chaos in your soul to give birth to a dancing star’ – there are also hints of darkness underneath all the beauty. You can’t have one without the other.

Watergate (part of Bywa)

Most of your work has an amazing level of detail, be it the horses as waves, embroidery patterns or the butterfly wings. It’s beautiful, but it must be very time-consuming?
It is really time consuming, but I get all my satisfaction from the details. It’s a double-edged sword because these details also drive me mad. Sometimes the dots and lines imprint themselves in my head in the same way as when you look at the sun and then look away and you see suddenly see black spots.

There seems to be a lot of nostalgia in your work, or maybe this is just what it feels like when a piece of art focuses on nature? Do you consider yourself a nostalgic person?
I suppose I am a nostalgic person – and perhaps nature and childhood are synonymous in these feelings of the past. I have a box on my dresser, a treasure box if you like that could belong to a magpie, where I hoard broken bits of things that I have picked up over the years that I am unable to part with.

Yesterday

While the work is very pretty, there are also plenty of slightly twisted elements within the art, with the snakes and skulls. Do you do this to create contrasts, or is it because beauty on its own can be a bit, well, dull?
With every fairy tale there is always a dark side that creates tension with its lighter facade. You only have to think of the stories of Hans Christian Andersen, the fairy tales of the Brothers Grimm or even Walt Disney to see there is always this balance. Imagine Snow White without the Evil Queen.

In Stitches

I first saw your work at the Last Tuesday Society’s Beasts Royal exhibition (review here), and you’ve been part of prior shows there as well. Could you tell us a bit about what it’s like to work with the amazing Last Tuesday Society please?
Mr Wynd has a fine collection of treasures. His shop makes you feel like a child in sweetshop, so I was obviously very pleased to have some work there. The show Beasts Royal was curated by Alice Herrick, who also curates the House of Fairy Tales with Gavin Turk and Deborah Curtis. Their shows are consistently beautiful and intriguing – bringing together a wonderful selection of artists to show in some great spaces. Shows have included the exquisite trove exhibition at the Newlyn Art Gallery and the House of Fairy Tales at the Saatchi Gallery and Millennium Gallery in St Ives. In Newlyn, each artist was invited to donate an object of interest to them either created or found to create a wonderful cabinet of curiosities amongst a plethora of carefully selected objects from museums across the Cornish county.

Bowerbird (part of Beasts Royal)

How do you build up your work? What inspires you?
It usually evolves through many stages and I work using quite a ramshackle but huge library of reference material. I am especially inspired by the narrative form of literature. I studied storytelling in LA and whilst I thought I would become a writer realised I was more interested in the static image. At some point I would like to return to the written word. I can remember quite vividly the books I was read as a child from their images, they’re works of art that are very engraved into my psyche.

Polzeath (part of Bywa)

The Bywa series seems different from your other work. There is less detail, but there’s also really wonderful use of colour with the green clouds and pink sky. I especially love Polzeath, the one with white-patterned sand and skies. What’s the inspiration behind this series?
I live in Cornwall, and apart from the stunning beauty of the area I live in, it is also rich in legends and it feels like the land itself breaths this ancient folkloric history. I find it very inspiring. Bywa means ‘to be alive’ in Cornish, or Kernuek. I thought this was an appropriate title especially given as the work became vividly coloured. The most recent pieces in the series, such as St Enodoc and Watergate, are almost made up entirely of dots and lines and are very intricate. St Enodoc even has a few lines of one of Sir John Betjeman’s poems half hidden in a cloud – he was very fond of this part of Cornwall and is now buried in the church.

Yellow

You do commissioned work for magazines, music and advertising. How did you go from being a design student to being a successful working artist?
After I graduated I was forced to do commercial work as a way of creating income but these projects were also useful in developing technical and artistic confidence and also a linguistic freedom. I have gradually tried to spend more and more time on my own work. I’m currently working some new ideas for an exhibition coming up, but also some commissions and other work.

Natasha Chambers

See more of Natasha Chambers’ work on her website.

Categories ,Alice Herrick, ,art, ,Beasts Royal, ,Brothers Grimm, ,Bywa, ,Cornwall, ,Deborah Curtis, ,Disney, ,Fairy tales, ,Gavin Turk, ,Hans Christian Andersen, ,House of Fairy Tales, ,Millennium Gallery, ,Natasha Chambers, ,nature, ,Newlyn Art Gallery, ,Saatchi Gallery, ,Sir John Betjeman, ,storytelling, ,The Last Tuesday Society, ,Viktor Wynd Fine Art

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